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Journal articles on the topic 'Dishonored'

Author: Grafiati

Published: 4 June 2021

Last updated: 18 February 2022

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1

Zonaga, Anthony, and Marcus Carter. "The Role of Architecture in Constructing Gameworlds: Intertextual Allusions, Metaphorical Representations and Societal Ethics in Dishonored." Loading 12, no. 20 (November 20, 2019): 71–89. http://dx.doi.org/10.7202/1065898ar.

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In this article, we present a close analysis of the role that the steampunk industrial Victorian architecture in Dishonored (2012) has in constructing the player’s experience and knowledge of the gameworld. Through various intertextual allusions and metaphorical representations, we argue the architecture works as an important storytelling element, contextualizing information that the player learns and conveying information about the game’s main characters, similar to the ways that architecture is utilized in other visual media such as television and film. In addition, we also argue that the architecture in Dishonored plays a crucial role in conveying to the player information about the morals and values of the fictional society, key to the game’s moral-choice gameplay.

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2

Vause, Erika. "Disciplining the Market: Debt Imprisonment, Public Credit, and the Construction of Commercial Personhood in Revolutionary France." Law and History Review 32, no. 3 (June 23, 2014): 647–82. http://dx.doi.org/10.1017/s073824801400025x.

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In 1847, Raymond-Theodore Troplong, one of France's most distinguished legal minds, presented his recently finished work on debt imprisonment to Paris's prestigiousAcadémie des sciences morales et politiques.He started his narrative with an imaginative reconstruction of debt imprisonment's origins in the “barbaric law” of “primitive peoples.” In such societies, Troplong explained, “the person responds corporally, and principally, to contracted engagements. On one hand, insolvency is assimilated to crime. The debtor who dishonors his word in not paying his creditor differs little from a thief. In dishonoring his word, he has dishonored the gods whom he has taken as witnesses of his oath; his body is therefore engaged by his offense; it belongs to its expiation. On the other hand, in order to make him pay with his possessions, the creditor must seize, first of all, his person.”

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3

Gannon, J. F. "Aeschylus, Agamemnon 72–5." Classical Quarterly 39, no. 1 (May 1989): 254–57. http://dx.doi.org/10.1017/s0009838800040647.

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In the first of his three magisterial articles on the Agamemnon H. L. Ahrens showed that all the evidence then available best fitted the conclusion that ⋯τ⋯ται derived from τ⋯νω and not from τ⋯ω. Subsequently Ed. Fraenkel in his own note on the word reviewed and supplemented the evidence gathered by Ahrens, and expressed the view that Ahrens' ‘discussion, details apart, is final’; and there seems to be widespread agreement that on the linguistic side at least Ahrens' argument cannot be refuted. If this means anything, it means that the sense of the word cannot be ‘unhonoured’ or ‘dishonoured’. Yet Denniston–Page in their commentary say that ‘”unhonoured” seems the only possible sense here’, and R. Fagles' recent translation, which generally rests on sound scholarship as well as poetic gifts, has ‘dishonored’. The principal reason for this persistent disagreement seems to be that the sense proposed by Ahrens for ⋯τ⋯ται has been thought to have rather less plausibility than the linguistic considerations that appear to lead to it.

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4

Rautalahti, Heidi. "Disenchanting Faith—Religion and Authority in the Dishonored Universe." Religions 9, no. 5 (May 1, 2018): 146. http://dx.doi.org/10.3390/rel9050146.

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5

Tinker, Tony, and Dimitrios Ghicas. "Dishonored contracts: Accounting and the expropriation of employee pension wealth." Accounting, Organizations and Society 18, no. 4 (May 1993): 361–80. http://dx.doi.org/10.1016/0361-3682(93)90021-w.

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6

Hutton, Rodney. "The case of the blasphemer revisited (Lev. xxiv 10-23)." Vetus Testamentum 49, no. 4 (1999): 532–41. http://dx.doi.org/10.1163/156853399323228434.

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AbstractThe case of the "blasphemer" in Lev. xxiv 10-23 is complicated by the ambiguity of the offense. The expressions "blaspheme the name" (nāqab 'et-haššēm) and "curse" (qillēl) have been translated in a wide variety of ways. The arguments are reviewed and the proposal made that the offense was that the offender used the divine name in an illegitimate manner with the result that the name was degraded and dishonored.

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7

Chester, Barbara, Robert W. Robin, Mary P. Koss, Joyce Lopez, and David Goldman. "Grandmother Dishonored: Violence Against Women by Male Partners in American Indian Communities." Violence and Victims 9, no. 3 (January 1994): 249–58. http://dx.doi.org/10.1891/0886-6708.9.3.249.

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Extensive and scrupulously conducted research during the past decade has established the issue of violence against women by male partners as both an international human rights issue and a public health problem of national concern. This research has rarely been extended into communities of color, and, in particular, to American Indian women. This article presents conceptual and methodological factors involved in conducting research with American Indian women, a comprehensive literature review of available data, assertions regarding abuse of women by male partners in American Indian communities, and directions for future research. “Our grandmother, the earth, is a woman, and in mistreating your wife, you will be mistreating her. Most assuredly you will be abusing our grandmother if you act thus.” (Winnebago man)

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8

Adinkrah, Mensah. "Better dead than dishonored: Masculinity and male suicidal behavior in contemporary Ghana." Social Science & Medicine 74, no. 4 (February 2012): 474–81. http://dx.doi.org/10.1016/j.socscimed.2010.10.011.

