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Journal articles on the topic 'Discursive poetry'

Author: Grafiati

Published: 4 June 2021

Last updated: 9 February 2022

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1

Serrani, Silvana. "Antologias, discurso e memória cultural: o dialogismo em compilações bilíngues de poesia argentina." Aletria: Revista de Estudos de Literatura 17, no. 1 (2015): 51–66. http://dx.doi.org/10.17851/2317-2096.17.1.51-66.

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Resumo: Neste texto o gênero antologia é abordado, da perspectiva da Análise do Discurso, enquanto lugar de memória (Courtine, 1994; Nora, 1996). Apresenta-se um estudo de caso com compilações bilíngues de poesia argentina: (Jozef, 1990; e Buarque de Holanda; Monteleone, 2003 – antologias em espanhol/português; Salas, 1996 – antologia em espanhol/francês; e Graham Yool; Saimolovich, 2004 – antologia em espanhol/inglês); também, em decorrência da análise, far-se-ão referências comparativas a antologias monolíngues. A partir do enfoque discursivo- dialógico (Bakhtin, 1984; Foucault, 1985; Pêcheu

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2

Dacko, D. "German Poetry Discourse in Cognitive and Communicative Internet Space of the XXI Century." Scientific Research and Development. Modern Communication Studies 8, no. 6 (2019): 34–38. http://dx.doi.org/10.12737/2587-9103-2019-34-38.

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The development of computer technology had a great influence on the structuring of modern discursive practices and led to the introduction of new types of discourse. In particular, the Internet discourse was founded, as well as a number of genres explicated in the Internet space. The purpose of this work is to identify the features of modern German poetry Internet discourse that is an underexplored phenomenon in the context of a cognitive-discursive paradigm. The author deals with the actual questions of study of dichotomy “discourse — (Internet) text” of the poetry discourse, Attention is als

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3

Luján Atienza, Ángel. "Elements for a Cognitive Analysis of Poetic Discourse." Verba Hispanica 26, no. 1 (2019): 213–32. http://dx.doi.org/10.4312/vh.26.1.213-232.

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This paper proposes the application of some of the analytical instruments developed in cognitive studies to poetic discourse as a preliminary step for a global treatment of poetry based on the principle of relevance. The lack of contributions of this type in the Hispanic field makes this exploration more important. This application has been structured according to the three levels of discourse analysis: the sentence level to which the principles of cognitive grammar are applied; the textual level, where the viability of the theory of textual worlds in poetry is shown; and the discursive level,

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Crous, M. "Aspekte van die outeursfunksie in Antjie Krog se Lady Anne (1989)." Literator 23, no. 3 (2002): 1–16. http://dx.doi.org/10.4102/lit.v23i3.340.

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Aspects of the author function in Antjie Krog’s Lady Anne (1989) The purpose of this essay is to investigate the Foucauldian notion of the so-called “author function” in Antjie Krog’s seventh volume of poetry, viz. Lady Anne (1989). It is an attempt to show how the notion of the death of the author (Barthes) links up with this theorisation of Foucault. Furthermore, it is also an attempt to indicate the characteristic features of the so-called “author function” in the late eighties in Afrikaans poetry, especially with regard to the conflict between aestheticism and political ideology in poetic

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Acim, Rachid. "THE UNTRANSLATABILITY OF SHAKESPEARE’S POETRY ON LOVE." Vertimo studijos 10, no. 10 (2018): 45. http://dx.doi.org/10.15388/vertstud.2017.10.11276.

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Translating Shakespeare’s poetry has been one of the most arduous questions that has pained many translators, researchers and academics worldwide. As this poetry involves many rhetorical devices, alternating between the use of keen imagery and intertextuality, it not only lends itself to ambiguity but also to untranslatability; moreover, the use of figures of speech such as similes, synecdoche and metaphors accord this poetry a discursive power that does not recede despite the evolution of the English language and the death of the poet many centuries ago. And while this poetry addresses a whol

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Oberlin, Adam. "Brittany Erin Schorn, Speaker and Authority in Old Norse Wisdom Poetry. Trends in Medieval Philology, 34. Berlin: de Gruyter, 2017, viii, 198 pp." Mediaevistik 31, no. 1 (2018): 387–88. http://dx.doi.org/10.3726/med012018_387.

