Relevant bibliographies by topics / Discursive poetry

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Discursive poetry'

Author: Grafiati
Published: 4 June 2021
Last updated: 9 February 2022

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Journal articles on the topic "Discursive poetry"

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Serrani, Silvana. "Antologias, discurso e memória cultural: o dialogismo em compilações bilíngues de poesia argentina." Aletria: Revista de Estudos de Literatura 17, no. 1 (2015): 51–66. http://dx.doi.org/10.17851/2317-2096.17.1.51-66.

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Resumo: Neste texto o gênero antologia é abordado, da perspectiva da Análise do Discurso, enquanto lugar de memória (Courtine, 1994; Nora, 1996). Apresenta-se um estudo de caso com compilações bilíngues de poesia argentina: (Jozef, 1990; e Buarque de Holanda; Monteleone, 2003 – antologias em espanhol/português; Salas, 1996 – antologia em espanhol/francês; e Graham Yool; Saimolovich, 2004 – antologia em espanhol/inglês); também, em decorrência da análise, far-se-ão referências comparativas a antologias monolíngues. A partir do enfoque discursivo- dialógico (Bakhtin, 1984; Foucault, 1985; Pêcheu
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Dacko, D. "German Poetry Discourse in Cognitive and Communicative Internet Space of the XXI Century." Scientific Research and Development. Modern Communication Studies 8, no. 6 (2019): 34–38. http://dx.doi.org/10.12737/2587-9103-2019-34-38.

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The development of computer technology had a great influence on the structuring of modern discursive practices and led to the introduction of new types of discourse. In particular, the Internet discourse was founded, as well as a number of genres explicated in the Internet space. The purpose of this work is to identify the features of modern German poetry Internet discourse that is an underexplored phenomenon in the context of a cognitive-discursive paradigm. The author deals with the actual questions of study of dichotomy “discourse — (Internet) text” of the poetry discourse, Attention is als
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Luján Atienza, Ángel. "Elements for a Cognitive Analysis of Poetic Discourse." Verba Hispanica 26, no. 1 (2019): 213–32. http://dx.doi.org/10.4312/vh.26.1.213-232.

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This paper proposes the application of some of the analytical instruments developed in cognitive studies to poetic discourse as a preliminary step for a global treatment of poetry based on the principle of relevance. The lack of contributions of this type in the Hispanic field makes this exploration more important. This application has been structured according to the three levels of discourse analysis: the sentence level to which the principles of cognitive grammar are applied; the textual level, where the viability of the theory of textual worlds in poetry is shown; and the discursive level,
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Crous, M. "Aspekte van die outeursfunksie in Antjie Krog se Lady Anne (1989)." Literator 23, no. 3 (2002): 1–16. http://dx.doi.org/10.4102/lit.v23i3.340.

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Aspects of the author function in Antjie Krog’s Lady Anne (1989) The purpose of this essay is to investigate the Foucauldian notion of the so-called “author function” in Antjie Krog’s seventh volume of poetry, viz. Lady Anne (1989). It is an attempt to show how the notion of the death of the author (Barthes) links up with this theorisation of Foucault. Furthermore, it is also an attempt to indicate the characteristic features of the so-called “author function” in the late eighties in Afrikaans poetry, especially with regard to the conflict between aestheticism and political ideology in poetic
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Acim, Rachid. "THE UNTRANSLATABILITY OF SHAKESPEARE’S POETRY ON LOVE." Vertimo studijos 10, no. 10 (2018): 45. http://dx.doi.org/10.15388/vertstud.2017.10.11276.

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Translating Shakespeare’s poetry has been one of the most arduous questions that has pained many translators, researchers and academics worldwide. As this poetry involves many rhetorical devices, alternating between the use of keen imagery and intertextuality, it not only lends itself to ambiguity but also to untranslatability; moreover, the use of figures of speech such as similes, synecdoche and metaphors accord this poetry a discursive power that does not recede despite the evolution of the English language and the death of the poet many centuries ago. And while this poetry addresses a whol
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Oberlin, Adam. "Brittany Erin Schorn, Speaker and Authority in Old Norse Wisdom Poetry. Trends in Medieval Philology, 34. Berlin: de Gruyter, 2017, viii, 198 pp." Mediaevistik 31, no. 1 (2018): 387–88. http://dx.doi.org/10.3726/med012018_387.

