Journal articles on the topic 'Disempowering conditions'

Subtle manipulations of wording can significantly affect behavior. We examine differences in how people respond to empowering questions (e.g., “What could you do to exercise more?”) compared with disempowering questions (e.g., “Why aren’t you exercising more?”). Responding to two different topics (exercise and eating behavior), participants in empowering question conditions offered more solutions in their responses, placed more responsibility on themselves rather than on external factors, were more optimistic, and referred more to the future. Participants in disempowering conditions gave more excuses, placed more responsibility on situational factors, were more pessimistic, and focused more on obstacles.

When disaffection on political parties and politicians is pervasive, most argue whether it could be possible, thanks to the Internet – and Information and Communication Technologies in general – forget the mainstream political system and let the citizenry express their own opinion, debate in virtual agorae and vote their representatives and policy choices directly. In other words, the claim is whether the actual intermediaries can be replaced by citizen networks or, in the limit, just be overridden.Our aim in the following lines is to (1) explain that some dire (socioeconomic) changes are actually taking place,(2) why these socioeconomic changes are taking place and (3) infer, from this, what conditions shall take place in the future for (4) another wave of changes to happen that could eventually a much acclaimed new (e-)democracy. In a last section, we will discuss that despite lack of data, the trend seems to be just in the direction of the impoverishment of democracy, partly due to the weakening of political institutions.

Embroidery provides meaningful discoveries through interactions and relations connected in the lived experiences of women hand embroiderers. A woman’s performance of her embroidery skills indicates the intimate connection of her womanhood, her daily life, and the kind of labor and effort she places upon it. Interviews, focus group discussions, and creative workshop reveal that social conditions from the past to the present, allow her to continuously construct her identity and negotiate her role in society. Embroidery has offered the women in this study an opportunity to create not only their identity as individuals but also as a community, and has helped them develop their capacities beyond realizing their womanhood. The presence of the problematics of gender and power is evident through the obvious contradictions of the empowered under disempowering conditions thus rendering their power and empowerment, symbolic.

The restructuring of biodiversity governance in Europe during the last two decades has been, inter alia, based on the argument that effective conservation hinges on consensual decision-making involving all relevant stakeholders. This has given rise to various network-based forms of governance and participatory arrangements in protected areas reinforcing the involvement of business and non-state actors, particularly through the creation of profitable public–private partnerships. Even though this shift has been framed as promoting stakeholder and public participation, in practice it has often hampered democratic decision-making and community empowerment. In this paper, we investigate the restructuring of biodiversity governance through the establishment of participatory arrangements in the governance of the natural park of Sant Llorenç del Munt i l’Obac, a place whose history has been linked with the emergence of one of the first environmental movements in Catalonia (Spain). We pay particular attention to the role of participatory arrangements in transforming power relationships and in promoting a neoliberal mode of biodiversity governance. We find that governance restructuring under the rhetoric of promoting stakeholder participation has in practice led to the exclusion of key social actors from the management of the natural park and favoured the inclusion of actors with mainly economic motivations further embedding a neoliberal agenda in the governance of the park and ultimately disempowering local community.

Teacher demoralization is a concept describing the negative emotional experiences affecting teachers’ well-being and quality of teaching. However, since the dominant discourse about teacher demoralization is influenced by psychological perspectives, especially the theory of burnout, most of effort to promote teachers’ well-being and quality of teaching reply on psychological approaches. Nevertheless, teacher demoralization is more socially constructed other than psychologically constructed. Thus, this study aims to identify the potential social causes instead of psychological roots of teacher demoralization. Using in-depth interview data, the study illustrates that school administration may, from teachers’ perspectives, structurally demoralize teachers by disempowering teachers to control over labor process of teaching and to appreciate the instructional values of work and working condition. Thus, school reformers are recommended to empower teachers to exercise control over labor process of teaching and to appreciate the instructional values of their work and working conditions.

AbstractThis article uses one case study to explore the use of criminal hate speech provisions against populist politicians. In a high-profile Finnish case, a populist politician was found guilty of hate speech after a four-year criminal process. Though the prosecution was ultimately successful, the various problems with the case helped boost the political popularity of the accused who was turned into a well-known public figure and member of Parliament. The case might thus be seen to warn against tackling populist politicians by means of criminal law. However, further analysis of the political context and a comparison with the Dutch prosecution against anti-immigration politician Geert Wilders complicate this conclusion. This article examines the consequences of hate speech prosecutions of politicians and sheds light on the conditions under which they can achieve (some of) their aims. The case also has lessons for other jurisdictions about when hate speech prosecutions of politicians are likely to be successful in terms of countering prejudice and disempowering those who spread it for electoral purposes.

In a world where paid work is touted as a development panacea, empowering women has started to look a lot like burdening them. I argue here that this burdening of women is a predictable result of the conception of empowerment as choice or agency. Dominant conceptions of empowerment characterize empowerment as the increase in a person’s ability to do what they choose. Yet conditions of gender equality and poverty structure women’s options such that choosing (among unacceptable alternatives), doing (too much), and doing more (than men) are often both women’s best option and modes of disempowerment. Seeing the way increased agency can be disempowering requires shifting away from the view that social structures disempower by constraining individual agency. We instead need a conception of power as a constraint on individual action to a conception of power as structuring the field of available actions in ways that affect the relative position of social groups. Through a discussion of the gender division of labor and the feminization of responsibility, I argue that a more feminist conception of empowerment will weaken the link between empowerment and individual agency.

The rapid growth of Low Cost Private Schools (LCPS) in developing countries has led to increasing interest in the model’s ‘sustainability’. Nearly all the literature is based on the proponents’ claims that the model is more cost-effective than government schools rather than of the implications of the model depending to a large extent on very low paid young women teachers.The article is written against the backdrop of the model of an autonomous, respected, well-prepared teacher and framed in terms of human rights and gender (dis-)empowerment. Drawing on material on literature mainly from India and Pakistan, it documents the educational levels and employment opportunities for women; reviews the arguments for and against the model pointing out the lack of attention to the high rates of profit and the plight of teachers; and demonstrates that the (mostly young women) teachers are not only very low paid but are also poorly qualified with very precarious conditions of employment. Simply put, paying women teachers less than the minimum wage denies their human rights, further disempowering those who are already socially marginalized and excluded. This is not sustainable for gender equality in the long term and, finally, detrimental to education in developing societies as a whole.

Abstract Scholarship has long recognized the centrality of white racial sexual fears in the rhetoric and practice surrounding the lynching of African Americans in the U.S. South in the decades around 1900. The topic has not previously been taken up for systematic study beyond event-level analyses. This article presents theoretical and empirical evidence that whites’ intersecting racial and gender concerns converging in racial sexual fears were conducive to lynching related to interracial sex, but not to those unrelated to interracial sex, under certain conditions. The empirical findings, based on lynchings in 11 southern states from 1881–1930, demonstrate that lynchings related to interracial sex were more likely to occur in contexts characterized by higher levels of white female dependents residing with white male householders, higher levels of white female school attendance, and higher levels of adult black male literacy. These findings suggest that interracial sex-related lynching served to recover and retain white men’s racial and gender status, which postbellum developments had undermined, by oppressing not only African American men and women but disempowering white women as well. White racial sexual fears during the lynching era should, therefore, be seen as constituting a social force in their own right with long-term consequences for race and gender relations and inequalities.