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This slim volume, 155 pages apart from the introduction and back matter, is the revised version of a recent dissertation on the dialogic and discursive exchange of wisdom in the Gnomic genre of Old Norse-Icelandic Eddic poetry. As the author notes in the introduction (Ch. 1), this genre is well attended in the scholarly literature and many studies have addressed similar or adjacent topics. Five chapters after the introduction describe and investigate narrative and discursive aspects of wisdom poetry informed by a pre-Christian past but located firmly within a post-conversion manuscript context

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7

Leuci, Veronica. "Entre la tradición y la renovación: Ángel González y la reescritura retórica." Tropelías: Revista de Teoría de la Literatura y Literatura Comparada, no. 15-17 (February 26, 2011): 415. http://dx.doi.org/10.26754/ojs_tropelias/tropelias.200415-1719.

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El presente artículo propone abordar la obra poética de Ángel González a partir de la reapropiación de formas retóricas de raigambre tradicional. Específicamente, se propone la focalización en dos tipos discursivos: la égloga y el soneto, para ver de qué modo se recuperan desde la contemporaneidad tipologías de larga data en la trayectoria lírica.La retórica, pues, es pensada como una vía de acceso sumamente fructífera que permite relevar lazos filiatorios, continuidades y renovaciones con formas, tópicos, estéticas anteriores, en el marco de una poesía que no rechaza sino integra de manera no

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Duma, Mihai. "Pentru O Poetică A Ritmurilor Discursive În Lirica Blagiană." Lucian Blaga Yearbook 20, no. 1 (2019): 119–25. http://dx.doi.org/10.2478/clb-2019-0012.

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AbstractLucian Blaga’s writing merges into the boundaries of the European modernism both if we refer to the formal and the theoretical aspects of his work. His poetry shows us the deconstruction of the typical rhymed verse through the use of the white one. But as soon as poetry deconstructs the concepts of rhyme or meter as a necessity to define the formal aspects of writing, there is the resistant concept of rhythm which shows himself a plural concept. The aim of this paper is to investigate rhythm in the poetical creation of Lucian Blaga not as the asset of formal constructions, but as it wa

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9

Kershaw, Matt. "Poetry as Antidote to Toxic Certainty." Lumen et Vita 9, no. 2 (2019): 29–44. http://dx.doi.org/10.6017/lv.v9i2.11127.

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In examining the discursive environment surrounding the Great War (1914-1918), one finds a familiar reduction of reality into flat and mutually exclusive binaries written in what Robert Graves called "Newspaper Language." In this article, I suggest such discursive flattening to be both unproductive and dehumanizing, employing the term "toxic certainty" to refer to language used by a given partisan over and against the perceived other, where the rhetorical force of an assertion is taken to be the proof of that assertion. To counter dehumanizing discourse both in and out of the pulpit, I suggest

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López Fernández, Laura. "Nuevas formas y soportes de escritura poética en Latinoamérica." Monteagudo 24 (October 23, 2019): 161–77. http://dx.doi.org/10.6018/monteagudo.400221.

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En este artículo se exploran distintas modalidades de escritura experimental en Latinoamérica, desde la perspectiva de la función que ejercen los medios y tecnologías en el proceso compositivo. A pesar de la heterogeneidad de estilos, se hace hincapié en ciertas constantes y en sus implicaciones discursivas debido a que proponen un cambio de paradigma estético y cultural que rompe con las expectativas tradicionales de lo que se entiende por texto, poema, autor y lector. Dentro de esta línea creativa se sitúan escrituras como IP Poetry de Gustavo Romano, la biopoesía de eduardo Kac, las instala

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Couto, Elvis Paulo. "A poesia espacial em O deserto dos tártaros, de Dino Buzzati." Scriptorium 5, no. 1 (2019): 32955. http://dx.doi.org/10.15448/2526-8848-2019.1.32955.

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Este artigo tem por objetivo analisar a poesia espacial – a expressão é de Max Milner – em O deserto dos tártaros (1940), de Dino Buzzati. Embora seja frequentemente classificado como romance, demonstramos que esse texto é, na verdade, uma narrativa poética. À luz, sobretudo, da teoria de Tadié em Le récit poétique (1978), investigamos a categoria do espaço, pois ela constrói as formas poéticas que, geralmente, contrariam a lógica do gênero romanesco. Nosso foco é tripartido em: 1) análise dos aspectos que conferem centralidade ao espaço; 2) exame da criação de imagens discursivas; 3) sondagem

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Cascardi, A. J. "Poetry as Political Foundationalism; or, The Dangers of Discursive Dominance." Modern Language Quarterly 54, no. 3 (1993): 393–404. http://dx.doi.org/10.1215/00267929-54-3-393.

