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1

Kopczak-Wirga, Anna. "Kłopotliwe dziedzictwo w turystycznym kontekście. Opolscy przewodnicy i ich strategie narracji o tym, co nieobojętne społecznie." Kultura i Społeczeństwo 68, no. 1 (2024): 149–69. http://dx.doi.org/10.35757/kis.2024.68.1.7.

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The article aims to show the dissonant heritage of Opole from the perspective of tourist guides. Its first section shows the dissonant heritage in relation to tourism, especially cultural tourism, heritage tourism and dark tourism. The role of the tourist guide in constructing narratives about difficult heritage is then considered. Empirically, the article endeavours to identify the elements of Opole’s dissonant heritage discerned by tourist guides, and the ways of telling tourists about them. Ten qualitative interviews were conducted with Opole guides. Analysis of the narratives reveals that the dissonant heritage of Opole is perceived by the guides from several perspectives. This primarily means their own, entangled in the social characteristics of the guide (e.g. national identity), in the context of the specificity of the group that the guide is showing round, and in the context of their reactions to the guide’s stories or sites visited.
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Engl, Waltraud Kofler. "Was tun, wie umgehen mit dem ›Dissonanten Kulturerbe‹?" architectura 50, no. 1-2 (2022): 86–93. http://dx.doi.org/10.1515/atc-2020-1012.

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Abstract The notion of dissonance expands on Norbert Huse’s concept of Uncomfortable Monuments to include the identification of conflicting heritage communities emerging from divergent practices of use and memory and differing political, cultural and social affiliations. This notion can be ascribed to any cultural heritage and invokes multi-perspective approaches to research, participation and mediation strategies. In border areas and sites of conflict, the dissonance model can become a laboratory for diverse site- and situation-specific perspectives on and inclusive processes of negotiation of existing cultures of memory and commemoration. Fostering the individuals’ right to participate in the process of definition, research into, and interpretation of cultural heritage, the Council of Europe’s Framework Convention on the Value of Cultural Heritage for Society (2005) provides instructions on the study of dissonant cultural heritage and explicitly recommends the democratic participation of different perspectives in the shared co-production of heritage.
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Calame, Jon. "DISSONANT HERITAGE AND THE HAZARDS OF RETENTION." Journal of Research in Architecture and Planning 30, no. 1 (2021): 10–16. http://dx.doi.org/10.53700/jrap3012021_2.

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ABSTRACT Finally, after years of negotiation and fundraising, a Confederate monument in Athens, Georgia (USA) – decorated with fresh flowers – was ready for public dedication. Many supporters, along with clergy and local politicians, were in attendance. Just as a solemn speech had begun, though, a local newspaper records the sudden arrival of a violent storm as “wind, rain and lightning… suddenly burst forward in great fury. (Merton,1956 : 30-247). The assembly scattered momentarily, then carried on in a nearby Baptist church. It was the first of many storms which would swirl around this memorial to Athens’ Civil War dead. These words were let it be: Bright Angels come and Guard our Sleeping Heroes … which may ring strangely to our years now, it being unusual, even in a literary context, to compare the dead with the sleeping. Were these simple poetic indulgences, or did the monument’s designers intend to suggest that their object represented something more… something which was then merely dormant, temporarily defeated, but capable of being awoken to a new life? Was the true purpose of the monument to gaze forward in anticipation of this awakening, rather than to look back in reverence? This paper will explore a few divergent contemporary interpretations of these controversial objects in the public domain, tracing the lineage of motivation leading some call for their protection and others to call for their removal. Keywords: Heritage, Monuments, Confederate State
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Chhabra, Deepak. "A present-centered dissonant heritage management model." Annals of Tourism Research 39, no. 3 (2012): 1701–5. http://dx.doi.org/10.1016/j.annals.2012.03.001.

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Crippa, Giulia. "Entre coleções e monumentos coloniais: uma abordagem a partir do conceito de “patrimônio dissonante”." Liinc em Revista 17, no. 2 (2021): e5776. http://dx.doi.org/10.18617/liinc.v17i2.5776.

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O artigo propõe uma discussão acerca do chamado “patrimônio dissonante” (dissonant heritage), em particular o patrimônio ligado ao colonialismo italiano. Qualquer patrimônio, ainda que em estado silente, enquanto não mais envolvido no quotidiano e nos processos culturais do presente, é recebido, mesmo que inconscientemente, pelos públicos. Optamos para analisar dois estudos de caso de patrimônios definidos como “dissonantes”, para observarmos, nas práticas, as trajetórias político-culturais de manutenção dessa memória em um contexto em que a dissonância precisa ser identificada e centralizada, o monumento ao explorador Vittorio Bottego e a coleção de máscaras faciais do antropólogo fascista Lidio Cipriani. Desvelar o papel principal que a ‘dissonância’ desempenha nas discussões sobre os diferentes usos da memória e do patrimônio significa reconhecer como essa dissonância abriu novas perspectivas no campo dos estudos sobre o patrimônio, no qual o conceito foi originalmente introduzido para discutir heranças que envolvem histórias discordantes e usos públicos de memórias e representações de passados contenciosos
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Johnson, Lisa. "Renegotiating dissonant heritage: the statue of J.P. Coen." International Journal of Heritage Studies 20, no. 6 (2013): 583–98. http://dx.doi.org/10.1080/13527258.2013.818571.

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7

Badenoch, Alexander. "Harmonized Spaces, Dissonant Objects, Inventing Europe? Mobilizing Digital Heritage." Culture Unbound 3, no. 3 (2011): 295–315. http://dx.doi.org/10.3384/cu.2000.1525.113295.

