Academic literature on the topic 'Disney architectuur'
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Journal articles on the topic "Disney architectuur"
Fisher, Thomas. "Review: The Architecture of Reassurance: Designing the Disney Theme Parks." Journal of the Society of Architectural Historians 57, no. 2 (1998): 204–7. http://dx.doi.org/10.2307/991381.
Full textCenzatti, Marco, and Sharon Zukin. "Landscapes of Power: From Detroit to Disney World." Journal of Architectural Education (1984-) 46, no. 3 (1993): 191. http://dx.doi.org/10.2307/1425161.
Full textRutherford-Johnson, Tim. "PATTERNS OF SHIMMER: LIZA LIM'S COMPOSITIONAL ETHNOGRAPHY." Tempo 65, no. 258 (2011): 2–9. http://dx.doi.org/10.1017/s0040298211000349.
Full textHeberle, Viviane Maria, Felipe Antonio De Souza, and Luiza Horbach Dodl. "The Happiest Place on Earth." Revista Linguagem em Foco 12, no. 3 (2021): 405–26. http://dx.doi.org/10.46230/2674-8266-12-3983.
Full textTombesi, Paolo. "Sloppily built or precisely loose? The technology of the curtain and the ideology of Disney Hall." Architectural Research Quarterly 8, no. 3-4 (2004): 246–59. http://dx.doi.org/10.1017/s1359135504000272.
Full textTombesi, Paolo. "Involving the industry: Gehry's use of ‘Request for Proposals’ packages." Architectural Research Quarterly 6, no. 1 (2002): 77–87. http://dx.doi.org/10.1017/s1359135502001495.
Full textSalsabila, Nada, and Diah Ayu Candraningrum. "Representasi Kearifan Lokal Budaya Timur Tengah dalam Film “Aladdin (2019)” Produksi Walt Disney Pictures." Koneksi 4, no. 1 (2020): 7. http://dx.doi.org/10.24912/kn.v4i1.6494.
Full textCalvillo González, Nerea, and Miguel Mesa del Castillo. "Tender Infrastructures: Designing with Care, or Contributions to ‘Matters of Care’ in Architecture." Revista Diseña, no. 12 (January 30, 2018): 172–95. http://dx.doi.org/10.7764/disena.12.172-195.
Full textJ, Maruthupandi, Prasanna S, Jayalakshmi P, Mareeswari V, Siva kumar B, and Sanjeevi P. "Route manipulation aware Software-Defined Networks for effective routing in SDN controlled MANET by Disney Routing Protocol." Microprocessors and Microsystems 80 (February 2021): 103401. http://dx.doi.org/10.1016/j.micpro.2020.103401.
Full textYoung, Alison, and Logan Muller. "Aluminum foil satellite dishes and a millennium of experience." ACM SIGCSE Bulletin 38, no. 3 (2006): 2. http://dx.doi.org/10.1145/1140123.1140126.
Full textDissertations / Theses on the topic "Disney architectuur"
Drucker, Brian Kieth. "East Lake Meadows : placemaking within the realm of Disney." Thesis, Georgia Institute of Technology, 1993. http://hdl.handle.net/1853/23909.
Full textCurran, Kerrie Lea. "A tourist's guide to hyperreality destination : Disney." Thesis, McGill University, 1995. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=23199.
Full textAmerica is Disney World; borne of fantasy and ubiquitous iconism. Our cultural atlas reverberates with the energy of cinematic, pulsating and seductive imagery; restrained and unfulfilled by the voyeuristic stance of the pseudo-event.
This study registers a pilgrimage into the shadows of our own creative aspirations: how can we engage in exploring new possibilities for architectural making, addressing imaginatively and ethically the rupture of the fabric symbolically connecting the actor and the drama?
Ventrella, Jeffrey John. "Disney meets Darwin : an evolution-based interface for exploration and design of expressive animated behavior." Thesis, Massachusetts Institute of Technology, 1994. http://hdl.handle.net/1721.1/34693.
Full textFreixa, Janariz Jaume. "Obra americana de Josep Lluís Sert." Doctoral thesis, Universitat Politècnica de Catalunya, 1993. http://hdl.handle.net/10803/5877.
Full textLa primera es la de atención predominante al envoltorio o superficie del edificio, con dos periodos denominados, respectivamente, "la piel gruesa" y "la piel delgada". La segunda es la de utilización extensiva de la fragmentación del volumen del edificio para lograr valores de escala humana. La tercera es la de una búsqueda de control de la configuración de los espacios con utilización de trazados proporcionales y geometrías puras para los espacios más singulares.
