Relevant bibliographies by topics / Dithyrambs

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Dithyrambs'

Author: Grafiati
Published: 4 June 2021
Last updated: 12 February 2022

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Journal articles on the topic "Dithyrambs"

1

del Caro, Adrian, Friedrich Nietzsche, and R. J. Hollingdale. "Dithyrambs of Dionysus." German Quarterly 60, no. 1 (1987): 156. http://dx.doi.org/10.2307/407196.

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D'Alessio, G. B., and M. J. H. van der Weiden. "The Dithyrambs of Pindar. Introduction, Text and Commentary." Journal of Egyptian Archaeology 81 (1995): 270. http://dx.doi.org/10.2307/3821839.

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D'Alessio, G. B. "Book Review: The Dithyrambs of Pindar. Introduction, Text and Commentary." Journal of Egyptian Archaeology 81, no. 1 (1995): 270–73. http://dx.doi.org/10.1177/030751339508100142.

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Wollek, Christian. "„Odi profanum vulgus et arceo“. Zwei lateinische Oden des Schülers Nietzsche." Nietzsche-Studien 49, no. 1 (2020): 258–75. http://dx.doi.org/10.1515/nietzstu-2020-0011.

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AbstractThe detailed interpretation and translation of Nietzsche’s early Latin odes clearly show that Horace’s lyric poetry has an exemplary function for the development of Nietzsche’s own poetic language. Even in his later works, such as Twilight of the Idols and the Dionysos-Dithyrambs, Nietzsche’s poetic style and rhetorical strategies remain indebted to his early attempts to emulate classical Latin poetry when he was a pupil at the Pforta boarding school.
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Christen, Felix. "Dichten an der Stelle des Denkens. Bemerkungen zur Genese des Gesangs im dritten Teil von Nietzsches Zarathustra." Nietzsche-Studien 47, no. 1 (2018): 49–69. http://dx.doi.org/10.1515/nietzstu-2018-0003.

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Abstract Poetry in lieu of thinking. Reflections on the genesis of song in the third part of Nietzsche’s Zarathustra. The chapter Von der grossen Sehnsucht opens the final section of Nietzscheʼs Also sprach Zarathustra with a speech in which Zarathustra invites his soul to sing and in which he starts to sing himself. Based on Nietzscheʼs own late interpretation in Ecce homo, this article focuses on the narrative coherence and poetic logic of the chapter Von der grossen Sehnsucht. While the address to the soul can be understood as a soliloquy that corresponds to the definition of thinking in Pl
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Dennis, Amanda. "Dithyrambs and Ploughshares: The Cycle of Creation and Criticism in Nietzsche's Aesthetics." European Legacy 16, no. 4 (2011): 469–85. http://dx.doi.org/10.1080/10848770.2011.583782.

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Kovacs, David. "PINDAR AS LAVDATOR EQVORVM IN HORACE, CARMINA 4.2.17–20 AND ARS POETICA 83–5." Classical Quarterly 67, no. 2 (2017): 659–62. http://dx.doi.org/10.1017/s0009838817000635.

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At Carm. (Odes) 4.2.17–20 Horace's catalogue of Pindar's poetry reaches his victory odes:siue quos Elea domum reducitpalma caelestis pugilemue equumuedicit et centum potiore signismunere donat; 20The text, transmitted without variants in our manuscripts, means ‘(Pindar deserves the laurel wreath whether he writes bold dithyrambs or sings of gods and heroes) or tells of those escorted home as gods by the Elean palm-branch, whether boxer or horse, and bestows on them a gift more valuable than a hundred statues’. The two italicized expressions are more difficult than the commentators seem willing
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Pöhlmann, Egert. "The Monody of the Hoopoe in Aristophanes’." Greek and Roman Musical Studies 5, no. 2 (2017): 191–202. http://dx.doi.org/10.1163/22129758-12341300.

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Animal choruses are familiar in ancient Greek comedy. Besides Aristophanes, there are 13 examples of them. Vase paintings provide evidence from the beginnings of Old Comedy. They had to sing the traditional melic parts of the agon and the parabasis. Aristophanes used the comic animal chorus in Knights (424 bc), Wasps (422), Birds (414), Frogs (405) and Storks (395-387). Moreover, with the song of the Hoopoe in the Birds 227-62, Aristophanes presents an animal as soloist which sings an extended monody, a perfect example of the astropha, the structure of which is defined by content, changes of m
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Instone, Stephen. "The Dithyramb - Bernhard Zimmermann: Dithyrambos: Geschichteeiner Gattung. (Hypomnemata, 98.) Pp. 161. Göttingen: Vandenhoeck & Ruprecht, 1992. Paper, DM 46." Classical Review 44, no. 1 (1994): 14–15. http://dx.doi.org/10.1017/s0009840x00290173.