Background In a context of high migration, there are growing numbers of women living in the UK who have experienced female genital mutilation/cutting. Evidence is needed to understand how best to meet their health-care needs and to shape culturally appropriate service delivery. Objectives To undertake two systematic reviews of qualitative evidence to illuminate the experiences, needs, barriers and facilitators around seeking and providing female genital mutilation-/cutting-related health care from the perspectives of (1) women and girls who have experienced female genital mutilation/cutting (review 1) and (2) health professionals (review 2). Review methods The reviews were undertaken separately using a thematic synthesis approach and then combined into an overarching synthesis. Sixteen electronic databases (including grey literature sources) were searched from inception to 31 December 2017 and supplemented by reference list searching. Papers from any Organisation for Economic Co-operation and Development country with any date and in any language were included (Organisation for Economic Co-operation and Development membership was considered a proxy for comparable high-income migrant destination countries). Standardised tools were used for quality appraisal and data extraction. Findings were coded and thematically analysed using NVivo 11 (QSR International, Warrington, UK) software. Confidence in the review findings was evaluated using the Grading of Recommendations Assessment, Development, and Evaluation – Confidence in the Evidence from Reviews of Qualitative Research (GRADE-CERQual) approach. All review steps involved two or more reviewers and a team that included community-based and clinical experts. Results Seventy-eight papers (74 distinct studies) met the inclusion criteria for both reviews: 57 papers in review 1 (n = 18 from the UK), 30 papers in review 2 (n = 5 from the UK) and nine papers common to both. Review 1 comprised 17 descriptive themes synthesised into five analytical themes. Women’s health-care experiences related to female genital mutilation/cutting were shaped by silence and stigma, which hindered care-seeking and access to care, especially for non-pregnant women. Across all countries, women reported emotionally distressing and disempowering care experiences. There was limited awareness of specialist service provision. Good care depended on having a trusting relationship with a culturally sensitive and knowledgeable provider. Review 2 comprised 20 descriptive themes synthesised into six analytical themes. Providers from many settings reported feeling uncomfortable talking about female genital mutilation/cutting, lacking sufficient knowledge and struggling with language barriers. This led to missed opportunities for, and suboptimal management of, female genital mutilation-/cutting-related care. More positive experiences/practices were reported in contexts where there was input from specialists and where there were clear processes to address language barriers and to support timely identification, referral and follow-up. Limitations Most studies had an implicit focus on type III female genital mutilation/cutting and on maternity settings, but many studies combined groups or female genital mutilation/cutting types, making it hard to draw conclusions specific to different communities, conditions or contexts. There were no evaluations of service models, there was no research specifically on girls and there was limited evidence on psychological needs. Conclusions The evidence suggests that care and communication around female genital mutilation/cutting can pose significant challenges for women and health-care providers. Appropriate models of service delivery include language support, continuity models, clear care pathways (including for mental health and non-pregnant women), specialist provision and community engagement. Routinisation of female genital mutilation/cutting discussions within different health-care settings may be an important strategy to ensure timely entry into, and appropriate receipt of, female genital mutilation-/cutting-related care. Staff training is an ongoing need. Future work Future research should evaluate the most-effective models of training and of service delivery. Study registration This study is registered as PROSPERO CRD420150300012015 (review 1) and PROSPERO CRD420150300042015 (review 2). Funding The National Institute for Health Research Health Services and Delivery Research programme.

The purpose of this study was to test the measurement invariance (across five languages, two time points, and two experimental conditions) of the empowering and disempowering motivational climate questionnaire-coach (EDMCQ-C; Appleton et al., 2016) when completed by 9256 young sport participants (M age = 11.53 years, SD = 1.39 years; 13.5% female). Exploratory Structural Equation Modeling was used to test the validity of a 2-factor (empowering and disempowering) model running a multiple group analysis without any equality constraint (configural invariance) followed by measurement invariance of factor loadings and thresholds (scalar invariance). Findings provided support for partial invariance across languages and scalar invariance across time and experimental groups. The factors were interpretable across the analyses, and items loaded as intended by theory except for item 15. This study provides further evidence regarding the psychometric properties of the EDMCQ-C and suggests this scale (minus item 15) can be used to provide meaningful latent mean comparisons (Marsh et al., 2013) of empowering and disempowering coach-created climates across athletes speaking the five targeted languages, across time, and across experimental groups.

Asthma is the most common chronic condition of childhood. In this review, we discuss an overview of strategies to empower children and young people with asthma. The key aspects of empowerment are to enable shared decision making and self-management, and help children minimise the impact of asthma on their life. The evidence behind these strategies is either sparse or heterogenous, and it is difficult to identify which interventions are most likely to improve clinical outcomes. Wider determinants of health, in high-resource and low-resource settings, can be disempowering for children with asthma. New approaches to technology could help empower young people with asthma and other chronic health conditions.

The rapid industrialization in the last decades significantly changed the traditional spatial arrangement in Central Kalimantan Island. The indigenous community’s traditional forest lands management and ownership were transferred to oil palm plantations and mining corporations. Therefore, it disempowered the traditional spatial arrangement by changing the community’s living conditions and transforming their livelihood sources from primary (forests) to secondary and tertiary. The disempowered traditional spatial arrangement of the Tumbang Marikoi village community includes a living area with rivers, forests, and dwellings. They access the forest through the village Kahayan Hulu and the Marikoi River. There is no power grid in Marikoi Village, making them depend on a solar-powered energy generation facility for their daily activities, including gardening, gathering forest products, hunting, mining gold, and fishing. This study applied the phenomenological method to explain the traditional spatial disempowerment in Marikoi Village, Central Kalimantan, following corporate plantation powers and mining activities. The results indicated that the palm plantations affected the Dayak community's living space and daily life. Furthermore, the ownership and management of their customary land, enhancing their economic, social, cultural, and religious life, was transferred to large plantations. As a result, the community’s traditional spatial arrangement was disempowered through river silting from soil drilling, cloudy river water, flooding, distant land for income (selling honey, vegetables, rattan, herbal medicine, and other forest wealth), farming restrictions by clearing land and losing sacred areas and ancestral rituals.

<em>Reinventing Organizations: A Guide to Creating Organizations Inspired by the Next Stage of Human Consciousness</em> is a terrific book for anyone interesting in learning about democratizing and debureaucratizing organizations while increasing profits and employee satisfaction, engagement, and well-being. Though this sounds unrealistic and perhaps a bit Utopian, author Frederic Laloux’s thorough research and in-depth reportage of various exemplar organizations around the world, demonstrate that it can be done—but not by anybody. Like any evolutionary system, the forefront of enlightened organizational change begins with a few who become the models and create the systems and conditions for others to follow—when they are ready. This fascinating resource will inspire everyone who wants to learn about the successful transformation of what were once stultifying, disempowering, red-tape-riven workplaces that crush the human spirit. In <em>Reinventing Organizations</em>, we finally see there is a way out—toward building truly remarkable achievement oriented organizations that help the human spirit thrive.

