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Dissertations / Theses on the topic 'Disgrace'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 April 2022

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1

Agnevall, Paula. "Berättarteknik i J.M. Coetzees Disgrace." Thesis, Blekinge Tekniska Högskola, Sektionen för teknokultur, humaniora och samhällsbyggnad, 2004. http://urn.kb.se/resolve?urn=urn:nbn:se:bth-1397.

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While Disgrace seems to be written from a single perspective, it is in fact multi-layered. In order to support this claim, this essay investigates what the novel's protagonist sees, how he sees it and who is narrating the story, using respectively the narratological key concepts of internal focalization, fallible filter and covert narration. The essay thereafter studies how the novel has affected readers in South Africa and how it is neccessary to challenge the perspective presented in the novel in order to fully understand the text.

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2

Melkner, Moser Linda. "Rape and Silence in J.M. Coetzee's Disgrace." Thesis, Högskolan i Halmstad, Sektionen för humaniora (HUM), 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:hh:diva-19023.

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This essay discusses rape and silence in J.M. Coetzee’s novel Disgrace, with focus on how and why the characters Melanie and Lucy are silenced after being raped. Paying special attention to gender and race, as well as the novel’s South African context, an attempt is made to consider how rape is represented in Disgrace, and how this representation is related to the silence of Melanie and Lucy. The discussion’s theoretical framework is based on feminist theories on sexual violence and rape, as well as theory on cultural scripts, sexual scripts, and rape myths. This essay finds that the rapes in

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3

Mbanda, Bakolosso Davy Gildas. "Ecriture et barbarie postmoderne. Lecture poétique de la disgrâce dans « Disgrace » et « Waiting for the Barbarians » de J.M. Coetzee, « Les Ecailles du ciel » et « L’Aîné des orphelins » de Tierno Monénembo et « L’Aube » et « Le cas Sonderberg » d’Elie Wiesel." Thesis, Paris Est, 2014. http://www.theses.fr/2014PEST0033.

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Cette thèse porte sur l’impuissance de l’ambition littéraire à transcrire fidèlement la barbarie absolue. A partir de la poétique de la disgrâce, elle interroge d’abord le rapport entre écriture et expérience extrême puis, met en exergue les stratégies narratives régissant les récits qui tentent une littérarisation d’expériences jugées indicibles. Elle est ensuite une réflexion sur le statut même de la littérature contemporaine. L’analyse poétique conduit à affirmer dans une première partie que les récits de la catastrophe sont construits autour d’un dilemme : l’indicible, fondé sur l’impuissa

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4

Vanky, Anna-Marie. "A Higher Life : A Postcolonialist Analysis of Coetzee's Disgrace." Thesis, Högskolan Dalarna, Engelska, 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:du-3898.

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J M Coetzee’s Disgrace deals with race and power in contemporary, post-colonial South Africa. This prize-winning novel is written after the country's first all-race elections, in 1994. It has therefore most often been analyzed as a representative for the writing of the new South Africa, where the social problems relating binary oppositions such as black – white, native – immigrant, powerless – powerful, are stressed. More specifically the shift of power within the above mentioned pairs is in focus. This is also the case for this essay, but instead of analyzing the realistic elements in the boo

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Ng, Ming-yin Erika. ""Hong Kong English" a source of pride or a disgrace? /." Click to view the E-thesis via HKUTO, 2005. http://sunzi.lib.hku.hk/hkuto/record/B31677010.

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Ng, Ming-yin Erika, and 吳名賢. ""Hong Kong English": a source of pride or a disgrace?" Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2005. http://hub.hku.hk/bib/B31677010.

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7

Kok, Marina Susan. "An investigation of masculinity in J. M. Coetzee's disgrace (1999)." Thesis, Nelson Mandela Metropolitan University, 2008. http://hdl.handle.net/10948/783.

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The study of Masculinity is a fairly new phenomenon which developed as a refinement of gender studies. The theoretical frameworks on masculinity are still under development and are often severely contested. This study proposes to examine the dynamics of masculinity studies, critiquing the notion of ‘masculinity in crisis’. The premise of the masculinity in crisis debate is that men are experiencing an increasing sense of powerlessness. This dissertation aims to examine the masculine identities represented in Disgrace and to test whether they are better understood through the lens of masculine

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8

Nyberg, Anna. "Svartvit Fröken Julie : En analys av maktrelationerna i J.M Coetzees roman Disgrace." Thesis, Växjö University, School of Humanities, 2007. http://urn.kb.se/resolve?urn=urn:nbn:se:vxu:diva-1065.

