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Books on the topic 'Distributed filtering'

Author: Grafiati
Published: 19 February 2023

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1

Han, Fei, Zidong Wang, and Hongli Dong. Distributed Filtering, Control and Synchronization. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-97075-8.

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2

Lai, Cristian, Giovanni Semeraro, and Eloisa Vargiu, eds. New Challenges in Distributed Information Filtering and Retrieval. Berlin, Heidelberg: Springer Berlin Heidelberg, 2013. http://dx.doi.org/10.1007/978-3-642-31546-6.

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3

Lai, Cristian, Alessandro Giuliani, and Giovanni Semeraro, eds. Distributed Systems and Applications of Information Filtering and Retrieval. Berlin, Heidelberg: Springer Berlin Heidelberg, 2014. http://dx.doi.org/10.1007/978-3-642-40621-8.

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4

Lai, Cristian. New Challenges in Distributed Information Filtering and Retrieval: DART 2011: Revised and Invited Papers. Berlin, Heidelberg: Springer Berlin Heidelberg, 2013.

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5

Hubbard, James E. Spatial filtering for the control of smart structures: An Introduction. Heidelberg: Springer, 2010.

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6

Mahmoud, Magdi S. Distributed Control and Filtering for Industrial Systems. Institution of Engineering & Technology, 2012.

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7

Mahmoud. Distributed Control and Filtering for Industrial Systems. Institution of Engineering and Technology, 2012. http://dx.doi.org/10.1049/pbce088e.

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8

Distributed Control And Filtering For Industrial Systems. Institution of Engineering and Technology, 2012.

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9

Dong, Hongli, Fei Han, and Zidong Wang. Distributed Filtering, Control and Synchronization: Local Performance Analysis Methods. Springer International Publishing AG, 2022.

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10

Dynamic Relevance Filtering in Asynchronous Transfer Mode-Based Distributed Interactive Simulation Exercises. Storming Media, 1996.

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11

Lai, Cristian, Giovanni Semeraro, and Alessandro Giuliani. Information Filtering and Retrieval : DART 2014: Revised and Invited Papers. Springer, 2016.

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12

Lai, Cristian, Giovanni Semeraro, and Alessandro Giuliani. Information Filtering and Retrieval : DART 2014: Revised and Invited Papers. Springer, 2016.

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13

Lai, Cristian, Giovanni Semeraro, and Alessandro Giuliani. Information Filtering and Retrieval : DART 2014: Revised and Invited Papers. Springer, 2018.

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14

Lai, Cristian, Eloisa Vargiu, and Giovanni Semeraro. New Challenges in Distributed Information Filtering and Retrieval : DART 2011: Revised and Invited Papers. Springer, 2014.

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15

Lai, Cristian, Eloisa Vargiu, and Giovanni Semeraro. New Challenges in Distributed Information Filtering and Retrieval : DART 2011: Revised and Invited Papers. Springer, 2012.

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16

New Challenges In Distributed Information Filtering And Retrieval Dart 2011 Revised And Invited Papers. Springer, 2012.

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17

Distributed Systems And Applications Of Information Filtering And Retrieval Dart 2012 Revised And Invited Papers. Springer-Verlag Berlin and Heidelberg GmbH &, 2013.

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18

Lai, Cristian, Giovanni Semeraro, and Alessandro Giuliani. Distributed Systems and Applications of Information Filtering and Retrieval : Dart 2012: Revised and Invited Papers. Springer Berlin / Heidelberg, 2016.

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19

Lai, Cristian, Giovanni Semeraro, and Alessandro Giuliani. Distributed Systems and Applications of Information Filtering and Retrieval : DART 2012: Revised and Invited Papers. Springer London, Limited, 2013.

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20

Clarke, Eric F., Mark Doffman, David Gorton, and Stefan Östersjö. Fluid practices, solid roles? Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780199355914.003.0009.

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This chapter investigates the relationship between the fluid practices that frequently characterize the work of contemporary musicians, and the more solid roles of performer and composer that continue to hold sway in contemporary music. Focusing on a case study of the collaborative creation of Forlorn Hope for eleven-string alto guitar and electronics, by Gorton and Östersjö, the chapter analyses the processes that lead from research and experimentation with particular guitar tunings and playing techniques, through a more conventionally compositional phase, to the first public performance of the piece. The chapter demonstrates how the affordances of both the instrument in the hands of Östersjö and the particular tuning specified by Gorton combined with improvised discoveries, and the ‘filtering’ force of a piece by Dowland, result in a piece whose creative ecology is distributed across a variety of timescales and practices.
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