Women's stay/leave decision-making in violent relationships has become a subject of investigation in psychology over the last few decades. Despite making significant contributions to the understanding of how women's psychological processes shape their responses to violence, much of this research has lacked a contextualized approach. The present study aimed to provide a feminist context-informed examination of women's decision-making and safety-seeking processes. Twelve women who had experiences of violence in their marital relationships were interviewed individually. The study was carried out in Istanbul, Turkey, and all participants were socioeconomically disadvantaged women. A constructivist grounded theory approach was used for the data analysis. The results indicated that women's helplessness, beyond being a psychological construct, was a reality shaped by the conditions of marginalization in their lives. More than being related to the experience of psychological trauma, the women's narratives revealed the disempowering barriers associated with the lack of socioeconomic and institutional resources. Under these circumstances, regardless of their decisions to stay or leave, the women underlined their ongoing strategic efforts to ensure their safety, as mainly strengthened by the relational support available to them.

Human trafficking is a global challenge that violates fundamental human rights. While the risk factors and health impacts of human trafficking have been well documented, the potential for survivors’ resilience is far less understood. In Southeast Asia, the majority of trafficking-specific services have historically been concentrated in shelters, and yet evidenced-based protocols for shelter services are lacking. This study aligns with the growing literature that emphasizes the importance of feminist and trauma-informed services to support the long-term well-being of survivors of human trafficking. Drawing on qualitative data collected over a 6-year period, the analysis foregrounds the lived experiences and perspectives of 10 women who resided in the same trafficking-specific shelter. Six core themes emerged: being labeled as a victim of human trafficking despite contesting this classification, feeling forced to live in the shelter, a strong desire to leave the shelter environment, disempowering engagement with staff, lack of professionalism among staff, and limitations in vocational services. Collectively, these participant narratives reflect a marked divergence from feminist principles and illustrate the potential for recreating conditions that curtail women’s agency and cause harm within the shelter system. We conclude with a discussion of the implications for a feminist approach to shelter-based service delivery and practice.

This article examines what vice-principals in Singapore experience as constraints to their leadership practice, and how they deal with these constraints, cognisant that role misalignment for vice-principals presents barriers to schools achieving optimal effectiveness. This qualitative study seeks to hear the voices of vice-principals, to uncover the contextual richness of their experiences through interviews with 28 vice-principals. Coding involved a mix of codes from the literature and from the interviews, with member checking of the findings. Vice-principals in Singapore face two main constraints: role ambiguity and role conflicts. These are mainly a structural issue, given the dual expectations of vice-principals to support their principals and to lead. The problems are heightened when there are clashes of values, with vice-principals conflicted between two sources of authority: administrative and professional. Framing the constraints faced by vice-principals under role ambiguity and role conflicts raises these constraints to a theoretical and organisational level. The study proposes a link between the concepts of role ambiguity and role boundaries and illustrates how role ambiguity and conflicts can be disempowering. However, the study also shows that ambiguity need not always be a constraint but can be positive under some conditions.

Purpose – This exploratory investigation examines the material and non-discursive constraints of Math teachers in conducting action research in the Philippines. It initially describes the contexts of participation of scholars situated in the periphery in knowledge production and teases out the apparent challenges faced in the successful conduct of research. Methodology – Anchored on Lave and Wenger’s concept of community of practice and legitimate peripheral participation, the study employs rights analysis as a means to determine the constraints of the respondents in doing action research. Additionally, it traces the mechanisms of power that reinforce and reproduce these challenges. Data was obtained from 13 mathematics teachers employed in different schools under the Manila Archdiocesan and Parochial Schools Association (Mapsa). These teachers have varying work experiences and are teaching different grade levels. The respondents were systematically sampled since they are part of an action research course under the master’s program in teaching math offered by the university. Findings – Based on the findings, it is argued that due to the disempowering material, social and political conditions of these teachers, they may be considered as part of a hierarchy of peripheral participation since they possess limited opportunities for academic socialisation in the conduct of action research . Finally, this paper draws implications for the improvement of research training in periphery contexts. Significance – With the increased interest in the socio-political dimension in the teaching and learning process, this work may be of interest to those engaged in conducting research training as well as other stakeholders in the academe to improve the conduct of action research in their respective educational institutions.