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<p>Syftet med uppsatsen är att identifiera och analysera maktrelationerna i J. M. Coetzees roman Disgrace. Främst analyseras genusrelationerna och då i huvudsak i anslutning till huvudkarktären David Lurie. Det har också lagts stor vikt vid hur svarta och vita förhåller sig till varandra.</p><p>Studien har visat att maktrelationerna mellan romanens karaktärer både sam- och motverkar, samt är föränderliga. Huvudkaraktären besitter många betydelsefulla maktaspekter och har därför möjlighet att utnyttja den unga studenten Melanie sexuellt. Paradoxalt är detta också orsaken till att hon kan anmäla

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9

Migoyan, Janet. "Sexual Domination: Colonial Guilt and Postcolonial Hatred in J. M. Coetzee's Disgrace." Thesis, Umeå universitet, Institutionen för språkstudier, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-184168.

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J.M. Coetzee’s Disgrace was published during a defining moment in South African history in 1999. Five years earlier Nelson Mandela had been elected president after the first general election. The healing process in a country divided by race and a history marked by racial crimes, committed under long time by collective actions of many generations of colonizers, was a decisive historical necessity. Disgrace illustrates the economical and emotional mechanisms of sexual exploitation of women in post-apartheid South African society. Those socioeconomic mechanisms are fueled by postcolonial hate, ma

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Pettersson, Linda. "A Gender Perspective on the Possession of Power in J.M Coetzee's Disgrace : David and Petrus' usage of women." Thesis, Karlstads universitet, Institutionen för språk, litteratur och interkultur, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-31206.

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This essay deals with sexual power abuse in J.M Coetzee’s Disgrace. The essay focuses on the two characters David and Petrus and their way of acting. The question asked is simply: how do these two men use women to gain their power? And how do they deal with women? The result can be summarized in the following way: at the beginning the male characters tear women apart till they become totally insecure and thus they can control them completely. Petrus remains this way but as time goes by, David’s thoughts of women gradually changes. The essay also focuses on how David and Petrus shift in power.

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11

Diehl, Lindsay Ann. "In the name of love : David Lurie’s romanticized violence in J.M. Coetzee’s Disgrace." Thesis, University of British Columbia, 2012. http://hdl.handle.net/2429/42937.

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The thesis argues that the protagonist of J. M. Coetzee’s Disgrace, David Lurie, enacts a limited worldview, which is indicative of a colonialist mentality informed by scholarly interests in Romanticism. It thus asserts that Disgrace opens a space to explore how certain legacies, or vestiges, of Romanticism are implicated in systems of oppression: colonialism, patriarchy, racism, sexism, and speciesism. Specifically, I am interested in the extent to which these Romantic vestiges constitute a fantasy for Lurie, allowing him to participate in these systems of oppression, while also providing him

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12

Talgø, Veronica. ""A great deceiver and a self-deceiver" : Fortellerteknikk og intertekstualitet i J.M.Coetzees Disgrace." Thesis, Norges teknisk-naturvitenskapelige universitet, Institutt for språk og litteratur, 2014. http://urn.kb.se/resolve?urn=urn:nbn:no:ntnu:diva-26664.

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Denne mastergraden er en intertekstuell og fortelleteknisk analyse av J. M. Coetzees Disgrace. Romanen forholder seg nært til et Sør-Afrika kort tid etter oppløsningen av apartheid. Den har blitt lest realistisk, og har blitt kraftig kritisert for å fremstille en pågående rasisme i Sør-Afrika. Denne avhandlingen leser romanen som en postmoderne tekst og bruker Gerrard Genette sine teorier om transtekstualitet for å vise hvor omfattende leken med litteratur er i Disgrace.

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13

Mustakallio, Katariina. "Death and disgrace : capital penalties with post mortem sanctions in early Roman historiography /." Helsinki : Suomalainen tiedeakatemia, 1994. http://catalogue.bnf.fr/ark:/12148/cb371606848.