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9

Notehelfer, F. G. "Honored and Dishonored Guests: Westerners in Wartime Japan by W. Puck Brecher." Monumenta Nipponica 73, no. 2 (2081): 283–92. http://dx.doi.org/10.1353/mni.2081.0013.

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10

GOLOD, ROMAN. "The Conception of the Fatherland Dishonored by Captivity in the Ukrainian Poetic History and Philosophy." Journal of Vasyl Stefanyk Precarpathian National University 6, no. 2 (June 20, 2019): 86–91. http://dx.doi.org/10.15330/jpnu.6.2.86-91.

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In the article, an analysis of the conception of the Fatherland dishonored by the captive colonial status is provided with regard to the artistic work of the Ukrainian poets. The feeling of shame, rage and hatred towards the enslaved Ukraine is more or less seen in the historic and philosophic views of T. Shevchenko, P. Kulish, I. Franko, L. Ukrainka, I. Malaniuk. The prominent poets have always been playing the role of ‘nerves’, indicators of the political, social, cultural and moral health of the people. So the conception of shame for the captivated Ukraine in their artistic work should be viewed as the determinant for the further nation recovery.

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11

Golod, R. В. "THE CONCEPTION OF THE FATHERLAND DISHONORED BY CAPTIVITY IN THE UKRAINIAN POETIC HISTORY AND PHILOSOPHY." PRECARPATHIAN BULLETIN OF THE SHEVCHENKO SCIENTIFIC SOCIETY Word, no. 2(54) (January 22, 2019): 113–20. http://dx.doi.org/10.31471/2304-7402-2019-2(54)-113-120.

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In the article, an analysis of the conception of the Fatherland dishonored by the captive colonial status is provided with regard to the artistic work of the Ukrainian poets. The feeling of shame, rage and hatred towards the enslaved Ukraine is more or less seen in the historic and philosophic views of T. Shevchenko, P. Kulish, I. Franko, Lesia Ukrainka, I. Malaniuk. The prominent poets have always been playing the role of "nerves", indicators of the political, social, cultural and morla health of the people. So the conception of shame for the captivated Ukraine in their artistic work should be viewed as the determinant for the further nation recovery.

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12

RAO, YVG NUKESWARA, and RAJESH LANKAPALLI. "Janani (The Declining Stature Of Women In Indian Society)." Think India 22, no. 2 (October 4, 2019): 485–93. http://dx.doi.org/10.26643/think-india.v22i2.8755.

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From Atharv Veda: “Yatra naryastu pujyante ramante tatra Devata, yatraitaastu na pujyante sarvaastatrafalaah kriyaah” (which means where women are honored, divinity blossoms, and where women are dishonored, all actions, no matter how noble, remain unfruitful.). Every Indian lad grows listening to this proverb all his life time. The ancient Indian Society allowed women to study and in fact, some women Philosophers like Lopamudra, Maitreyi, and Gargi were considered the leading scholars and could very well compete their male Philosophers in any philosophical and religious discussions. They were highly respected along with male counterparts of the time. Things have gone too far today. Atrocities to women are the very common headings of any newspaper in India.

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13

Endo, Rachel. "Asian/American Women Scholars, Gendered Orientalism, and Racialized Violence: Before, During, and After the 2021 Atlanta Massacre." Cultural Studies ↔ Critical Methodologies 21, no. 4 (May 21, 2021): 344–50. http://dx.doi.org/10.1177/15327086211014632.

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This article describes how an Asian/American woman leader-scholar (and others un/like her) have processed the Atlanta Massacre of 2021 and other types of racialized violence in and out of the academy by drawing on the analytic frameworks of Orientalism and racialized sexualization. This critical autoethnography involved synthesizing traumatic reflections into concept maps by drawing from the content of author-generated poems, e-mails, institutional statements, and journal entries based on a series of critical incidents that occurred between March 15, 2021 to March 22, 2021, as well as over the past several decades. She describes how many leaders at White-dominated institutions of higher education have perpetually dishonored Asian/Americans and other BIPOC faculty, staff, and students through their in/actions, mis/behaviors, and mis/deeds before, during, and after the Atlanta Massacre March 16, 2021.

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14

Beatti, Peter M. "“Born Under the Cruel Rigor of Captivity, The Supplicant Left it Unexpectedly by Committing a Crime”: Categorizing and Punishing Slave Convicts in Brazil, 1830-1897." Americas 66, no. 01 (July 2009): 11–55. http://dx.doi.org/10.1017/s0003161500004417.

