Academic literature on the topic 'Disturbing strangeness'

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Journal articles on the topic "Disturbing strangeness"

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Birmingham, Carrie. "Surprised by Joy and the Menippean Solution." Journal of Inklings Studies 12, no. 2 (2022): 163–86. http://dx.doi.org/10.3366/ink.2022.0152.

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The boarding school chapters of C.S. Lewis’s Surprised by Joy have been criticized for their questionable veracity, uneven quality, and disturbing strangeness – not what readers of Lewis normally expect. Identifying Surprised by Joy as a Menippean satire responds to these criticisms and clarifies its message. Its digressions and disjointedness; its encyclopaedic, opaque, densely academic passages; and Lewis’s ambivalent responses to otherwise shocking, carnivalistic events contribute to a deeply unsettling narrative. These would be out of place in milder genres, but combined, they constitute m
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Hobeika, Léna. "Le mythe du vampire féminin dans Mademoiselle Christina." Studia Universitatis Babeș-Bolyai Philologia 66, no. 1 (2021): 63–70. http://dx.doi.org/10.24193/subbphilo.2021.1.05.

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"The Myth of the Female Vampire in Miss Christina. Mythologist, novelist and religious historian, Mircea Eliade grants a considerable place to the Fantastic as a way of reclaiming the Sacred in a deeply desecrated modern world. In his short story Mademoiselle Christina, he features a female vampire embodying the archetype of the nymphomaniac and demonic woman who returns to haunt the Mosco house and who manages to seduce Egor, a young painter visiting the castle. The prose writer creates a dreamlike story, mixing dream and reality, the natural and the supernatural while propelling the reader i
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Navaud, Guillaume. "Otherness in More’s Utopia." Moreana 53 (Number 205-, no. 3-4 (2016): 73–94. http://dx.doi.org/10.3366/more.2016.53.3-4.6.

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Utopia as a concept points towards a world essentially alien to us. Utopia as a work describes this otherness and confronts us with a world whose strangeness might seem disturbing. Utopia and Europe differ in their relationship to what is other (Latin alienus) – that is, that which belongs to someone else, that which is foreign, that which is strange. These two worlds are at odds in regards to their foreign policy and way of life: Utopia aspires to self-sufficiency but remains open to whatever good may arrive from beyond its borders, while the Old World appears alienated by exteriority yet ref
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Suyanto, Suyanto, Uchrizal Febby Millenniantary, and Mohammad Arifin Noor. "Analysis of Foot Sensation and Physical Activity in Diabetes Mellitus." Media Keperawatan Indonesia 5, no. 4 (2022): 274. http://dx.doi.org/10.26714/mki.5.4.2022.274-279.

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Neuropathy is a condition in which the patient experiences a decreased sensation of pain in the legs that can affect the physical activity of diabetic patients mellitus, until work productivity decreases. This pain is often disturbing, limiting activity and decreasing the work productivity of diabetic patients. The aim of this study was to identify a correlation between foot sensation and physical activity of diabetic mellitus patients. cross-sectional was used in this study. Data collection uses instruments in the form of observation sheets to assess the results of foot sensation examination
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Henni, Ahmed. "L’intrusion du Fantastique dans les Nouvelles Écritures Algériennes : le cas des romans de Djamel Mati." Traduction et Langues 15, no. 2 (2016): 94–106. http://dx.doi.org/10.52919/translang.v15i2.686.

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The intrusion of the Fantastic in the New Algerian Writings: the case of the novels of Djamel Mati
 This contribution aims at questioning the way with which the Algerian Writer D. Mate introduces the fantastic in the diegetic universe inclined to the phantasmagorias of the tormented lucubration’s of the characters in quest of themselves. In this perspective, the Writer elaborates a new interactive and dynamic relationship between the moving and chimerical spatiality’s of "point B114" and the fantastic lucubration’s of atypical characters on the reading of "Sweet-sour, the lucubration’s of
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Beschastnov, Nikolay, and Evdokia Dergiliova. "MOSCOW METRO OF ALENA DERGILIOVA: IMAGE OF STABILITY AND FEATURES OF CHANGE." Scientific and analytical journal Burganov House. The space of culture 17, no. 2 (2021): 101–13. http://dx.doi.org/10.36340/2071-6818-2021-17-2-101-113.

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The article focuses on the study of graphic works depicting the life of the Moscow metro, created in 1980–1990 by the Moscow artist Alyona Dergiliova. The etchings convincingly reflect the life of our people on the threshold of national historical development. In her complex, variously sized, drawn from life compositions with many figures in motion, the artist mastered the whole range of compositional and visual devices that she would use in her narrative watercolours of the 2000s. She found the contrast of the pathos in the metro interior – stations with a bustling motley crowd of Muscovites
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White, Tim, and J. Emmett Winn. "Jan Švankmajer's Adaptations of Edgar Allan Poe." Kinema: A Journal for Film and Audiovisual Media, November 20, 2006. http://dx.doi.org/10.15353/kinema.vi.1124.