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Yli-Tainio, Paul. "At the Core of the Matter : J.M. Coetzee’s Disgrace from a psychoanalytical perspective." Thesis, Högskolan Dalarna, Engelska, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:du-22536.

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Kahlroth, Victoria. "Den skönlitterära politiska spegeln : En tematisk analys av The Grass is Singing och Disgrace." Thesis, Linnéuniversitetet, Institutionen för språk och litteratur, SOL, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-17365.

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Bandeira, Marilia Fatima. "Representações da violência em Disgrace e Waiting for the Barbarians de J. M. Coetzee." Universidade de São Paulo, 2008. http://www.teses.usp.br/teses/disponiveis/8/8147/tde-20012009-164000/.

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O objetivo desta dissertação de Mestrado é analisar a representação da violência por J.M. Coetzee nos romances Waiting for the Barbarians (1980) e Disgrace (1999), o primeiro escrito numa época de grandes convulsões sociais na África do Sul devido, especialmente, à implantação do grande apartheid; e o segundo, logo após o fim do regime e a eleição do primeiro presidente negro sul-africano. Nossa pesquisa visa analisar a forma de representar o mal em épocas distintas da história do país, buscando apreender o determinismo histórico presente na construção de ambos os romances, bem como a posição

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Petersson, Hjärne Jon. "A Hero in Disgrace : The patterns of a hero in David Lurie's twist of fate." Thesis, Växjö University, School of Humanities, 2009. http://urn.kb.se/resolve?urn=urn:nbn:se:vxu:diva-2573.

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<p>In this essay I look at J.M Coetzee’s Disgrace from a rather different perspective. I argue that, despite his less than heroic attributes, David Lurie is the protagonist of an adventure and follows Joseph Campbell’s pattern of the hero’s ditto. Furthermore, the goal of David Lurie’s journey lies in self-realization and self-reinvention, which is not typical for the hero’s journey. The Ultimate Boon is usually something else but different times call for different heroes. In J.M. Coetzee and the Ethics of Reading, Derek Attridge suggests that David Lurie grows on the reader throughout the nov

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Bhattacharya, Sunayani. "(Re)Appropriation: A Reading of The Tempest, Kapalkundala, and Disgrace." [Tampa, Fla] : University of South Florida, 2009. http://purl.fcla.edu/usf/dc/et/SFE0002904.

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Cuenca, Vivanco Catalina. "Travels, journeys and subjectivities: the exiles in Coetzee's Disgrace and Auster's In the country of last things." Tesis, Universidad de Chile, 2016. http://repositorio.uchile.cl/handle/2250/143298.

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Andersson, Tove. "In Control or In Despair : Protagonist Analysis of David Lurie in Disgrace and Okonkwo in Things Fall Apart." Thesis, Södertörn University College, The School of Culture and Communication, 2007. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-1344.

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Bedini, Daniella Cadiz. "Bestiaries the animal and the human in Mila Kundera's The Unbearable Lightness of Being and J.M. Coetzee's Disgrace." Master's thesis, University of Cape Town, 2013. http://hdl.handle.net/11427/9996.

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Includes abstract.<br>In his book, The Open (2004), Giorgio Agamben suggests that the border between the human and the animal passes "first of all as a mobile border within living man". At stake in the construction of this border is a division of the human and the animal into separate and homogenous groups, and subsequently a denial of a multiplicity of life forms and experience. This relates to what Derrida (2004) has deemed "the self-interested misrecognition of what is called the Animal in general", and is something other critics working in the field of animal studies have discussed. In thi

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Voltz, Noel Mellick. "“`It’s no disgrace to a colored girl to placer’: Sexual Commodification and Negotiation among Louisiana’s “Quadroons,” 1805-1860”." The Ohio State University, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=osu1417682791.

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Karagic, Mirela. "Representation of the Other : A Postcolonial Study of the Representation of the Natives in Relation to the Colonizers in The Stranger and Disgrace." Thesis, Högskolan i Jönköping, Högskolan för lärande och kommunikation, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:hj:diva-23497.