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13

Claude, Calame. "Il soggetto che si dice nella poesia melica greca. Finzione enunciatva, immagini poetiche e pragmatica." PARADIGMI, no. 3 (November 2009): 85–99. http://dx.doi.org/10.3280/para2009-003007.

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- Poetic images and Pragmatics Starting from Benveniste's analyses of historical enunciation, the nature of pronouns and the subjectivity of language, this essay focuses on that the kind of subjectivity implied in much Greek lyric poetry, especially in Pindar. By means of discursive tools, the narration builds an exclusively verbal image of the "I", which comes before any reference to elements external to the text. In this way, the "I" stands for an enunciative, pragmatic and polyphonic subject: it is, indeed, the actor (singer, tragic actor, choral group) of a ritualized situation. This perfo

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14

Walker, Jeffrey. "Before the Beginnings of “Poetry” and “Rhetoric”: Hesiod on Eloquence." Rhetorica 14, no. 3 (1996): 243–64. http://dx.doi.org/10.1525/rh.1996.14.3.243.

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Abstract: Traditional histories of rhetoric assume that the practical oratory of lawcourts and political assemblies is the “primary,” original form of rhetoric in its “preconceptual” or predisciplinary origins in archaic Greece. Hesiod's “Hymn to the Muses,” however, presents both prince and bard as practicing an art of psychagogic suasion, and presents the prince's discursive power as dependent on, and derived from, the paradigms of eloquence and wisdom embodied in the epideictic/poetic discourse of the bard: epideictic is the “primary” form of “rhetoric” in Hesiod's world. Hesiod's account a

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Chanely Silva Recarte, Patrícia. "Pela Luz de uma Canção em Terras Estranhas: a Referência à Música Pop Anglófona na Poesia de Rui Pires Cabral*." Revista de Estudos Anglo-Portugueses/Journal of Anglo-Portuguese Studies, no. 27 (2018): 347–82. http://dx.doi.org/10.34134/reap.1991.208.2711.

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This essay analyzes the references to Anglophone pop music in Rui Pires Cabral’s poetry, especially some quotes that inserts in the poems excerpts of songs belonging to universe of jazz or to the underground scene of the post-punk movement. Such approximation between poetry and music in this contemporary work it is still necessary to question how this procedure operates in a context in which the evocation of the musical element usually consists in the verifcation of its loss in a poetry that has been increasingly conceived like discursive or prosodic for excellence.

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Cabri, Louis. "Discursive Events in the Electronic Archive of Postmodern and Contemporary Poetry." ESC: English Studies in Canada 30, no. 1 (2004): 51–72. http://dx.doi.org/10.1353/esc.2004.0003.

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Sinelnikova, Lara N., and Larisa V. Selezneva. "On poetic emotiology in poetry and beyond." Slovo.ru: Baltic accent 12, no. 3 (2021): 17–33. http://dx.doi.org/10.5922/2225-5346-2021-3-2.

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The article presents material supporting the thesis about the discourse register of emotions in their movement from poetic communications to non-poetic ones. The subjects of the description are emotives — linguistic signs of emotions. The part of the article that deals with poetry interprets emotives in multiple aspects: in the aspect of the grammar of poetic language and in their figurative representation. Within the frames of such grammatical categories as the imperative and subjunctive moods, emotives acquire typologically significant cognitive and semantic characteristics: a drive to disp

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18

Kikas, Kristiine. "Reading for Senseation in Poetry." Deleuze and Guattari Studies 15, no. 3 (2021): 432–57. http://dx.doi.org/10.3366/dlgs.2021.0449.

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The article, as part of ongoing research, is a theoretical account of the workings of affect and affectivity in the process of reading poetry, closing with an illustrative reading. It takes heed of the criticism of the terminology employed in affect studies and the employability of affect in critical discourse as an operative category. The study shows that the difficulty in the applicability of affect in discursive situations lies in its nature – in its being at once experienceable, yet impalpable. As a consequence, the article proposes the need to relocate the perspective within the reading f

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Ohito, Esther O., and Tiffany M. Nyachae. "Poetically Poking at Language and Power: Using Black Feminist Poetry to Conduct Rigorous Feminist Critical Discourse Analysis." Qualitative Inquiry 25, no. 9-10 (2018): 839–50. http://dx.doi.org/10.1177/1077800418786303.

