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1

Mihas, Paul. Learn to Use Discourse Analysis to Analyze Oral Discourse. 1 Oliver's Yard, 55 City Road, London EC1Y 1SP United Kingdom: SAGE Publications, Ltd., 2019. http://dx.doi.org/10.4135/9781526496041.

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2

Analyser les textes de communication. Paris: Armand Colin, 2005.

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3

Maingueneau, Dominique. Analyser les textes de communication. Paris: Dunod, 1998.

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4

An introduction to discourse analysis. Burnt Mill, Harlow, Essex, England: Longman, 1985.

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5

Approaches to discourse. Oxford, UK: B. Blackwell, 1994.

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6

Maingueneau, Dominique. Analyser les textes de communication. 2nd ed. Paris: Armand Colin, 2007.

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7

Daniel, Bain, ed. Le fonctionnement des discours: Un modèle psychologique et une méthode d'analyse. Neuchâtel: Delachaux et Niestlé, 1985.

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8

Renkema, J. Discourse studies: An introductory textbook. Amsterdam: John Benjamins, 1993.

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9

Paul, Siblot, and Verine Bertrand, eds. Termes et concepts pour l'analyse du discours: Une approche praxématique. Paris: Champion, 2001.

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10

Todorov, Tzvetan. Genres in discourse. Cambridge: Cambridge University Press, 1990.

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11

Renkema, J. Discourse studies: An introductory textbook. Amsterdam: J. Benjamins, 1993.

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12

Perinbanayagam, R. S. Discursive acts. New York: Aldine de Gruyter, 1991.

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13

Gourdeau, Gabrielle. Analyse du discours narratif. Boucherville, Québec: G. Morin, 1993.

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14

Gourdeau, Gabrielle. Analyse du discours narratif. Boucherville, Qué: Morin, 1993.

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15

Discourse analysis. Malden, Mass: Blackwell, 2002.

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16

Discourse analysis. 2nd ed. Malden, MA: Blackwell, 2007.

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17

Johnstone, Barbara. Discourse analysis. 2nd ed. Oxford: Blackwell, 2008.

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18

Widdowson, H. G. Discourse analysis. Oxford: Oxford University Press, 2007.

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19

Waring, Hansun Zhang. Discourse Analysis. New York, NY : Routledge, [2017]: Routledge, 2017. http://dx.doi.org/10.4324/9781315621340.

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20

Widdowson, H. G. Discourse analysis. Oxford: Oxford University Press, 2007.

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21

Discourse. Buckingham [England]: Open University Press, 2000.

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22

Mihas, Paul. Learn to Analyze Written Text Using Discourse Analysis. 1 Oliver's Yard, 55 City Road, London EC1Y 1SP United Kingdom: SAGE Publications, Ltd., 2019. http://dx.doi.org/10.4135/9781526496461.

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23

Constructing professional discourse: A multiperspective approach to domain-specific discourses. Newcastle upon Tyne: Cambridge Scholars, 2012.

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24

Antoniadès, Éléonore. Apprendre à bien écrire par les textes littéraires: Cahier de grammaire et d'exercices. 2nd ed. Anjou, Qc: CEC, 2002.

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25

Narrative analysis. Newbury Park, CA: Sage Publications, 1993.

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26

1959-, LeVine Philip, and Scollon Ronald 1939-, eds. Discourse and technology: Multimodal discourse analysis. Washington, D.C: Georgetown University Press, 2004.

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27

Confusing discourse. New York: Palgrave Macmillan, 2010.

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28

Mills, Sara. Discourse. London: Routledge, 1997.

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29

Discourse. London: Routledge, 2004.

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30

Isabela, Fairclough, ed. Political discourse analysis. New York: Routledge, 2012.

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31

Joo, Hwang Shin Ja, ed. Holistic discourse analysis. Dallas, Tex: SIL International, 2012.

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32

Introducing discourse analysis. London: Penguin English, 1993.

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33

Pêcheux, Michel. Automatic discourse analysis. Amsterdam: Rodopi, 1995.

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34

Critical discourse analysis. London: Continuum, 2004.

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35

Berger, Arthur Asa. Applied Discourse Analysis. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-47181-5.

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36

Wodak, Ruth. Critical Discourse Analysis. 1 Oliver's Yard, 55 City Road, London EC1Y 1SP United Kingdom: SAGE Publications Ltd, 2013. http://dx.doi.org/10.4135/9781446286289.

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37

Angermuller, Johannes. Poststructuralist Discourse Analysis. London: Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137442475.

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38

Weiss, Gilbert, and Ruth Wodak, eds. Critical Discourse Analysis. London: Palgrave Macmillan UK, 2003. http://dx.doi.org/10.1057/9780230288423.