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According to postcolonial theory, postcolonial literature tends to depict non-Westerners – the native Other – as a homogenous mass, portrayed as carrying all the dark human traits. The Other is often represented as, for instance, being exotic, violent, hostile and mysterious, and either stands in opposition to, or is portrayed as being completely different from the Westerner. With postcolonial theory as a background, this study is a close-reading analysis and comparison of Albert Camus’ The Stranger (1942), which takes place in a colonial Algeria, and J.M. Coetzee’s Disgrace (1999), which is s

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Hassel, Sebastian. "“It is a new world they live in” : A CBI Approach to the Post-Apartheid Experience in J.M. Coetzee’s Disgrace." Thesis, Högskolan i Halmstad, Sektionen för lärarutbildning (LUT), 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:hh:diva-22967.

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Makgato, Kgokologa Saltiel. "The portrayal of sexual abuse in Zakes Mda's the Madonna of Excelsior and J. M. Coetzee's disgrace : a comparative study." Thesis, University of Limpopo, 2010. http://hdl.handle.net/10386/2448.

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Thesis (M.A.(English) --University of Limpopo, 2010.<br>This dissertation examines the way in which two South African novelists, Zakes Mda and J.M. Coetzee, portray the sexual abuse of women during the apartheid and post-apartheid eras. The two selected novels used in this research are The Madonna of Excelsior (2002) by Mda and Disgrace (2000) by Coetzee. The research, furthermore, analyses the attitudes of the sexual abusers and their victims in both eras as well as examines the effects of socio-economic imbalances that might have prompted the men to sexually abuse women whom they

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Hushidari, Maliheh. "Midlife Crisis or Male Wound? : A Psychoanalytical Study of the Protagonist’s Behaviour as Midlife Crisis in J M Coetzee’s Disgrace." Thesis, Södertörns högskola, Institutionen för kultur och kommunikation, 2007. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-1898.

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Smit, Susanna Johanna. ""Placing" the farm novel : space and place in female identity formation in Olive Schreiner's The story of an African farm and J.M. Coetzee's Disgrace / S.J. Smit." Thesis, North-West University, 2005. http://hdl.handle.net/10394/873.

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Kendal, Rebekah. ""Not rape, not quite that" : an exploration of the rape narratives in J.M. Coetzee's Disgrace and in The Heart of the Country within the South African context." Master's thesis, University of Cape Town, 2006. http://hdl.handle.net/11427/14602.

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Includes bibliographical references.<br>This dissertation provides a close examination of the rape narratives in J.M. Coetzee's Disgrace and In the Heart of the Country within the South African context. Initially, I briefly explore the proposition that the problem of rape in South Africa is perpetuated by the myths about rape which essentially obfuscate the reality of the incidence of rape. Having established what these myths are and how they are detrimental to our understanding of rape, I explore Coetzee's treatment of them in his own rape narratives. I debate whether Coetzee has simply repro

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Harper, Gordon W. R. "The disgrace of God : some historical studies of the development of the motif of humiliation and exaltation of Jesus Christ as a means of expressing a Christian understanding of God." Thesis, University of Nottingham, 1988. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.328420.

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Dogru, Sibel, and Helena Räf. "Flickors förståelse av fenomenet hedersrelaterat våld – en kvalitativ studie." Thesis, Stockholms universitet, Institutionen för socialt arbete - Socialhögskolan, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-71794.

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The aim of this study is to examine how girls from the discussion group "Coolt med koll" understand the phenomenon honor-related violence. The study is based upon three issues; how do our informants understand honor-related violence, where do the interviewed obtain information concerning honor-related violence and how do it affect their point of view, last but not least what do the girls know regarding children‟s rights. The theoretical points of this study are theories about honor-related living conditions and radical feminist theory. The study is carried out through six semi-structured quali

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Rocha, Lucas Kirschke da. "Ecce animot : um percurso analítico pós-humanista através de Elizabeth Costello e Desonra, de J. M. Coetzee." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2017. http://hdl.handle.net/10183/172900.

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Esta dissertação trata dos Estudos Animais, área que se desenvolve como um rico campo de interdisciplinaridade já em sua origem. Mas para que não se julgue aprioristicamente um campo em suas particularidades, há que se esclarecer pontos em comum aos teóricos das mais diversas origens acadêmicas que compõem os Estudos animais e traçar planos para um futuro significativo. Após estabelecer os necessários diálogos entre teoria e campo social, passo à análise de certos pontos das obras Desonra e Elizabeth Costello, com o objetivo de evidenciar o potencial deste corpus para o desenvolvimento da crít

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Reck, Casey M. "Laying Bare the Sins of the Father: Exploring White Fathers in Post-Apartheid Literature." Scholarship @ Claremont, 2010. http://scholarship.claremont.edu/cmc_theses/63.