Drawing on my recent experience of working in collaboration with the artist-led project, Open City, I want to explore the potential of an active and resistant - rather than passive and acquiescent – form of stillness that can be activated strategically within a performance-based practice. The article examines how stillness and other forms of non-productive or non-teleological activity might contribute towards the production of a radically dissenting – yet affirmative – model of contemporary subjectivity. It will investigate how the performance of stillness within an artistic practice could offer a pragmatic model through which to approach certain philosophical concepts in relation to the construction of subjectivity, by proposing a practical application of the various ideas explored therein. Stillness is often presented as antithetical to the velocity, mobility, speed and supposed freedom proposed by new technologies and the various accelerated modes by which we are encouraged to engage with the world. In one sense, stillness and slowness have been deemed outmoded or anachronistic forms of temporality, as fastness and efficiency have become the privileged terms. Alternatively, stillness has been reclaimed as part of a resistant – or at least reactive – “counter-culture” for challenging the enforced and increased pace at which we are required to perform. The intent, however, is not to focus on the transcendent possibilities – or even nostalgic dimension – of stillness, where it could be seen as a form of escape from the accelerated temporalities of contemporary capitalism, a move towards a slower, more spiritual or meditative existence by the removal of or self-imposed isolation from contemporary societal pressures. Instead, this article attempts to explore the potential within those forms of stillness specifically produced in and by contemporary capitalism, by reflecting on how they might be (re)inhabited – or appropriated through an artistic practice – as sites of critical action. The article will suggest ways in which habitually resented, oppressive or otherwise tedious forms of stillness, inaction or immobility can be turned into active or resistant strategies for producing the self differently to dominant ideological expectations or pressures. With reference to selected theoretical ideas primarily within the writing of Gilles Deleuze – especially in relation to Spinoza’s Ethics – I want to explore how the collective performance of stillness in the public realm produces an affect that both reveals and disrupts habitual patterns of behaviour. Stillness presents a break or pause in the flow of events, illuminating temporal gaps and fissures in which alternative or unexpected possibilities – for life – might be encountered and encouraged. The act of collective stillness can be understood as a mode of playful resistance to, or refusal of, societal norms, a wilful and collaborative attempt to break or rupture habitual flows. However, collective stillness also has the capacity to exceed or move beyond resistance by producing germinal conditions for a nascent community of experience no longer bound by existing protocol; a model of “communitas” emerging from the shared act of being still. The focus then, is to reflect on how the gesture of stillness performed within the context of an artistic practice – such as that of Open City – might offer an exemplar for the production of an affirmative form of subjectivity, by arguing how the practice of stillness paradoxically has the potential for increasing an individual’s capacity to act. Open City is an investigation-led artistic project – led by Andrew Brown and Katie Doubleday – that explores how public space is conceptualised and organised by interrogating the ways in which our daily actions and behaviours are conditioned and controlled. Their research activity involves inviting, instructing or working with members of the public to create discreet interventions and performances, which put into question or destabilise habitual patterns or conventions of public behaviour, through the use of invitations, propositions, site-specific actions and performative events. The practical and theoretical research phase of the Open City project was initiated in 2006 in collaboration with artist/performer Simone Kenyon. During this phase of research Open City worked with teachers of the Alexander Technique deconstructing the mechanics of walking, and observed patterns of group behaviour and ‘everyday’ movements in public spaces. This speculative phase of research was expanded upon through a pilot project where the artists worked with members of the public, inviting them to attempt to get lost in the city, to consider codes of conduct through observation and mimicry, to explore behavioural patterns in the public realm as a form of choreography, and to approach the spaces of the city as an amphitheatre or stage upon which to perform. This culminated in a series of public performances and propositional/instructive works as part of the nottdance festival in Nottingham (2007) where audiences were invited to participate in choreographed events, creating a number of fleeting and partially visible performances throughout the city. Members of the public were issued specific time-based invitations for collective and individual actions such as ‘Day or night – take a walk in which you notice and deliberately avoid CCTV cameras’ or ‘On the high street during rush hour … suddenly and without warning, stop and remain still for five minutes … then carry on walking as before.’ Image 1: Open City, documentation of publicly-sited postcards. As part of this phase of activity, I was invited by Open City to produce a piece of writing in response to their work – to be serialised over a number of publicly distributed postcards – which would attempt to critically contextualise the various issues and concerns emerging from the investigation-led research that the project had been developing in the public realm. The postcards included an instruction written by Open City on one side, and my serialised text on the other. I have since worked more collaboratively with Open City on new research investigating how the different temporalities within the public realm might be harnessed or activated creatively; how movement and mobility affect the way in which place and locality are encountered or understood. My involvement with the project has specifically been in exploring the use of text-based elements, instructions and propositions and has included further publicly-sited postcard texts and the development of sound-based works using iPod technology to create synchronised actions. In 2008, I successfully secured Arts Council of England funding for a practice-based research trip to Japan with Open City in which we initiated our specific investigations around stillness, slowness, obstruction, and blockage. During this phase of research we became interested in how speed and slowness can be utilised within a performance practice to create points of anchor and location within the urban environment, or in order to affect a psychological shift in the way that space is encountered and understood. Image 2: Open City, research investigations, Japan, 2008.On one level, Open City can be located within a tradition of publicly-sited performance practices. This genealogy of politically – and more often playfully – resistant actions, interventions and models of spatial occupation or navigation can be traced back to the ludic practice of Surrealist errance or aimless wandering into and through the Situationists’ deployment of the dérive and conceptualisation of “psychogeography” during the 1950s and 60s. In its focus on collective action and inhabitation of the everyday as a site of practice, Open City is also part of a trajectory of artistic activity – epitomised perhaps by Allan Kaprow’s Happenings – intent on blurring the line between art and life, or in drawing attention to those aspects of reality marginalised by dominant discourses and ideologies. Performed as part of an artistic practice, non-habitual or even habitually discouraged actions such as aimless wandering, standing still, even the (non)event of 'doing nothing' operate as subtle methods through which to protest against increasingly legislated conditions of existence, by proposing alternative modes of behaviour or suggesting flexibility therein. Artistic practice can be seen as a site of investigation for questioning and dismantling the dominant order – or “major” language – through acts of minor rebellion that – whilst predominantly impotent or ineffective – might still remind us that we have some agency and do not always need to wholly and passively acquiesce. Life itself becomes the material for a work of art, and it is through such an encounter that we might be encouraged to conceive other possibilities for life. Through art, life is rendered plastic and capable of being actively shaped or made into something different to how it might habitually be. However the notion of ‘life as a work of art’ is not exclusive to artistic practice. Various theorists and philosophers – including Nietzsche, Foucault, Spinoza, Deleuze and Guattari – have advocated the necessity of viewing life as a kind of project or mode of invention, suggesting ways in which one’s “style of life” or way of existing might be produced or constructed differently. They urge us to consider how we might actively and consciously attend