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Technology, particularly digitization and the online availability of cultural heritage collections, provides new possibilities for creating new forms of ’European cultural heritage’. This essay analyzes the emerging sphere of European digital heritage as a project of technological harmonization. Drawing on Andrew Barry’s concepts of technological zones, it examines the various ways in which agency and European citizenship are being reconfigured around cultural heritage. It explores the “Europeanization” of digital heritage in three areas. In the first section, it analyzes the recent agenda for digital heritage of the European Union as a harmonizing project to create a smooth space of cultural heritage. In the next sections, the development of a harmonized virtual exhibit on the history of technology in Europe forms a case study to explore processes of harmonization at the level of the web platform, and in the aesthetics of digitized objects. It argues that rather than seeking to elide the points of unevenness and ’dissonance’ that emerge in harmonization processes, we should instead look for ways to embrace them as points of dialogue and discovery.
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Poniedziałek, Jacek. "Managing dissonant cultural heritage in regional and local development policy in the Warmińsko-Mazurskie voivodeship (Warmia-Masuria)." Eastern European Countryside 30 (April 24, 2025): 5–30. https://doi.org/10.12775/eec.2024.001.

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This article aims to analyse how cultural heritage is addressed in documents defining the objectives and directions of socio-economic development in the Warmińsko-Mazurskie voivodeship, in light of their practical implementation. This paper seeks to determine whether and how these documents and practices acknowledge that, due to the region's complex history, this heritage is characterised as dissonant. The analysis reveals that authorities often manage this awkwardness by remaining silent about much of its ethnic and religious provenance or by employing generic terms obscuring its meanings. This approach reduces the level of dissonance associated with the heritage, leading to attempts to transform it into a resource in the form of tourist attractions (sites and festivals) to contribute to the region’s development, rather than engaging in discussions about its significance or remember traumas that generate social conflicts.
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Poniedziałek, Jacek. "Strategie zarządzania kłopotliwym dziedzictwem kulturowym na Warmii i Mazurach." Kultura i Społeczeństwo 68, no. 1 (2024): 99–123. http://dx.doi.org/10.35757/kis.2024.68.1.5.

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The article sets out to characterize two main strategies of dealing with the resources of dissonant cultural heritage located in Warmia and Mazury. This type of heritage includes any material or symbolic objects that arouse a sense of dissonance in the social consciousness of representatives of certain social groups. One of the strategies undertaken by regional social actors is described as the strategy of Polonization. The media of memory are filtered so that the story about the past and cultural specificity of the region created by such actors fits the ethnocentrically defined Polishness. The second strategy, called cultural succession, consists in the inclusion of all elements of the existing cultural heritage, regardless of their ethnic or political origin. Those implementing it are striving to create a multi-cultural region. The social actors implementing the above strategies are in conflict because they are playing a game of symbolic domination.
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Pavlova, M. "Problems of Preservation and Interpretation of Soviet Memorial Heritage in Lithuania." Analysis and Forecasting. IMEMO Journal, no. 1 (2025): 27–36. https://doi.org/10.20542/afij-2025-1-27-36.

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The article is based on the author’s report ‘Soviet/Russian memorial heritage in the Baltic countries: the limits of reinterpretation and dialogue’ at the conference of international dialogue platform for interaction of the scientific and expert community ‘Baltic Platform’ in December 2024 in St. Petersburg. The author examined the processes of struggle against the Soviet memorial heritage in Lithuania using the example of the discussion around sculptural compositions in the public space of Vilnius. The first wave of ‘wars with monuments’ in the 1990s did not touch that part of the Soviet memorial heritage that was not directly associated with Soviet or communist ideology. The debate, that emerged in early 2010s and focused on the problems of preservation or dismantling of these monuments, demonstrated how the dissonant Soviet heritage is being instrumentalized and securitized. As a result, the monuments are not only the symbols of the Soviet period of history, but they are also placed in the context of today military and political tensions. Deconstruction of the narrative, transmitted by the dissonant Soviet heritage, almost always starts to mean the destruction not only of the monument itself, but also of the former collective memory, for the purpose of constructing a new identity. At the same time, while national authorities pursue the policy of historical revisionism and destruction of the Soviet monuments, various social groups over the course of several years have proposed other strategies for preserving the Soviet heritage, including its artistic reinterpretation. A study of these art projects and the public reaction to them showed that such reinterpretation was not enough to limit or remove the dissonant potential of these monuments. At the same time, the dismantling of these monuments did not stop attempts to reinterpret their symbolic space and did not destroy social memory of them.
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Văetişi, Șerban. "A Challenge to Local Primitivism in Eastern European Cultures: the African ‘Exotic Heritage’ in Modern Art." Art History & Criticism 20, no. 1 (2024): 15–31. http://dx.doi.org/10.2478/mik-2024-0002.

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Summary This article deals with the ‘primitivist’ sources of European modern art, with a focus on Eastern European artists, including some who later developed their careers in the West. These artists are regarded as atypical but relevant cases of modernist legacies, yet their contribution is less studied because of their non-Western European backgrounds. Their early artistic careers were influenced by the local folk and naïve style and motifs of their rural homelands, but they later transmuted their ‘primitivist style’, adopting the fashionable exotic, mostly African, motifs of the Western modernist schools when they moved to the West (typically, France), connected themselves with the modernist movement and received recognition. Unlike the perspective usually adopted by art criticism, this article suggests a heritage studies approach: it firstly conceptualises and considers how one type of heritage primitivism is subsumed to another in this complex artistic formation, and then problematises this dissonant legacy of their work. It is argued that in the field of cultural heritage debate, we need to extend the concept of dissonant heritage to discuss the dual concept of local/exotic heritage, while critically reassessing the uses of primitivism in its authenticist vs. assimilationist ideological intentions.
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Banaszkiewicz, Magdalena, and Zbigniew Semik. "The ‘dissonant’ heritage of Nowa Huta’s shelters: Between education and entertainment." Turyzm/Tourism 29, no. 1 (2019): 7–14. http://dx.doi.org/10.2478/tour-2019-0001.