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Entanglements of power, language, identities, and ideologies perturb Black feminist poets and Critical Discourse Analysis (CDA) scholars alike. Here, we detail our use of Black feminist poetry to address concerns with rigor in CDA. We marry Black feminist theorizing about language to feminist CDA to illuminate how—for qualitative data analysis—poetry can foster rigor. Poetry also illuminates the suitability of feminist CDA for the Black feminist project of unveiling Black women’s discursive subjugation. Through poetry, we deconstruct and reconstruct initial analysis of data, then construct new

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20

Sokolova, O. V. "War and Language in Italian Futurism, Russian Cubofuturism and British Vorticism (Cognitive-Discursive Approach)." Critique and Semiotics 37, no. 2 (2019): 229–48. http://dx.doi.org/10.25205/2307-1737-2019-2-229-248.

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The paper explores the conceptualization of war in the texts of different avant-garde movements. The article considers the case of manifestos, articles, journal issues and poetic collections of Italian Futurism, Russian Cubofuturism and British Vorticism, primarily, texts by F. T. Marinetti, V. Mayakovsky and W. Lewis. The war served as a trigger for artistic and language experiments. That is why Benjamin’s conception of “politicization of aesthetics” and Deleuze and Guattari’s conception of the “war machine” are relevant for the analysis. The text analysis is based on discourse-pragmatic and

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Monroe, Jonathan. "Urgent Matter." Konturen 8 (October 9, 2015): 8. http://dx.doi.org/10.5399/uo/konturen.8.0.3697.

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Opening questions about “things” onto the bureaucratically-maintained, compartmentalized discursive, disciplinary claims of “philosophy,” “theory,” and “poetry,” “Urgent Matter” explores these three terms in relation to one another through attention to recent work by Giorgio Agamben, Jacques Rancière, the German-American poet Rosmarie Waldrop, and the German poet Ulf Stolterfoht, whose fachsprachen. Gedichte. I-IX (Lingos I-IX. Poems) Waldrop rendered into English in an award-winning translation. The difference between the "things" called "poetry" and "philosophy," as now institutionalized wit

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Leggo, Carl. "Lifewriting: A Poet’s Cautionary Tale." LEARNing Landscapes 4, no. 1 (2010): 67–84. http://dx.doi.org/10.36510/learnland.v4i1.363.

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I am concerned about the hegemony of certain kinds of discourse in academic research. We need spaces for many kinds of research, including lifewriting research that focuses on narrative, autobiographical, fictional, and poetic knowing. Nevertheless, for all my enthusiasm for the value of lifewriting, I also recognize that lifewriting is fraught with dangers. There are many dangers in lifewriting, but there are also many dangers in avoiding lifewriting.Therefore, I promote poetry as a discursive practice that invites creative ways of writing a life in order to interrogate and understand lived a

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Raji–Oyelade, Aderemi. "Representational Exposures: The Album of Nigerian Women's Poetry (1985–2006)." Matatu 33, no. 1 (2006): 293–316. http://dx.doi.org/10.1163/18757421-033001035.

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In this essay, I argue that the provision of a calendar of Nigerian women's poetry is a necessary discursive means of foregrounding and symbolising the displaced and subalternized arm of the literary tradition. I note that the visibility of the female writer in much of contemporary Nigerian (and African) writing can best be contextually determined in the province of poetry since this is the genre where women's performance (as authors) is most suspect, or deferred. Therefore, in producing an album of the female authorial presence over two decades, I draw attention to the dominant tropes of "wom

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Abril, Juan Carlos. "Metafisica y metapoesía en Las Adivinaciones de José Manuel Caballero Bonald." Epos : Revista de filología, no. 27 (January 1, 2011): 111. http://dx.doi.org/10.5944/epos.27.2011.10672.