to the full possibilities of life in order to become more human, by increasing our “affective capacity,” that is, our capacity to affect and be affected in affirming or “augmentative terms” (Deleuze, Spinoza and Us 124). In one sense, Spinoza’s Ethics offers a pragmatic model – or guide to living – through which to attempt to increase one’s potential capacity for being, by maximising the possibility of augmentative experiences or joyful encounters. Here, Spinoza formulates a plan or model through which one might attempt to move from the “inadequate” realm of signs and effects – the first order of knowledge in which the body is simply subject to external forces and random encounters of which it remains ignorant – towards a second order of knowledge. Here, the individual body is able to construct concepts of causes or “common notions” with other “bodies in agreement.” The “common notions” of the second order are produced at the point where the individual is able to rise above the condition of simply experiencing effects and signs in order to form agreements or joyful encounters with other bodies. These harmonious synchronicities with other bodies harness life-affirming affects whilst repelling those that threaten to absorb or deplete power. It is only through the construction of “concepts” – an understanding of causality – that it is possible to move from the realm of inadequate ideas towards the production of “adequate ideas from which true actions ensue” (Deleuze, Spinoza and the Three Ethics 143). According to Spinoza’s Ethics, the challenge is to attempt to move from a state in which existence is passively experienced – or suffered blindly – as a series of effects upon the body, towards understanding – and working harmoniously with – the causes themselves. In his reading of Spinoza’s Ethics, Gilles Deleuze suggests that this shift occurs through consciously selecting those affects that offer the possibilities of augmentation (an increase in power through joy) rather than diminution (the decrease of power through sadness). Whilst Spinoza appears to denounce affects as simply inadequate ideas that should be avoided, Deleuze argues that there are certain life-affirming or joyful affects that can be seen as the “dark precursors” of the notions (The Three Ethics 144). According to Deleuze, whilst such “signs of augmentation remain passions and the ideas that they presuppose remain inadequate,” they alone have the capacity to enable the individual to increase in power, for the “selection” of affect is in itself the “condition of leaving the first kind of knowledge, and for attaining the concept” (The Three Ethics 144). For Deleuze-Spinoza, the production of subjectivity is a form of endeavour or “passional struggle,” whereby the individual attempts to increase his or her capacity for turning affects or signs into common notions or concepts (The Three Ethics 145). Deleuze argues that the “common notions are an Art, the art of Ethics itself: organising good encounters, composing actual relations, forming powers, experimenting” (Spinoza and Us 119). This is then a life-long project or practice – the making of life into a work of art – focused on increasing one’s potential to affect and be affected by signs that increase power, whilst simultaneously reducing or minimising one’s threshold of affectivity towards those which diminish or reduce it. I am interested in the role that the artist or artist collective could have in the production of this Spinozist model of subjectivity; how they might function as an intermediary or catalyst, creating conditions or events in which augmentative affects – such as those made possible through a dynamic or active form of stillness – are increased and their energies harnessed. Here perhaps, the affective potential of an art practice is in itself the “dark precursor” of common notions, drawing together bodies in agreement by calling into being an audience or community of experience. On one level, the artist performs an analogous role to Spinoza’s “scholia” – the intermittent sequence of polemical notations “inserted into the demonstrative chain” of propositions – within the Ethics, which according to Deleuze:Operate in the shadows, trying to distinguish between what prevents us from reaching our common notions and what, on the contrary, allows us to do so, what diminishes and what augments our power, the sad signs of our servitude and the joyous signs of our liberations (The Three Ethics 146).Certainly the project, Open City, attempts to draw attention to the habitually endured –or suffered – signs and affects of contemporary experience; striving to remedy the sad affects of capitalism through the production of playful, disruptive or even joyful interventions, events and encounters between bodies in agreement. The disempowering experience or affect of being controlled – blocked, stopped or restricted – by societal or moral codes and civic laws, is replaced by a minor logic of ambiguous, arbitrary and optional rules. Such rules foreground experimentation and request an ethical rather than obedient engagement that in turn serves to liberate the individual from habitual passivity. Open City attempts to reveal – and then resist or refuse – the hidden rules that determine how to operate or perform within contemporary capitalism, the coded orders on how to behave, move and interact. It exposes such insidious legislation as constructs whose logic has been put in place or brought into effect over time, and which in turn might be revoked, dislocated or challenged. For Open City, the performance of stillness can be used as a gesture through which to break from or rupture the orchestrated and controlled flow of capitalist behaviours and its sad affects. Image 3: Open City, documentation of performance, Nottingham, 2008. Random acts of stillness produce moments of friction within the smooth, regulated flows of contemporary capitalism; singularised or inconsistent glitches or jolts that call to attention its unnoticed rhythms and temporal speeds, by becoming its counter-point or by appropriating its “language” for “strange and minor uses” (Deleuze and Guattari 17). Dawdling or meandering reveals the fierceness of the city’s unspoken bylaws, whilst the societal pressure towards speed and efficiency is thwarted by moments of deliberate non-production, inaction and the act of doing nothing. In one example of collective action – at noon on a shopping street – around fifty pedestrians, suddenly and without warning, stop still in their tracks and remain like this for five minutes before resuming their daily activity. In another, a group of individuals draw to a standstill and slowly sway from side to side; their stillness becomes a device for affecting a block or obstacle that limits or modifies others’ behaviour, creating an infinitely imaginable ricochet of further breaks and amendments to routine journeys and directional flows. Open City often mimics or misuses familiar behavioural patterns witnessed in the public realm, inhabiting their language or codes in a way that playfully transforms their use or proposes elasticity or flexibility therein. Habitual or routine actions are isolated and disinvested of their function or purpose, or become repeated until all sense of teleological imperative is wholly evacuated or rendered absurd. For example, a lone person stops still and holds their hand out to check for rain. Over and over, the same action is repeated but by different individuals; the authenticity of the original gesture shattered and separated from any causal motivation by the reverberations of its uncanny echo. Such performed actions remove or distance the response or reaction from its originary stimulus or excitation, creating an affective gap between – a no longer known or present – cause and its effect. This however, is not to return action back to realm of Spinoza’s first order of knowledge – where the body only experiences effects and remains ignorance of their cause – but rather an attempt to create a gap or space of “hesitancy” in which a form of creativity might emerge. Within the act of stillness, habitually imperceptible rhythms and speeds become visible. By being still it is possible to witness or attend to the presence of different or heterogeneous temporal “refrains” or durations operating beneath and within the surface appearance of capitalism’s homogeneous flow.Open City attempts to recuperate the creative potential within those moments of stillness generated through the accelerated technologies of contemporary capitalism: the situational ennui endured whilst waiting or queuing; the moments of collective and synchronised impasse controlled by technologies such as traffic lights and pedestrian crossings, and even – though perhaps more abstractly – the nebulous experience of paralysis and impotency induced by fear, anxiety and uncertainty. Performances attempt to neutralise these various diminutive affects by re-inhabiting or re-framing them; ‘turning’ their stillness towards a form of memorial, protest or social gathering, or alternatively rendering it seemingly empty, unreadable or absurd. This emptiness can also be understood as a form of disinterestedness that refuses to react to immediate stimulus – or lack of – and rather remains open to other possibilities of existence or inhabitation. Stillness is curiously equivocal, an “ambiguous or fluctuating sign” that has the capacity to “affect us with joy and sadness