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This slim volume, 155 pages apart from the introduction and back matter, is the revised version of a recent dissertation on the dialogic and discursive exchange of wisdom in the Gnomic genre of Old Norse-Icelandic Eddic poetry. As the author notes in the introduction (Ch. 1), this genre is well attended in the scholarly literature and many studies have addressed similar or adjacent topics. Five chapters after the introduction describe and investigate narrative and discursive aspects of wisdom poetry informed by a pre-Christian past but located firmly within a post-conversion manuscript context
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Leuci, Veronica. "Entre la tradición y la renovación: Ángel González y la reescritura retórica." Tropelías: Revista de Teoría de la Literatura y Literatura Comparada, no. 15-17 (February 26, 2011): 415. http://dx.doi.org/10.26754/ojs_tropelias/tropelias.200415-1719.

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El presente artículo propone abordar la obra poética de Ángel González a partir de la reapropiación de formas retóricas de raigambre tradicional. Específicamente, se propone la focalización en dos tipos discursivos: la égloga y el soneto, para ver de qué modo se recuperan desde la contemporaneidad tipologías de larga data en la trayectoria lírica.La retórica, pues, es pensada como una vía de acceso sumamente fructífera que permite relevar lazos filiatorios, continuidades y renovaciones con formas, tópicos, estéticas anteriores, en el marco de una poesía que no rechaza sino integra de manera no
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Duma, Mihai. "Pentru O Poetică A Ritmurilor Discursive În Lirica Blagiană." Lucian Blaga Yearbook 20, no. 1 (2019): 119–25. http://dx.doi.org/10.2478/clb-2019-0012.

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AbstractLucian Blaga’s writing merges into the boundaries of the European modernism both if we refer to the formal and the theoretical aspects of his work. His poetry shows us the deconstruction of the typical rhymed verse through the use of the white one. But as soon as poetry deconstructs the concepts of rhyme or meter as a necessity to define the formal aspects of writing, there is the resistant concept of rhythm which shows himself a plural concept. The aim of this paper is to investigate rhythm in the poetical creation of Lucian Blaga not as the asset of formal constructions, but as it wa
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Kershaw, Matt. "Poetry as Antidote to Toxic Certainty." Lumen et Vita 9, no. 2 (2019): 29–44. http://dx.doi.org/10.6017/lv.v9i2.11127.

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In examining the discursive environment surrounding the Great War (1914-1918), one finds a familiar reduction of reality into flat and mutually exclusive binaries written in what Robert Graves called "Newspaper Language." In this article, I suggest such discursive flattening to be both unproductive and dehumanizing, employing the term "toxic certainty" to refer to language used by a given partisan over and against the perceived other, where the rhetorical force of an assertion is taken to be the proof of that assertion. To counter dehumanizing discourse both in and out of the pulpit, I suggest
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López Fernández, Laura. "Nuevas formas y soportes de escritura poética en Latinoamérica." Monteagudo 24 (October 23, 2019): 161–77. http://dx.doi.org/10.6018/monteagudo.400221.

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En este artículo se exploran distintas modalidades de escritura experimental en Latinoamérica, desde la perspectiva de la función que ejercen los medios y tecnologías en el proceso compositivo. A pesar de la heterogeneidad de estilos, se hace hincapié en ciertas constantes y en sus implicaciones discursivas debido a que proponen un cambio de paradigma estético y cultural que rompe con las expectativas tradicionales de lo que se entiende por texto, poema, autor y lector. Dentro de esta línea creativa se sitúan escrituras como IP Poetry de Gustavo Romano, la biopoesía de eduardo Kac, las instala
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Dissertations / Theses on the topic "Discursive poetry"

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Lindeman, Harriet. "Spoken Resistance: Slam Poetry Performance as a Diasporic Response to Discursive Violence." Scholarship @ Claremont, 2017. http://scholarship.claremont.edu/scripps_theses/1032.