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A través del análisis de Las adivinaciones, de José Manuel Caballero Bonald, asistimos a las claves de la poesía del mediosiglo español. Este libro ha sobrevivido a su época porque supuso la superación de la poética existencial y metafísica, que nuestro autor tradujo en inquietud metapoética. Una ópera prima madura que suscitó el interés de la crítica, a la que se le da un repaso minucioso, y que sentó las bases de las preocupaciones lingüísticas y discursivas posteriores en el conjunto de la obra del jerezano.Through the analysis of Las adivinaciones, by José Manuel Caballero Bonald, we witne

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Romero Figueroa, Edgar. "Una retórica revolucionaria: el caso de las poéticas centroamericanas." Revista Trace, no. 77 (January 31, 2020): 59. http://dx.doi.org/10.22134/trace.77.2020.146.

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La lectura de cuatro poetas centroamericanos: Ernesto Cardenal, Roberto Sosa, Otto René Castillo y Roque Dalton permite esbozar la caracterización de una cierta poesía revolucionaria de la segunda mitad del siglo XX, desde una perspectiva retórico-discursiva. Para ello, se cuestiona la función que algunos dispositivos retóricos específicos (figuras como la metáfora o estrategias complejas, y por ende difícilmente clasificables, como el motivo o topos) cumplen en los proyectos poético-revolucionarios.Abstract: Through the work of four Central American poets: Ernesto Cardenal, Roberto Sosa, Otto

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Severskaya, Olga Igorevna. "“Stay with me. Talk to me”: reader interaction strategies in modern poetry." Communication Studies 7, no. 2 (2020): 419–36. http://dx.doi.org/10.24147/2413-6182.2020.7(2).419-436.

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The article is devoted to the consideration of a poetic text as a communicative phenomenon with a high impact potential. The author defines the features of poetic communication, which is both mass and interpersonal, and its main goal, which is the poet’s desire to communicate author’s vision of the world and thereby change the picture of the reader’s world, achieving empathy from it. Based on the understanding of the speech strategy as a cognitive communication plan, a program for generating and perceiving speech, the author talks about the fundamental reversibility of

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Gutiérrez García-Huidobro, Julio I. "“El paseo Ahumada” de Enrique Lihn, adaptado al cómic por Liván: “affordances” y tensiones en el proceso de adaptación." Signa: Revista de la Asociación Española de Semiótica 28 (June 28, 2019): 669. http://dx.doi.org/10.5944/signa.vol28.2019.25073.

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Este trabajo revisará cómo Liván realiza la transposición de El Paseo Ahumada. Desde las reflexiones de McHale (2010), se revisará cómo la segmentación de la poesía puede ser replicada en el cómic, y cómo los media affordances influyen en la transposición. Se buscará analizar la mirada del adaptador y cómo esta tensiona con los affordances y los modos de construcción discursiva secuencial. Este trabajo es relevante pues ofrece nuevas reflexiones en torno al proceso de transposición de medios tan dispares como el texto lírico y el secuencial, un tema escasamente se ha estudiado en la teoría de

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Vdovichenko, Andrey. "Plato on the harm of poetry to the soul. To the discursive interpretation of the poetic form." St.Tikhons' University Review. Series III. Philology 43, no. 3 (2015): 48–58. http://dx.doi.org/10.15382/sturiii201543.48-58.

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Wolff, Ernst. "Poiesis. Oor maaksels en hul wêreld na aanleiding van Versfeld se Pots and Poetry." Tydskrif vir Letterkunde 48, no. 1 (2017): 206–15. http://dx.doi.org/10.17159/tl.v48i1.2386.

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In this review article the first comprehensive interpretation of Martin Verfeld’s Pots and Poetry is presented. The nature of the philosopher’s discursive practice is presented with reference to his other work. It is argued that “connection” (of meaning) is the continuous theme of the nine independent essays. Connection justifies the non-analytic form of reasoning in the book and calls for comparision between philosophical and poetic writing. Analytic writing is symptomatic of the modernist instrumentalist relation to reality and the “cannibalist ego”; writing that echoes the carmen universi i

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Johnson, Anthony L. ""Broken Images": Discursive Fragmentation and Paradigmatic Integrity in the Poetry of T.S. Eliot." Poetics Today 6, no. 3 (1985): 399. http://dx.doi.org/10.2307/1771903.

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Santarpia, Alfonso, Eric Dudoit, and Melanie Paul. "The discursive effects of the haiku-based SADUPA poetry technique in palliative care." Journal of Poetry Therapy 28, no. 3 (2015): 179–94. http://dx.doi.org/10.1080/08893675.2015.1051288.

