Relevant bibliographies by topics / Divadlo Práce

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  1. Journal articles
  2. Dissertations / Theses
  3. Books

Academic literature on the topic 'Divadlo Práce'

Author: Grafiati
Published: 29 July 2024
Last updated: 31 July 2025

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Journal articles on the topic "Divadlo Práce"

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Korychová, Kateřina, and Martin Bernátek. "Ohýbání času : dramaturgické principy v projektovém způsobu práce Elišky Brtnické a kolektivu." Theatralia, no. 1 (2024): 194–214. http://dx.doi.org/10.5817/ty2024-1-9.

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Tato případová studie popisuje dramaturgická rozhodnutí v procesu zkoušení inscenace nového cirkusu Thin Skin (2022) české akrobatky Elišky Brtnické a kolektivu. Poskytuje přehled proměn dramaturgie ve fyzickém divadle a novém cirkuse, zejména v kontextu postdramatického divadla, a to s důrazem na východiska v samotné cirkusové technice. Dramaturgie je v textu chápána jako praxe zahrnující více funkcí a forem, které se rozkládají v čase zkoušení a navzájem se ovlivňují. Proces dramaturgických rozhodnutí je dán do vztahu s pracovními podmínkami v současném umění v České republice, zejména se sy
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Novotná, Hedvika. "Vlastimil Rada dětem." Lidé města 2, no. 2/4 (2000): 220. http://dx.doi.org/10.14712/12128112.4083.

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Poslední výstava loňského roku v Lobkovickém paláci byla věnována člověku, jehož tvůrčí činnost zasahovala do mnoha oblastí. Vlastimil Rada (1895-1962) je znám především jako ilustrátor - osobitým, téměř neměnným stylem ilustroval světovou humoristickou literaturu i českou klasiku, nezapomenutelné jsou ale zejména jeho práce glosující život a zvyky českého venkova. Jeho malířské dílo je pak především charakteristické (nejen) zimními krajinami ze Železnobrodska a Podkrkonoší. Rada - spisovatel je spolu s Jaroslavem Žákem autorem třeba Bohatýrské trilogie. Všechny tyto momenty byly připomenuty n
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Żygadło-Czopnik, Dorota. "Backlash, czyli czego obawiają się twórcy najnowszej dramaturgii czeskiej." Miscellanea Posttotalitariana Wratislaviensia 4 (April 26, 2016): 37–47. http://dx.doi.org/10.19195/2353-8546.4.4.

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Backlash, or what are the makers of the new Czech drama afraid of. In November 1989 various theater groups participated in overthrowing the totalitarian regime by improvising discussion forums. After the so-called Velvet Revolution, it was the writer and playwright Václav Havel who became head of state while another playwright, Milan Uhde, became the Minister of Culture and Speaker of the Parliament. Nowadays the Czech theater scene is immensely diversified. We can divide the authors who began writing their dramas after 1989 into two generational groups. On the one hand, there are authors born
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Skalník, Petr. "Václav Hubinger: Diplomatické Theatrum mundi." Czech Journal of International Relations, May 5, 2019, 1–5. http://dx.doi.org/10.32422/mv.1599.

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Kniha není jen popisem profese diplomata, ale ukazuje, jak diplomat vidí „divadlo světa“, bez kterého jeho práce nemá smysl. Autor vychází z vlastní zkušenosti, ze zkušeností a vzpomínek kolegů i předchůdců. Život diplomata je blízký každodenní realitě „obyčejných lidí“, a současně je od ní vzdálený tak, že nikdo mimo diplomatů nemá dobrou představu o tom, jaký vlastně je.
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5

D'Alessio, Giovanni. "Benessere, Contesto Socio-Economico E Differenze Di Prezzo: Il Divario Tra Nord e Sud (Well-Being, the Socio-Economic Context and Price Differences: The North-South Gap)." SSRN Electronic Journal, 2017. http://dx.doi.org/10.2139/ssrn.3047236.

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Dissertations / Theses on the topic "Divadlo Práce"

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Terberová, Tereza. "Herecká práce ve školním divadle a v profesionálních podmínkách." Master's thesis, Akademie múzických umění v Praze.Divadelní fakulta. Knihovna, 2017. http://www.nusl.cz/ntk/nusl-361706.

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As a topic for my diploma thesis, I picked comparison of work in school theater and in professional conditions. In the individual chapters I describe my experience with these various environments. Information for my diploma thesis was obtained both from available specialised literature and especially from experience that I managed to gather during my short acting career on and around the stage.
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Dyk, Vojtěch. "Od Holana ke komerci ( srovnání tvůrčích postupů při práci na třech inscenacích-klauzurní práce,divadlo Disk, divadlo Ta Fantastika )." Master's thesis, Akademie múzických umění v Praze. Divadelní fakulta AMU. Knihovna, 2010. http://www.nusl.cz/ntk/nusl-79418.

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I tried to describe evolution of thinking young actor and musician and describe theatre forms. Than I tried to describe work of each director, that I could meet in my life and I tried to describe their work on performance, that I did with them. Than I tried to answer some questions, that I?m interested in. Than I tried to wake up a children in me, that plays game of writing this work.
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Lurie, Michal. "Herecká práce v projektovém divadle a v divadle s pravidelným provozem." Master's thesis, Akademie múzických umění v Praze.Divadelní fakulta. Knihovna, 2018. http://www.nusl.cz/ntk/nusl-393244.