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This project foregrounds the work and perspectives of spoken word poets of Middle Eastern and North African (MENA) descent in connection to the NYC slam poetry scene. I trace the parallel racialization of MENA diaspora communities in the US and the development of slam poetry as a space for raising “othered” voices. Through ethnographic analysis, I consider slam poetry as a site of intersectional struggle, arguing that the engagement of MENA diaspora poets with this scene reveals the ways in which poetry both constitutes resistance to discursive violence through representation and works to mobi
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Smith, Richard S. "The Possibility of Actual Happiness." Ohio University / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1306942305.

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Saedi, Ghareeb. "Foreign affinities : Arabic translations of English poetry and their impact on Modern Arabic verse : a discursive approach." Thesis, SOAS, University of London, 2018. http://eprints.soas.ac.uk/30281/.

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This is the first discursive study to examine the Arabic translations of a number of major modern poems in the English language in particular T.S. Eliot's 'The Waste Land' and Walt Whitman's 'Song of Myself'. These translations were done by the Arab translators who were themselves modernist poets, including Badr Shakir al- Sayyab, to whom a separate chapter is dedicated as a case study. The thesis begins by underlining the relationship between translation and modernity by reviewing some critical studies and translational strategies. The framework allows me to approach the given poems comprehen
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Sewell, Janice. "The art of imitation in the order of things : poetry, rhetoric, and the discursive formation of English." Thesis, University of Birmingham, 2003. http://etheses.bham.ac.uk//id/eprint/1794/.

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The first part of this thesis offers an analysis of Elizabethan poetical treatises, such as Philip Sidney’s Apology for Poetry, in terms of Michel Foucault’s discursive formations, and the ways in which they were instrumental in redefining the sixteenth century literary terrain of poetry, prose, drama, poetics and literary criticism. It examines the role of contributory factors such as the Puritan attack, Renaissance humanism, the Ramist reform of logic and rhetoric, increased levels of literacy and printing. It explores conflicting definitions of poetry in the early modern period and its chan
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Gwee, Li Sui. "Ages of Newtonian space : the discursive influence of a scientific idea in the poetry of Blackmore, Pope and Novalis." Thesis, Queen Mary, University of London, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.408229.

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Erken, Geneviève. "L'hétérogénéité discursive en poésie: description, narration, argumentation chez Norge, Henri Michaux, Francis Ponge." Doctoral thesis, Universite Libre de Bruxelles, 2005. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/211056.

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Le texte poétique devient, au XXe siècle, de plus en plus difficile à définir. Il a perdu plusieurs attributs qui aidaient autrefois à le caractériser (vers, rimes, parallélismes), et ne se laisse pas non plus circonscrire par le biais du lyrisme :bon nombre de poètes, en effet, ont abandonné le programme de la "poésie pure" pour renouer avec un art descriptif, narratif ou argumentatif. Dès lors, faut-il considérer que l'organisation poétique n'est qu'une structure de surface qui se surajoute à un type de texte de base, en entraînant certaines conséquences sur le plan sémantique et grammatical
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Provase, Lucius. "Lastro, rastro e historicidades distorcidas: uma leitura dos anos 70 a partir de Galáxias." Universidade de São Paulo, 2016. http://www.teses.usp.br/teses/disponiveis/8/8151/tde-16082016-150905/.

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Neste trabalho proponho uma relação entre literatura e história a partir do conceito de historicidades distorcidas. Partindo da obra galáxias, de Haroldo de Campos, volto-me aos anos 70 para pensar uma historicidade que consiga levar em contas as múltiplas historicidades em jogo, muitas vezes entrecruzando-se, sem que se caia no relativismo ou em uma nova tentativa de construir narrativas. Para tanto, sob o conceito de historicidades distorcidas, mostro que o regime de historicidade de um poema é relacional, ou seja, só existe em relação a um outro regime de historicidade, seja ele do leitor,
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Bem, Lucy Ana de 1979. "O amor e a guerra no livro I d'Os amores de Ovidio." [s.n.], 2007. http://repositorio.unicamp.br/jspui/handle/REPOSIP/269179.