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The following article attempts to show how the heritage space of Nowa Huta undergoes gradual transformation under the influence of tourism. An example, which is going to be examined, is a new tourist route presenting the heritage of shelters at Nowa Huta. The context for this discussion is the concept of edutainment, which is a form of education through entertainment. It will be discussed that the inclusion of entertainment elements in the process of dissonant heritage interpretation, is a solution that facilitates noticing ambivalences resulting from the complex nature of the past, and thus contributes to more profound understanding and opens a space for the acceptance of the heritage.
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Dogramadjieva, Elka. "Problematic cultural heritage in the context of tourism and Bulgaria: Key concepts, main features, and contemporary research." Journal of the Bulgarian Geographical Society 51 (September 10, 2024): 45–62. https://doi.org/10.3897/jbgs.e129955.

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Global trends of widening the scope of heritage for tourist consumption, as well as the growing interest among both producers and consumers in a more truthful and balanced representation of the past impose paying special attention to problematic cultural heritage in the context of tourism. Since the topic remains quite unpopular for tourism researchers in Bulgaria, this paper aims to present the key concepts explaining problematic heritage, outline the main features of such heritage as well as sketch contemporary research trends and gaps in this underestimated but promising academic field. Given the variety of terms used interchangeably in extant literature, the term "problematic" cultural heritage is proposed as appropriate for the Bulgarian context, emphasizing the notion of dissonant/contested heritage as a "problem to be solved". Its relevance to Ottoman and communist heritage in the country is justified.
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Latocha, Sebastian. "Dissonant Heritage as a By-Product of the Postwar Agrarian Reform in Poland. From Postmemory to Ethnoarchaeology." Acta Universitatis Lodziensis. Folia Archaeologica, no. 34 (December 30, 2019): 107–27. http://dx.doi.org/10.18778/0208-6034.34.07.

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The subject of the paper is dissonant heritage exemplified by former German villages in Central Poland. The agrarian reform (1944) transformed the local social and cultural landscape by removing its German inhabitants. Today, former German farmsteads are occupied by families of the reform beneficiaries – Polish peasants. The paper is personal as it is based on the postmemory of the author, who used archival sources (including vital records and peasants’ letters of application for the post-German land) and information from his grandmother, who remembers her German neighbours, in an attempt to ‘revive’ the multi-cultural past and those who used to be a part of this landscape. The author outlines the concept of ethnoarchaeological research into the dissonant heritage being a by-product of the agrarian reform (1944) in Poland.
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Atai, Jalal. "The Destruction of Buddhas: Dissonant Heritage, Religious or Political Iconoclasm?" Tourism Culture & Communication 19, no. 4 (2019): 303–12. http://dx.doi.org/10.3727/194341419x15554157596173.

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This article attempts to explore the main impulses that might have led to the destruction of Buddha statues by Taliban in the Bamiyan Valley of Afghanistan. Drawing on existing literature, and anecdotal evidence, this article suggests that the main impulses that have led to destruction are rather linked to the overall political context of that time (i.e., political iconoclasm) rather than to pure Islamic iconoclasm or an explicit condition of disharmony in heritage (i.e., dissonant heritage). First, the Taliban did not consider the statues as "their" cultural heritage. The act of destruction, therefore, cannot be subscribed to the Afghan cultural dynamics but rather to the political–religious ideology imported by Taliban from outside of the country. Secondly, it seemed that Mullah Omar was viewing the statues as a revenue source at the beginning and as a political bargain chip at the end. In both circumstances, religion seems not to have played the main role. Lastly, the destruction seems a political iconoclasm—that is, a political exploitation, if not a direct political act. The Taliban and especially their external allies were very well aware of the consequences of the act of destruction. It seems implausible to suggest that there were no religion and/or culture in play when ordering the destruction of the statues. The latter is the least what this article aims for. However, to conclude that the destruction was solely triggered by theological and cultural factors might also be improbable. The author does not, in any way, attempt to rationalize the act of destruction, let alone justify the barbaric act.
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D'Evelyn, Charlotte. "Khöömii, Chooryn Duu, and Dissonant Heritage in Inner Mongolia, China." Asian Music 52, no. 2 (2021): 139–69. http://dx.doi.org/10.1353/amu.2021.0017.

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Bozic-Marojevic, Milica. "Memory wars: (Ab)uses of dissonant heritage for political purposes." Kultura, no. 152 (2016): 155–70. http://dx.doi.org/10.5937/kultura1652155b.

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Duță, Carmen Ștefania. "The Star and The Queen. Dissonant Heritage and the Culture of Disappearance in Hong Kong." Studia Universitatis Babeș-Bolyai Studia Europaea 69, no. 1 (2024): 203–18. http://dx.doi.org/10.24193/subbeuropaea.2024.1.11.

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Caught between its Chinese and British colonial history, Hong Kong’s path to self-actualization is unsure without preserving its tangible and intangible heritage. This paper examines the region’s several layers of heritage through the movement to preserve the Star and the Queen piers in 2007, using two theoretical frameworks, Abbas’ culture of disappearance and Tunbridge’s dissonant heritage. Despite the piers’ demolition, their role is vital in understanding conflicting histories and decolonizing the region’s identity. Keywords: Heritage, Hong Kong, The Star and Queen Piers, Identity, Nostalgia
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Farmaki, Anna, and Katerina Antoniou. "Politicising dark tourism sites: evidence from Cyprus." Worldwide Hospitality and Tourism Themes 9, no. 2 (2017): 175–86. http://dx.doi.org/10.1108/whatt-08-2016-0041.

