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Journal articles on the topic 'Displacement (Psychology) in art'

Author: Grafiati

Published: 4 June 2021

Last updated: 3 March 2023

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1

Gedo, John E. "Art Alone Endures." Journal of the American Psychoanalytic Association 40, no. 2 (April 1992): 501–16. http://dx.doi.org/10.1177/000306519204000209.

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Sigmund Freud, a passionate collector of antiquities, often treated these objects as animate beings. He described such blurring of boundaries between persons and things in the protagonist of W. Jensen's novella, Gradiva. Freud began collecting when his father died, but his unusual attitude toward artefacts was established much earlier, presumably as a consequence of repeated early disappointments in human caretakers. It is postulated that this adaptive maneuver was not simply a displacement of love and hate, but a turning away from vulnerability in relationships, toward attachments over which he might retain effective control. The Freud Collection is largely focused on Greco-Roman and Egyptian objects. Freud's profound interest in classical civilization was established in childhood; he was particularly concerned with the struggle between Aryan Rome and Semitic Carthage, a conflict in which he identified with both sides. This ambivalence reflected growing up within a marginal Jewish family in a Germanic environment. Commitment to classical ideals represented an optimal manner of bridging these contrasting worlds. Egyptian artefacts were, for Freud, links to the prehistory of the Jewish people; they also represent an era when maternal deities found their proper place in man's pantheon—an echo of Freud's prehistoric past.

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2

Neisworth, John T., Frances Moosbrugger Hunt, Howard R. Gallop, and Ronald A. Madle. "Reinforcer Displacement." Behavior Modification 9, no. 1 (January 1985): 103–15. http://dx.doi.org/10.1177/01454455850091007.

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3

Eriksson, Christine. "The art of displacement – curating a preschool context in a public transport system." Children's Geographies 18, no. 4 (September 20, 2019): 450–62. http://dx.doi.org/10.1080/14733285.2019.1668913.

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4

Meyerhoff, Hauke S., Frank Papenmeier, Georg Jahn, and Markus Huff. "Distractor Locations Influence Multiple Object Tracking Beyond Interobject Spacing." Experimental Psychology 62, no. 3 (May 7, 2015): 170–80. http://dx.doi.org/10.1027/1618-3169/a000283.

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Human observers are able to keep track of several independently moving objects among other objects. Within theories of multiple object tracking (MOT), distractors are assumed to influence tracking performance only by their distance toward the next target. In order to test this assumption, we designed a variant of the MOT paradigm that involved spatially arranged target-distractor pairs and sudden displacements of distractors during a brief flash. Critically, these displacements maintained target-distractor spacing. Our results show that displacing distractors hurts tracking performance (Experiment 1). Importantly, target-distractor confusions occur within target-distractor pairs with displaced distractors (Experiment 2). This displacement effect increases with an increasing displacement angle (Experiment 3) but is equal at different distances between target and distractor (Experiment 4). This finding illustrates that distractors influence tracking performance beyond pure interobject spacing. We discuss how inhibitory processes as well as relations between targets and distractors might interfere with target tracking.

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5

Hubbard, Timothy L. "Judged Displacement: A Modular Process?" American Journal of Psychology 107, no. 3 (1994): 359. http://dx.doi.org/10.2307/1422879.

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6

Leibowitz, H. W., R. B. Post, and J. B. Sheehy. "Efference, perceived movement, and illusory displacement." Acta Psychologica 63, no. 1 (December 1986): 23–34. http://dx.doi.org/10.1016/0001-6918(86)90040-5.

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7

Solin, Cynthia A. "Displacement of affect in families following incest disclosure." American Journal of Orthopsychiatry 56, no. 4 (October 1986): 570–76. http://dx.doi.org/10.1111/j.1939-0025.1986.tb03489.x.

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8

Hubbard, T. L. "Displacement in depth: Representational momentum and boundary extension." Psychological Research 59, no. 1 (May 1996): 33–47. http://dx.doi.org/10.1007/bf00419832.

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9

Clark, Seth B., Nathan A. Call, Christina A. Simmons, Mindy C. Scheithauer, Colin S. Muething, and Natalie Parks. "Effects of Magnitude on the Displacement of Leisure Items by Edible Items During Preference Assessments." Behavior Modification 44, no. 5 (April 15, 2019): 727–45. http://dx.doi.org/10.1177/0145445519843937.