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Orientador: Paulo Sergio de Vasconcellos<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem<br>Made available in DSpace on 2018-08-08T03:30:06Z (GMT). No. of bitstreams: 1 Bem_LucyAnade_M.pdf: 1381102 bytes, checksum: 5c9a54105f6fd8923369f803a7e85cbd (MD5) Previous issue date: 2007<br>Resumo: Este trabalho de pós-graduação propõe a tradução latina-portuguesa e a análise lingüística e literária do livro I d¿Os Amores de Ovídio. Essa análise visa principalmente o(s) discurso(s) que compõem o volumen: acreditamos que o discurso elegíaco, típico da p
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Portella, Kátia Aparecida Ferreira Generoso. "A linguagem como prática social : conceitos bakhtinianos fomentando a arte lírica de expressar-se /." Assis, 2020. http://hdl.handle.net/11449/192440.

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Orientador: Odilon Helou Fleury Curado<br>Resumo: Em virtude da assertiva de que as práticas de ensino da língua materna apregoadas nos últimos anos, nas salas de aula brasileiras, seguem, comumente, o modelo monológico, ou seja, aquele centralizado em um único locutor, que se configura como o professor-avaliador, enveredamo-nos para a discussão da relevância de adotarmos uma educação dialógica, sobretudo, nas séries que compõem o Ensino Fundamental em seus anos finais. Tal argumento se respalda nos preceitos sócio-histórico/dialógico engendrados por Vigotski (2010) e Bakhtin (2003), bem como
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Fedosse, Elenir 1962. "Processos alternativos de significação de um poeta afasico." [s.n.], 2008. http://repositorio.unicamp.br/jspui/handle/REPOSIP/269141.

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Orientador: Maria Irma Hadler Coudry<br>Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem<br>Made available in DSpace on 2018-08-11T14:45:49Z (GMT). No. of bitstreams: 1 Fedosse_Elenir_D.pdf: 1944606 bytes, checksum: 8e98a0efdf35e44d098a6cdc84d8c1c3 (MD5) Previous issue date: 2008<br>Resumo: Esta pesquisa se ocupa da análise de fatos lingüístico-cognitivos/psíquicos de um poeta afásico (SL). Adota a perspectiva teórico-metodológica da Neurolingüística Discursiva (ND) desenvolvida na UNICAMP por Coudry, desde 1988 e, nesse sentido, parte do princípio de q
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Books on the topic "Discursive poetry"

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Le pacte lyrique: Configuration discursive et interaction affective. Mardaga, 2003.

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Amsler, Mark. The Medieval Life of Language. Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789463721929.

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The Medieval Life of Language: Grammar and Pragmatics from Bacon to Kempe explores the complex history of medieval pragmatic theory and ideas and metapragmatic awareness across social discourses. Pragmatic thinking about language and communication is revealed in grammar, semiotics, philosophy, and literature. Part historical reconstruction, part social history, part language theory, Amsler supplements the usual materials for the history of medieval linguistics and discusses the pragmatic implications of grammatical treatises on the interjection, Bacon’s sign theory, logic texts, Chaucer’s poet
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Metamorfosis discursivas: Tenerorum lusor amorum Publio Ovidio Nasón. Peter Lang, 2015.

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Verb in Archaic Biblical Poetry: A Discursive, Typological, and Historical Investigation of the Tense System. BRILL, 2013.

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Notarius, Tania. Verb in Archaic Biblical Poetry Vol. 168: A Discursive, Typological, and Historical Investigation of the Tense System. BRILL, 2013.

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Ziogas, Ioannis. Law and Love in Ovid. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198845140.001.0001.

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In classical scholarship, the presence of legal language in love poetry is commonly interpreted as absurd and incongruous. Ovid’s legalisms have been described as frivolous, humorous, and ornamental. This book challenges this widespread, but ill-informed view. Legal discourse in Latin love poetry is not incidental, but fundamental. Inspired by recent work in the interdisciplinary field of law and literature, the book argues that the Roman elegiac poets point to love as the site of law’s emergence. The Latin elegiac poets may say ‘make love, not law’, but in order to make love, they have to mak
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Hanink, Johanna. Pausanias’ Dead Poets Society. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198826477.003.0012.