at the same time” (Deleuze The Three Ethics 140). The external appearance of stillness is ultimately blank, its “event” able to affect a “vectorial passage” of contradictory directions, towards an “increase or decrease, growth or decline, joy or sadness” (Deleuze, The Three Ethics 140). Open City attempts to transform the – potentially – diminutive affects of stillness into “augmentative powers” by occupying the stillness of contemporary capitalism as a disguise or camouflage for producing invisible performances that hijack a familiar language in order to misuse its terms. More recently Open City have adapted or occupied the moments of stillness made possible or enabled by everyday technologies: the inconsistent rhythm patterns of stopping, pausing or circling about on the spot exhibited by someone absorbed in a mobile-phone call, text messaging or changing a track on their MP3 player. Here, certain technologies allow, legitimate or even give permission for the disruption of the flow of movement within the city, or are used as a device through which to explore and exploit the potential of collective synchronised action through the use of recorded instructions.Image 4: Open City, public performance from the Dislocate festival (Yokohama, Japan, 2008).The alienating and atomising affects of such personal technologies – which are habitually used and isolate the individual from their immediate surroundings and from others around them – are transformed into tools for producing collective action. In one sense, Open City’s performances operate as a form of “minor art” as outlined by Deleuze and Guattari, where a major language – the dominant order of capitalism and control – is neutralised or deterritorialised before being “appropriated for strange and minor uses” (17). For Deleuze and Guattari a minor practice is always political and collective, signalling the “movement from the individual to a ‘collective multiplicity’” where there is no longer an individual subject as such but “only collective assemblages of enunciation”(18). The minor always operates within the terms of the major but functions as a destabilising agent where it attempts – according to Simon O’Sullivan – to “stammer and stutter the commodity form, disassembling those already existing forms of capital and indeed moving beyond the latter’s very logic” (73). However, as with all acts of deterritorialisation there is always the potential that they will in turn become reterritorialised; assimilated or absorbed back into the language of the “major”. This can be seen, for example, in the way that the proposed radical potential of the flash-mob phenomenon has been swiftly recuperated through the language of the corporate publicity campaigns of high-profile companies – specifically telecommunication multi-nationals - for whom the terms ‘community’ and ‘collectivity’ are developed as Unique Selling Points for further capitalist gain.By contrast, the intent of Open City is to create an event that operates not only as a visible rupture, but which also has the capacity to transform or radicalise the subjectivities of those involved beyond the duration of the event itself. Open City encourage the movement from the individual to a “collective multiplicity,” through performances that produce synchronised action where individuals become temporally united by a rule or instruction that they are collectively adhering to. Publicly distributed postcards have been used to invite or instruct as-yet-unknown publics to participate in collective action, setting the terms for the possibility of imagined or future assemblies. Or more recently, recorded spoken word instructions listened to using MP3 player technology have been used to harmonise the speeds, stillness and slowness of individual bodies to produce the possibility of a new collective rhythm or “refrain” (Guattari, Subjectivities). For example, within the Dislocate festival (Yokohama, Japan, 2008) a group of individuals were led on a guided walk in which they engaged with a series of spoken instructions listened to using MP3 player technology. The instructions invited a number of discreet performances culminating in a collective moment of stillness that was at once a public spectacle and a space of self-contained or private reflection. Image 5: Open City, public performance from the Dislocate festival (Yokohama, Japan, 2008). Once still, the individuals listened to a further spoken text which interrogated how the act of ‘being still’ might shift in meaning moving from or between different positions. For example, stillness can be experienced as a controlling or restrictive mode of enforced waiting, as an act of resistant refusal or protest, or alternatively as a model of quiet contemplation or idle daydreaming. For Spinoza, a body is defined by its speeds and slowness – by the relationship between motion and rest – and by its capacity to affect and be affected. In attempting to synchronise the speeds and affectivity of individuals through group action, Open City create the conditions for the production of Spinoza’s “common notions” – or second kind of knowledge – through the organisation of a collective or shared understanding of causality by bodies in agreement. Acts of collective stillness also function in an analogous manner to the transitional or liminal phase within ritual performance by producing the possibility of “communitas,” the transient experience of togetherness or even of collective subjectivity. In From Ritual to Theatre, The Human Seriousness of Play, anthropologist Victor Turner identifies a form of “existential or spontaneous communitas” – an acute experience of community – experienced by individuals immersed in the "no longer/not yet" liminal space of a given ritualistic process, in which “the past is momentarily negated, suspended or abrogated, and the future has not yet begun, an instant of pure potentiality when everything, as it were, trembles in the balance” (44). Stillness is presented as pure disinterestedness, a non-teleological event enabling nothing but the possibility of a community of experience to come into being.Within Open City then, the gesture of stillness recurs as a device or “event-encounter” for simultaneously producing a break or hiatus in an already existing formulation of experience, at the same time as creating a gap or space of possibility in which to imagine or affirm an alternative mode of being. Referring to the Deleuzian notion of encounter, O’Sullivan reflects on the dual presence of rupture and affirmation within the moment of encounter itself whereby “our typical ways of being in the world are challenged, our systems of knowledge disrupted” (Sullivan,xxiv). He argues that the encounter:Operates as a rupture in our habitual modes of being and thus in our habitual subjectivities. It produces a cut, a crack. However … the rupturing encounter also contains a moment of affirmation, the affirmation of a new world, in fact a way of seeing and thinking this world differently (Sullivan, xxv).Open City attempts to create the conditions for these dual possibilities – of rupture and affirmation – through the production of joyful encounters between bodies within the event of performed stillness. Stillness operates as a double gesture where it creates a stop or block – a break with the already existing or with the events of the past – and also a moment of pause, the liminal space of projection; a future-oriented or preparatory zone of pure potentiality. Stillness thus offers the simultaneous possibility of termination and of a new beginning, within which it becomes possible to move from a paradigm of resistance – to the present conditions of existence – towards one of augmentative refusal or proposal that invites reflection on a still future-possible way of life. Poised at a point of anticipation or as a prophetic mode of waiting, stillness offers the promise of as-yet-undecided possibilities where options for future action or existence remain momentarily open, not yet known. Collective stillness thus always has a quality of “futurity” by creating the transitional conditions of communitas or the possibility of a community emerging outside or beyond the temporal frame of capitalism: a community that is still in waiting. ReferencesBergson, Henri. Matter and Memory. Trans. N. M. Paul and W. S Palmer. New York: Zone Books, 1991.De Certeau, Michel. The Practice of Everyday Life. Trans. Steven Rendall. Berkeley: U of California P, 1984. Deleuze, Gilles, and Félix Guattari.“What Is a Minor Literature.” Kafka toward a Minor Literature. Trans. Dana Polan. Minneapolis: U of Minnesota P, 1986.Deleuze, Gilles. “Spinoza and the Three ‘Ethics’.” Essays Critical and Clinical. Trans D. W. Smith and M. A. Greco. London: Verso, 1998.———. “Life as a Work of Art.” Negotiations: 1972-1990. New York: Columbia U P, 1995.———. “Spinoza and Us.” Spinoza: Practical Philosophy. Trans. R. Hurley. San Francisco: City Lights Books, 1988. Guattari, Felix. “Subjectivities: For Better and for Worse.” The Guattari Reader. Ed. G. Genosko. Oxford: Basil Blackwell, 1996.Foucault, Michel. “An Aesthetics of Existence.” Politics, Philosophy, Culture. Ed. L. Kritzman. London: Routledge, 1990.O’Sullivan, Simon. Art Encounters Deleuze and Guattari. London: Palgrave Macmillan, 2006.Spinoza, Benedict. Ethics. Trans. A Boyle. London: Everyman, 1989. Turner, Victor. From Ritual to Theatre: The Human Seriousness of Play. New York: PAJ Publications, 1982.