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This Thesis is an exploration of white fathers in three post-apartheid novels: Mark Behr's The Smell of Apples, Nadine Gordimer's The House Gun, and J. M. Coetzee's Disgrace. By examining the link between private white hegemonic masculinity and the apartheid government, the Thesis analyzes the transitional process as these men try to adopt less authoritative identities.

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Borglin, John. "Makt och maktlöshet i Onåd : En studie om hur J.M. Coetzees roman Onåd kan användas i svenskundervisningens jämställdhetsarbete." Thesis, Linnéuniversitetet, Institutionen för film och litteratur (IFL), 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-92790.

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Denna studies syfte och forskningsfråga är att undersöka och besvara hur J.M. Coetzees roman Onåd kan förstås med utgångspunkt i de intersektionella kategorierna kön, ras och klass samt hur man som pedagog kan tillämpa romanen i den svenska gymnasieskolan för att diskutera och undervisa om jämställdhet och människors lika värde. För att nå syftet och frågeställningen undersöks kritiska delar av romanen med hjälp av diskursanalys. Tidigare forskning används också för att undersöka romanen. Metoden är utvald för att synliggöra de strukturer som omger karaktärerna i romanen och handlingsutrymmet

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Bonthuys, Eugene. "Writing, reading ... reconciliation? : the role of literature in post-apartheid South Africa." Thesis, Stellenbosch : Stellenbosch University, 2002. http://hdl.handle.net/10019.1/53228.

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Thesis (MA)--University of Stellenbosch, 2002.<br>ENGLISH ABSTRACT: Socially responsible writing has been a feature of South African literature for many years. Under apartheid, many novels dealt with apartheid, as it was one of the main features of our social landscape. The end of apartheid did not however bring about the end of a need for socially responsible writing. South Africa is still faced with many problems, one of which is reconciliation. This thesis investigates whether reconciliation may have become a new theme in South African novels, and whether these novels could playa rol

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Daughtry, Ann Dring. "Convent refuges for disgraced girls and women in nineteenth-century France /." Title page, contents and summary only, 1991. http://web4.library.adelaide.edu.au/theses/09PH/09phd238.pdf.

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Iline, Anastasia. "François Le Métel de Boisrobert (1592-1662) : faveur et défaveur dans la France du premier XVIIe siècle." Paris, EHESS, 2008. http://www.theses.fr/2008EHES0049.

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Cette thèse vise à définir et comprendre les phénomènes de grâce, de disgrâce et de défaveur à travers l'étude du parcours de François Le Métel de Boisrobert (1592-1662). Homme de lettres ayant connu une réussite retentissante grâce à l'appartenance à l'entourage proche du cardinal de Richelieu, il dut faire face à des périodes où la fragilisation de sa faveur mit en péril sa position sociale. A côté de moments de suspension de l'appui des puissants, que nous appelons « disgrâces », Boisrobert vécut vingt ans (1642-1662) dans un état de «défaveur », au cours duquel, isolé à l'écart des clientè

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Hjul, Lauren Martha. "The family in Shakespeare's plays: a study of South African revisions." Thesis, Rhodes University, 2013. http://hdl.handle.net/10962/d1001832.

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This thesis provides a detailed consideration of the family in Shakespeare’s canon and the engagement therewith in three South African novels: Hill of Fools (1976) by R. L. Peteni, My Son’s Story (1990) by Nadine Gordimer, and Disgrace (1999) by J. M. Coetzee. The study is divided into an introduction, three chapters each addressing one of the South African novels and its relationship with a Shakespeare text or texts, and a conclusion. The introductory chapter provides an analysis of the two strands of criticism in which the thesis is situated – studies of the family in Shakespeare and studies

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Mühlfriedel, Bernd [Verfasser], Ann-Kristin [Akademischer Betreuer] Achleitner, and Gunther [Akademischer Betreuer] Friedl. "Investments in Fallen Angel Stocks : An empirical analysis of quality indicators of disgraced growth companies / Bernd Mühlfriedel. Gutachter: Gunther Friedl. Betreuer: Ann-Kristin Achleitner." München : Universitätsbibliothek der TU München, 2012. http://d-nb.info/102533776X/34.