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TOMORROW COULD BRING SALVATION: JAN ŠVANKMAJER'S ADAPTATIONS OF EDGAR ALLAN POE Animation, as a branch of cinema, has never been accorded the respect given to other kinds of filmmaking, and as a result has never been as carefully researched as have these other cinematic modes. In an understudied art, Jan Švankmajer, the Czech filmmaker (specializing in stop-motion animation and pixilation), is even less well-known or discussed.(1) The nature of his films, which are always disturbing and frequently downright repulsive, often leads critics to discuss them in terms of only these surface elements,
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Racin, Céline, Raphaël Minjard, Christophe Humbert, et al. "Analyzing the use of videoconference by and for older adults in nursing homes: an interdisciplinary approach to learn from the pandemic." Frontiers in Psychology 14 (May 5, 2023). http://dx.doi.org/10.3389/fpsyg.2023.1154657.

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IntroductionDuring the Covid-19 pandemic and the resulting visitation restrictions, digital tools were used in many nursing homes in France to allow the older adults and their relatives to maintain social contact via videoconferencing. This article adopts an interdisciplinary approach to analyze the processes that affect the use of digital technologies.MethodsDrawing on the concept of “mediation,” it seeks to shed light on how individuals embrace these tools in a relational situation. The interviews and observations undertaken among residents, their relatives, professionals, and the management
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Piatti-Farnell, Lorna. "What’s Hidden in Gravity Falls: Strange Creatures and the Gothic Intertext." M/C Journal 17, no. 4 (2014). http://dx.doi.org/10.5204/mcj.859.

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Discussing the interaction between representation and narrative structures, Anthony Mandal argues that the Gothic has always been “an intrinsically intertextual genre” (Mandal 350). From its inception, the intertextuality of the Gothic has taken many and varied incarnations, from simple references and allusions between texts—dates, locations, characters, and “creatures”—to intricate and evocative uses of style and plot organisation. And even though it would be unwise to reduce the Gothic “text” to a simple master narrative, one cannot deny that, in the midst of re-elaborations and re-interpret
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Masson, Sophie Veronique. "Fairy Tale Transformation: The Pied Piper Theme in Australian Fiction." M/C Journal 19, no. 4 (2016). http://dx.doi.org/10.5204/mcj.1116.

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The traditional German tale of the Pied Piper of Hamelin inhabits an ambiguous narrative borderland, a liminal space between fact and fiction, fantasy and horror, concrete details and elusive mystery. In his study of the Pied Piper in Tradition and Innovation in Folk Literature, Wolfgang Mieder describes how manuscripts and other evidence appear to confirm the historical base of the story. Precise details from a fifteenth-century manuscript, based on earlier sources, specify that in 1284 on the 26th of June, the feast-day of Saints John and Paul, 130 children from Hamelin were led away by a pi
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Dissertations / Theses on the topic "Disturbing strangeness"

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Serhani, Beldhia. "Médecine, SIDA et pulsion de mort : étude psychopathologique d'une clinique « nomade »." Thesis, Besançon, 2015. http://www.theses.fr/2015BESA1033.

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Dès notre prise de fonction dans un service hospitalier qui a accueilli des patients infectés par le V.l.H., nous nous sommes demandées si l'intervention psychologique était possible dans ce lieu hautement spécialisé ? Avec l'éloignement du caractère mortel de la maladie,le V.l.H. prend davantage le sens d'une maladie chronique. Les limites reculent mais à quel prix ? La dernière partie de cette recherche propose une réflexion psychopathologique et psychanalytique sur les problèmes posés par la "poussée" à la mort et que nous avons vu se déchaîner dans cette maladie à travers certaines contami
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Defaye, Christelle. "Julien Gracq, texte et sexe : lecture d'une aporie érotique." Thesis, Bordeaux 3, 2016. http://www.theses.fr/2016BOR30027/document.

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Lire une fiction gracquienne s’apparente à l’expérience du ravissement amoureux. Etre lecteur de Gracq, c’est accepter d’être ravi, capturé et enchanté tout à la fois. La dépossession herméneutique à laquelle le texte gracquien nous convie relève de l’expérience érotique. Présent comme thème, mais secondaire, mince, intermittent, l’érotisme semble exister dans le profil perdu du texte. Son cadre posé et aussitôt évidé de sa substance fait disparaître la scène sexuelle sous les yeux du lecteur-voyeur, dont l’attente est déjouée. La fiction organise l’escamotage du sexe, relançant sans cesse le
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Kim, Ju-Young. "L'objet ancien dans sa forme et son essence : entre passé et modernité, familiarité et étrangeté." Thesis, Paris 1, 2017. http://www.theses.fr/2017PA01H322.