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Purpose This paper aims to extend understanding on how the tourist experience at dark heritage sites is directed and consequently influences the narratives of cultural heritage. By discussing the way dark heritage sites are projected by suppliers, the paper anticipates to advance knowledge on the nexus between dark tourism and heritage and to offer insights into the management of dissonant heritage sites. Design/methodology/approach The cases of two opposing national museums in the divided island of Cyprus are presented and discussed in an attempt to illustrate how dissonant heritage interpretation in a post-conflict context is often the product of political direction, commemorating the past and to a great extent influencing the future of a society. Findings National struggle museums represent dark heritage sites, which evoke emotions pertinent to ethnic identity reinforcement. Evidently, the management of such sites is in opposition to peace-building efforts taking place in a post-conflict context. The paper concludes that visitation to dark heritage sites is culturally driven rather than death-related and suggests that efforts consolidate to target specific segments of visitors, if the reconciliation potential of dark tourism is to be unleashed. Originality/value Insofar, minimal attention has been paid on the conditions of the supply of dark heritage sites and the role of suppliers in influencing culture-based issues including collective memory and national identity. This paper addresses this gap in literature and advances understanding on the developmental elements defining dark heritage tourism, by identifying and discussing trajectories between dark tourism and politics.
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Kosieradzka, Angelika. "Kłopotliwa wielka płyta. Sąsiedzkie i artystyczne praktyki transformowania przestrzeni sofijskich kompleksów mieszkaniowych." Kultura i Społeczeństwo 68, no. 1 (2024): 243–62. http://dx.doi.org/10.35757/kis.2024.68.1.11.

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The aim of the article is to show social practices (neighbourly and artistic) activated around the example of Sofia’s dissonant heritage, which is the space of a housing complex. The author interprets the capital’s block housing estates as zones of transition between what is public and what is private, where specialized urban planning meets the everyday experience of residents, and the dehumanizing uniformity of the landscape clashes with the effects of amateur activities aimed at personalizing the environment. Using the methodological tools of anthropology of visual culture and arts and cultural studies, the author considers grassroots ways of adapting housing estate space to the residents’ needs, as well as attempts towards its visual revitalization using street art. The analysis shows that apartment blocks — as dissonant heritage, and at the same time a personal space — are today a field of activities of local communities and the artistic community, exploring the aesthetic and social potential of housing complexes.
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Belli, Nicola. "Modern Urban Planning and Dissonant Heritage: The Case of San Polo." Art History & Criticism 16, no. 1 (2020): 79–93. http://dx.doi.org/10.2478/mik-2020-0005.

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SummaryThe aim of the article is to understand to what extent modern mass housing estates, built in the decades following the Second World War with new construction methods and under the influence of innovative planning ideas and egalitarian philosophy, are currently facing a process of decline. In particular, the research is committed to understand how such innovative urban structures rapidly evolved into stigmatized places of residence and sources of dissonant heritage. The work focuses on the case of San Polo, a neighbourhood of Brescia, in Italy, designed by architect, planner and historian Leonardo Benevolo, who had the opportunity in the northern Italian city to experiment and implement his architectural views in the sphere of “public urbanization”. It is possible to claim that Benevolo’s theoretical approach and architectural practice excellently represented the golden age of modern housing in postwar Europe, when the connection between progressive political views and egalitarian urban planning was apparently perfect. Nevertheless, after the political and economic transition that characterized western Europe since the 1980s, mass housing quickly became a residual issue in the public discourse and entered in a spiral of decline. San Polo was no exception: problems – especially in its iconic tower blocks – soon emerged, and overall optimistic expectations were frustrated by the reality of physical, social and economic decline. This study is therefore committed to understand to what extent San Polo is a case of dissonant heritage in the urban context. While it is clear that the heritage of San Polo is the heritage of a precise historical phase and represents particular ideas in architecture and planning, on the other hand it must be stressed that the ideological transition of recent decades made its values and its messages obsolete and that socio-economic segregation negatively affected the reputation of the neighbourhood and its inhabitants had to face a process of stigmatization that found echo in official and journalistic discourse.
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Bozic-Marojevic, Milica. "Challenges of new museology in presentation and interpretation of dissonant heritage." Kultura, no. 144 (2014): 38–54. http://dx.doi.org/10.5937/kultura1444038b.

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Haspel, Jörg. "“Eso Parece Español”. El Patrimonio Conflictivo Compartido de las Dictaduras." erph_ Revista electrónica de Patrimonio Histórico, no. 34 (July 31, 2024): 1–25. http://dx.doi.org/10.30827/erph.34.2024.31371.

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The following article is a local case study that examines the shared heritage of German and Spanish fascism in Berlin and its critical artistic reappraisal using the example of historical sites and monuments of art and architecture of the 20th century. The text is based on the experiences and controversial discussions of the heritage conservation andrestoration in the German capital after the opening of the Berlin Wall (1989/90) and the fall of the Iron Curtain in Europe (1989/1991). Characteristic differences in the reception of history and heritage between the western sectors of Berlin and East Berlin after 1945 also became apparent. The text owes essential impulses to the recent Action Group ‘Integrated and Comprehensive Approaches for Dissonant Heritage in Europe’ of the ‘Partnership Culture and Cultural Heritage’ within the framework of the ‘Urban Agenda of the EU’ and is intended as a contribution to the current discussion at the II International PAMEFRAN Conference “Heritege and conflict Debate on the management and treatment of a multifaceted object”. The article opposes a politically motivated iconoclasm of symbols and monuments of autocratic systems of the past and advocates for their critical reappraisal and commentaryin situ.
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Comer, Margaret. "Lubyanka: Dissonant memories of violence in the heart of Moscow." Memory Studies 16, no. 3 (2023): 561–75. http://dx.doi.org/10.1177/17506980231162332.