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This chapter examines the tombs of poets in Pausanias’ Description of Greece. It argues that the buried bones of ancient poets, and of heroes featured in their poetry, function as a kind of root system that, in Pausanias’ imagination, nourishes the sacred landscape of Greece, ensuring that the memories it holds always stay lush with life. For Pausanias, poets, through their deaths and their graves, become part of the mythical history that is itself a product of the poets’ imaginations. That history is, within the discursive topography of Pausanias’ Description, embodied—and entombed—in a lands
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Owen, Stephen. Key Concepts of “Literature”. Edited by Wiebke Denecke, Wai-Yee Li, and Xiaofei Tian. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199356591.013.1.

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“Literature” is a discursive field that is bounded by other discursive fields that are “not literature.” Reflection on that field as such can be traced to the early second century ce under the category wen. Wen was a much older and broader category that characterized certain qualities in a text, a person, or even the condition of an age. Critical reflection on wen was sustained for about four centuries, but the elusiveness of the term blurred the bibliographical category. Gradually, in the eighth and ninth centuries, critical discourse shifted to the large genre categories, to poetry and to we
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Vergados, Athanassios. Hesiod's Verbal Craft. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198807711.001.0001.

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This study aims to define Hesiod’s place in early Greek intellectual history by exploring a network of issues related to language, knowledge, and authority in Hesiod’s Theogony and Works and Days. Part I demonstrates how much we can learn about the poet’s craft and his relation to the poetic tradition if we read his etymologies carefully. At the same time, Parts I and II together discuss aspects of the ‘correctness of language’: this correctness does not amount to a naïvely assumed one-to-one correspondence between signifier and signified. Correct names and correct language are ‘true’ because
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Barrett, Chris. Milton’s Paradise Lost and the Atlas of Violence. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198816874.003.0004.

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Like Faerie Queene and Poly-Olbion, Milton’s Paradise Lost interrogates the essential meaning-making structures of poetry, using the enabling, distortive logics of cartography to think the work of representation. This chapter considers the ways the map’s origin as product of the military arms race haunts Milton’s epic, and how the poem probes the map’s tendency to disrupt the figurative structures on which poetry relies. Space, consciously framed for discursive consideration, defies the poem’s dominant use of simile and analogy, and the disruptions posed by the landscapes in Paradise Lost dest
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Book chapters on the topic "Discursive poetry"

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Rokem, Freddie. "Discursive Practices and Narrative Models: History, Poetry, Philosophy." In History, Memory, Performance. Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137393890_2.

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Becket, Fiona. "The Sensual Body in Lawrence’s Early Discursive Writing." In D. H. Lawrence The Thinker as Poet. Palgrave Macmillan UK, 1997. http://dx.doi.org/10.1057/9780230378995_3.

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Becket, Fiona. "Thinking Poetically in the Early Discursive Writing: The Birth of the Self." In D. H. Lawrence The Thinker as Poet. Palgrave Macmillan UK, 1997. http://dx.doi.org/10.1057/9780230378995_2.

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"THE DISCURSIVE ASPECT OF POETRY." In The Situation of Poetry. Princeton University Press, 2020. http://dx.doi.org/10.2307/j.ctv15r5dc9.9.

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"Chapter 2. Discursive Practices: Poetry as Power." In Literature, Exile, Alterity. Academic Studies Press, 2019. http://dx.doi.org/10.1515/9781618114044-005.

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Bowe, David. "Guido Cavalcanti." In Poetry in Dialogue in the Duecento and Dante. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198849575.003.0004.

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Chapter 3 introduces Guido Cavalcanti’s radically internalized model of poetic subjectivity as a point of contrast with the other poets in this study. The chapter demonstrates Cavalcanti’s resistance towards any sort of unitary poetics or accounts of self and his ambivalence towards religious authority as a source of literary validation. Cavalcanti’s divergence from his predecessors is demonstrated through analysis of his own poetry in dialogue with the works of Guittone, Guinizzelli, and Dante. The chapter explores Cavalcanti’s alternative model of subjectivity and love poetry, in which his texts perform an irreducibly polyphonic subjectivity through multiple personifications, justified by natural philosophy. This analysis foregrounds the importance of an intra-discursive dialogism, in which poetry and subjectivity are generated through tensions and internalized dialogues.
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McCarthy, Kathleen. "Poetry as Conversation." In I, the Poet. Cornell University Press, 2019. http://dx.doi.org/10.7591/cornell/9781501739552.003.0002.