Social media companies like to claim the world. Mark Zuckerberg says Facebook is “building a global community”. Twitter promises to show you “what’s happening in the world right now”. Even Parler claims to be the “global town square”. Indeed, among the fungible aspects of digital culture is the promise of geographic fungibility—the interchangeability of location and national provenance. The taglines of social media platforms tap into the social imagination of the Internet erasing distance—Marshall McLuhan’s global village on a touch screen (see fig. 1). Fig. 1: Platform taglines: YouTube, Twitter, Parler, and Facebook have made globality part of their pitch to users. Yet users’ perceptions of geographic fungibility remain unclear. Scholars have proposed forms of cosmopolitan and global citizenship in which national borders play less of a role in how people engage with political ideas (Delanty; Sassen). Others suggest the potential erasure of location may be disorienting (Calhoun). “Nobody lives globally”, as Hugh Dyer writes (64). In this article, I interrogate popular and academic assumptions about global political spaces, looking at geographic fungibility as a condition experienced by users. The article draws on interviews conducted with Twitter users in the Scandinavian region. Norway, Sweden, and Denmark offer an interesting contrast to online spaces because of their small and highly cohesive political cultures; yet these countries also have high Internet penetration rates and English proficiency levels, making them potentially highly globally connected (Syvertsen et al.). Based on a thematic analysis of these interviews, I find fungibility emerges as a key feature of how users interact with politics at a global level in three ways: invisibility: fungibility as disconnection; efficacy: fungibility as empowerment; and antagonism: non-fungibility as strategy. Finally, in contrast to currently available models, I propose that online practices are not characterised so much by cosmopolitan norms, but by what I describe as fungible citizenship. Geographic Fungibility and Cosmopolitan Hopes Let’s back up and take a real-life example that highlights what it means for geography to be fungible. In March 2017, at a high-stakes meeting of the US House Intelligence Committee, a congressman suddenly noticed that President Donald Trump was not only following the hearing on television, but was live-tweeting incorrect information about it on Twitter. “This tweet has gone out to millions of Americans”, said Congressman Jim Himes, noting Donald Trump’s follower count. “16.1 million to be exact” (C-SPAN). Only, those followers weren’t just Americans; Trump was tweeting to 16.1 million followers worldwide (see Sevin and Uzunoğlu). Moreover, the committee was gathered that day to address an issue related to geographic fungibility: it was the first public hearing on Russian attempts to interfere in the 2016 American presidential race—which occurred, among other places, on Twitter. In a way, democratic systems are based on fungibility. One person one vote. Equality before the law. But land mass was not imagined to be commutable, and given the physical restrictions of communication, participation in the public sphere was largely assumed to be restricted by geography (Habermas). But online platforms offer a fundamentally different structure. Nancy Fraser observes that “public spheres today are not coextensive with political membership. Often the interlocutors are neither co-nationals nor fellow citizens” (16). Netflix, YouTube, K-Pop, #BLM: the resources that people draw on to define their worlds come less from nation-specific media (Robertson 179). C-SPAN’s online feed—if one really wanted to—is as easy to click on in Seattle as in Stockholm. Indeed, research on Twitter finds geographically dispersed networks (Leetaru et al.). Many Twitter users tweet in multiple languages, with English being the lingua franca of Twitter (Mocanu et al.). This has helped make geographic location interchangeable, even undetectable without use of advanced methods (Stock). Such conditions might set the stage for what sociologists have envisioned as cosmopolitan or global public spheres (Linklater; Szerszynski and Urry). That is, cross-border networks based more on shared interest than shared nationality (Sassen 277). Theorists observing the growth of online communities in the late 1990s and early 2000s proposed that such activity could lead to a shift in people’s perspectives on the world: namely, by closing the communicative distance with the Other, people would also close the moral distance. Delanty suggested that “discursive spaces of world openness” could counter nationalist tendencies and help mobilise cosmopolitan citizens against the negative effects of globalisation (44). However, much of this discourse dates to the pre-social media Internet. These platforms have proved to be more hierarchical, less interactive, and even less global than early theorists hoped (Burgess and Baym; Dahlgren, “Social Media”; Hindman). Although ordinary citizens certainly break through, entrenched power dynamics and algorithmic structures complicate the process, leading to what Bucher describes as a reverse Panopticon: “the possibility of constantly disappearing, of not being considered important enough” (1171). A 2021 report by the Pew Research Center found most Twitter users receive few if any likes and retweets of their content. In short, it may be that social media are less like Marshall McLuhan’s global village and more like a global version of Marc Augé’s “non-places”: an anonymous and disempowering whereabouts (77–78). Cosmopolitanism itself is also plagued by problems of legitimacy (Calhoun). Fraser argues that global public opinion is meaningless without a constituent global government. “What could efficacy mean in this situation?” she asks (15). Moreover, universalist sentiment and erasure of borders are not exactly the story of the last 15 years. Media scholar Terry Flew notes that given Brexit and the rise of figures like Trump and Bolsonaro, projections of cosmopolitanism were seriously overestimated (19). Yet social media are undeniably political places. So how do we make sense of users’ engagement in the discourse that increasingly takes place here? It is this point I turn to next. Citizenship in the Age of Social Media In recent years, scholars have reconsidered how they understand the way people interact with politics, as access to political discourse has become a regular, even mundane part of our lives. Increasingly they are challenging old models of “informed citizens” and traditional forms of political participation. Neta Kligler-Vilenchik writes: the oft-heard claims that citizenship is in decline, particularly for young people, are usually based on citizenship indicators derived from these legacy models—the informed/dutiful citizen. Yet scholars are increasingly positing … citizenship [is not] declining, but rather changing its form. (1891) In other words, rather than wondering if tweeting is like a citizen speaking in the town square or merely scribbling in the margins of a newspaper, this line of thinking suggests tweeting is a new form of citizen participation entirely (Bucher; Lane et al.). Who speaks in the town square these days anyway? To be clear, “citizenship” here is not meant in the ballot box and passport sense; this isn’t about changing legal definitions. Rather, the citizenship at issue refers to how people perceive and enact their public selves. In particular, new models of citizenship emphasise how people understand their relation to strangers through discursive means (Asen)—through talking, in other words, in its various forms (Dahlgren, “Talkative Public”). This may include anything from Facebook posts to online petitions (Vaughan et al.) to digital organising (Vromen) to even activities that can seem trivial, solitary, or apolitical by traditional measures, such as “liking” a post or retweeting a news story. Although some research finds users do see strategic value in such activities (Picone et al.), Lane et al. argue that small-scale acts are important on their own because they force us to self-reflect on our relationship to politics, under a model they call “expressive citizenship”. Kligler-Vilenchik argues that such approaches to citizenship reflect not only new technology but also a society in which public discourse is less formalised through official institutions (newspapers, city council meetings, clubs): “each individual is required to ‘invent themselves’, to shape and form who they are and what they believe in—including how to enact their citizenship” she writes (1892). However, missing from these new understandings of politics is a spatial dimension. How does the geographic reach of social media sites play into perceptions of citizenship in these spaces? This is important because, regardless of the state of cosmopolitan sentiment, political problems are global: climate change, pandemic, regulation of tech companies, the next US president: many of society’s biggest issues, as Beck notes, “do not respect nation-state or any other borders” (4). Yet it’s not clear whether users’ correlative ability to reach across borders is empowering, or overwhelming. Thus, inspired particularly by Delanty’s “micro” cosmopolitanism and Dahlgren’s conditions for the formation of citizenship (“Talkative Public”), I am guided by the following questions: how do people negotiate geographic fungibility online? And specifically, how do they understand their relationship to a global space and their ability to be heard in it? Methodology Christensen and Jansson have suggested that one of the underutilised ways to understand media cultures is to talk to users directly about the “mediatized everyday” (1474). To that end, I interviewed 26 Twitter users in Norway, Denmark, and Sweden. The Scandinavian region is a useful region of study because most people use the Web nearly every day and the populations have high English proficiency (Syvertsen et al.). Participants were found in large-scale data scrapes of Twitter, using linguistic and geographic markers in their profiles, a process similar to the mapping of the Australian Twittersphere (Bruns et al.). The interviewees were selected because of their mixed use of Scandinavian languages and English and their participation in international networks. Participants were contacted through direct messages on Twitter or via email. In figure 2, the participants’ timeline data have been graphed into a network map according to who users @mentioned and retweeted, with lines representing tweets and colours representing languages. The participants include activists, corporate consultants, government employees, students, journalists, politicians, a security guard, a doctor, a teacher, and unemployed people. They range from age 24 to 60. Eight are women, reflecting the gender imbalance of Twitter. Six have an immigrant background. Eight are right-leaning politically. Participants also have wide variation in follower counts in order to capture a variety of experiences on the platform (min=281, max=136,000, median=3,600, standard deviation=33,708). All