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Mühlfriedel, Bernd Verfasser], Ann-Kristin [Akademischer Betreuer] [Achleitner, and Gunther [Akademischer Betreuer] Friedl. "Investments in Fallen Angel Stocks : An empirical analysis of quality indicators of disgraced growth companies / Bernd Mühlfriedel. Gutachter: Gunther Friedl. Betreuer: Ann-Kristin Achleitner." München : Universitätsbibliothek der TU München, 2012. http://nbn-resolving.de/urn:nbn:de:bvb:91-diss-20120715-1099076-0-3.

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Benard, Mylène. "Les romans personnels et libertins au XVIIe siècle." Clermont-Ferrand 2, 2007. http://www.theses.fr/2007CLF20019.

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Notre étude porte sur l'"Euphormion" de J. Barclay, la "Première Journée" de Théophile, "Le Page disgracié" de Tristan, "Les Aventures" de Dassoucy et "Les Confessions" de J. -J. Bouchard. Ces romans se caractérisent par un mode d'écriture et de lecture ambigu, entre autobiographie et fiction, mais ce sont également des oeuvres subversives qui entretiennent des liens avec le courant de pensée libertin. Notre question de départ a été la suivante : pourquoi ces auteurs libertins ont-ils choisi de se raconter sur un mode romanesque ? Nous avons fait l'hypothèse que la fiction avait d'abord une fo

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Roche, Bruno. "Le rire des libertins dans la première moitié du XVIIe siècle." Clermont-Ferrand 2, 2009. http://www.theses.fr/2009CLF20011.

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A priori rebelle à toutes les classifications, le rire émis par les "libertins" traduit une posture de supériorité. Les épisodes paradigmatiques des fictions comiques participent de la même attitude de distanciation lucide que celle qu'on remarque chez les érudits. Ce rire possède des enjeux philosophiques et idéologiques dont l'unité est à chercher dans le projet plus ou moins affirmé d'en finir avec la conception théologique de l'homme. Pour d'élémentaires raisons de sécurité, une telle visée devait se déployer sous le masque et le rire, emprunter les voies plus retorses de l'ironie. De ces

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Wright, Laurence. "Disgrace as J.M.Coetzee's Tempest." 2008. http://hdl.handle.net/10962/d1007217.

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Amid the deluge of criticism and commentary evoked by Disgrace, quite remarkably nobody has noticed that the book re-engages exactly the energies Shakespeare deployed in The Tempest, a play which has become an icon, if not the icon, of colonial and post-colonial studies.

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Huang, I.-Chian, and 黃怡蒨. "The Image of Scapegoat in Coetzee’s Disgrace." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/33umg9.

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碩士<br>東吳大學<br>英文學系<br>102<br>The archetype of the scapegoat comes from the Old Testament as one who takes on the sins of others or sacrifices himself for others. The archetypal meanings of the scapegoat include sacrifice, purification and salvation. But in the modern world, the meaning of the scapegoat has changed somewhat. According to Oxford Online English Dictionary, the definition refers to “a person who is blamed for the wrongdoings, mistakes, or faults of others, especially for reasons of expediency.” This thesis focuses on the interpretation of the main characters, David, Lucy, and Petr

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Cheng, Yeh Ian, and 葉彥呈. "Desire and Its Discontent in J.M. Coetzee’s Disgrace." Thesis, 2014. http://ndltd.ncl.edu.tw/handle/78jewm.

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碩士<br>東吳大學<br>英文學系<br>102<br>This thesis aims to interpret J. M. Coetzee’s Disgrace by employing critical theories of desire to look into the post-apartheid situation in South Africa, where racial unfriendliness still exists between blacks and whites. Desire is traditionally defined as a mental state of longing or hankering, but, in Graham Oddie’s and other contemporary critics' theories, it is a psychological status associated and interacted with social values. Modern civilization and social regulations have formed people's value systems, and individual human desires under such social/moral r

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Yu-wei, Lin, and 林煜幃. "Reconciliation and Moral Ambiguity in J. M. Coetzee's Disgrace." Thesis, 2005. http://ndltd.ncl.edu.tw/handle/35265551836218896953.