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Hassan, Naglaa. "Deleuzian Discursive Reterritorialization in the Poetry of Samih El Qassem and Tawfik Zayyad." مجلة کلیة الآداب جامعة الفیوم 13, no. 1 (2021): 1083–122. http://dx.doi.org/10.21608/jfafu.2021.162854.

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Kałuża, Anna. "Poezja i obraz, piśmienność i wizualność od 1989 roku." Wielogłos, no. 1 (43) (2020): 37–56. http://dx.doi.org/10.4467/2084395xwi.20.004.12152.

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Poetry and Image, Literacy and Visuality after 1989 The article traces the history of the relationship between linguistic (textual, verbal, discursive) elements and graphic, visual, and pictorial elements in Polish poetry after 1989. The subject of interest here are various phenomena, such as: artistic books (by Natalia Malek, Kira Pietrek, and Justyna Bargielska), reference to painting/film/ photography, experiments with visual and verbal representation, using a language mark/text by visual artists. The goal is not so much to catalog the relationships between text and image, but to describe t

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SÁNCHEZ DUEÑAS, Blas. "EL ARTE DE LA CONTEMPLACIÓN Y DE LA SENSORIALIDAD EN LA GÉNESIS CREATIVA DE MARÍA VICTORIA ATENCIA." Signa: Revista de la Asociación Española de Semiótica 30 (January 6, 2021): 647. http://dx.doi.org/10.5944/signa.vol30.2021.27089.

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Resumen: La producción lírica de María Victoria Atencia se eleva como un todo orgánico atravesado por unos mismos componentes poéticos y técnicos. La importancia de lo cotidiano, la sustantividad de intertextos y referentes artísticos y el alcance de los entornos del paisanaje vital conforman algunos de los ejes discursivos centrales de su obra. El presente trabajo indaga en la trascendencia de los referentes sensoriales, en especial del sentido de la vista, como claves para elaboración de una lírica donde el mundo exterior, captado sensorialmente, se convierte en onda de expansión desde la qu

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Pereira, Vinicius Carvalho. "Uma estética da deriva digital em Mar de Sophia, de Rui Torres." Navegações 10, no. 1 (2017): 12. http://dx.doi.org/10.15448/1983-4276.2017.1.25206.

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Na era da revolução digital, identidades e discursos se revelam cada vez mais impermanentes, em uma liquidez cara às telas de cristal dos aparatos tecnológicos que hoje medeiam parte significativa dos encontros entre leitores e textos literários. A fim de indagar os impactos da crescente liquefação cultural e discursiva no âmbito da lírica contemporânea, este artigo analisa a obra digital Mar de Sophia, de Rui Torres. Misturando recursos multimídia e procedimentos da lírica moderna, Torres relê poemas de Sophia de Mello Breyner Andresen, transpostos para o suporte digital e transcriados por re

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Shakhova, Anastasia. "Das internationale Autorenliedfestival „Lehesaju Muusika“ in Tartu als spezifische Form der Kulturvermittlung und Analyseobjekt für Mehrsprachigkeitsforschung." Interlitteraria 26, no. 1 (2021): 217–34. http://dx.doi.org/10.12697/il.2021.26.1.15.

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The Lehesaju Muusika International Music and Poetry Festival in Tartu as a Specific Form of Cultural Mediation and Object of Analysis for Research on Multilingualism. The paper focuses on the multilingual discourse of the Lehesaju Muusika international music and poetry festival, which takes place annually in Tartu, Estonia. Being an international cultural event organised by ethnic minorities, Lehesaju Muusika represents a unique source of empirical data for research on multilingualism. The festival attracts songwriters and performers of the so-called ‘author song’ or ‘bard song’ not only from

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Scarano, Laura. "Jorge Riechmann: el poema como crónica pública." Tropelías: Revista de Teoría de la Literatura y Literatura Comparada 1, no. 18 (2012): 74. http://dx.doi.org/10.26754/ojs_tropelias/tropelias.201218550.