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An infamous Soviet edifice, the Lubyanka’s yellow bulk still stands in central Moscow. The building is controlled by the federal security service (FSB), the contemporary security services, and the FSB provides no tangible acknowledgment of the building’s past. Yet, it is not erased; instead, the surrounding landscape has become a meaningful space for memorializing the victims of Soviet repression. Although the government’s official policy is to ignore or muffle the Lubyanka’s dark heritage, other actors have stepped in to interpret this painful legacy in various ways. This article examines different processes of heritagization and memory work within this “heritagescape.” It sheds light on the Lubyanka area’s polysemic meanings and sociopolitical roles in contemporary Russia, as well as the contested processes of heritagization and memorialization at sites of violence. It also introduces the idea of “accountability” as a concept that can be communicated at a heritage site, especially at times of increased state violence.
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Rodrian, Philipp, and Hubert Job. "Wahrnehmung dissonanten Erbes des deutschen Imperialismus in Namibia: Eine Typisierung deutscher Touristen." Geographische Zeitschrift 98, no. 2 (2010): 83–99. http://dx.doi.org/10.25162/gz-2010-0007.

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Banaszkiewicz, Magdalena. "A dissonant heritage site revisited – the case of Nowa Huta in Krakow." Journal of Tourism and Cultural Change 15, no. 2 (2016): 185–97. http://dx.doi.org/10.1080/14766825.2016.1260137.

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Steinberg, Florian. "Dissonant heritage — The management of the past as a resource in conflict." Habitat International 22, no. 1 (1998): 79–81. http://dx.doi.org/10.1016/s0197-3975(97)80826-0.

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Bruce, David, and Oliver Creighton. "Contested Identities: The Dissonant Heritage of European Town Walls and Walled Towns." International Journal of Heritage Studies 12, no. 3 (2006): 234–54. http://dx.doi.org/10.1080/13527250600604498.

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Maior-Barron, Denise. "Let Them Eat Macarons?Dissonant heritage of Marie Antoinette at Petit Trianon." International Journal of Heritage Studies 25, no. 2 (2018): 198–218. http://dx.doi.org/10.1080/13527258.2018.1475411.

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Hall, C. Michael. "Dissonant heritage: The management of the past as a resource in conflict." Annals of Tourism Research 24, no. 2 (1997): 496–98. http://dx.doi.org/10.1016/s0160-7383(97)80033-3.

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Battilani, Patrizia, Cristina Bernini, and Alessia Mariotti. "How to cope with dissonant heritage: a way towards sustainable tourism development." Journal of Sustainable Tourism 26, no. 8 (2018): 1417–36. http://dx.doi.org/10.1080/09669582.2018.1458856.

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Soulard, Joelle, and Zachary Russell. "Visitors' cognitive vaccines: Self-reflection on dissonant narratives after heritage tourism experiences." Annals of Tourism Research 112 (May 2025): 103935. https://doi.org/10.1016/j.annals.2025.103935.

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33

Dogramadjieva, Elka. "Problematic cultural heritage in the context of tourism and Bulgaria: Key concepts, main features, and contemporary research." Journal of the Bulgarian Geographical Society 51 (September 10, 2024): 45–62. http://dx.doi.org/10.3897/jbgs.e129955.

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Global trends of widening the scope of heritage for tourist consumption, as well as the growing interest among both producers and consumers in a more truthful and balanced representation of the past impose paying special attention to problematic cultural heritage in the context of tourism. Since the topic remains quite unpopular for tourism researchers in Bulgaria, this paper aims to present the key concepts explaining problematic heritage, outline the main features of such heritage as well as sketch contemporary research trends and gaps in this underestimated but promising academic field. Given the variety of terms used interchangeably in extant literature, the term “problematic” cultural heritage is proposed as appropriate for the Bulgarian context, emphasizing the notion of dissonant/contested heritage as a “problem to be solved”. Its relevance to Ottoman and communist heritage in the country is justified.
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Zbieranek, Piotr. "Dziedzictwo kulturowe w procesie rozwoju lokalnego na obszarach niezurbanizowanych." Kultura i Społeczeństwo 68, no. 3 (2024): 205–33. http://dx.doi.org/10.35757/kis.2024.68.3.9.

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The aim of this article is to show how cultural heritage can be used for local development. The article takes the form of a case study, focusing on the rural commune of Stegna located in the Pomeranian Voivodship. The empirical material was provided by ethnographic research carried out in 2019, its subject-matter being cultural heritage understood according to the constructivist approach. The ethnographic study included desk research, observations of local initiatives, and individual interviews with representatives of the local community. The material thus gathered was interpreted using Gregory Ashworth’s concept of heritage planning. The article emphasised the fluid nature of heritage as a resource that can be used to initiate processes of local development. A particular situation is the presence of so-called “dissonant heritage”, the specific nature of which has a significant impact on its use in development processes.
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Simeonova-Korudzhieva, Daniela. "Institutional and Normative Aspects in the Preservation of Cultural Heritage." Cultural and Historical Heritage: Preservation, Presentation, Digitalization 9, no. 1 (2023): 177–90. http://dx.doi.org/10.55630/kinj.2023.090114.

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Normative aspects in the preservation of cultural heritage imply a complex understanding and approach, insofar as this is a systemic process in which different cultural institutions acting with relevant competence and the normative framework have a role. It consists of international legal acts, such as the UNESCO Conventions, EU law - the regulations and directives and the internal law that is in accordance with them. The report covers a review of case studies related to the preservation of tangible cultural heritage: cases of dissonant cultural heritage; the case with the restitution of cultural values; cases of deregistration of tangible cultural values from the register and the philosophy of the law; legal issues in dealing with cultural property; problems of ownership of movable cultural property; the relationship of copyright and related rights to cultural heritage.
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Oswalt, Philipp. "On the necessity of symbolic interventions in dissonant monuments." Protection of Cultural Heritage 2, no. 21 (2024): 103–12. https://doi.org/10.35784/odk.6154.