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Studies on preference assessments have shown that when both edible and leisure items are compared, edible items tend to displace leisure items in preference hierarchies. However, the mechanisms behind this process are currently unclear. One possibility is that displacement may be a product of the relatively brief periods of access to leisure items typically used in preference assessments. The purpose of the current investigation was to examine whether the duration of access to leisure items affects displacement. In this study, participants chose between preferred leisure items and the edible items that had previously been shown to displace those leisure items in a preference hierarchy. Duration of access to the leisure item was systematically increased across series to identify the magnitude at which leisure items became more preferred than edible items. Results indicate that as the duration of access to leisure items increases, displacement decreases.

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10

Rubio, Fernando Domínguez, and Glenn Wharton. "The Work of Art in the Age of Digital Fragility." Public Culture 32, no. 1 (January 1, 2020): 215–45. http://dx.doi.org/10.1215/08992363-7816365.

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Impermanence and fragility have become the defining conditions of the digital age. Technologies that were ubiquitous barely a decade ago, like floppy disks, now look like archaeological relics. It takes only a few years, if not months, before software environments are replaced by newer versions, often with limited backward compatibility. At the same time, digital technologies rely on hardware that has short life expectancy. The radical obsolescence of this new digital register raises a number of important questions. How are we going to prevent the fragile memories of contemporary digital cultures from receding into oblivion? This essay answers this question by looking at one of the institutions in which the problems associated with digital fragility are most especially felt, the Museum of Modern Art (MoMA), and by exploring the ontological displacements that digital objects are operating at the heart of the museum.

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11

Tratch, Roman. "Sigmund Freud’s psychoanalysis as the basis of anthropology." Psihologìâ ì suspìlʹstvo 1, no. 83 (March 30, 2021): 150–59. http://dx.doi.org/10.35774/pis2021.01.150.

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The existence of four directions of psychoanalysis realization in modern psychology is argued in the historical-psychological research, that is as an original method of treatment of neuroses and other mental disorders exclusively in a verbal way; as a theory of personality, that is, as a system of scientific knowledge about the formation of human character; as a systemic, often shocking, critique of Western civilization and as a new philosophy and thus a kind of worldview that sheds the light of truth on the unconscious sphere of its life. The historical way of formation of Sigmund Freud’s psychoanalysis as a separate, biologically determined, naturally centered and culturally influential current of psychological science of the XX century is highlighted and the motivating influence of concepts and themes of B. Pascal, F. Nietzsche and especially J. Charcot is indicated on this formation, firstly as an idea and research program, then as a theory and method of psychotherapeutic practice. The exceptional importance of Freud’s creative collaboration with his older colleague Joseph Brier is emphasized, the productivity of which is confirmed by the jointly published book “The Study of Hysteria” published in 1895. It is it which initiates the expansive psychoanalytic discourse. It is noted that the idea and concept of displacement became the central core of Freudian psychology and made it possible to understand both individual works of fiction and classical works of art. It is stated that translations of selected Freud’s works into the native language were received by Ukrainian scientists only at the end of the last century, which, however, does not diminish the importance of psychoanalysis as a theoretical-empirical foundation of anthropology. Finally, based on the rich legacy of Philip Lersch, a conclusion is formulated about the prospects of a phenomenological approach to the cognition of human mental life in the context of urgent tasks of both theoretical psychology and applied, practice-oriented.

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12

Miller, H. C., C. D. Gipson, A. Vaughan, R. Rayburn-Reeves, and T. R. Zentall. "Object permanence in dogs: Invisible displacement in a rotation task." Psychonomic Bulletin & Review 16, no. 1 (February 1, 2009): 150–55. http://dx.doi.org/10.3758/pbr.16.1.150.

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13

Kanwisher, Nancy, and Mary C. Potter. "Repetition blindness: The effects of stimulus modality and spatial displacement." Memory & Cognition 17, no. 2 (March 1989): 117–24. http://dx.doi.org/10.3758/bf03197061.

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14

Kawabe, Takahiro, Yuki Yamada, and Kayo Miura. "Memory displacement of an object with motion lines." Visual Cognition 15, no. 3 (April 2007): 305–21. http://dx.doi.org/10.1080/13506280600591036.

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15

Fiddian-Qasmiyeh, Elena. "Repressentations of Displacement from the Middle East and North Africa." Public Culture 28, no. 3 80 (August 24, 2016): 457–73. http://dx.doi.org/10.1215/08992363-3511586.