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Daniel Robinson. "Dithyramb: Nocturnal." Callaloo 32, no. 1 (2008): 163–64. http://dx.doi.org/10.1353/cal.0.0328.

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Dissertations / Theses on the topic "Dithyrambs"

1

Weiden, Maria Johanna Helena van der. "The "Dithyrambs" of Pindar : introduction, text and commentary /." Amsterdam : J. C. Gieben, 1991. http://catalogue.bnf.fr/ark:/12148/cb36702447n.

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Diss.--[Klassieke Griekse letterkunde]--[Nijmegen, Nederland], [1991?].<br>Contient les "Dithyrambes" de Pindare, en grec ancien, sous forme de fragments, introd. et comment. en anglais. Bibliogr. p. 235-239. Index.
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2

Mello, Mariana do Amaral. "Os ditirambos de Baquílides: um poeta entre dois mundos." Universidade de São Paulo, 2012. http://www.teses.usp.br/teses/disponiveis/8/8143/tde-26102012-101335/.

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Este trabalho apresenta uma tradução, seguida de comentários, das seis odes de Baquílides que chegaram aos dias atuais agrupadas sob o rótulo de ditirambos, embora essa classificação seja hoje objeto de debate. O estudo dos poemas tem como foco a sua linguagem, sobretudo a abundante ocorrência de epítetos que nela se nota, traço já reconhecidamente característico na obra de Baquílides. Procura-se por meio da observação detalhada de tais termos delinear traços peculiares do estilo do poeta, os quais contribuem para conferir, no mínimo, unidade estilística a um corpus díspar do ponto de vista da
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3

Groddeck, Wolfram. "Friedrich Nietzsche "Dionysos-Dithyramben" /." Berlin : W. de Gruyter, 1991. http://catalogue.bnf.fr/ark:/12148/cb35532617d.

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Fantoni, Francesca. "Deutsche Dithyramben Geschichte einer Gattung im 18. und 19. Jahrhundert." Würzburg Königshausen & Neumann, 2007. http://d-nb.info/99344640X/04.

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Oliveira, Leonardo Teixeira de. "Os ditirambos de Píndaro: introdução, tradução e comentários." Universidade de São Paulo, 2017. http://www.teses.usp.br/teses/disponiveis/8/8143/tde-19052017-110935/.

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O objetivo deste trabalho é propor um estudo filológico da poesia ditirâmbica de Píndaro (518/522 453/438 a.C.) atualmente compilada. Uma nota sobre Píndaro e a recepção de sua poesia introduz o leitor ao lugar do poeta na tradição literária e aos gêneros poéticos em que sua produção foi conhecida na Antiguidade, mas cuja transmissão foi irregular, como é o caso de seus ditirambos. Segue-se uma introdução sobre a questão do gênero poético do ditirambo na Antiguidade clássica, suas definições e classificações e seu corpus atualmente acessível, com considerações metodológicas sobre o que se pro
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Le, Ven Pauline. "Les nouveaux visages de la muse au IVe siècle av. J.-C. = The Many-Headed Muse : tradition And Innovation in Fourth-Century B.C. Greek Lyric Poetry." Thesis, Paris 4, 2008. http://www.theses.fr/2008PA040234/document.

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Cette thèse examine le corpus de textes lyriques grecs composés pendant la période 425-323 av. J-C. Une première partie consacrée aux sources et méthodes présente les témoignages littéraires, papyrologiques et épigraphiques attestant l’activité lyrique de la période considérée et souligne l’importance méthodologique d’une relecture de l’histoire musicale telle que présentée par Athénée et le De musica. Elle étudie en outre l’évolution de l’image du poète lyrique à la lumière d’anecdotes se rapportant au dithyrambiste Philoxène. Une des deuxième partie présente une étude littéraire de textes re
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Sirski, Steven. "The musical revolution of fifth-century Greece." 2009. http://hdl.handle.net/1993/3119.