users had public profiles, but under Norwegian rules for research data, they will be identified here by an ID and their country, gender, and follower count (e.g., P01, Sweden, M, 23,000). Focussing on a single platform allowed the interviews to be more specific and makes it easier to compare the participants’ responses, although other social media often came up in the course of the interviews. Twitter was selected because it is often used in a public manner and has become an important channel for political communication (Larsson and Moe). The interviews lasted around an hour each and were conducted on Zoom between May 2020 and March 2021. Fig. 2: Network map of interview participants’ Twitter timelines. Invisibility: The Abyss of the Global Village Each participant was asked during the interview how they think about globality on Twitter. For many, it was part of the original reason for joining the platform. “Twitter had this reputation of being the hangout of a lot of the world’s intellectuals”, said P022 (Norway, M, 136,000). One Swedish woman described a kind of cosmopolitan curation process, where she would follow people on every continent, so that her feed would give her a sense of the world. “And yes, you can get that from international papers”, she told me, “but if I actually consumed as much as I do on Twitter in papers, I would be reading papers and articles all day” (P023, Sweden, F, 384). Yet while globality was part of the appeal, it was also an abstraction. “I mean, the Internet is global, so everything you do is going to end up somewhere else”, said one Swedish user (P013, M, 12,000). Users would echo the taglines that social media allow you to “interact with someone half a world away” (P05, Norway, M, 3,300) but were often hard-pressed to recall specific examples. A strong theme of invisibility—or feeling lost in an abyss—ran throughout the interviews. For many users this manifested in a lack of any visible response to their tweets. Even when replying to another user, the participants didn’t expect much dialogic engagement with them (“No, no, that’s unrealistic”.) For P04 (Norway, F, 2,000), tweeting back a heart emoji to someone with a large following was for her own benefit, much like the intrapersonal expressions described by Lane et al. that are not necessarily intended for other actors. P04 didn’t expect the original poster to even see her emoji. Interestingly, invisibility was more of a frustration among users with several thousand followers than those with only a few hundred. Having more followers seemed to only make Twitter appear more fickle. “Sometimes you get a lot of attention and sometimes it’s completely disregarded” said P05 (Norway, M, 3,300). P024 (Sweden, M, 2,000) had essentially given up: “I think it’s fun that you found me [to interview]”, he said, “Because I have this idea that almost no one sees my tweets anymore”. In a different way, P08 (Norway, F) who had a follower count of 121,000, also felt the abstraction of globality. “It’s almost like I’m just tweeting into a void or into space”, she said, “because it's too many people to grasp or really understand that these are real people”. For P08, Twitter was almost an anonymous non-place because of its vastness, compared with Facebook and Instagram where the known faces of her friends and family made for more finite and specific places—and thus made her more self-conscious about the visibility of her posts. Efficacy: Fungibility as Empowerment Despite the frequent feeling of global invisibility, almost all the users—even those with few followers—believed they had some sort of effect in global political discussions on Twitter. This was surprising, and seemingly contradictory to the first theme. This second theme of empowerment is characterised by feelings of efficacy or perception of impact. One of the most striking examples came from a Danish man with 345 followers. I wondered before the interview if he might have automated his account because he replied to Donald Trump so often (see fig. 3). The participant explained that, no, he was just trying to affect the statistics on Trump’s tweet, to get it ratioed. He explained: it's like when I'm voting, I'm not necessarily thinking [I’m personally] going to affect the situation, you know. … It’s the statistics that shows a position—that people don't like it, and they’re speaking actively against it. (P06, Denmark, M, 345) Other participants described their role similarly—not as making an impact directly, but being “one ant in the anthill” or helping information spread “like rings in the water”. One woman in Sweden said of the US election: I can't go to the streets because I'm in Stockholm. So I take to their streets on Twitter. I'm kind of helping them—using the algorithms, with retweets, and re-enforcing some hashtags. (P018, Sweden, F, 7,400) Note that the participants rationalise their Twitter activities through comparisons to classic forms of political participation—voting and protesting. Yet the acts of citizenship they describe are very much in line with new norms of citizenship (Vaughan et al.) and what Picone et al. call “small acts of engagement”. They are just acts aimed at the American sphere instead of their national sphere. Participants with large followings understood their accounts had a kind of brand, such as commenting on Middle Eastern politics, mocking leftist politicians, or critiquing the media. But these users were also sceptical they were having any direct impact. Rather, they too saw themselves as being “a tiny part of a combined effect from a lot of people” (P014, Norway, M, 39,000). Fig. 3: Participant P06 replies to Trump. Antagonism: Encounters with Non-Fungibility The final theme reflects instances when geography became suddenly apparent—and thrown back in the faces of the users. This was often in relation to the 2020 American election, which many of the participants were following closely. “I probably know more about US politics than Swedish”, said P023 (Sweden, F, 380). Particularly among left-wing users who listed a Scandinavian location in their profile, tweeting about the topic had occasionally led to encounters with Americans claiming foreign interference. “I had some people telling me ‘You don't have anything to do with our politics. You have no say in this’” said P018 (Sweden, F, 7,400). In these instances, the participants likewise deployed geography strategically. Participants said they would claim legitimacy because the election would affect their country too. “I think it’s important for the rest of the world to give them [the US] that feedback. That ‘we’re depending on you’” said P017 (Sweden, M, 280). As a result of these interactions, P06 started to pre-emptively identify himself as Danish in his tweets, which in a way sacrificed his own geographic fungibility, but also reinforced a wider sense of geographic fungibility on Twitter. In one of his replies to Donald Trump, Jr., he wrote, “Denmark here. The world is hoping for real leader!” Conclusion: Fungible Citizenship The view that digital media are global looms large in academic and popular imagination. The aim of the analysis presented here is to help illuminate how these perceptions play into practices of citizenship in digital spaces. One of the contradictions inherent in this research is that geographic or linguistic information was necessary to find the users interviewed. It may be that users who are geographically anonymous—or even lie about their location—would have a different relationship to online globality. With that said, several key themes emerged from the interviews: the abstraction and invisibility of digital spaces, the empowerment of geographic fungibility, and the occasional antagonistic deployment of non-fungibility by other users and the participants. Taken together, these themes point to geographic fungibility as a condition that can both stifle as well as create new arenas for political expression. Even spontaneous and small acts that aren’t expected to ever reach an audience (Lane et al.) nevertheless are done with an awareness of social processes that extend beyond the national sphere. Moreover, algorithms and metrics, while being the source of invisibility (Bucher), were at times a means of empowerment for those at a physical distance. In contrast to the cosmopolitan literature, it is not so much that users didn’t identify with their nation as their “community of membership” (Sassen)—they saw it as giving them an important perspective. Rather, they considered politics in the EU, US, UK, Russia, and elsewhere to be part of their national arena. In this way, the findings support Delanty’s description of “changes within … national identities rather than in the emergence in new identities” (42). Yet the interviews do not point to “the desire to go beyond ethnocentricity and particularity” (42). Some of the most adamant and active global communicators were on the right and radical right. For them, opposition to immigration and strengthening of national identity were major reasons to be on Twitter. Cross-border communication for them was not a form of resistance to nationalism but wholly compatible with it. Instead of the emergence of global or cosmopolitan citizenship then, I propose that what has emerged is a form of fungible citizenship. This is perhaps a more ambivalent, and certainly a less idealistic, view of digital culture. It implies that users are not elevating their affinities or shedding their national ties. Rather, the transnational effects of political decisions are viewed as legitimate grounds for political participation online. This approach to global platforms builds on and nuances current discursive approaches to citizenship, which emphasise expression (Lane et al.) and contribution (Vaughan et al.) rather than formal participation within institutions. Perhaps the Scandinavian users cannot cast a vote in US elections, but they can still engage in the same forms of expression as any American with a Twitter account. That encounters with non-fungibility were so notable to the participants also points to the mundanity of globality on social media. Vaughan et al. write that “citizens are increasingly accustomed to participating in horizontal networks of relationships which facilitate more expressive, smaller forms of action” (17). The findings here suggest that they are also accustomed to participating in geographically agnostic networks, in which their expressions of citizenship are at once small, interchangeable, and potentially global. References Asen, Robert. "A Discourse Theory of Citizenship." Quarterly Journal of Speech 90.2 (2004): 189–211. Augé, Marc. Non-Places: Introduction to an Anthropology of Supermodernity. Trans. John Howe. London: Verso, 1995. Beck, Ulrich. The Cosmopolitan Vision. Trans. Ciaran Cronin. Cambridge: Polity, 2006. Bruns, Axel, et al. "The Australian Twittersphere in 2016: Mapping the Follower/Followee Network." Social Media + Society 3.4 (2017): 1–15. Bucher, Taina. "Want to Be on the Top? Algorithmic Power and the Threat of Invisibility on Facebook." New Media & Society 14.7 (2012): 1164–80. 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