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This chapter discusses the conversational model of positioning the agency of the poet in relation to the speech and events depicted in the storyworld. This model quite strongly segregates the poet's artistic motivations from those of the speaker by heightening the sense that the speaker is reacting to his immediate context and minimizing his consciousness of the poetic status of his words. Poems structured on this model may or may not give a full picture of storyworld events, but the speaker's language tends to highlight features like questions and imperatives or shorter and simpler sentences. This model can be called “conversational,” not because its style is particularly colloquial, but because it situates the speaker's language as an attempt to meet needs in his social and emotional environment. Significantly, such poems exhibit a high degree of artistic polish and thus offer ample evidence of the poet's artistic agency and motivations, but these discursive features are not linked to the speaker's agency in the storyworld. The overall effect, then, makes clear the distance between the speaker's wholehearted focus on his own world and the poet's careful orchestration of the poetic discourse, thus expressing structurally the distinction between speaker and poet, in spite of the first-person form and in spite of the speaker's characterization as a poet. The chapter then analyzes the poems in Sextus Propertius's first book, which forcefully demonstrates this model.
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Romero, Joseph M. "‘From atop a lofty wall…’." In Greek Epigram from the Hellenistic to the Early Byzantine Era. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198836827.003.0017.

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Chapter 17 examines how poets engage with philosophers and philosophy in epigram, at times modelling and championing the views of the philosopher, at others distancing themselves sharply from their subjects. The theme is sufficiently pronounced as to constitute a thematic subgenre from Callimachus to the end of classical antiquity. Careful study is paid to individual poems representative of different periods and to the techniques most commonly employed, ‘praise’ and ‘blame’. The chapter further argues that in several epigrams poets employ the recusatio to disavow philosophy both as a genre and as a discursive medium and champion instead epigram and poetry writ large as humbler and superior discursive modes.
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"Modernist poetry and discursive logic (T. S. Eliot, “The Love Song of J. Alfred Prufrock”)." In The Craft of Poetry. Routledge, 2015. http://dx.doi.org/10.4324/9781315724980-13.

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Karageorgou-Bastea, Christina. "Luis Cernuda’s “Historial de un libro”: A Travelogue." In Transatlantic Studies. Liverpool University Press, 2019. http://dx.doi.org/10.3828/liverpool/9781789620252.003.0015.

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The essay offers a reading of Luis Cernuda's intellectual biography, "Historial de un libro" (Chronicle of a Book), a travelogue where the author traces the routes through which his poetry was generated. In the chronicle life and poetry unfold in tandem and refract under mutual illumination. Cernuda's response to the voices with which he meets on his way from Spain to the New World forges a poetics of crossings, while it extends bridges between physical, metaphorical, and discursive territories. From a temporal and spatial point of view beyond the end of the journey, life and art form a horizon towards which the traveler is headed and on which, at the end, the poet inscribes his diaspora across countries and continents as translation and interpretation of a poetic continuum made of lived experience, literary depiction, and critical reading.
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Conference papers on the topic "Discursive poetry"

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Hadzantonis, Michael. "Shifting the Semangat: Parallelism in the Central Indonesian Mantra." In GLOCAL Conference on Asian Linguistic Anthropology 2020. The GLOCAL Unit, SOAS University of London, 2020. http://dx.doi.org/10.47298/cala2020.1-2.

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Abstract:
The Javanese mantra, is a communicative act, and a spiritual dialogue. During the mantra ritual, the shaman Orang Pinter and supplicant receiving the intervention select become equal agents, as they intervene for change in the cultural and spiritual disposition of the supplicant. But in this paper. The presentation discusses ethnographic work over 10 years during which over 1500 mantras were documented throughout central to east Java, Indonesia, To effect the documentation process, I engaged with a range of communities and individuals throughout Java, that is, Yogyakarta, Solo, Surabaya, Alas
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