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16

Clacherty, Glynis. "Artbooks as witness of everyday resistance: Using art with displaced children living in Johannesburg, South Africa." Global Studies of Childhood 11, no. 1 (March 2021): 7–20. http://dx.doi.org/10.1177/2043610621995820.

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Artbooks, which are a combined form of picture and story book created using mixed media, can be a simple yet powerful way of supporting children affected by war and displacement to tell their stories. They allow children to work through the creative arts, which protects them from being overwhelmed by difficult memories. They also allow, even very young children, to show us how they cope with past violence and present injustice by recalling and representing the small everyday overcomings of their lives – a garden they planted in DRC, a mother who walks them across a busy Johannesburg street, a curtain blowing in the door of their new home – just as it did in their old home. The books allow them to witness to the injustice of xenophobic violence by neighbours and the immoveable bureaucracy attached to accessing documents, through representing the small details of their lives in crayons and paint. Making artbooks also allows for some measure of meaning-making in the chaos of the everyday in a hostile city where their parents struggle to maintain a normal life for them. Books are also a powerful way for children to safely share their stories and advocate for changed attitudes, laws and policies in the increasingly migrant-hostile South African society. The article will tell the story of a book-making project run over a number of years at a community counselling centre that works with families on the move in Johannesburg South Africa. It will also describe how some of the children’s books have become a powerful advocacy tool through their inclusion in the digital library of the African Storybook project. The article will explore some of the practical details of the project and the theory around the power of the representation of the everyday which we are beginning to derive from the work.

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17

Vasquez, Eduardo A., Sarah Osman, and Jane L. Wood. "Rumination and the Displacement of Aggression in United Kingdom Gang-Affiliated Youth." Aggressive Behavior 38, no. 1 (January 2012): 89–97. http://dx.doi.org/10.1002/ab.20419.

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18

Palmer, John. "Mechanisms of displacement discrimination with and without perceived movement." Journal of Experimental Psychology: Human Perception and Performance 12, no. 4 (1986): 411–21. http://dx.doi.org/10.1037/0096-1523.12.4.411.

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19

Wright, A. Michelle, Abir Dhalimi, Mark A. Lumley, Hikmet Jamil, Nnamdi Pole, Judith E. Arnetz, and Bengt B. Arnetz. "Unemployment in Iraqi refugees: The interaction of pre and post-displacement trauma." Scandinavian Journal of Psychology 57, no. 6 (August 18, 2016): 564–70. http://dx.doi.org/10.1111/sjop.12320.

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20

Hodgkinson, Tarah, Gregory Saville, and Martin A. Andresen. "The Diffusion of Detriment: Tracking Displacement Using a City-Wide Mixed Methods Approach." British Journal of Criminology 60, no. 1 (April 19, 2019): 198–218. http://dx.doi.org/10.1093/bjc/azz025.

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Abstract Crime reduction strategies are often faced with the criticism of crime displacement. Conversely, criminologists find that reductions in crime in one area have a ‘diffusion of benefits’ to surrounding areas. However, these findings are limited due to a lack of extensive longitudinal data and qualitative data that provide context. We examine a natural experiment in displacement: the removal of a convergence setting in which calls for service immediately declined. However, other areas emerged as problematic and, in some places, crime increased dramatically. Using a qualitatively informed trajectory analysis, we examine whether the removal of a convergence setting results in displacement across the entire city. We discuss the implications for opportunity theories and prevention strategies.

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21

Kawabe, Takahiro, and Kayo Miura. "New Motion Illusion Caused by Pictorial Motion Lines." Experimental Psychology 55, no. 4 (January 2008): 228–34. http://dx.doi.org/10.1027/1618-3169.55.4.228.

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Motion lines (MLs) are a pictorial technique used to represent object movement in a still picture. This study explored how MLs contribute to motion perception. In Experiment 1, we reported the creation of a motion illusion caused by MLs: random displacements of objects with MLs on each frame were perceived as unidirectional global motion along the pictorial motion direction implied by MLs. In Experiment 2, we showed that the illusory global motion in the peripheral visual field captured the perceived motion direction of random displacement of objects without MLs in the central visual field, and confirmed that the results in Experiment 1 did not stem simply from response bias, but resulted from perceptual processing. In Experiment 3, we showed that the spatial arrangement of orientation information rather than ML length is important for the illusory global motion. Our results indicate that the ML effect is based on perceptual processing rather than response bias, and that comparison of neighboring orientation components may underlie the determination of pictorial motion direction with MLs.

