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Books on the topic 'Discours populaire'

Author: Grafiati

Published: 4 June 2021

Last updated: 3 February 2022

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1

Vieille, Paul. Le discours populaire de la révolution iranienne. Paris: Contemporanéité, 1990.

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2

Blum, Léon. Discours politiques. Paris: Impr. nationale éditions, 1997.

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3

Boureima, Alpha Gado. Développement à la base et participation populaire au Sahel: Discours et pratiques. [Niamey, Niger: s.n., 1994.

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4

Kalonda-ba-Mpeta, Huit Mulongo. Le théâtre populaire congolais au XXème siècle: Langue, langage et discours social. Lubumbashi [Congo]: Celtram, 2003.

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5

Nguesso, Denis Sassou. Pour l'Afrique: Discours prononcés par le président de la République populaire du Congo durant son mandat de président en exercice de l'Organisation de l'unité africaine, juillet 1986-juillet 1987. Paris: Groupe Media international, 1987.

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6

Subversive pleasures: Bakhtin, cultural criticism, and film. Baltimore: Johns Hopkins University Press, 1989.

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7

Cristiane Regina Arns de Oliveira. L'école et la famille dans les milieux populaires au Brésil: Discours parental et apprentissages scolaires. Paris: L'Harmattan, 2013.

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8

1951-, Skover David M., ed. The death of discourse. Boulder, Colo: Westview Press, 1996.

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9

Payer, Maria Onice. Educação popular e linguagem: Reprodução, confrontos e deslocamentos de sentidos. Campinas, SP, Brasil: Editora da Unicamp, 1993.

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10

Popular culture in modern France: A study of cultural discourse. London: Routledge, 1991.

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11

Popular culture, educational discourse, and mathematics. Albany: State University of New York Press, 1995.

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12

Claiming space: Discourses on gender, popular music, and social change. Göteborg: Academy of Music and Drama, University of Gothenburg, 2011.

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13

A hypersexual society: Sexual discourse, erotica, and pornography in America today. New York, NY: Plagrave Macmillan, 2008.

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14

Public discourse and academic inquiry. New York: Garland Pub., 1996.

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15

The cultural prison: Discourse, prisoners, and punishment. Tuscaloosa: University of Alabama Press, 1996.

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16

Rivadossi, Silvia. Sciamani urbani. Venice: Fondazione Università Ca’ Foscari, 2020. http://dx.doi.org/10.30687/978-88-6969-414-1.

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What does it mean to be a ‘shaman’ in present-day Tokyo today? In what way(s) is the role of the shamanic practitioner represented at a popular level? Are certain characteristics emphasised and others downplayed? This book offers an answer to these questions through the analysis of a specific discourse on shamans that emerged in the Japanese metropolitan context between the late 20th century and the first decade of the 21st century, a discourse that the more ‘traditional’ approaches to the study on shamanism do not take into account. In order to better contextualise this specific discourse, the volume opens with a brief historical account of the formation of the academic discourse on shamans. Within the theoretical framework offered by critical discourse analysis and by means of multi-sited ethnographic research, it then weaves together different case studies: three novels by Taguchi Randy, a manga, a TV series and the case of an urban shaman who is mostly active in Tokyo. The main elements emerging from these case studies are explored by situating them in the precise historical and social context within which the discourse has been developed. This shows that the new discourse analysed shares several characteristics with the more ‘traditional’ and accepted discourses on shamanism, while at the same time differing in certain respects. In this work, particular attention is given to how the category and term ‘shaman’ is defined, used and re-negotiated in the Japanese metropolitan context. Through this approach, the book aims to further problematize the categories of ‘shaman’ and ‘shamanism’, by highlighting certain aspects that are not yet accepted by many scholars, even though they constitute a discourse that is relevant and effective.

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17

1950-, Allen Kate, ed. Reading Japan cool: Patterns of manga literacy and discourse. Lanham, Md: Lexington Books, 2009.

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18

Perrot, Raymond. Le musée 2000 en quête d'une socialité perdue: Discours sur la tentative de transformer la réception d'un art contemporain sans racines populaires et sociales. Paris: E.C. Éditions, 2000.

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19

A charitable discourse: Talking about the things that divide us. Kansas City, Mo: Beacon Hill Press of Kansas City, 2010.

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20

Cultura nazionale e cultura popolare: Scritti e discorsi. Roma: Aracne, 2013.

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21

Ferguson, Russell. Discourses: Conversations in postmodern art and culture. New York: New Museum of Contemporary Art, 1992.

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22

Barry, Sanders. The private death of public discourse. Boston: Beacon Press, 1998.

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23

Młodzież i popkultura: Dyskursy światopoglądowe, recepcja i opór. Katowice: Wydawn. Uniwersytetu Śląskiego, 2009.

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24

"Das einfache wahre Abschreiben der Welt": Pop-Diskurse in der deutschen Literatur nach 1960. Göttingen: Vandenhoeck & Ruprecht, 2006.

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25

Raconter, démontrer, --survivre: Formes de savoirs et de discours dans la culture contemporaine. Ramonville Saint-Agne [France]: Érès, 2007.

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26

Talking American: Cultural discourses on Donahue. Norwood, N.J: Ablex Pub. Corp., 1988.

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27

Constructing crime: Discourse and cultural representations of crime and 'deviance'. Basingstoke: Palgrave Macmillan, 2012.

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28

Beyond words: Discourse and critical agency in Africa. Chicago, IL: University of Chicago Press, 2007.