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The Charter of Venice stipulates that changes to a monument are only permitted on the basis of functional requirements. Changes to the symbolic function are explicitly excluded. However, this principle leads to conceptual problems with dissonant heritage, as illustrated by a number of recent monument conflicts in Germany concerning buildings of National Socialism as well as anti-Semitic, racist, colonial and militaristic monuments. The planned restoration of the Haus der Kunst München (1933-37) to its original state by Chipperfield Architects in accordance with the monument requirements has led to a controversial debate (since 2017), as has the symbolically unbroken continued use of the repeatedly modernized and renovated building of the 1936 Olympics in Berlin. The insertion of Günther Domenig's Documentation Center (1998-2001) into the Congress Hall of the Nazi Party Rally Grounds in Nuremberg (1935-43) and the conversion of the Arsenal Main Building (1873-1877) into the Dresden Military History Museum by Daniel Libeskind (2001-2011) de facto overruled the premise of monument preservation, but the results were viewed positively by the public. The discussion about the appropriate way to deal with the depiction of Jewish sows in medieval churches is still ongoing. The requirements of monument preservation are at odds with the desire to distance oneself from anti-Semitic artworks. The competition (2023) for the desired redesign of the Bismarck monument in Hamburg (1906) has recently failed due to the conceptual conflict with the rules of monument preservation. In the Anglo-Saxon world, debates similar to those in Germany have broken out in the context of the Black Life Matters movement. The essay argues in favor of granting dissonant heritage opportunities for symbolic interventions and thus deviating from the principles of the Venice Charter.
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Lemelin, R. H., and Kelsey Johansen. "The Canadian National Vimy Memorial: remembrance, dissonance and resonance." International Journal of Culture, Tourism and Hospitality Research 8, no. 2 (2014): 203–18. http://dx.doi.org/10.1108/ijcthr-09-2013-0059.

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Purpose – The purpose of this article is to expand the discussion pertaining to Vimy beyond traditional historic and military circles and to illustrate that the site is a significant tourism attraction featuring evolving management and interpretation approaches. This is achieved by describing the commemoration of First World War sites and the evolution and transformation of visitor typologies at these sites. The conversation is framed within a discussion of the role of heritage dissonance in management. Since this article was written at the onset of the centennial of the Great War, an examination of the management of the Canadian National Vimy Memorial, which includes a tourism perspective, is timely. Design/methodology/approach – Consisting of participation observations and a review of literature, documentation, government reports and Web sites describing the Canadian National Vimy Memorial, this analysis is complemented by site visits and discussions with key personnel involved in the management of the site. Findings – Because this article precedes the upcoming centennial of the Great War, an examination of the management of the Canadian National Vimy Memorial, which includes a tourism perspective, is timely. The discussion and conclusion sections provide a suggestion of how dissonant heritage can be addressed, and present an argument for the inclusion of new technologies in the management and interpretation of First World War memorials and the celebrations associated with the centennial of 2014-2019 in order to embrace new visitor types. Research limitations/implications – This is a conceptual paper examining past and current management strategies of the Canadian National Vimy Memorial. No participants or manager was interviewed or surveyed. Practical implications – Strategies to improve future management through the engagement of tourism researchers, new technologies and by addressing dissonant heritage are provided through literature review and on-site visits. Social implications – Currently, the management of the Vimy Memorial caters largely to a certain segment of Canadian population. The findings suggest that by addressing other components of Canadian society and even other combatants, the management and interpretation of the site could be greatly diversified and could eventually become a battlefield like Gettysburg or Gallipoli, where all combatants are recognized and honored. Originality/value – This is the first paper examining the management of the Vimy Memorial from a tourism perspective.
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Pasamitros, Nikolaos, and Veroniki Krikoni. "Double Bordering of the Nicosia Historic Centre: Contested Heritage, Divisions, and Attachments of the Walled City." HAPSc Policy Briefs Series 5, no. 2 (2024): 93–101. https://doi.org/10.12681/hapscpbs.40786.

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Nicosia is a place of double bordering where the Venetian wall surrounds the old city and simultaneously the Green Line cuts through its historical nucleus and separates it into two distinct administrative parts, a north and a south one. Authorities in the Greek Cypriot (GC) and Turkish Cypriot (TC) communities exercise policies that use the division of the city in order to construct and promote ethnocentric narratives. Similarly, heritage management and use are driven by ethnocentric political aims, based on a national heritage perception framework that fortifies and regulates national identity. Ethnocentric heritage discourse is challenged by a universalist framework that tries to foster reconciliation through bicommunal projects. Although this framework produces significant collaborative heritage projects, it is criticised for promoting externally imposed universalism. Alternatively, recent heritage theory and local practice in the historic centre of Nicosia stress the significance of inclusive approaches to heritage that would further encourage the involvement of local heritage communities, increase the sense of heritage ownership, involve underrepresented communities, and open a dialogue on dissonant heritage.
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Ingerpuu, Laura. "Socialist architecture as today’s dissonant heritage: administrative buildings of collective farms in Estonia." International Journal of Heritage Studies 24, no. 9 (2018): 954–68. http://dx.doi.org/10.1080/13527258.2018.1428664.

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Kisić, Višnja, and Irina Subotić. "Valorising marginalised heritage: Heritage and memory politics in the work of professor doctor Milena Dragićević Šešić." Kultura, no. 169 (2020): 201–20. http://dx.doi.org/10.5937/kultura2069201k.