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22

Hubbard, Timothy L. "Cognitive representation of linear motion: Possible direction and gravity effects in judged displacement." Memory & Cognition 18, no. 3 (May 1990): 299–309. http://dx.doi.org/10.3758/bf03213883.

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23

Motasim, Hanaa, and Hilde Heynen. "At Home with Displacement? Material Culture as a Site of Resistance in Sudan." Home Cultures 8, no. 1 (March 2011): 43–69. http://dx.doi.org/10.2752/175174211x12863597046659.

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24

Hubbard, Timothy L. "Computational Theory and Cognition in Representational Momentum and Related Types of Displacement: A reply to Kerzel." Psychonomic Bulletin & Review 13, no. 1 (February 2006): 174–77. http://dx.doi.org/10.3758/bf03193830.

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25

Greene, Ernest, and Brian Nelson. "Evaluating the decay gradient for collinearity bias with lateral displacement from the axis of induction." Psychological Research 60, no. 4 (November 1997): 214–26. http://dx.doi.org/10.1007/bf00419406.

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26

Bingham, Geoffrey, and Jennifer L. Romack. "The rate of adaptation to displacement prisms remains constant despite acquisition of rapid calibration." Journal of Experimental Psychology: Human Perception and Performance 25, no. 5 (1999): 1331–46. http://dx.doi.org/10.1037/0096-1523.25.5.1331.

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27

Wadsworth, Martha E., Catherine DeCarlo Santiago, and Lindsey Einhorn. "Coping with displacement from Hurricane Katrina: predictors of one-year post-traumatic stress and depression symptom trajectories." Anxiety, Stress & Coping 22, no. 4 (July 2009): 413–32. http://dx.doi.org/10.1080/10615800902855781.

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28

Jordan, J. Scott, and Matthew Hunsinger. "Learned patterns of action-effect anticipation contribute to the spatial displacement of continuously moving stimuli." Journal of Experimental Psychology: Human Perception and Performance 34, no. 1 (2008): 113–24. http://dx.doi.org/10.1037/0096-1523.34.1.113.

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29

Bhattacharya, Rima. "Rewriting Immigrant Masculinities in Selected Works of Bharati Mukherjee." Journal of Men’s Studies 29, no. 3 (February 15, 2021): 278–96. http://dx.doi.org/10.1177/1060826521995125.

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The precedence of women over men in Bharati Mukherjee’s works reflects an attempt on her part to construct a feminine narrative as a means of countering the marginalized position that women usually occupy in mainstream traditional literature. This paper probes how with such displacement of female perspectives into an authoritative position, routinely prescribed for men, Mukherjee revises the suspiciously stable place occupied by male immigrant subjects in fictional writings. Employing the critical voices of several masculinity theorists, this paper explores how immigrant men’s conceptions of masculinity are reformulated and challenged by their migration processes. Seen in the light of gender oppression, the male characters, seem to occupy an ineffective and feminine narrative space even in powerful male stories of immigrant economic success written by Mukherjee. Finally, the paper probes how Mukherjee’s act of rewriting masculinity from inventive perspectives in her fictions introduces new, more egalitarian, and alternate models of manhood.

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30

Robinson, John P., and Steven Martin. "IT and Activity Displacement: Behavioral Evidence from the U.S. General Social Survey (GSS)." Social Indicators Research 91, no. 2 (July 16, 2008): 115–39. http://dx.doi.org/10.1007/s11205-008-9285-9.

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31

NEVELING, PATRICK. "Chagos Islanders in Mauritius and the UK. Forced displacement and onward migrationby Jeffery, Laura." Social Anthropology 21, no. 1 (February 2013): 106–7. http://dx.doi.org/10.1111/1469-8676.12004_10.

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32

Bennett, Simon J., and Nicolas Benguigui. "Spatial Estimation of Accelerated Stimuli Is Based on a Linear Extrapolation of First-Order Information." Experimental Psychology 63, no. 2 (March 2016): 98–106. http://dx.doi.org/10.1027/1618-3169/a000318.