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No presídio [de Fernando de Noronha] o bandido [Zé Moleque] criara fama de boa pessoa, de trabalhador. Os seus roçados de farinha eram sempre os maiores e nunca estivera em cela, nunca dera o que fazer aos diretores. In José Lins do Rego's 1936 novel, A Usina (the sugar refinery), the penal colony of Fernando de Noronha Island emerges as an incongruous Utopia. The novel's young black protoganist Ricardo serves a three year sentence there as a result of his involvement in a Recife labor strike. Upon his return, he is disillusioned by what he finds on the mainland. He recalls his penalcolony stint with a mixture of nostalgia and shame, especially the tender relationship he had had with the former black bandit Zé Moleque, the respected convict in the citation above. The island, some 220 miles off Brazil's northeast coast, initially appears to be an exotic criminal community of dishonored men, the antithesis of life on the mainland. But, as the plot progresses, it becomes a bucolic foil with which the author highlights hypocrisy, injustice, indifference, and corruption on the modernizing Brazilian mainland of the 1920s.

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15

Montgomery, Harper. "Introduction to Carlos Mérida's “The True Meaning of the Work of Saturnino Herrán”." ARTMargins 7, no. 1 (February 2018): 115–27. http://dx.doi.org/10.1162/artm_a_00203.

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The introductory essay places “The True Meaning of the Work of Saturnino Herrán: The False Critics” (1920), a piece of early criticism written by the Guatemalan artist Carlos Mérida during the first year he lived in Mexico City, within the contexts of the cosmopolitan milieu of post-Revolutionary Mexico and the artist's own trajectory. It suggests that the text both demonstrates intellectuals’ interest in questions of form and national art and Mérida's desire to provide a critical framework for his own paintings of indigenous Guatemalan and Mexican women. In “The True Meaning of the Work of Saturnino Herrán: The False Critics,” Mérida lashed out at Mexican critics for praising Herrán as the best and most Mexican painter of the time, arguing, instead that the realism and sentimentalism of Herrán's paintings dishonored national themes by presenting them as picturesque stereotypes. Published in the widely-read magazine El Universal Ilustrado, the text attacks Herrán's paintings and the critics who praise them while also arguing that the predominance of the artist is symptomatic of the predominant problem of the literary nature of Mexican artists’ engagement with autochthonous art and culture.

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16

Mérida, Carlos. "The True Meaning of the Work of Saturnino Herrán: The False Critics." ARTMargins 7, no. 1 (February 2018): 128–30. http://dx.doi.org/10.1162/artm_a_00204.

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The introductory essay places “The True Meaning of the Work of Saturnino Herrán: The False Critics” (1920), a piece of early criticism written by the Guatemalan artist Carlos Mérida during the first year he lived in Mexico City, within the contexts of the cosmopolitan milieu of post-Revolutionary Mexico and the artist's own trajectory. It suggests that the text both demonstrates intellectuals’ interest in questions of form and national art and Mérida's desire to provide a critical framework for his own paintings of indigenous Guatemalan and Mexican women. In “The True Meaning of the Work of Saturnino Herrán: The False Critics,” Mérida lashed out at Mexican critics for praising Herrán as the best and most Mexican painter of the time, arguing, instead that the realism and sentimentalism of Herrán's paintings dishonored national themes by presenting them as picturesque stereotypes. Published in the widely-read magazine El Universal Ilustrado, the text attacks Herrán's paintings and the critics who praise them while also arguing that the predominance of the artist is symptomatic of the predominant problem of the literary nature of Mexican artists’ engagement with autochthonous art and culture.

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17

Krishnaswami, Ravi. "Playing Songwriter." Journal of Sound and Music in Games 1, no. 2 (2020): 68–83. http://dx.doi.org/10.1525/jsmg.2020.1.2.68.

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Video game developers go to great lengths to build worlds that are detailed, immersive, and believable. In addition to non-diegetic score to support the player's journey, in-world music is sometimes created for the radios, performance spaces, and streets that the player will encounter. This essay attempts to explore the collaborative decision-making process that shaped songs for two recent games, Dishonored 2 and Wolfenstein: The New Order. As the lead composer on both projects, I provide a firsthand account of how the songs were conceived, how they were deployed within and beyond the game, and the unexpected cultural relevance they had beyond their function within the gameworld. In contrasting these projects, I reveal how songs can map musical attributes to narrative aspects of a game's world, often on multiple levels simultaneously. Some connections are primary motivations while others happen as part of the creative problem-solving that is inevitably part of the songwriting process. Finally, in reflecting on my experience as a practitioner, I use auto-ethnography to explore how I experienced a delightful blurriness of identity while “playing” a songwriter in an imagined world.

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18

Beatti, Peter M. "“Born Under the Cruel Rigor of Captivity, The Supplicant Left it Unexpectedly by Committing a Crime”: Categorizing and Punishing Slave Convicts in Brazil, 1830-1897." Americas 66, no. 1 (July 2009): 11–55. http://dx.doi.org/10.1353/tam.0.0143.

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No presídio [de Fernando de Noronha] o bandido [Zé Moleque] criara fama de boa pessoa, de trabalhador. Os seus roçados de farinha eram sempre os maiores e nunca estivera em cela, nunca dera o que fazer aos diretores.In José Lins do Rego's 1936 novel,A Usina(the sugar refinery), the penal colony of Fernando de Noronha Island emerges as an incongruous Utopia. The novel's young black protoganist Ricardo serves a three year sentence there as a result of his involvement in a Recife labor strike. Upon his return, he is disillusioned by what he finds on the mainland. He recalls his penalcolony stint with a mixture of nostalgia and shame, especially the tender relationship he had had with the former black bandit Zé Moleque, the respected convict in the citation above. The island, some 220 miles off Brazil's northeast coast, initially appears to be an exotic criminal community of dishonored men, the antithesis of life on the mainland. But, as the plot progresses, it becomes a bucolic foil with which the author highlights hypocrisy, injustice, indifference, and corruption on the modernizing Brazilian mainland of the 1920s.