El estudio parte del inventario de unos 30 edificios proyectados entre 1955 y 1980 en la oficina de Sert en Cambridge, Massachusetts. Analiza, a lo largo de 4 capítulos, 417 páginas escritas y más de 240 ilustraciones, los más significativos de aquellos edificios, situándolos en contexto y justificando en cada caso su pertenencia a una etapa determinada. Además de los capítulos, reúne en cuatro apéndices una reseña diacrónica de temas complementarios: contexto americano, clientes, colaboradores y, finalmente, ideas. Ello permite la lectura del contenido a dos velocidades. La fuente principal de documentación la constituye la propia experiencia del autor, colaborador durante más de doce años del maestro Sert, a la cual se une material original elaborado a partir de 1983.
Martínez, Gil Tània. "El patrimoni religiòs medieval: anàlisi, problemàtica i disseny d'estratègies didàctiques als immobles de les diòcesis catalanes." Doctoral thesis, Universitat de Barcelona, 2014. http://hdl.handle.net/10803/286070.
Full textThis thesis seeks to fill a gap in heritage education when it comes to the subject of built religious heritage. Though Catalonia and Spain are teeming with such heritage sites, which are intimately linked with historical events and artistic movements and rich in emotional depth, the analytical vacuum around them makes it difficult for them to be understood in all their complexity. Setting out to address this shortfall threw up a number of questions and doubts. If, as per the title of Eric Hobsbawm's posthumous 2013 work, we are living in "fractured times," how are society, culture and religion being shaped by this backdrop and how do the changes involved affect the comprehension of cultural heritage? Can we decode major religious monuments dating back to past times without being versed in the codes that underlay their construction? Can tangible culture be understood without reference to the intangible values that inspire it and give it meaning? To what extent can heritage education and teaching answer these questions? Owing to the nature of the issues at hand and the aims of my research, the thesis is necessarily split into two distinct parts. The first part consists of a diagnostic study of Catalan medieval religious heritage based on a sample of 112 heritage sites, with a view to identifying how they are currently used, the presentational methods and strategies being employed there and the messages that these convey. The framework for this analysis centers on the educational models in place, the messages communicated, the management of the sites and the target audiences. Following on from this broad overview is an in-depth case study of one of the aforementioned sites, Poblet Monastery. This case study is in turn divided into three sections, relating to the three stages of work completed. The first was an exploratory phase involving a non-participatory, observational analysis of the activities carried out at the monastery and the launch of the first pilot tests; the second revolved around drawing up and documenting what I term the Flexible Multi-model Education Program (Programa Educatiu Multimodèlic Flexible, PEMF); and the third consisted of conducting experimental activities and assessment through focus groups featuring 33 students from the University of Barcelona's Bachelor's Degree in Primary Education. The qualitative data gathered were processed, analyzed and broken down into five categories or "families" using the computer program ATLAS.ti. The results from these discussion groups provide a roadmap for the design of heritage education programs based on attributes such as the element of surprise, empathy, variety and interactivity.
Sans, Casanovas Jordi. "El mètode projectual en l’arquitectura moderna catalana: del mestre d’obres al GATCPAC." Doctoral thesis, Universitat de Barcelona, 2017. http://hdl.handle.net/10803/461183.
Full textThis study suggests that the arrival of modernist architecture in Catalonia consisted mainly of a methodological change in the way of designing. To demonstrate this we examine design methodology in multi-family housing works in Barcelona between 1875 and 1936 based on the private records of twenty-nine architects. The transformation of the design methodology is given primarily by four factors: the arrival of mechanical reproduction of plans, the configuration of an architectural notation system, the conception of the building as a system, and the consolidation of the plan and the project as key formats. These factors lead to the transformation of the typological method, which is characterized by the design both at the study and at the construction site, the use of pre- established traditional models and the use of orality, into the projectual method, which is characterized by designing the whole work at the study, having the project as core working format and using drawing and visual language as a heuristic, analytical and communicative tool. This methodological transformation involves the passage of an oral culture to a drawn culture in architecture, where drawing and visual language gradually assume all facets of design and not only contribute to defining the idea of design itself but also they radically transform our way of thinking architecture in terms of cognitive, social and economic dynamics. These new dynamics are characterized by hierarchy, analysis, simplification, prefiguration, abstraction, individual imposition, liberal profession, internationalization, visual abstraction, problem solving, finalism and apriorism. The radical transformation of the design method into the project method is a genuine contribution of modernity in architecture that invites us to define and judge under new parameters the material and discursive legacy of modernist architecture.
Massip-Bosch, Enric. "Five forms of emotion : Kazuo Shinohara and the house as a work of art." Doctoral thesis, Universitat Politècnica de Catalunya, 2016. http://hdl.handle.net/10803/393940.