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Abstract. We examined spatial estimation of accelerating objects (−8, −4, 0, +4, or +8 deg/s2) during occlusion (600, 1,000 ms) in a spatial prediction motion task. Multiple logistic regression indicated spatial estimation was influenced by these factors such that participants estimated objects with positive acceleration to reappear behind less often than those with negative acceleration, and particularly after the longer occlusion. Individual-participant logistic regressions indicated spatial estimation was better predicted by a first-order extrapolation of the occluded object motion based on pre-occlusion velocity rather than a second-order extrapolation that took account of object acceleration. We suggest a general principle of extrapolation is involved in prediction motion tasks whereby there is a contraction of the variable of interest (i.e., displacement in spatial prediction motion and time in temporal prediction motion). Such an approach to extrapolation could be advantageous as it would offer participants better opportunity to correct for an initial estimation error.

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33

Getzmann, Stephan. "The Effect of Spectral Difference on Auditory Saltation." Experimental Psychology 55, no. 1 (January 2008): 64–71. http://dx.doi.org/10.1027/1618-3169.55.1.64.

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Abstract. Auditory saltation is a spatiotemporal illusion in which the judged positions of sound stimuli are shifted toward subsequent stimuli that follow closely in time and space. In this study, the “reduced-rabbit” paradigm and a direct-location method were employed to investigate the effect of spectral sound content on the saltation illusion. Eighteen listeners were presented with sound sequences consisting of three high-pass or low-pass filtered noise bursts. Noise bursts within a sequence were either the same or differed in frequency. Listeners judged the position of the second sound using a hand pointer. When the time interval between the second and third sound was short, the target was shifted toward the location of the subsequent stimulus. This displacement effect did not depend on the spectral content of the first sound, but decreased substantially when the second and third sounds were different. The results indicated an effect of spectral difference on saltation that is discussed with regard to a recently proposed stimulus integration approach in which saltation was attributed to an interaction between perceptual processing of temporally proximate stimuli.

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34

Tutter, Adele. "Medication as Object." Journal of the American Psychoanalytic Association 54, no. 3 (September 2006): 781–804. http://dx.doi.org/10.1177/00030651060540031401.

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People experience and treat medication as though it were a person: in other words, as an object. Among the many symbolic meanings attributed to medication, this sort of personification, or object representation, is a meaning that medication is uniquely positioned to contain and convey: imbued with intentionality and influence, medication moves beyond the sphere of static, iconic representation and enters the changeable, dynamic object world of action, aim, and agency. Unlike more generic or stereotypic meanings, object representations attributed to medication may reflect the patient's specific dynamics and object relations. These representations are many and mutable, and take on shifting and overlapping forms that evolve with the analytic process. Medication may represent a third person within the framework of an analytic treatment, expanding the analytic dyad into a triad and offering new transference paradigms to explore. The defensive displacement of transferential qualities and attitudes, or split-off parts thereof, from the analyst onto medication can serve as a powerful resistance to the awareness of the transference to the analyst. Clinical examples illustrate the utility and importance of the analysis of medication as object, for both patient and analyst, with particular attention to the transference.

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35

Nosenok, B. E. "DECADENCE-LITERATURE: THE IMAGERY SPECIFICITY." UKRAINIAN CULTURAL STUDIES, no. 1 (2017): 34–39. http://dx.doi.org/10.17721/ucs.2017.1.08.

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This article is devoted to the imagery problem of the decadence-literature (as a general phenomenon that periodically repeats itself) and of the literature of the decadency (as an oeuvre of crisis developments in art of the late 19th and early 20th century). The decadence-literatureis a manifestation of the irreducibility. It is proposed to analyze the imagery based on the context of the modernist interpretation of the image / icon. Before the image was considered together with its mimetic foundation – as an imitation of the external world. But here the image is freed from its mimetism, and it turns into a kind of "immediate ontology" (it is the Gaston Bachelard’s term). The classical structure of the image (plot, storyline, composition) ceases to play a leading role, and gives way to a writing. The decadence-literature image lets visual elements into literature. Therefore,there is a displacement from the ontology of the image to the image as an ontology in the research of imagery. It is also important to use the methodology proposed by Georges Didi-Huberman and Paul Virilio: the combination of the hermeneutic approach in the philosophy of image with elements of psychoanalysis, and the method of dromology, which is the connection of special aspects of the physics, mathematics and philosophy. The methodology of the School of Sociology of Imagination is also appropriate. The image of the decadence-literature is marked by symbolism, imaginism (it isalso known the same direction in literature – with the same name). There is also the "genres-werewolves" when a work is called, for example, poetry in prose. A personality of the writer-author plays a great role here: the decadence-literature is saturated with a psychology and a biography that is turned insideout. It is the expression of the world of unforgiven, restless personalities, which is explained by the principle of creation from an absence, emptiness, depressive and melancholic states (nostalgia, fatigue, sweet melancholy). It's interesting that decadent moods contribute to creation here. Distinctive features of the authors of decadence-literature: soreness, tenderness, hypersensitivity, a difficult life path and an unstable world. The imagery that is generated by creativity of these individuals is marked by a special attitude to time and space, it is also directed to the past in an attempt to find a lost paradise - that existed before the crash.