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En 1997, el poeta madrileño Jorge Riechmann (1962) editó un peculiar poemario dentro de una ya vasta producción. Lo titulaba con evidente afán paródico El día que dejé de leer El País y se transformó en uno de los mejores ejemplos del cruce discursivo entre ensayo, crónica periodística y poema (o, mejor dicho, “anti-poema”). El nuevo collage emergente —plenamente posvanguardista— no rinde lúdico homenaje a tradiciones estéticas previas, sino que se erige como documento fiel de un imaginario cultural mutante e híbrido que renuncia a los compartimentos estancos de los géneros literarios y funda

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Tian, Xiaofei. "Representing Kingship and Imagining Empire in Southern Dynasties Court Poetry." T’oung Pao 102, no. 1-3 (2016): 18–73. http://dx.doi.org/10.1163/15685322-10213p03.

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Before the fifth century, the imperial identity of a ruler seems to have disabled him as a writer rather than encouraged him to be more prolific. Literary production gradually became centered in the court by the mid-fifth century, and a distinct feature of Southern Dynasties literature is the phenomenon that emperors and princes joined with their courtiers in the act of writing poetry on social occasions. This paper focuses on a number of poems by Emperor Wen of the Song (r. 424-453), Yan Yanzhi (384-456), Xie Tiao (464-499), Shen Yue (441-513), and Liu Xiaochuo (481-539) that represent kingsh

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Vasilyeva, L. A., and N. I. Prigarina. "“Revolution” in the philosophy and poetry of Muhammad Iqbal (an attempt of cognitive-discursive analysis)." Orientalistica 2, no. 3 (2019): 724–51. http://dx.doi.org/10.31696/2618-7043-2019-2-3-724-751.

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Hart, George. "The Discursive Mode: Kenneth Rexroth, the California State Guide, and Nature Poetry in the 1930s." Western American Literature 37, no. 1 (2002): 5–25. http://dx.doi.org/10.1353/wal.2002.0000.

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Filippakopoulou, Maria. "Putting Peripheral Poetries on the Map: Helen of Troy Rewritten by Helias Layios." Synthesis: an Anglophone Journal of Comparative Literary Studies, no. 4 (May 1, 2012): 22. http://dx.doi.org/10.12681/syn.17282.

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What are the conditions under which poetry of the periphery produces a poetico-discursive event with the power to affect Eurocentric letters? Using insights from global literature theorists such as Franco Moretti and Roberto Schwarz as well as analysis proper to translation practice I aim to test the argument that ‘minor’ style may become an affect of distinction precisely because it embodies material features of the proletarised literary margins. To this end, I translate and read the ode to Helen (of Troy) by Greek lyrical poet Helias Layios alongside and against poetry retellings of The Ilia

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Collins, Christopher C. "The Sympoiesis of Clouds." Departures in Critical Qualitative Research 9, no. 4 (2020): 44–59. http://dx.doi.org/10.1525/dcqr.2020.9.4.44.

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In this essay, I use performative writing as a framework to explore the problem of climate change. Specifically, the shifting and accumulative nature of clouds serves as a trope for imaginatively restaging environmental issues. In the essay, I view the environment as a symbolic and material construction that is coproduced in connection to the personal, discursive, and collective unconscious. Through narrative, poetry, and performance, I argue for the concept of environmental performativity as a metonym for exploring the interdependent relationship among the individual, environment, and climate

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Ismakova, I. "Abay Studies Alash." Bulletin of the Karaganda University. Philology series 101, no. 4 (2020): 13–20. http://dx.doi.org/10.31489/2020ph4/13-20.

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This article is the first to examine Abay studies, starting from the period of the repressed Alash to the period of independence. The first studies of Abay returned to the scientific circulation only in 1988. These highly professional literary works for the first time laid the theoretical foundations of scientific research of creativity of Abay Kunanbayev. These are articles by A. bukeikhan, A. Baitursynov, M. Dulatov, Zh. Aymautuly, M. Zhumabay, M. Auezov, S. Toraigyrov, M. Zh. Kopey, R. Marsekov, I. Zhansugurov, K. Zhubanov. These articles are the first to substantiate the theoretical founda

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Donawa, Wendy. "Poetry and process: Glad in the Ruthless Furnance / Poésie et procédé : être joyeux dans l’impitoyable fournaise." Canadian Review of Art Education / Revue canadienne d’éducation artistique 45, no. 1 (2018): 12–22. http://dx.doi.org/10.26443/crae.v45i1.47.