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The paper is dedicated to the work and research of prof, dr Milena Dragićević Šešić in the field of cultural heritage and memory studies, The paper analyses the key questions, topics and problems dealt with in the work of Dragićević Šešić, contextualising them in relation to the broader socio-political transitions, as well as in relation to the international academic trends in the field of cultural heritage, cultural memory and cultures of resistance. The core research interest of Dragićević Šešić is linked with the critique of ethno-national politics of memory, marginalised and dissonant layers of heritage, heritage and memory of the marginalised groups within patriarchal nationalistic models of heritage, as well as to counter-cultural memorial practices of artistic collectives, lesser known artists and civil society organisations. By analysing the work of Dragićević Šešić in the field of cultural heritage it becomes obvious that the very core of her work is a particular kind of engaged scholarship and academic activism dedicated to non-authorised heritage discourses and memory politics, triggered on the one hand by the socio-political crises of the dissolution of the former Socialist Republic of Yugoslavia, and on the other hand by the engagement with contemporary socially relevant scholarship trends.
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Silva, Lucas Nibbering Alves da, Giovanna Mendonça Cozzetti, and Luiz Alberto de Farias. "Entre estórias e dissonâncias: o patrimônio cultural a partir do Museu da Pessoa." Interfaces da Comunicação 1, no. 3 (2024): 27–46. http://dx.doi.org/10.11606/issn.2965-7474.v1i3p27-46.

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In this article, we analyse the way in which heritage can endorse dominant perspectives, while at the same time being able to sustain counter-hegemonic strategies in its dissonances, immersed in a dialectical relationship with social reality. To do this, we took the Museu da Pessoa ("Museum of the Person") as the subject of our paper. We investigated how the logic of the referred museum challenges not only traditional collectionism, but also the question of the figure of the specialist and the very meaning of cultural heritage. In view of its dissonant character, we elaborate on the paradoxical situation of the institution as an instance of legitimisation and proposer of power shifts in terms of museum-making.
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Silva, Lucas Nibbering Alves da, Giovanna Mendonça Cozzetti, and Luiz Alberto de Farias. "Entre estórias e dissonâncias: o patrimônio cultural a partir do Museu da Pessoa." Interfaces da Comunicação 2, no. 1 (2024): 27–46. http://dx.doi.org/10.11606/issn.2965-7474.v2i1p27-46.

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In this article, we analyse the way in which heritage can endorse dominant perspectives, while at the same time being able to sustain counter-hegemonic strategies in its dissonances, immersed in a dialectical relationship with social reality. To do this, we took the Museu da Pessoa ("Museum of the Person") as the subject of our paper. We investigated how the logic of the referred museum challenges not only traditional collectionism, but also the question of the figure of the specialist and the very meaning of cultural heritage. In view of its dissonant character, we elaborate on the paradoxical situation of the institution as an instance of legitimisation and proposer of power shifts in terms of museum-making.
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Hughes, Heather, Greta Fedele, Zeno Gaiaschi, and Alessandro Pesaro. "Public History and Contested Heritage." Public History Review 27 (April 5, 2020): 1–24. http://dx.doi.org/10.5130/phrj.v27i0.7088.

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This article presents a case study of a collaborative public history project between participants in two countries, the United Kingdom and Italy. Its subject matter is the bombing war in Europe, 1939-1945, which is remembered and commemorated in very different ways in these two countries: the sensitivities involved thus constitute not only a case of public history conducted at the national level but also one involving contested heritage. An account of the ways in which public history has developed in the UK and Italy is presented. This is followed by an explanation of how the bombing war has been remembered in each country. In the UK, veterans of RAF Bomber Command have long felt a sense of neglect, largely because the deliberate targeting of civilians has not fitted comfortably into the dominant victor narrative. In Italy, recollections of being bombed have remained profoundly dissonant within the received liberation discourse. The International Bomber Command Centre Digital Archive (or Archive) is then described as a case study that employs a public history approach, focusing on various aspects of its inclusive ethos, intended to preserve multiple perspectives. The Italian component of the project is highlighted, problematising the digitisation of contested heritage within the broader context of twentieth-century history. Reflections on the use of digital archiving practices and working in partnership are offered, as well as a brief account of user analytics of the Archive through its first eighteen months online.
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Drazeta, Bogdan, Jelena Cukovic, and Marko Milenkovic. "Challenges of the intangible cultural heritage safeguarding system in multiethnic states: The example of the Serbian community in Herzegovina." Glasnik Etnografskog instituta 72, no. 2 (2024): 85–105. http://dx.doi.org/10.2298/gei2402085d.

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The challenges and problems in the safeguarding of intangible cultural heritage in Bosnia and Herzegovina are reflected in all the ethnic communities that constitute the country. Bosniaks, Serbs and Croats, as well as members of other communities living in Bosnia and Herzegovina, face a number of obstacles when it comes to identifying, documenting, protecting and promoting their heritage. This is due, on the one hand, to the lack of internal consensus on what is and what is not part of their heritage (dissonant heritage) and, on the other hand, to the complex arrangement of heritage that corresponds to the complex constitutional structure of Bosnia and Herzegovina. This paper uses the heritage of Serbs in Herzegovina as a case study to illustrate how the lack of support from central authorities, the weak network of institutional actors and the lack of agreement on cultural issues complicate the processes related to heritage protection. This paper aims to provide an incentive for overcoming the challenges and problems of ICH safeguarding in Bosnia and Herzegovina and to offer some suggestions for reforming the system to make it more inclusive and provide a framework for the protection of all citizens and communities living in Bosnia and Herzegovina.
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Stone, Philip R. "Atlas of Dark Destinations—Explore the World of Dark Tourism by Peter Hohenhaus." Journal of Scientific Exploration 36, no. 2 (2022): 325–26. http://dx.doi.org/10.31275/20222609.