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29

Raito noberu hyōgenron: Kaiwa sōzō asobi no disukōsu no kōsatsu. Tōkyō: Meiji Shoin, 2012.

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30

Tinker, Chris. Mixed messages: Youth magazine discourse and sociocultural shifts in Salut les copains (1962-1976). Oxford: Peter Lang, 2010.

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31

Following tradition: Folklore in the discourse of American culture. Logan, Utah: Utah State University Press, 1998.

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32

Ezra Pound, popular genres, and the discourse of culture. University Park, Pa: Pennsylvania State University Press, 1995.

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33

Shiach, Morag. Discourse on popular culture: Class, gender and history in cultural analysis, 1730 to the present. Cambridge: Polity in association with Blackwell, 1989.

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34

Rhodes, Chip. Structures of the Jazz Age: Mass culture, progressive education, and racial discourse in American modernism. London: Verso, 1998.

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35

Tinker, Chris. Mixed messages: Youth magazine discourse and sociocultural shifts in Salut les copains (1962-1976). Oxford: Peter Lang, 2010.

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36

Reading English discourse: Business, economics, law, and political science. Englewood Cliffs, NJ: Prentice-Hall, 1986.

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37

Discourse on popular culture: Class, gender, and history in cultural analysis, 1730 to the present. Stanford, Calif: Stanford University Press, 1989.

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38

Shiach, Morag. Discourse on popular culture: Class gender and history in cultural analysis, 1730 to the present. Cambridge: Polity, 1989.

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39

Structures of the Jazz Age: Mass culture, progressive education, and racial discourse in American modernist fiction. New York: Verso, 1998.

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40

Obedient sons: The discourse of youth and generations in American culture, 1630-1860. Amherst: University of Massachusetts Press, 1997.

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41

universitet, Rossiĭskiĭ gosudarstvennyĭ gumanitarnyĭ, and Institut russkogo i︠a︡zyka im. V.V. Vinogradova, eds. Eda po-russki v zerkale i︠a︡zyka: Russian food through the mirror of language. Moskva: Rossiĭskiĭ gosudarstvennyĭ gumanitarnyĭ universitet, 2013.

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42

Kŭndae Chosŏn ŭi taejung munye yŏn'gu: T'eksŭt'ŭ wa midiŏ. Sŏul T'ŭkpyŏlsi: Ŏmunhaksa, 2011.

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43

Kŭndae Chosŏn ŭi taejung munye yŏn'gu: T'eksŭt'ŭ wa midiŏ. Sŏul T'ŭkpyŏlsi: Ŏmunhaksa, 2011.

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44

Wordplay and the discourse of video games: Analyzing words, design, and play. New York: Routledge, 2012.

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45

1871-1961, Joachim Jules, ed. Les Jacobins de Delle: Procès-verbaux, discours et correspondances de la Société populaire (1791-1794). [Belfort]: Société belfortaine d'émulation, 1990.

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46

Raimund, Theis, Siepe Hans T, Universität Duisburg, and Colloque "Formes et fonctions de l'intertextualité dans la littérature française du 20e siècle (1985 : Duisburg, Germany), eds. Le Plaisir de l'intertexte: Formes et fonctions de l'intertextualité : roman populaire, surréalisme, André Gide, nouveau roman. 2nd ed. Frankfurt am Main: P. Lang, 1986.

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47

The Death of Discourse. 2nd ed. Carolina Academic Press, 2005.

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48

Watkins-Hayes, Celeste, and Elyse Kovalsky. The Discourse of Deservingness. Edited by David Brady and Linda M. Burton. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199914050.013.10.

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This article examines the trope of deservingness, one of the most enduring narratives used by government officials, the media, and the larger public to classify poor people and to determine whether they are worthy of assistance. It first considers the concept of deservingness and how it fits into popular explanations of poverty and the work of distributing public resources. It then describes the use of the concept of deservingness throughout the history of poor relief in the United States, with particular emphasis on how race, gender, and citizenship have been deployed to shape deservingness narratives in two important areas of social provision: cash assistance and health care. Finally, it reviews recent trends in the deployment of the deservingness/undeservingness discourse, highlighting areas that require more analysis.

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49

Jin, Dal Yong. Critical Discourse of K-pop within Globalization. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039973.003.0006.

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This chapter examines the transformation of K-pop in the early twenty-first century in a broader sociocultural context. It maps out whether hybridity has generated new creative cultures, ones that are free from Western dominance, or whether this trend eventually oppresses local music. The aim is therefore to investigate the different cultural stages and transition of popular music in Korea occurring within the unfolding logic of globalization and to interrogate the adequacy of cultural hybridity as a plausible framework to explain cultural phenomena currently under way. In particular, it analyzes the development of English mixed into the lyrics of Korean popular music in order to identify and examine several key factors involved in the rapid growth of K-pop and its influence in the New Korean Wave. From the perspective gained from the combined angles of critical cultural studies and textual analysis, new insights are generated into the emerging discourse of cultural hybridization in Korean popular music.

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50

Raimund, Theis, Siepe Hans T, Universität Duisburg, and Colloque "Formes et fonctions de l'intertextualité dans la littérature française du 20e siècle (1985 : Duisburg, Germany), eds. Le Plaisir de l'intertexte: Formes et fonctions de l'intertextualite : roman populaire, surréalisme, André Gide, Nouveau roman : actes du colloque à l'Université de Duisburg. Frankfurt am Main: P. Lang, 1986.

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