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Greece experienced a musical revolution in the fifth century BC which modern scholars call the “New Music” movement. The movement was encouraged by Greek culture which embraced change and innovation. Under the “New Musicians,” those individuals involved in the movement, many traditional elements of music were changed or discarded. The most prominent place in which to understand the change in musical styles is the nomic and dithyrambic genres: both genres allowed musicians a great range in creativity to the extent that innovations in the nomoi made their way into the dithyramb. The change to tr
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Books on the topic "Dithyrambs"

1

Jenő, Platthy. Book of dithyrambs. Federation of International Poetry Associations, 1986.

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2

Bacchylides. Epinician odes and dithyrambs of Bacchylides. University of Pennsylvania Press, 1998.

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3

M. J. H. van der Weiden. The Dithyrambs of Pindar: Introduction, text, and commentary. J.C. Gieben, 1991.

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4

Zimmermann, Bernhard. Dithyrambos. Vandenhoeck & Ruprecht, 1992. http://dx.doi.org/10.13109/9783666251979.

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Jean, Irigoin, Duchemin Jacqueline, and Bardollet Louis, eds. Dithyrambes, épinicies, fragments. Belles Lettres, 1993.

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6

Nietzsche, Friedrich. Dionysos-Dithyramben. de Gruyter, 1991.

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Zimmermann, Bernhard. Dithyrambos: Geschichte einer Gattung. Vandenhoeck & Ruprecht, 1992.

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8

Sikelianos, Angelos. Le dithyrambe de la Rose. Publications du G.I.T.A., Université Paul Valéry, 1986.

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9

Lévy, Beaulieu Victor. 666, Friedrich Nietzsche: Dithyrambe beublique. Éditions Trois-Pistoles, 2015.

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10

Wilson, Richard. Dithyramb: For oboe and clarinet. Southern Music, 1986.

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Book chapters on the topic "Dithyrambs"

1

Groddeck, Wolfram. "Die Wahrheit im Dithyrambus. Zu Nietzsches ›Dionysos-Dithyramben‹." In Nietzsche und die Lyrik. J.B. Metzler, 2017. http://dx.doi.org/10.1007/978-3-476-05596-5_22.

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Müller, Enrico. "Nietzsche, Friedrich Wilhelm: Dionysos-Dithyramben." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_14828-1.

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Schädlich, Na. "Dithyrambische Sprachproduktivität: zu Nietzsches Dithyrambus ›Das Feuerzeichen‹." In Nietzsche und die Lyrik. J.B. Metzler, 2017. http://dx.doi.org/10.1007/978-3-476-05596-5_25.

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Ibbeken, Claudia. "Feuerzeichen aus der Einsamkeit. Nietzsches ›Dionysos-Dithyramben‹." In Nietzsche und die Lyrik. J.B. Metzler, 2017. http://dx.doi.org/10.1007/978-3-476-05596-5_26.

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Zimmermann, Bernhard. "Le chant de la cité. Le dithyrambe attique comme forme hymnique." In L'hymne antique et son public. Brepols Publishers, 2007. http://dx.doi.org/10.1484/m.rrr-eb.4.00398.

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König, Christoph. "»Ich bin dein Labyrinth ...«. Zur poetischen Klugheit in Nietzsches ›Dionysos-Dithyramben‹." In Nietzsche und die Lyrik. J.B. Metzler, 2017. http://dx.doi.org/10.1007/978-3-476-05596-5_23.

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Pfotenhauer, Helmut. "Ausgearbeitete Literarische Formen (Dithyramben, Sonstige Gedichte und Deren Vorstufen; Weiteres zum Zarathustra)." In Die Kunst als Physiologie. J.B. Metzler, 1985. http://dx.doi.org/10.1007/978-3-476-03203-4_17.

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Krause, Robert. "Bootsfahrt mit Baudelaire: Das Poem Le Voyage als Prätext für Nietzsches Dithyrambus Die Sonne sinkt." In Nietzsches Literaturen, edited by Ralph Häfner, Sebastian Kaufmann, and Andreas Urs Sommer. De Gruyter, 2019. http://dx.doi.org/10.1515/9783110588170-014.

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Brock, Eike. "›Zwischen zwei Nichtse eingekrümmt, ein Fragezeichen, ein müdes Räthsel‹. Nietzsches Dionysos-Dithyrambus ›Zwischen Raubvögeln‹ als Klimax einer nihilistischen Krise." In Nietzsche und die Lyrik. J.B. Metzler, 2017. http://dx.doi.org/10.1007/978-3-476-05596-5_24.

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10

"Dithyrambs." In Bacchylides. Cambridge University Press, 2004. http://dx.doi.org/10.1017/cbo9780511802386.009.

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