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Dark tourism is an appellation defining travel to a diverse array of tourist sites that portray death, disasters, or calamities. For over 25 years, dark tourism as an international subject of scholarly interest has drawn together multidisciplinary discourse, where the dominion of the dead collides with contemporary touristic consumption. In turn, dark tourism has opened scholarly scrutiny of our significant Other dead and how societies deal with difficult heritage. Consequently, dark tourism is about polysemic touristic encounters with our memorialized dead, where a fine line exists between commemoration and commercialism. Dark tourism is inherently political and dissonant, as (re)presentations of our dead are imbued with sociopolitical bias and where remembrance is politically engineered and hegemonically orchestrated. Whereas heritage may produce narratives for dark tourism, it is the tourist experience that consumes such messages and co-constructs meaning making. Indeed, dark tourism displays our fights, follies, failures, and misfortunes, and subsequent tourist experiences of our ‘heritage that hurts’ mediates a sense of mortality at places of fatality.
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Munjal, Parul G. "Construction of Heritage: Small and Medium Towns of Gurgaon District." Journal of Heritage Management 1, no. 2 (2016): 98–125. http://dx.doi.org/10.1177/2455929616682079.

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Global discourses around heritage are grappling with idea of including dissonant, non-compliant voices and expanding the definition of heritage from the physical to a cultural process, pushing beyond the authorized heritage discourse. The dialogical model of heritage is presented as a means to break down the divide between laypersons and experts, suggesting new models for decision-making in the future. It is problematic to contextualize this discourse in the Indian context, more so in small and medium towns where this intellectual debate has never been formalized. Yet, there are existing ways in which the local stakeholders maintain and use sites or structures from the past that they value. Identification of these ways of keeping and using could be a step towards demystifying the construct of heritage in the local community. The Gurgaon district has witnessed an unprecedented urban growth rate from 2001 to 2011 and the eight historic small and medium towns of the district are on the verge of being enveloped in the rapid urban development. This impending change calls for a need to examine the heritage sites of these towns. Studying the historic structures in six of these towns points to the role of history and religion as connectors to heritage. This role has been explored on ground and at an ideological level, as an attempt towards understanding the construct of heritage as a process in play.
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Quintero, Gino Jafet, and Alicia Penélope Castro. "Tourism and ethics in sites of dissonant heritage, Auschwitz-Birkenau (Poland) and Killing Fields (Cambodia)." PatryTer 6, no. 11 (2022): 01–14. http://dx.doi.org/10.26512/patryter.v6i11.41677.

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Auschwitz-Birkenau (Polonia) y los Killing Fields (Cambodia) fueron campos de exterminio surgidos como resultado de dos regímenes autoritarios: los nazis, en el primero, y los Khmer Rouge, en el segundo; en ellos, fueron asesinadas cerca de 2.5 millones de personas. Ambos sitios de genocidio se incorporaron a la dinamica turística internacional y operan como importantes nucleos detonadores de flujos de amplio alcance. El propósito de este artículo es valorar la pertinencia ética de mercantilizar turísticamente y patrimonializar dos espacios asociados con genocidios del siglo XX. Para ello, se recabaron datos cualitativos y cuantitativos in situ a partir de la ejecución de la observación participante y el levantamiento de encuestas, téncias que se complementaron con la codificación de información ética obtenida a partir de netnografías y del análisis del dicsurso virtual en redes sociales.
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Pavličìć, Jelena. "Dissonant heritage and promotion of tourism in the case of Serbian medieval monuments in Kosovo." Journal of Tourism and Cultural Change 14, no. 3 (2016): 189–205. http://dx.doi.org/10.1080/14766825.2016.1169349.

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Owsianowska, Sabina. "Tourist narratives about the dissonant heritage of the Borderlands: the case of South-eastern Poland." Journal of Tourism and Cultural Change 15, no. 2 (2016): 167–84. http://dx.doi.org/10.1080/14766825.2016.1260125.

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Tabarintseva-Romanova, K. M. "CONCEPTUALIZATION OF CULTURAL HERITAGE PROTECTION AS A SOFT POWER INSTRUMENT." Вестник Удмуртского университета. Социология. Политология. Международные отношения 7, no. 4 (2023): 473–79. http://dx.doi.org/10.35634/2587-9030-2023-7-4-473-479.

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The article examines the “transformation” of the concept of “protection of cultural heritage” in the context of current international relations. The development in modern political science discourse of such theories as securitization of cultural heritage, “geocultural” power, and diplomacy of cultural heritage allows us to talk about a change, or rather, an expansion of the meaning of the term field “protection of cultural heritage.” Based on an analysis of scientific works devoted to the study of the role of cultural heritage in international political processes, as well as specialized UNESCO reports on the connection between the UN sustainable development goals and culture in general, and reports of some specialized structures (for example, the British Council), the following conclusions can be drawn. First, in the last decade, the potential of cultural heritage for state foreign policy and international heritage management has attracted increasing interest among researchers from different countries. At the moment, there is no single or established definition of heritage diplomacy. In earlier studies, heritage diplomacy has generally been associated with multinational cooperation in international heritage management within the framework of UNESCO. More recent concepts of heritage diplomacy have expanded to include more policy areas, such as sustainable development policy. Secondly, the concept of cultural heritage for international cultural relations should be conceptualized as a present- and future-oriented process through which realities are constructed from selected elements of the past. Thirdly, the political dimension of cultural heritage acts as an arena for the manifestation and negotiation of (dissonant) meanings, values and identities.
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