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As a topic of my master thesis, I chose the comparison of the actor's work in the project theater and the regular theater. In individual chapters, I describe the work in progress in these different environments. I describe the differences between both subjects and their influence on the actor's work.
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Heřmánek, Karel. "Etika herecké práce." Master's thesis, Akademie múzických umění v Praze.Divadelní fakulta. Knihovna, 2015. http://www.nusl.cz/ntk/nusl-202500.

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In my thesis I examine the actor's approach to his profession on several different levels: creation of the character during development of the production, individual and collective responsibility, and society's perception of the acting profession. To do this I used my own experience ? my time studying at The Academy of Performing Arts and The Lee Strasberg Theatre & Film Institute in New York, and my work in DISK and professional theater.
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Razím, Daniel. "Divadlo poezie?" Master's thesis, Akademie múzických umění v Praze.Divadelní fakulta. Knihovna, 2016. http://www.nusl.cz/ntk/nusl-253657.

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ABSTRACT Diploma Thesis Theatre-Poetry? examines a specific type of Czech alternative theatre, based on the creative author's work with literary texts. It deals with its characteristic, defining the genre and problems associated with a non depictive title, which defines this area of theatrical production. Collectively it describes its scenic resources and stage techniques. It traces its past associated with history of so called artistic recitation and the avant-garde art movement of the interwar years, from the beginning until the recent past and present (which has not been systematically de
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Waidingerová, Andrea. "Pohyb v činohře a opeře - práce Roberta Wilsona." Master's thesis, Akademie múzických umění v Praze.Hudební a taneční fakulta. Knihovna, 2014. http://www.nusl.cz/ntk/nusl-177866.

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Most of us try to do performance in pure style (mime, drama, clownerie, slap stick, physical theatre, opera, musical, ballet). I am interested in mixing of these styles. Robert Wilson works this way. For him movement is one of the basic means of communication. He works ? as mime theatre does ? with images (pictures). He works with hyperbole and big stylization, that is close to mime theatre. This thesis is interested in mime theatre or theatre of movement and its relation to other elements of theatre. The thesis also deals with the work of Robert Wilson and tries to show the interaction of t
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Kubištová, Máčiková Adriana. "Aspekty herecké práce s důrazem na autenticitu." Doctoral thesis, Akademie múzických umění v Praze.Divadelní fakulta. Knihovna, 2017. http://www.nusl.cz/ntk/nusl-371617.

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This dissertation - Aspects of actors work with emphasis on authenticity, Road show as a way to authentic acting, charts behaviour of our Divadlo koňa a motora (Theatre of a horse and a engine). I add here our diaries from wandering with the horse and a caravan in surroundings of Nitra, in the Šluknov region and also in eastern Slovakia. Due to the experience made by wandering itself and acting in front of audience, that is not used to visit theater, I try to find a way to grow up in acting. I also try to name particular problems in actors work, that I was facing up during my studies and praxi
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Van, Wagenenová Kateřina. "Práce na společném autorském představení od dialogu o tématu po realizaci." Master's thesis, Akademie múzických umění v Praze.Divadelní fakulta. Knihovna, 2013. http://www.nusl.cz/ntk/nusl-155951.

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This thesis follows the genesis of three authorial performances, that I and my partners created in collaboration during my study at the Department of authorial creativity and pedagogy DAMU. From the perspective of my own experience I am trying to monitor the specifics of such cooperation, the issues of rehearsing and performing with a fixed script and without a fixed script but with a list of points/a score instead. I am describing the influence of impulses and reflections from pedagogues given to us during our quest and I am also mentioning the working methods and exercises used when discover
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Benešová, Tereza. "Autorská práce s materiálem v divadelním a nedivadelním prostoru." Master's thesis, Akademie múzických umění v Praze.Divadelní fakulta. Knihovna, 2013. http://www.nusl.cz/ntk/nusl-172889.

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Within my master's degree project Bathrooms I cooperated on the creation of several performances and theatre productions, in bathrooms of private flats as well as in theatre space. The main content of my thesis is therefore a reflection of these personal experiences, which are mostly founded on work with authentic material as a significant source of inspiration. The first part of the thesis concentrates on ten short performances in authenthic space (bathrooms), which were created in years 2009-2011. Here, I look into the solutions of the individual performances from the position of an autho
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Dušková, Linda. "Divadelní vrstvení." Master's thesis, Akademie múzických umění v Praze.Divadelní fakulta. Knihovna, 2013. http://www.nusl.cz/ntk/nusl-172860.

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The master thesis named Theatre layering attemps to reflect the specific moments during the preparation of theatre performance, that could influence the interpretation of dramatic text. The author of this thesis is concerned with using of text, image and music for theatre work bordering the interpretative and non-interpretative approach. In the analysis she used the experience of her own directing-dramaturgical work during the studies at DAMU.
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Books on the topic "Divadlo Práce"

1

Císař, Jan. Práce porotce amatérského divadla. Ústav pro kulturně výchovnou činnost, 1985.

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2

1931-, Krivák Miroslav, ed. 125 rokov ochotníckeho divadla Slovákov v Juhoslávii: Zborník prác ; Miroslav Krivák, hlavný a zodpovedný redaktor ... et al]. Spolok vojvodinských slovakistov, 1995.

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3

Divadlo z garáže DIY: Práce se zabývá fenoménem DIY jako dominantní metodou divadelní práce se zaměřením na výtvarnou složku inscenování a na vlastní praktický výzkum. DAMU, 2020.

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4

Šest̓ prednášok o divadle: Zborník habilitačných prác VŠMU v Bratislave, 1991-1992. Koordinačná rada pre vydávanie divadelných hier a teatrologickej literatúry, 1992.

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You might also be interested in the extended bibliographies on the topic 'Divadlo Práce' for particular source types:
Dissertations / Theses
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