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19

Kapinos, E. V., and I. E. Loshchilov. "Nikolay Aseev: From Publications in Print Media of the Far East (1918–1920)." Critique and Semiotics 38, no. 1 (2020): 292–322. http://dx.doi.org/10.25205/2307-1737-2020-1-292-322.

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The publication includes 3 texts of Nikolay Aseev: two short novels “About human condolence” (1918) and “The pointless story” (1919), and the article “Name exchange” (1920). They were published once in the unpopular and hard-to-get magazines “The Great Оcean”, “Bellower”, “Creativity” and never again, – like many other Aseev’s works, written in the Far Eastern period. However, they represent the groundbreaking poetics, its basics were laid in the age of “Centrifuge”, which the poet dishonored, assumed the mantle of “the back-seat role by Mayakovskiy” (M. L. Gasparov). The short novel “About human condolence” incorporated the traumatic experience of the witness and the party involved in the civil war, the article “Name exchange” and “The pointless story” contains the detailed reflections, related to crisis events in language and literature. The publication is provided with the opening clause with the summary about N. Aseev and the Far Eastern period of his novelism (late 1917 – January 1922). There are also some contexts reviewed, crucial for comprehension of the published works. “The pointless story” and “Name exchange” are compared to dissertations, articles and essays of V. Khlebnikov, S. Esenin, O. Mandelstam, Yu. Tynyanov.

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20

GUIRALT GOMAR, Carmen. "La Oficina Hays y las dos versiones fílmicas modernizadas del caso Madeleine Smith: Letty Lynton (1932) y Dishonored Lady (1947)." Fonseca, Journal of Communication 12, no. 12 (June 1, 2016): 183. http://dx.doi.org/10.14201/fjc201612183204.

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21

Dar, Showkat Ahmad. "Imagining Muslims in South Asia and the Diaspora." American Journal of Islam and Society 33, no. 1 (January 1, 2016): 125–28. http://dx.doi.org/10.35632/ajis.v33i1.890.

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Islam has been wrongly interpreted by representing it synonymous with terrorand “the Muslim,” as Hamid Dabashi maintains in Norway: Muslims andMetaphors (2011), “is a metaphor of menace, banality and terror everywhere”(p. 2). Consequently, Muslims in and beyond South Asia are being stigmatizedby the newly constituted environment known in the western scheme of thingsas “Islamophobia.” The state of disgrace and misery of Muslims continues toincrease and is being facilitated by the biased ideas and thoughts propoundedby some journalists and writers to construct often misleading and one-dimensional images. This had led to Muslims being harassed, dishonored,and rebuked. The present book evinces their increasingly stereotyped and demonizedportrayal.Imagining Muslims in South Asia and the Diaspora is a critical evaluationand analysis of representations of these Muslims in literature, the media, culture,and cinema. The essays highlight their diverse representations and therange of approaches to questions concerning their religious and cultural identityas well as secular discourse. In addition they contextualize the depictionsagainst the burgeoning post-9/11 artistic interest in Islam and against culturalresponses to earlier crises in the Subcontinent, including the 1947 partition,the 1971 war and subsequent secession of Bangladesh, the 1992 Ayodhyariots, the 2002 Gujarat genocide, and the ongoing tension in Indian-occupiedKashmir ...

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22

Backe, Hans-Joachim. "Within the Mainstream: An Ecocritical Framework for Digital Game History // Dentro del canon: Un marco ecocrítico para la historia del videojuego digital." Ecozon@: European Journal of Literature, Culture and Environment 8, no. 2 (October 31, 2017): 39–55. http://dx.doi.org/10.37536/ecozona.2017.8.2.1362.