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碩士<br>國立清華大學<br>外國語文學系<br>93<br>J. M. Coetzee’s Disgrace highlights the almost perpetual conflicts in post-apartheid South African history and ethnicity. His engagement of the “new South Africa,” however, has generated fierce debates. In my thesis I try to argue that Coetzee, with his storytelling, tells “his own truth” that disquiets our senses to reality itself. My approach is related to J. Hillis Miller’s idea of “the ethics of reading,” which generates an ethical moment that is “something individual and particular, itself a source of political or cognitive acts, not subordinated to them

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Hsueh, Fang-Ming, and 薛芳明. "Species Entanglement in: Disgrace, Life of Pi, the Cats’ Lives." Thesis, 2018. http://ndltd.ncl.edu.tw/handle/83xvs6.

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碩士<br>國立中興大學<br>外國語文學系所<br>106<br>Because of human exceptionalism, humans place themselves on top in a hierarchy, and a division is clearly made between between humans and nonhuman species. We think we have the world in control, and we alienate ourselves from nature. Yet today, as our living environment deteriorates, we pay more and more attention to the nonhuman world. To put our relationship with other species in a different light, this thesis is going to address how humans and animals are entangled by analyzing two Western texts, Disgrace and Life of Pi, and a Taiwanese text, The Cats’ Live

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Wright, Laurence. "David Lurie's learning and the meaning of J.M. Coetzee's Disgrace." 2010. http://hdl.handle.net/10962/d1007428.

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One of the teasing characteristics of novels soused in literariness, like J.M. Coetzee’s, is their tendency to leak, to bleed, into vast inchoate terrains of intertextuality.The reader is constantly challenged to measure and assess their implications within or against the frail containing form of the story, much as Russian formalism taught us to keep sujet and fable in perpetual dialogue. However, it has become apparent that in the dense thickets of commentary occasioned by Coetzee’s most controversial novel, Disgrace (1999), insufficient attention has been paid to the intertextual implication

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Pepera, Agnieszka. "Domínios semânticos na obra Disgrace de J. M. Coetzee e tradução." Master's thesis, 2012. http://hdl.handle.net/10451/8791.

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Tese de mestrado, Tradução, Universidade de Lisboa, Faculdade de Letras, 2012<br>A presente dissertação consiste na aplicação dos domínios semânticos, área-chave da Semiótica Cognitiva (Brandt 2004; Brandt/ Brandt 2005), à análise de excertos de Disgrace da autoria de J.M. Coetzee e da sua tradução para Português Europeu, realizada por José Remelhe, com a revisão literária de Ana Maria Chaves, com o propósito de aquilatar em que medida o reconhecimento dos domínios semânticos, bem como a análise da sua estrutura interna, por parte do tradutor, é fundamental para a tradução da obra. A análise e

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Lai, Yu-Hsin, and 賴褕芯. "Ethical Relations and Women in the Postcolonial Context in J. M. Coetzee’s Disgrace." Thesis, 2017. http://ndltd.ncl.edu.tw/handle/46132339672133951256.

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碩士<br>國立中興大學<br>外國語文學系所<br>105<br>Disgrace is a novel published in 1999, written by South African novelist J. M. Coetzee. Although there were many comments on it when the novel was released, it still won Coetzee his second Booker Prize. Disgrace sets it background in the post-apartheid South Africa, describing an aged White professor David Lurie’s life. Except the male protagonist, there are still other female characters who disclose the struggles and dilemmas of life in the postcolonial context. Disgrace displays not only David’s frustration and loss; it also displays the effects of coloniali

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Yang, Haw-wei, and 楊皓瑋. "Anthropological Machine, Bare Life, and State of Exception in J. M. Coetzee’s Disgrace." Thesis, 2011. http://ndltd.ncl.edu.tw/handle/45846881685470038101.

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碩士<br>國立臺灣師範大學<br>英語學系<br>100<br>Disgrace, published in 1999, is a controversial novel written by South African Nobel Laureate J. M. Coetzee. What render the work controversial are its peculiar setting and racial attitude expressed by an old white male deemed as the representative of white. Setting in a caesura marked by the collapse of apartheid regime and the dawn of democracy, Disgrace vividly and realistically depicts the rampant crimes and inefficient police force during an extreme period. In addition, the racial discourses expressed time and again by David Lurie invite skepticism. Contin

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