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39

Weiss, Gilbert, and Ruth Wodak, eds. Critical Discourse Analysis. London: Palgrave Macmillan UK, 2003. http://dx.doi.org/10.1057/9780230514560.

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40

James Paul, Gee. Introducing Discourse Analysis. New York, NY : Routledge, 2018.: Routledge, 2017. http://dx.doi.org/10.4324/9781315098692.

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41

A pragmatic theory of rhetoric. Carbondale: Southern Illinois University Press, 1987.

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42

Siegmund, Gerald. Affect, Technique, and Discourse. Edited by Mark Franko. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199314201.013.7.

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Taking its examples from a European context, this chapter describes three possible ways of reenacting history in dance. First, it analyzes Martin Nachbar’s reconstruction of Dore Hoyer’s cycle of dances, Affectos Humanos, as a way of affecting bodies. Second, William Forsythe’s deconstruction of neo-classical ballet understands dance technique as a residue of dance history and the bodies it produces. Third, the work of the French Albrecht Knust Quartet on the notation of dances highlights choreography as writing and examines the score as the basis for possible reenactments. All three examples center around an impossibility that sets their reenactments adrift: the impossibility of the body of Dore Hoyer, the impossibility of perfectly incorporating dance technique, and the impossibility of translating the notation of Vaslav Nijinsky’s The Afternoon of a Faun into a definitive version of the piece.
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43

Jin, Dal Yong. Critical Discourse of K-pop within Globalization. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039973.003.0006.

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This chapter examines the transformation of K-pop in the early twenty-first century in a broader sociocultural context. It maps out whether hybridity has generated new creative cultures, ones that are free from Western dominance, or whether this trend eventually oppresses local music. The aim is therefore to investigate the different cultural stages and transition of popular music in Korea occurring within the unfolding logic of globalization and to interrogate the adequacy of cultural hybridity as a plausible framework to explain cultural phenomena currently under way. In particular, it analyzes the development of English mixed into the lyrics of Korean popular music in order to identify and examine several key factors involved in the rapid growth of K-pop and its influence in the New Korean Wave. From the perspective gained from the combined angles of critical cultural studies and textual analysis, new insights are generated into the emerging discourse of cultural hybridization in Korean popular music.
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44

Thurner, Christina. Affect, Discourse, and Dance before 1900. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252036767.003.0002.

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This chapter analyzes aesthetic treatises that historicize claims that see dance as an art of expression that projects emotions in an immediate fashion. Such a mythical understanding often prevails up to today. It emphasizes that important aspects of a major event in the history of dance—ballet reform in the eighteenth century—were actually prescribed in aesthetic discourse before their implementation on stage. The chapter also provides crucial historical background to the renewed interest in expression in dance after 1900. It shows that, from the eighteenth century onwards, the discourse of dance for the most part ignored the parameters that allow us to perceive the interaction between dancers and audience as immediate, as the double movement of an emotional relationship in motion. This made perfect sense in the context of ballet reform, and the associated paradigm shift toward a sensualist aesthetic, but it has only limited application to later developments in the art of dance.
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45

Socrates Meets Descartes: The Father of Philosophy Analyzes the Father of Modern Philosophy's Discourse on Method. Ignatius Press, 2007.

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46

Describing Discourse: A Practical Guide to Discourse Analysis (Hodder Arnold Publication). A Hodder Arnold Publication, 2006.

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47

Woods, Nicola. Describing Discourse: A Practical Guide to Discourse Analysis. Taylor & Francis Group, 2015.

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48

Paul, Joret, and Remael Aline, eds. Language and beyond : actuality and virtuality in the relations between word, image and sound =: Le language et ses au-dela : actualité et virtualité dans les rapports entre le verbe, l'image et le son. Amsterdam: Rodopi, 1998.

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49

Remael, Aline, and Paul Joret. Language And Beyond / Le Langage Et Ses Au-delA. Rodopi Bv Editions, 1998.

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50

Pearce, Kenneth L. Berkeley’s Early Thoughts on Language. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780198790334.003.0003.

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Berkeley’s rejection of meanings (intrinsically representational entities) requires a complete rethinking of the philosophy of mind and language. This chapter addresses Berkeley’s remarks on these subjects from the 1708 Manuscript Introduction to the 1721 essay De Motu. In these works, Berkeley analyzes several specific uses of language, including general words, operative language, and the technical discourses of math and science. In each case, Berkeley’s analysis proceeds by identifying the practical purposes at which the discourse aims and the conventional rules speakers follow in their use of words in order to attain those purposes. These considerations are designed to explain how words can be meaningful without having meanings.
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