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Ecocriticism of digital games has so far engaged with a rather small corpus of examples, predominantly from a prescriptive perspective and with a quite limited methodological toolkit. This essay systematizes and historicizes some of these commonly found limitations of past research and proposes methods for a more historically and generically diverse exploration of ecological thinking vis-à-vis digital games. The majority of discussions of games from an ecocritical perspective has applied concepts and frameworks borrowed from literature and film studies, thus privileging surface semiotics over game mechanics. More methodically aware studies have oriented themselves toward the popular framework of procedural rhetoric (Bogost 2007), resulting both in a selection bias towards serious games and an author-centric, intentionalist slant inherent in the approach. In general, the discussion revolves around a small number of games with apparent ecocritical potential, such as Myst (Cyan 1993) or Farmville (Zynga 2009), resulting in a selective, a-historic and therefore distorted discussion of ecology in the diverse medium of digital games. This essay discusses strategies for dealing with a larger corpus of digital games through a descriptive matrix for identifying and analyzing the ecological dimension of digital games. It proposes an extension of the ecocritical toolkit by including a more user-centered, ethics-based theoretical framework based on Sicart’s Ethics of Computer Games (2009). The gain of engaging with representation and simulation of the natural environment in mainstream computer game history will be demonstrated in an analysis of two paradigmatic games. In both Red Dead Redemption (Rockstar San Diego 2010) and Dishonored (Arkane Studios 2013), we encounter game design geared toward producing ludo-narrative dissonances which are highly inductive of critical engagement with the ecosphere. Resumen La ecocrítica de los juegos digitales se ha centrado en un corpus de ejemplos muy pequeño. Asimismo, la ecocrítica se ha basado en un número muy limitado de métodos. La mayor parte de los debates sobre juegos han utilizado conceptos y teorías tomados de la teoría literaria y el análisis cinematográfico, haciendo prevalecer por tanto análisis semióticos superficiales sobre el estudio de las mecánicas de juego. Los estudios que aplican métodos de game studies suelen estar basados en la teoría de retórica de procesos (Bogost, 2007), lo que acarrea una selección de ejemplos sesgada hacia los serious games y los juegos de autor. En general, estos debates se centran en un número pequeño de juegos con potencial ecocrítico, como Myst (Cyan 1993) o Farmville (Zynga 2009), lo que deriva en una discusión selectiva y ahistórica de la ecología en un medio tan diverso como los juegos digitales. Este artículo presenta estategias para analizar un corpus de juegos mayor. Este artículo propone una matriz descriptiva para identificar y analizar la dimensión ecológica de los juegos digitales. Metodológicamente, este artículo opera con una extensión de la teoría ecocrítica que incluye un marco teórico centrado en el usuario y basado en The Ethics of Computer Games (Sicart, 2009). Los beneficios de centrarse en la representación y simulación del medio natural en el canon de los juegos digitales serán demostrados a través del análisis de dos juegos paradigmáticos. Tanto Red Dead Redemption (Rockstar San Diego 2010) como Dishonored (Arkane Studios 2013) producen disonancias ludo-narrativas que promueven una relación crítica con la ecoesfera.

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23

Mengesha, Meresa Berwo, Asgele Gebrekrstos Desta, Hayat Maeruf, and Hagos Degefa Hidru. "Disrespect and Abuse during Childbirth in Ethiopia: A Systematic Review." BioMed Research International 2020 (October 23, 2020): 1–14. http://dx.doi.org/10.1155/2020/8186070.

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Background. Disrespect and abuse are recognized for the restricting impact of women from seeking maternal care, psychological humiliations, grievances, and unspoken sufferings on women during childbirth. Individual primary studies are limited in explaining of extent of disrespect and abusive care. Hence, this review considers the synthesis of comprehensive evidence on the extent, contributing factors, and consequences of disrespectful and abusive intrapartum care from the women’s and providers’ perspectives in Ethiopia. Methods. Articles had been systematically searched from the databases of PubMed, Cochrane Library, POPLINE, Google Scholar, HINARI, African Journals Online, and WHO Global Health Library. A qualitative and quantitative synthesis was performed using the Bowser and Hill landscape analytical framework. Result. Twenty-two studies comprised of the 16 quantitative; 5 qualitative and one mixed studies were included. The most repeatedly dishonored right during facility-based childbirth in Ethiopia was nondignified care, and the least commonly reported abuse was detention in health facilities. These behaviors were contributed by normalization of care, lack of empowerment and education of women, weak health system, and lack of training of providers. Women subjected to disrespectful and abusive behavior distanced themselves from the use of facility-based childbirth-related services and have endured psychological humiliations. Conclusion. Disrespectful and abusive care of women during childbirth is repeatedly practiced care in Ethiopia. This result specifically described the contributing factors and their effects as a barrier to the utilization of facility-based childbirth. Therefore, to overcome this alarming problem, health systems and care providers must be responsive to the specific needs of women during childbirth, and implementing policies for standard care of respectful maternity care must be compulsory. In addition, observational, qualitative, and mixed types of studies are required to provide comprehensive evidences on disrespect and abusive behavior during childbirth in Ethiopia.

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Imanda, Nadia. "Perspektif Kode Etik Jabatan Notaris terhadap Publikasi dan Promosi Jabatan Notaris melalui Aplikasi Android." Lambung Mangkurat Law Journal 5, no. 1 (March 6, 2020): 1. http://dx.doi.org/10.32801/lamlaj.v5i1.117.