Full textAquesta investigació presenta l’obra de l’arquitecte japonès Kazuo Shinohara (1925-2006) i n’estudia cinc dels seus dissenys residencials com epítom del seu treball. El seu desenvolupament s’entén com una recerca contínua que mira de conciliar dos elements clau, la casa i la ciutat, per tal de posar l’emoció al cor de l’espai domèstic. Aquests dos elements ja eren presents en les seves preocupacions des de l’inici de la seva carrera, però només va aconseguir fusionar-los en els seus últims dissenys. Es basa en la constatació que aquest és un dels primers estudis d’investigació en profunditat desenvolupats més enllà de la segmentació i explicació convencionals del seu treball. Per tant, considera que ara és més important obrir noves perspectives sobre l’obra de Shinohara que centrar-se exclusivament en un dels seus aspectes, una tasca que pot ser desenvolupada en el futur. Analitzant alguns dels primers escrits de Shinohara i utilitzant com a punt de partida el disseny simultani de dues cases molt diferents, la Casa en Blanc i la Casa de la Terra (1964-1966), aquesta tesi traça una línia de connexió entre tres altres projectes signifi cats, abarcant vint anys de pràctica, per tal de llançar una nova llum sobre els mètodes de disseny de Shinohara i ajudar a explicar la seva unitat darrere de les seves aparents diferències: la Casa Tanikawa (1972-1974), la Casa a Uehara (1975-1976) i la Casa a Yokohama (1982-1984). Després d’una descripció general de la rellevància de Shinohara i de les seves idees principals sobre la tradició, la domesticitat i la ciutat, continua amb l’argumentació de per què un determinat grup de projectes s’ha quedat fora d’aquesta investigació i l’anàlisi dels cinc projectes d’aquesta evolució, assenyalant els trets comuns i la seva coherència amb l’exploració general, iniciada per Shinohara el 1964, de la casa com una obra d’art. Altres contribucions originals d’aquesta tesi en el camp dels estudis de Shinohara consisteixen en la traducció per primera vegada en anglès d’un article fundacional, “La casa és art” (1961), i una versió abreujada de “Subjectivitat del disseny residencial” (1964), i la reproducció d’un text inèdit de Shinohara, “Un discurs sobre Tòquio; des de Tòquio, via Kazuo Shinohara: Un objectiu“ (1998). En un volum a part s’inclouen els projectes executius originals per a les cinc cases, amb traduccions en anglès de les principals llegendes.
Andrade, Marques Inês Maria. "Arte e habitação em Lisboa 1945-1965. Cruzamentos entre desenho urbano, arquitetura e arte pública." Doctoral thesis, Universitat de Barcelona, 2012. http://hdl.handle.net/10803/145901.
Full textThis PhD thesis aims to study the production of public art in the city of Lisbon, in major public promotion housing units that were planned and built in the period between 1945 and 1965: Alvalade, Olivais Norte and Olivais Sul. The work of public art is assumed as an urban fact, part of a plan of shaping the space. Each area is studied from its origin to its consolidated stage under three aspects: The urbanization plan, the process of building and the participation of artists in the production of works of public art The period chosen - the two decades following the end of the Second World Warallows us to appreciate the input and the fading ideals of modern movement ideals in the ways of thinking and building the city. The study of Alvalade, Olivais Norte and Olivais Sul, allows us to monitor the interference of the principles of the Athens Charter, initially limited to small urbanization units [Alvalade], later adopted to the extent of an experimental cell [Olivais Norte] and finally put in place in a large housing estate, but where tensions with other modern currents could already be felt giving way to the first breakthroughs with the document of 1933 [Olivais Sul]. In this process of dissolution of the traditional urban vocabulary and abandonment of the official models imposed by the regime since the early 1940s, the main objective of the thesis is to understand how the public art adapted itself to public buildings and spaces of absolutely new configurations, generated by the application of these new paradigms and aesthetic formulations. It is also to understand with what intent the work of the public art was being called to mark the city space. This thesis concerns an often overlooked artistic production: the public art that accompanies modern architecture and urbanism. In spite of being exclusively limited to the Lisbon examples it also rehearses an exploratory approach to the production of the public art to the universe of social housing, which had great relevance in the context of the post Second War and subsequent decades. Having in mind that to modern architects and urbanists housing had been the subject of election and doctrinal demarcation since the beginning of the twentieth century, it was also a field that captivated socially engaged artists from various aesthetic and political lines, who had a common intention of approaching the space of the ordinary citizen. This thesis moves between several subject areas. Besides appreciating public art in its architectural and urban context, because it fits conceptually the approach proposed by Cer Polis, the author adapts the methodology of oral history as a way to redeem part of the necessary information to write the thesis.