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Un objet ancien dont on ne se sert plus aujourd’hui continue cependant de vivre dans notre vie contemporaine. Il se présente à nous avec un autre fonctionnement et souvent avec une autre définition : ce n’est plus l’objet utile ni l’outil pratique qu’il a été. Dans cette thèse, la valeur de l’objet ancien est étudiée dans sa dimension immatérielle et spirituelle. Ainsi nous renouvellerons sa définition en réfléchissant sur son essence et sa forme d’un point du vue contemporain. La première partie de cette thèse présente les concepts de la valeur de l’objet ancien de nos jours sous un angle soc
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Langendorff, Judith. "Le nocturne comme catégorie esthétique de l'image dans la photographie et le cinéma contemporains." Thesis, Sorbonne Paris Cité, 2018. http://www.theses.fr/2018USPCA085.

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À partir d’un corpus ouvert de photographes et de cinéastes coloristes qui ont une fascination pour le nocturne, cette thèse explore les différentes gradations et significations de celui-ci, des plus évidentes aux plus abstraites. La thèse s’attache alors à démontrer que le régime nocturne transforme l’obscurité en valeurs chromatiques et qu’il éclaire, avec une subtilité qu’occulte la vision diurne, les aspects les plus complexes de la société et de l’esprit humain. La confrontation des analyses de séquences filmiques et de photographies dans une perspective articulant esthétique, philosophie
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Langendorff, Judith. "Le nocturne comme catégorie esthétique de l'image dans la photographie et le cinéma contemporains." Electronic Thesis or Diss., Sorbonne Paris Cité, 2018. https://books.openedition.org/pur/180789.

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À partir d’un corpus ouvert de photographes et de cinéastes coloristes qui ont une fascination pour le nocturne, cette thèse explore les différentes gradations et significations de celui-ci, des plus évidentes aux plus abstraites. La thèse s’attache alors à démontrer que le régime nocturne transforme l’obscurité en valeurs chromatiques et qu’il éclaire, avec une subtilité qu’occulte la vision diurne, les aspects les plus complexes de la société et de l’esprit humain. La confrontation des analyses de séquences filmiques et de photographies dans une perspective articulant esthétique, philosophie
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Book chapters on the topic "Disturbing strangeness"

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Vincent-Buffault, Anne. "The Disturbing Strangeness." In The History of Tears. Palgrave Macmillan UK, 1991. http://dx.doi.org/10.1007/978-1-349-21317-7_10.

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Pauli, Wolfgang. "The Scientist as Critic." In Great Physicists. Oxford University PressNew York, NY, 2001. http://dx.doi.org/10.1093/oso/9780195137484.003.0017.

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Abstract The modern version of quantum theory—now known as “quantum mechanics”— was born and grew to maturity in just five years, between 1925 and 1930. More was accomplished during those five years than in the preceding twenty-five years, or, for that matter, in the seventy years that have followed. Progress before 1925 was constantly hampered by conceptual doubts. Paradoxes such as the wave-particle duality—the contradiction between the Einstein particle theory of light and the classical wave theory—were disturbing and limiting. But by 1925 these difficulties had, perhaps from familiarity, become less inhibiting. Theorists stopped worrying about the conceptual strangeness of the quantum realm, and began to make a new physics with the strangeness incorporated in it. Once the conceptual barriers were passed, progress was astonishingly rapid. For those who had the vision, it was as if a great fog had lifted. Suddenly it was possible to see in many directions with a clarity no one could have anticipated.
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Lutz, Amy S. F. "The Next Time." In We Walk. Cornell University Press, 2020. http://dx.doi.org/10.7591/cornell/9781501751394.003.0004.

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This chapter cites a Pennsylvania family that was kicked out of a Friendly's restaurant because their autistic five-year-old was crying and a Tennessee mother who was asked to leave a pizzeria because her autistic toddler was disturbing other customers. It talks about autistic children who have been escorted off airplanes, expelled from public gardens, and ejected from Finding Dory, a children's movie commonly interpreted as a story about disability. It also reviews online debates that erupt between those who plead for empathy and inclusion for children with autism and those who berate parents for expecting others to accommodate their children's disruptive behavior. The chapter elaborates how the strangeness of autistic behavior disturbs people, and not simply the volume of the noise. It refers to scholars that have argued against the depiction of the physically and intellectually disabled as “other.”
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Karp, David A. "Illness and Obligation." In The Burden of Sympathy. Oxford University PressNew York, NY, 2000. http://dx.doi.org/10.1093/oso/9780195123159.003.0001.

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Abstract The sequence of events beginning nearly four years ago in Leslie’s life was not unlike the plot in a Steven King novel. At first, the incidences seemed pretty insignificant, although each did cause momentary wonder and worry. After a slightly unsettling event, life returns to its normal, relatively uncomplicated rhythm. At a point, though, the disturbing events become more frequent and seem to constitute a pattern. Characters may now begin to confide uneasy feelings to each other about what has been happening, while finding ways to deny that anything is badly amiss. At a point, the scary problems become so intrusive that the now badly frightened characters know something must be terribly wrong, although they still can’t comprehend what is going on. They begin an earnest search for answers, but the underlying cause of the expanding strangeness eludes them. Finally, such awful events occur that life becomes a frantic effort to solve, escape, or somehow eradicate the clear horror that now dominates every waking moment, even haunting their dreams.
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