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Abstract: The era of technology brings people to the development of sophisticated computers and smartphones in which the applications of various types and purposes are. Notary as a public official appointed by the state to take care of most countries and communities in the context of civil law, has legal provisions related to what may and may not be done by a Notary. In this case, the Notary Code of Ethics of the Indonesian Notary Association (INI) states that notaries are denied publication and self-promotion of their positions through writing media as well as electronic media, but the category of advertising on publicity and self-promotion does not provide clear interpretation on android application that indicates to violate the Article 4 paragraph (3) Notary Code of Ethics. This legal research uses normative research methods using the statute approach and conceptual approaches. The use of an android application by a notary who indicates committing violation must be studied and supervised from the Notary Honorary Board and Notary Supervisory Board so that the inteniont and the purpose of the UUJN and the Notary Code of Ethics can be realized and the office of notary as a profession cannot be dishonored. Abstrak: Era teknologi membawa manusia pada perkembangan komputer dan smartphone canggih yang di dalamnya terdapat fasilitas aplikasi berbagai macam jenis dan tujuan. Notaris sebagai pejabat umum yang diangkat oleh negara untuk mengurusi sebagian urusan negara dan masyarakat dalam lingkup hukum perdata, memiliki ketentuan hukum terkait apa yang boleh dan tidak boleh dilakukan oleh seorang Notaris. Dalam hal ini, Kode Etik Notaris Ikatan Notaris Indonesia (I.N.I) menyatakan bahwa notaris dilarang melak ukan publikasi dan promosi diri terhadap jabatannya melalui media tulis mau pun media elektronik, namun kategori batasan terhadap publikasi dan promosi diri dinilai kurang memberikan kejelasan hukum bahwasanya ditemukan aplikasi android yang berindikasi pelanggaran Pasal 4 ayat (3) Kode Etik Notaris. Penelitian hukum ini menggunakan metode penelitian normatif dengan pendekatan berdasarkan perundang-undangan (statute approach) dan pendekatan konsep (conceptual approach). Penggunaan aplikasi android oleh notaris yang berindikasi melakukan pelanggaran harus dilakukan pengkajian dan pengawasan dari Dewan Kehormatan Notaris dan Majelis Pengawas Notaris agar maksud dan tujuan UUJN serta Kode Etik Notaris dapat terwujud dan tidak mencederai jabatan notaris sebagai profesi yang mulia.

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25

Gabriel, Jerry. "Dishonor." Missouri Review 34, no. 3 (2011): 8–32. http://dx.doi.org/10.1353/mis.2011.0059.

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26

Gologorsky, Daniel. "Eponymous Dishonor." Retina 38, no. 7 (July 2018): 1261–62. http://dx.doi.org/10.1097/iae.0000000000002235.

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Stilwell, Sean. "Power, Honour and Shame: The Ideology of Royal Slavery in the Sokoto Caliphate." Africa 70, no. 3 (August 2000): 394–421. http://dx.doi.org/10.3366/afr.2000.70.3.394.

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AbstractThis article takes issue with ahistorical typologies that depict all slaves as ‘dishonoured’ persons. It demonstrates that royal slaves in Kano emirate of the Sokoto Caliphate were initially valuable to the elite because they were indeed dishonoured outsiders. But, over time, slaves tried to limit their exploitation by developing their own systems of honour and status. The article traces when, where and how royal slaves in Kano acquired and attempted to acquire ‘honour’ as officials, kin and members of a broader social world. However, it concludes that, although slaves did indeed develop systems of honour, their ability to acquire an honourable identity was nonetheless limited by their status as slaves, which they remained despite their power and position.

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Glauser, Jonathan. "Rolls of Dishonor." Emergency Medicine News 26, no. 5 (May 2004): 16–17. http://dx.doi.org/10.1097/00132981-200405000-00017.

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Vonasch, Andrew J., Tania Reynolds, Bo M. Winegard, and Roy F. Baumeister. "Death Before Dishonor." Social Psychological and Personality Science 9, no. 5 (July 21, 2017): 604–13. http://dx.doi.org/10.1177/1948550617720271.

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Predicated on the notion that people’s survival depends greatly on participation in cooperative society, and that reputation damage may preclude such participation, four studies with diverse methods tested the hypothesis that people would make substantial sacrifices to protect their reputations. A “big data” study found that maintaining a moral reputation is one of people’s most important values. In making hypothetical choices, high percentages of “normal” people reported preferring jail time, amputation of limbs, and death to various forms of reputation damage (i.e., becoming known as a criminal, Nazi, or child molester). Two lab studies found that 30% of people fully submerged their hands in a pile of disgusting live worms, and 63% endured physical pain to prevent dissemination of information suggesting that they were racist. We discuss the implications of reputation protection for theories about altruism and motivation.

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Ferriolo, William. "Stoic Suicide: Death Before Dishonor." International Journal of Philosophical Practice 4, no. 4 (2018): 28–36. http://dx.doi.org/10.5840/ijpp2018443.

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Applying the Roman Stoic criteria for a defensible suicide, this paper argues that suicide in certain circumstances may not merely be permissible, but even morally preferable to the available alternatives, including survival until natural death or some other involuntary end.

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Alonso, Ana Maria. "'Progress' as Disorder and Dishonor." Critique of Anthropology 8, no. 1 (May 1988): 13–33. http://dx.doi.org/10.1177/0308275x8800800103.

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Chaudhary, Renu. "JUDICIAL VALIDITY OF DISHONOR OF CHEQUE." International Journal of Social Science and Economic Research 5, no. 8 (August 30, 2020): 2381–84. http://dx.doi.org/10.46609/ijsser.2020.v05i08.020.

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Marković, Savo. "Penalties of dishonor in roman law." Civitas 8, no. 2 (2018): 144–59. http://dx.doi.org/10.5937/civitas1802144m.