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36

Matthijssen, Suzy J. M. A., Lucinda M. van Beerschoten, Ad de Jongh, Irene G. Klugkist, and Marcel A. van den Hout. "Effects of "Visual Schema Displacement Therapy" (VSDT), an abbreviated EMDR protocol and a control condition on emotionality and vividness of aversive memories: Two critical analogue studies." Journal of Behavior Therapy and Experimental Psychiatry 63 (June 2019): 48–56. http://dx.doi.org/10.1016/j.jbtep.2018.11.006.

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37

Andresen, Martin A., and Jen-Li Shen. "The Spatial Effect of Police Foot Patrol on Crime Patterns: A Local Analysis." International Journal of Offender Therapy and Comparative Criminology 63, no. 8 (February 6, 2019): 1446–64. http://dx.doi.org/10.1177/0306624x19828586.

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A foot patrol program was implemented in Lower Lonsdale, British Columbia, in the summer of 2010 and continues today. As a part of assessing the foot patrol’s effect on crime in the neighbourhood, the spatial similarity was examined by comparing the crime pattern before the foot patrol initiative (2007-2009) with the crime pattern during the foot patrol program (2010-2012). Considering these baseline and treatment data sets and a spatial point pattern test, the spatial similarity between two data sets is analyzed. In general, the continued presence of foot patrol appears to have created a concentration of crime in specific areas, rather than a diffusion effect. The areas that continued to experience increased crime during foot patrol presence were often in the catchment area, suggesting displacement does occur, or along the border between the catchment and primary patrol area.

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38

Cohen, Emma, and Justin Barrett. "When Minds Migrate: Conceptualizing Spirit Possession." Journal of Cognition and Culture 8, no. 1-2 (2008): 23–48. http://dx.doi.org/10.1163/156770908x289198.

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AbstractTo investigate possible cognitive factors influencing the cross-cultural incidence of spirit possession concepts and to develop a more refined understanding of the precise contours of 'intuitive mind-body dualism' (Bloom, 2004), two studies were conducted that explored adults' intuitions about the relationship between minds and bodies. Specifically, the studies explored how participants reason about the effects of a hypothetical mind-migration across a range of behaviours. Both studies used hypothetical mind-transfer scenarios in which the mind of one person ("Beth") is transferred into the body of another person ("Ann"). Participants were asked to reason about the new post-transfer person's behaviours and aptitudes. In Study 1, participants (n=25) were provided with a scale on which they indicated their answers; in Study 2, participants (n=26) responded to open-ended questions. In both studies, the majority of participants reasoned that while the post-transfer person's performance on physical tasks (e.g., sprinting) would be similar to the host (i.e., Ann) performance on mental tasks (e.g., story-telling) would be similar to the person whose mind has been transferred (i.e., Beth). Further, participants tended to assume a complete displacement of minds, such that the post-transfer person's performance on mental task items was reasoned to be identical to incoming person's performance normally. The relevance of these findings for explaining the variable incidence and spread of different possession concepts is discussed.

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39

El‐Khani, Aala, Wadih Maalouf, Dania Abu Baker, Nosheen Zahra, Ali Noubani, and Kim Cartwright. "Caregiving for children through conflict and displacement: a pilot study testing the feasibility of delivering and evaluating a light touch parenting intervention for caregivers in the West Bank." International Journal of Psychology 55, S1 (May 30, 2019): 26–39. http://dx.doi.org/10.1002/ijop.12591.

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40

Kalmanowitz, Debra. "Displacement, art and shelter: Art therapy in a temporary refugee camp." Journal of Applied Arts & Health 9, no. 2 (August 1, 2018): 291–305. http://dx.doi.org/10.1386/jaah.9.2.291_1.