Aquesta tesi té com a objecte la producció d'art públic a la ciutat de Lisboa, a les grans unitats habitacionals de promoció pública que es varen planificar i edificar en el període comprès entre 1945 i 1965: Alvalade, Olivais Norte i Olivais Sud. L'obra d'art públic és assumida com un fet urbà, integrat en un procés de conformació de l'espai. Cadascuna de les àrees és estudiada des de la seva gènesi fins al seu estat de consolidació sota tres aspectes: el pla d'urbanització, el procés d’edificació i la participació d'artistes en la producció d'obres d'art públic. El període escollit - les dues dècades que van seguir al final de la Segona Guerra Mundial - permet apreciar l'entrada i l’esvaïment dels idearis moderns en les maneres de pensar i construir la ciutat. L'estudi d’Alvalade, Olivais Norte i Olivais Sul permet seguir la intromissió dels principis de la Carta d'Atenes, inicialment limitada a petites unitats d’urbanització [Alvalade], posteriorment assumida a l'escala d'una cèl•lula experimental [Olivais Norte] i finalment posada en pràctica sobre una gran malla de caràcter residencial, però on se senten ja les tensions amb altres corrents moderns, obrint el camí a les primeres ruptures amb el document de 1933 [Olivais Sul]. En aquest procés de dissolució del vocabulari urbà tradicional i d'abandonament dels models oficials imposats pel règim des de l’inici de la dècada de 1940, l'objectiu principal de la tesi és comprendre com l'art públic es va adequar als edificis i espais públics amb configuracions absolutament noves, generades per l'aplicació d'aquests nous paradigmes i formulacions estètiques. Ho és també entendre al servei de quines intencions l’obra d’art públic va ser cridada a marcar l'espai de la ciutat. La present tesi valoritza una producció artística generalment oblidada: l’art públic que acompanya l’arquitectura i l’urbanisme moderns. Malgrat estar exclusivament circumscrita als exemples lisboetes, intenta també una aproximació exploratòria a la producció d'art públic per l'univers de l'habitatge social, de gran rellevància en el context de post-segona guerra mundial i les dècades posteriors. Si per arquitectes i urbanistes moderns l’habitatge havia estat des d’inicis del segle XX un tema d’elecció i de demarcació doctrinària, fou també un camp que va captivar artistes socialment compromesos, provinents de diferents línies estètiques i polítiques, però que tenien en comú una intenció d'aproximació a l’espai del ciutadà comú. Aquesta tesi es mou entre diverses àrees disciplinàries. Més enllà de posar en perspectiva l’art públic en el seu context arquitectònic i urbà, pel fet d’enquadrar-se conceptualment en el plantejament proposat per Cer Polis, l'autora adapta la metodologia de la història oral com una forma de recuperar part de la informació necessària per l’escriptura de la tesi.
Poláčková, Tereza. "Neoficiální československá architektonická scéna v 80. letech 20. století." Master's thesis, 2018. http://www.nusl.cz/ntk/nusl-389264.
Full textBooks on the topic "Disney architectuur"
Thieu, Caris, and Oosterman Arjen 1956-, eds. Architectuur nu. THOTH, 1997.
Coatts, Margot. Edible architecture. Libanus Press, 1987.
Building a dream: The art of Disney architecture. Abrams, 1996.
Rebori, Stephen J. The influence of Disney entertainment parks on architecture and development. Council of Planning Librarians, 1995.
Belzberg, Hagy. In-phil architecture at the Walt Disney Concert Hall: Hagy Belzberg, architect. Edizioni Press, 2005.
Neuschwanstein Castle: The castle that inspired Walt Disney. AV2 by Weigl, 2016.
1944-, Van Pelt Peggy, ed. Designing Disney: Imagineering and the art of the show. Disney Editions, 2003.
Secrets of Disney's glorious gardens. Disney Editions, 2006.
Landscapes of power: From Detroit to Disney World. University of California Press, 1991.
Eliane, Escoubas, ed. Ce que nous disent les ruines: La fonction critique des ruines. L'Harmattan, 2007.
Book chapters on the topic "Disney architectuur"
"Architecture and Construction." In Walt Disney and the Quest for Community. Routledge, 2016. http://dx.doi.org/10.4324/9781315547756-3.
Full textBussels, Stijn. "The Wondrous Town Hall of Amsterdam." In The Places of Early Modern Criticism. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198834687.003.0011.
Full textBrown, Michelle P. "Building Babel: The Architecture of the Early Written Western Vernaculars." In Omnia disce – Medieval Studies in Memory of Leonard Boyle, O.P. Routledge, 2017. http://dx.doi.org/10.4324/9781315247731-9.
Full textConference papers on the topic "Disney architectuur"
Sanders, Susan. "Shopping, Surfing, and Sightseeing: Lessons from the City of Choice, Branson, Missouri." In 1995 ACSA International Conference. ACSA Press, 1995. http://dx.doi.org/10.35483/acsa.intl.1995.47.
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