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Kutzhanova, Aigerim. "Motives of Honor and Dishonor in the Works of Art by A.S. Pushkin." Polylinguality and Transcultural Practices 17, no. 2 (December 15, 2020): 245–52. http://dx.doi.org/10.22363/2618-897x-2019-17-2-245-252.

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The author of the article analyzes the motives of honor and dishonor in the late prose work of A.S. Pushkin “Captain’s Daughter”. Using the method of motivational analysis proposed by I. Silantyev, we examined the implementation of these motives from the point of view of 1) the subjective organization of the text; 2) the functions of the actor; 3) chronotope. In the process of research, we came to the conclusion that the paired motive of honor and dishonor is realized in the system of actors of the work through a complex predicative structure that reveals the actions of characters, their internal motivation and external embodiment.

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Kutzhanova, Aigerim. "Motives of Honor and Dishonor in the Works of Art by A.S. Pushkin." Polylinguality and Transcultural Practices 17, no. 2 (December 15, 2020): 245–52. http://dx.doi.org/10.22363/2618-897x-2020-17-2-245-252.

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The author of the article analyzes the motives of honor and dishonor in the late prose work of A.S. Pushkin Captains Daughter. Using the method of motivational analysis proposed by I. Silantyev, we examined the implementation of these motives from the point of view of 1) the subjective organization of the text; 2) the functions of the actor; 3) chronotope. In the process of research, we came to the conclusion that the paired motive of honor and dishonor is realized in the system of actors of the work through a complex predicative structure that reveals the actions of characters, their internal motivation and external embodiment.

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Pheterson, Gail. "The Whore Stigma: Female Dishonor and Male Unworthiness." Social Text, no. 37 (1993): 39. http://dx.doi.org/10.2307/466259.

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Jablon, Sara. "Badge of dishonor: Jewish Badges in medieval Europe." International Journal of Fashion Design, Technology and Education 8, no. 1 (September 29, 2014): 39–46. http://dx.doi.org/10.1080/17543266.2014.960483.

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Gowing, Laura. "Women, Status and the Popular Culture of Dishonour." Transactions of the Royal Historical Society 6 (December 1996): 225–34. http://dx.doi.org/10.2307/3679238.

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The history of honour in early modern English society has tended of necessity to focus on dishonour. The ways in which women and men were defamed, shamed and dishonoured have seemed to offer a vivid insight into how what we call ‘honour’ worked in early modern society. And yet honour and dishonour were not exactly correspondent points on the same axis of values: what was dishonouring was not necessarily the opposite of what constituted honour. This was especially true where sex was concerned; sexual conduct could be dishonouring in all sorts of ways, but rarely if ever did it confer honour. Sexual dishonour was a concept and a process with a disrupting power of its own, applied most powerfully to women.

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Wagoner, Jennings L. "Honor and Dishonor at Mr. Jefferson's University: The Antebellum Years." History of Education Quarterly 26, no. 2 (1986): 155. http://dx.doi.org/10.2307/368735.

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Mandel, Igor. "The science of statistics in victimhood culture: Dignity and dishonor." Model Assisted Statistics and Applications 15, no. 3 (October 9, 2020): 181–95. http://dx.doi.org/10.3233/mas-200495.

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Recent renaming of the R.A. Fisher Award and Lectureship without official discussion among members of American Statistical Association (ASA), along with other events of similar type, was an important step in creating a new atmosphere in science in general. On the one hand, this is tightly related to such critical issues as freedom of speech, research and opinion, while on the other hand, it is related to conformity, yielding to irrelevant demand, and to denial of evidence as a first basic principle in science. The paper shows that a) all accusations against R. Fisher are factually groundless; b) the decision was motivated not by the facts, but by political and moral pressure, connected with allegedly “institutional racism” of the American society and the US police specifically; c) the decision was a natural consequence of the victimhood culture, which penetrates more and more into academia; d) this culture, in turn, is counter-scientific in a sense that it does not need any evidence; e) particularly, the most popular current thesis about “police bias against black people” – which seems a direct real trigger of the lecture renaming – cannot be confirmed by available data. Showing all that, the paper could be considered a warning against dangerous social tendencies in modern science in general and statistics in particular.

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Leedolphus Griffin, Horace. "DISHONOR: RACE, SEX, AND POWER IN JIM JONES’ PEOPLES TEMPLE." Journal of Pastoral Theology 23, no. 2 (December 2013): 3–1. http://dx.doi.org/10.1179/jpt.2013.23.2.004.

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Mayer, Lorraine F. "A Return to Reciprocity." Hypatia 22, no. 3 (2007): 22–42. http://dx.doi.org/10.1111/j.1527-2001.2007.tb01089.x.

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Feminist affiliation has long been suspect among Native American women whose memories survive the dishonor of colonialism. The idea of common struggles is simultaneously repugnant and alluring. Sadly, this has led to much confusion and rejection between Aboriginal women. I suggest “a return to reciprocity” to understand and come to terms with feminist rejection or affiliation. If we cannot come together, the fracturing that began with European ideology will continue to fragment and destroy the fabric of Native cultures.

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Alieva, Fatima Abdulovna. "CREATIVE ACHIEVEMENTS OF THE POET-SONGWRITER OF MODERNITY MAZHID AKHMEDOV." Herald of the G. Tsadasa Institute of Language, Literature and Art, no. 22 (June 15, 2020): 28–31. http://dx.doi.org/10.31029/vestiyali22/4.