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Abstract: Poets use sensory imagery and perception, memory and experience, free association and contemplation to join psychic and material worlds, and to honour both emotional and discursive truths. Through multiple drafts, free-writing and research, the author unpacks her own reflections and poems to demonstrate the process by which intuition and personal insight are crafted for public understanding. This poetic process suggests that scholarly discourses of the arts and the humanities need not always fall into the quantitative/qualitative binary, but that both heart and mind are required to s

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Vitagliano, Maria A. "Painting and Poetry in Early Modern Spain: The Primacy of VenetianColorein Góngora’sPolyphemusandThe Solitudes*." Renaissance Quarterly 66, no. 3 (2013): 904–36. http://dx.doi.org/10.1086/673586.

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AbstractLuis de Góngora’sFable of Polyphemus and Galatea(1612) andThe Solitudes(1613) have inspired comparisons to painting ever since they first appeared in manuscript form at the Court of Philip III. Engaging the doctrine ofut pictura poesis, which notes the kinship between painting and poetry, Góngora creates pictorial conceits modeled in color as if using a painter’s palette, and thus his poems read like imaginary art galleries. By way of both plastic and discursive references to the Venetian school, Góngora inserts his poetry into one of the most salient polemics of his time, theparagone

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Diala, Isidore. "Bayonets and the carnage of tongues: The contemporary Nigerian poet speaking truth to power." Journal of Commonwealth Literature 52, no. 1 (2016): 116–38. http://dx.doi.org/10.1177/0021989415575800.

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The paradigmatic antagonistic relationship between the Nigerian poet and the despot in his guise as a military ruler has often been examined in terms of a hegemonic contestation of power between unequal rivals. The military state’s typical response to the poet’s “truth” with the display of excessive might, often involving the emblematic battering of the poet’s tongue by the imposition of silence even in its eternal form of death, entrenches the notion of a powerful antagonist pitted against a weak opponent who nonetheless incarnates the spirit of the masses. A close reading of anti-military Ni

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Rosowsky, Andrey. "Challenging the discursive positioning of young British Muslims through the multilingual performance of devotional song and poetry." International Journal of Multilingualism 15, no. 4 (2017): 412–34. http://dx.doi.org/10.1080/14790718.2017.1329309.

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Maj, Krzysztof M. "Teleowitalizm mityczny czy utopijna afazja? O „Wyspie” Leopolda Staffa." Ruch Literacki 53, no. 1 (2012): 29–46. http://dx.doi.org/10.2478/v10273-012-0002-6.

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Summary This is an attempt at outlining the philosophical and literary framework of Leopold Staff’s TheIsland. Rarely analyzed, the poem, made distinct by its universalist tone, does invite a fresh reading, especially one going beyond the narrow contexts and procedures of literary history. This approach is premised on the potential co-existence of the differentiae specificae of Staff’s poetic philosophy and the phenomena that are determined by it even though validated by a different discursive principle. Crucial to this analysis are two philosophical categories, mythical teleovitalism (a term

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Rodríguez-Vázquez, Blanca Alberta. "El tono en poesía." Rhythmica. Revista Española de Métrica Comparada, no. 18 (December 16, 2020): 109. http://dx.doi.org/10.5944/rhythmica.29139.

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El presente artículo tiene como finalidad mostrar que el tono –en sus dimensiones acústica, prosódica y, sobre todo, tensiva– es creador de efectos de sentido de tipo patémico. En otras palabras, se afirma que el tono es un productor de afectos en el discurso poético. La primera parte se dedica a una reflexión general sobre la poesía como un género orientado a suscitar la experiencia sensible a través de la configuración de un determinado tono. Posteriormente, se acota el concepto de tono. Por último, se analizan diferentes textos poéticos de autores de habla hispana –como Octavio Paz, María T

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Khair, Syukril, Bambang Suwarno, and Arono Arono. "Translation Analysis of Student’s Work (Study of Poetry Translation)." JOALL (Journal of Applied Linguistics & Literature) 1, no. 1 (2018): 119–40. http://dx.doi.org/10.33369/joall.v3i2.6862.

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The literary translation still becomes such of debating among several experts and researchers, especially at translation studies. The aim of this study was to find out what kinds of techniques of translation were applied in translating the poems of Maya Angelou, and how the appropriateness of techniques were applied by the students. Mollina & Albir’s classification of translation techniqueswas used as the primary theory in the analysis of the translation texts.This study was descriptive qualitaive and content analysis. The data were taken from text translations of two poems which consist o

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