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41

van den Toorn, P. C. "Stravinsky, Adorno, and the Art of Displacement." Musical Quarterly 87, no. 3 (January 1, 2004): 468–509. http://dx.doi.org/10.1093/musqtl/gdh017.

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42

Kuiper, Ouren X., Jelte E. Bos, Eike A. Schmidt, Cyriel Diels, and Stefan Wolter. "Knowing What’s Coming: Unpredictable Motion Causes More Motion Sickness." Human Factors: The Journal of the Human Factors and Ergonomics Society 62, no. 8 (October 7, 2019): 1339–48. http://dx.doi.org/10.1177/0018720819876139.

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Objective This study explores the role of anticipation in motion sickness. We compared three conditions varying in motion predictability and assessed the effect of anticipation on subsequent illness ratings using a within-subjects design. Background Anticipation is thought to play a role in motion sickness by reducing the discrepancy between sensed and expected sensory information. However, both the exact role and potential magnitude of anticipation on motion sickness are unknown. Method Participants ( N = 17) were exposed to three 15-min conditions consisting of repeated fore-aft motion on a sled on a 40-m rail (1) at constant intervals and consistent motion direction, (2) at constant intervals but varied motion direction, and (3) at varied intervals but consistent motion direction. Conditions were otherwise identical in motion intensity and displacement, as they were composed of the same repetitions of identical blocks of motion. Illness ratings were recorded at 1-min intervals using an 11-point motion sickness scale. Results Average illness ratings after exposure were significantly lower for the predictable condition, compared with both the directionally unpredictable condition and the temporally unpredictable condition. Conclusion Unpredictable motion is significantly more provocative compared with predictable motion. Findings suggest motion sickness results from a discrepancy between sensed and expected motion, rather than from unpreparedness to motion. Application This study underlines the importance of an individual’s anticipation to motion in motion sickness. Furthermore, this knowledge could be used in domains such as that of autonomous vehicles to reduce carsickness.

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Alleyne, Emma, Isabel Fernandes, and Elizabeth Pritchard. "Denying humanness to victims: How gang members justify violent behavior." Group Processes & Intergroup Relations 17, no. 6 (June 19, 2014): 750–62. http://dx.doi.org/10.1177/1368430214536064.

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The high prevalence of violent offending amongst gang-involved youth has been established in the literature. Yet the underlying psychological mechanisms that enable youth to engage in such acts of violence remain unclear. One hundred eighty-nine young people were recruited from areas in London, UK, known for their gang activity. We found that gang members, in comparison to nongang youth, described the groups they belong to as having recognized leaders, specific rules and codes, initiation rituals, and special clothing. Gang members were also more likely than nongang youth to engage in violent behavior and endorse moral disengagement strategies (i.e., moral justification, euphemistic language, advantageous comparison, displacement of responsibility, attribution of blame, and dehumanization). Finally, we found that dehumanizing victims partially mediated the relationship between gang membership and violent behavior. These findings highlight the effects of groups at the individual level and an underlying psychological mechanism that explains, in part, how gang members engage in violence.

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García, Ramón. "Displacement." Psychological Perspectives 61, no. 4 (October 2, 2018): 544. http://dx.doi.org/10.1080/00332925.2018.1537663.

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Rose, Emma, Amanda Bingley, Macarena Rioseco, and Kirsten Lamb. "Art of Recovery: Displacement, Mental Health, and Wellbeing." Arts 7, no. 4 (November 29, 2018): 94. http://dx.doi.org/10.3390/arts7040094.

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Art of Recovery explores the potential of a participatory arts engagement with place to contribute toward the recovery and reconnection of refugees who experience trauma. The study responded to the international challenge of refugees’ mental health as a global priority as they experience higher prevalence rates of severe mental health disorders in comparison with the general population. The role of participatory arts in contributing toward recovery and reconnection is growing, but policymakers and health professionals are constrained by the lack of research exploring its benefits. We worked with 14 participants in four participatory arts workshops exploring the benefits of artwork focusing on remembered or imagined healing places. A qualitative thematic analysis of the artwork drew on Herman’s theory of recovery identifying “remembrance”, “mourning”, and “reconnection” to assess the elements of potential recovery, including aspects of the participants’ experience of transition between their homeland and the United Kingdom (UK), and new social connections. In conclusion, the study suggests that participating in a group making artworks of places associated with safety may contribute to processes of transition and social connectedness, prompting in turn feelings of wellbeing. The study offers insights into arts and health issues of interest to refugee-supporting communities, health professionals and policymakers.