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The article analyses the poetry of Kubachi poet-songwriter Mazhid Akhmedov, whose work has found artistic embodiment of the burning problems of modernity, his poems tell about good and evil, about honor and dishonor, about patriotism, hard work, love for his native land, fellow villagers. The collection especially richly presents love lyrics, which use all kinds of poetic devices and means – epithets, metaphors, comparisons, and figurative expressions characterized by special expressiveness, as well as bearing the imprint of ethnicity.

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Baergen, Rene A. "Servant, manager or slave? Reading the parable of the rich man and his steward (Luke 16:1-8a) through the lens of ancient slavery." Studies in Religion/Sciences Religieuses 35, no. 1 (March 2006): 25–38. http://dx.doi.org/10.1177/000842980603500102.

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The Parable of the Rich Man and His Steward (Lk. 16:1-8a) is one of the more difficult parables of the New Testament; even a cursory survey of its various designations (whether Unjust Steward, Dishonest Manager, Shrewd Manager, Foolish Master or Dishonoured Master) indicates the conflicting ways in which the parable has been read. The character of the rich man has recently come under increased scrutiny, and with considerable profit, but the status of his steward has not received similar attention, with few exceptions. It is the contention of this paper that the status of the parable's oikonomos, whether slave, freed or free, matters, and indeed demands that the parable be set within the context of ancient slavery. Such a context presents a point of entry into the social-historical and cultural dimensions of the text and suggests a way through the current hermeneutical morass.

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Strocchia, Sharon. "Tolerance, Regulation and Rescue. Dishonoured Women and Abandoned Children in Italy, 1300–1800. By Brian Pullan." Journal of Social History 52, no. 3 (July 19, 2017): 911–13. http://dx.doi.org/10.1093/jsh/shx072.

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Robertson, Natalie. "Roimata Toroa." Pacific Journalism Monographs : Te Koakoa: Ngā Rangahau, no. 7 (November 30, 2017): 8–9. http://dx.doi.org/10.24135/pjm.v0i7.16.

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I n Te Ao Mãori, the Toroa (albatross) is sacred. Roimata Toroa, albatross tears, is a widely used tukutuku pattern. Derived from the Te Tairawhiti Ngati Porou story of Pourangahua, the pattern speaks of themisadventures of travelers who take shortcuts in haste to get to port. Pourangahua was an agriculturist who traveling a return journey to Aotearoa to grow kumara, gifted to him by Ruakapenga, a tohunga and learned scientist. Lent two pet albatrosses, Harongarangi and Tiungarangi, by Ruakapenga, Pourangahua is given strict instructions on which hazards to avoid, the care of the birds, and a karakia to give thanksgiving for their safe return. In his hurriedness to see his wife Kaniowai, Pourangahua takes a shortcut, runs into a taniwha (a denotation of hazards), and forgets the karakia and fails to care for the birds,leading to their grief and eventual demise. Realising he has dishonoured Ruakapenga, Pourangahua tries to cover his mistake, by belatedly doing the karakia, but it is too late. The damage was done...

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Conley, Robert J., Louis Filler, and Allen Guttmann. "The Removal of the Cherokee Nation: Manifest Destiny or National Dishonor?" American Indian Quarterly 16, no. 1 (1992): 94. http://dx.doi.org/10.2307/1185615.

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Radler, Charlotte. "The Dirty Physician: Necessary Dishonor and Fleshly Solidarity in Tertullian's Writings." Vigiliae Christianae 63, no. 4 (2009): 345–68. http://dx.doi.org/10.1163/157007208x389884.

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AbstractThis article examines Tertullian's multifaceted notion of physician and his views of illness and redemptive healing, particularly his arresting re-appropriation of dirt and dishonor as the basis for restoration against Marcion's alleged conception of a pure and spiritual salvation. Tertullian inverts the dominant value paradigm by rendering the shameful and dishonorable circumstances of the flesh as the necessary signifiers of truth and redemption. His creative reconfiguration of healing through filth and shame redraws early Christian discourse on embodiment and corrects facile typologies about purity and impurity, body and soul, incarnation and salvation, and individual and society.

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Orser, Charles E. "Vessels of Honor and Dishonor: The Symbolic Character of Irish Earthenware." New Hibernia Review 5, no. 1 (2001): 83–100. http://dx.doi.org/10.1353/nhr.2001.0016.

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Andersen, Per Thomas. "Karl Ove Knausgaard and the Transformation of Honor Culture in Late Modern Welfare States." Journal of World Literature 1, no. 4 (2016): 555–68. http://dx.doi.org/10.1163/24056480-00104005.

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The six-volume novel, My Struggle (2009–2011), by the Norwegian author Karl Ove Knausgaard has been received with great enthusiasm in many parts of the world. This article analyzes the novel and its reception from the historical perspective of traditional honor culture coming to an end in some late modern welfare states. Focusing on shame and dishonor, the article situates the autobiographical project in a contemporary moment granting the author the freedom to write himself out of traditional honor groups and into new “floating” honor groups, like that of the celebrities of our time.

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