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Sauer, C. W. "Mud Displacement During Cementing State of the Art." Journal of Petroleum Technology 39, no. 09 (September 1, 1987): 1091–101. http://dx.doi.org/10.2118/14197-pa.

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Hayward, Keith J., and Steve Hall. "Through Scandinavia, Darkly: A Criminological Critique of Nordic Noir." British Journal of Criminology 61, no. 1 (July 15, 2020): 1–21. http://dx.doi.org/10.1093/bjc/azaa044.

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Abstract Nordic noir is a popular crime genre associated with a region (Scandinavia), a narrative style (unpretentious/socially critical) and a particular aesthetic look (dark/foreboding). Renowned for its psychologically complex characterization and gloomy Mise-en-scène, and spanning best-selling crime fiction, film, and globally successful television drama, Nordic noir has mushroomed from regional niche market to international phenomenon in little more than a decade. A review of both popular and academic accounts of the genre suggest that much of Nordic noir’s appeal comes from its supposed ‘gritty’ or ‘realist’ account of Scandinavian society. This paper, however, adopts a different perspective. Drawing on cultural criminology, ultra-realism and Lacanian psychoanalytic theory, we argue that, rather than accurately reflecting the complex social and political problems currently confronting late modern Scandinavian welfare societies, Nordic noir has lost its grip on realism and any meaningful association with actual/established Scandinavian values. Instead, Nordic noir is now functioning as a displacement narrative, a form of cultural expression that allows artists, producers and their audiences to push the region’s social problems outside the realm even of the Imaginary.

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Reiter-Palmon, Roni, Victoria Kennel, Joseph Allen, and Katherine J. Jones. "Good Catch! Using Interdisciplinary Teams and Team Reflexivity to Improve Patient Safety." Group & Organization Management 43, no. 3 (April 16, 2018): 414–39. http://dx.doi.org/10.1177/1059601118768163.

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Interdisciplinary teams play an important role implementing innovations that facilitate the quality and safety of patient care. This article examined the role of reflexivity in team innovation implementation and its association with an objective patient safety outcome, inpatient fall rates (a fall is an unintended downward displacement of a patient’s body to the ground or other object). In this study, we implemented, supported, and evaluated interdisciplinary teams intended to decrease fall risk in 16 small rural hospitals. These hospitals were part of a collaborative that sought to increase knowledge and facilitate reflexivity about fall event reporting and fall risk reduction structures and processes. We assessed team reflexivity at the start and at the end of the 2-year intervention and innovation implementation at the end of the intervention. The 16 hospitals reported objective fall event data and patient days throughout the project, which we used to calculate comparative rates for assisted, unassisted, and injurious falls. The results suggest that teams benefited from the intervention, increasing reflexivity from the start of the project to the end, which was related to innovation implementation and decreases in fall rates. Theoretical and practical applications of the results are discussed.

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Ragazzi, Rossella. "Disaster, traces of displacement, and mizuaoi seeds." Nordisk Museologi 33, no. 1 (October 13, 2022): 5–24. http://dx.doi.org/10.5617/nm.9887.

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Curated by socio-cultural anthropologist Fuyubi Nakamura, the exhibition entitled A Future for Memory: Art and Life after the Great Japan Earthquake at the Museum of Anthropology at UBC in British Columbia addresses the sociocultural role of art produced in situ in the aftermath of the triple disaster which occurred in the Tōhoku region of northeast Japan in 2011. The exhibition’s curatorial project was born in the affected regions through anthropological research, and the selections of works brought to British Columbia are by The center for remembering 3.11; Lost & Found Project; Lost Homes Scale Model Restoration Project; Chihiro Minato; Atsunobu Katagiri; Masao Okabe; Rias Ark Museum of Art; Tsunami Ladies film project team. This article engages with the conversations that the curator, artists, and collaborators wove through the exhibition. The construction of social memory building on the experiences of a drastically changing environment is its main theme.

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Szirmay-Kalos, László, and Tamás Umenhoffer. "Displacement Mapping on the GPU - State of the Art." Computer Graphics Forum 27, no. 6 (September 2008): 1567–92. http://dx.doi.org/10.1111/j.1467-8659.2007.01108.x.

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