Relevant bibliographies by topics / Divan e Shams e Tabrizi

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Divan e Shams e Tabrizi'

Author: Grafiati
Published: 13 December 2022
Last updated: 19 July 2025

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Journal articles on the topic "Divan e Shams e Tabrizi"

1

Lewis, Franklin. "Love’s Freedom: A Ghazal from Rumi’s Divan-i Shams-i Tabrizi." Mawlana Rumi Review 1, no. 1 (2010): 16. http://dx.doi.org/10.1163/25898566-00101004.

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Losensky, Paul. "Don’t Sleep: A Ghazal from Rumi’s Divan-i Shams-i Tabrizi." Mawlana Rumi Review 1, no. 1 (2010): 80–81. http://dx.doi.org/10.1163/25898566-00101008.

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Lewis, Franklin. "The Uses of Adversity: A Ghazal from Rumi’s Divan-i Shams-i Tabrizi." Mawlana Rumi Review 2, no. 1 (2011): 9. http://dx.doi.org/10.1163/25898566-00201003.

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Losensky, Paul. "I am am I: A Ghazal from Rumi’s Divan-i Shams-i Tabrizi." Mawlana Rumi Review 2, no. 1 (2011): 165–66. http://dx.doi.org/10.1163/25898566-00201013.

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5

Faizullah Nasri. "Comparative Study of Love in Eastern and Western Literature: From Rumi to Shakespeare." International Journal of Literature Studies 4, no. 2 (2024): 64–69. http://dx.doi.org/10.32996/ijts.2024.4.2.9.

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This paper compares and contrasts the writings of William Shakespeare and Mawlana Jalaluddin Rumi to examine the issue of love in both Eastern and Western literature. Shakespeare, an English playwright and poet from the 16th century, and Rumi, a Persian poet and Sufi mystic from the 13th century, both present complex and nuanced depictions of love that are a reflection of their distinct philosophical and cultural backgrounds. Love is portrayed in Rumi's poetry as a means of achieving unity with God, with an emphasis on spiritual enlightenment and divine love. Shakespeare, on the other hand, fr
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6

Одинаев, Маҳмуд. "ШАМС ТАБРИЗИЙ МАЪНАВИЙ МЕРОСИНИНГ ШАРҚ ФАЛСАФАСИДАГИ ЎРНИ". TAMADDUN NURI JURNALI 7, № 58 (2024): 161–63. http://dx.doi.org/10.69691/tfsy4m07.

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Shams Tabrizi is one of the great representatives of Eastern philosophy, who lived in the 13th century. His works are especially important in the philosophy of Sufism. This article reveals the philosophical foundations of the life and scientific-spiritual heritage of the great mystic Shamsiddin Tabrizi. There are also comments on the scientific connections of Shams Tabrizi and Jalaluddin Rumi.
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7

Ale-Osfur, Seyyed Mohammad. "On a Mysterious Term in the Āzarī Verses of Maghrebi Tebrizi." Iran and the Caucasus 10, no. 1 (2006): 17–20. http://dx.doi.org/10.1163/157338406777979340.

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8

Shukurova, Gulxani (Panah). "Creativity of Maragali Avhadi and Shams Tabrizi." Filologiya məsələləri Journal of Philological Issues, no. 9 (2024): 313. https://doi.org/10.62837/2024.9.313.

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9

SayadChamani, Artmiz, and Yaser Karamzadeh Haftkhani. "Analysis of Mystical and Literary Concepts in Maqalat-e Shams from a Semiotics Perspective." Near East and Georgia 15 (December 15, 2023): 101–17. http://dx.doi.org/10.32859/neg/15/101-117.

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Semiotic systems and implications in the mystical literary work of Maqalat-e Shams Tabrizi raise multilayer. Thus, semiotic analysis of Maqalat can lead to a better understanding of such texts. In this article, Maqalat-e Shams is investigated from both mystical and literary points of view, and the science of semiotics is introduced. The research method is descriptive-analytical, and the library research method has collected and reviewed the data. From the mystical point of view, the semiotic analysis consists of expressions/idioms and word symbols. Terms such as Hijab, Samaa, Talab, Love, Mono
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10

Jafarzade, Gulnar Agig. "The Reflection of Maulana’s Heritage in the Divan of Shams Mahrebi." Journal of The Scientific Mysticism and Literature 1, no. 1 (2025): 85–94. https://doi.org/10.32955/neujsml202511985.

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MaulanaJalaladdin Rumi, a prominent representative of classical Eastern literature and a distinguished philosopher-poet,is widely regarded as one of the most influential figures in Islamic mysticism. Rumi's philosophical and mystical views, which serve the spiritual elevation of humanity, are primarily expressed in his poetic legacy.Similarly, Shams Maghrebi, a Sufi poet,lived during the late 14th and early 15th centuries. The basis of Maghrebi's poetry collection consists of Persian ghazals in a style reminiscent of Maulana's poetry, and ideologically, his poems are characterized by their pro
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Dissertations / Theses on the topic "Divan e Shams e Tabrizi"

1

Mihan, Shiva. "Timurid manuscript production : the scholarship and aesthetics of Prince Bāysunghur’s Royal Atelier (1420-1435)." Thesis, University of Cambridge, 2018. https://www.repository.cam.ac.uk/handle/1810/277827.

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Considered one of the pinnacles of the arts of the book in the entire history of Persian art, the life of the Timurid prince, Bāysunghur (1397-1433) and his royal library-atelier have been studied for more than a century. Yet previous scholarship, although solid on it own terms, has not combined study of the entirety of production with sustained analysis of individual productions of Bāysunghur’s atelier. Prior to this study, a number of manuscripts were completely neglected, and several others were studied only briefly. What is more, the single extant document describing procedures and progr
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Books on the topic "Divan e Shams e Tabrizi"

1

1868-1945, Nicholson Reynold Alleyne, ed. Selected poems from the Divan-e Shams-e Tabrizi: Along with the original Persian. Ibex, 2001.

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2

Rūmī, Jalāl-Dīn. Divan-e-Shams. Vincent Fitz Gerald and Co., 1996.

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3

C, Chittick William, ed. Me & Rumi: The autobiography of Shams-i Tabrizi. Fons Vitae, 2004.

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4

Tabrīzī, Shams-i. Me & Rumi: The autobiography of Shams-i Tabrizi. Fons Vitae, 2004.

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5

Tabrīzī, Shams-i. La quête du joyau: Maqâlât-e Shams al-din Tabrizi. Les éditions du Cerf, 2017.

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6

Dashtī, ʻAlī. A voyage through Divan-e Shams: Celebrating Rumi. Ketab Sara, 2003.

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7

Ḥasan, Lāhūtī, ред. Jān-i jān: Muntakhabāti az Divan-i Shams hamrāh ba tarjamah-i Inglīsī va tawz̤īḥāt. 2-ге вид. Nashr-i Nāmak, 2002.

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8

Rumi, Jalal Ad-Din. Divan-I Shams-I Tabriz: Forty-Eight Ghazals. Semar Publishers, 2010.

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9

Rūmī, Jalāl-Dīn. Selected Poems from the Divan-E Shams-E Tabrizi: Along With the Original Persian (Classics of Persian Literature, 5). Ibex Publishers, 2001.

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10

Khouzani, Ehsan Ashrafi, and Majid JamalPour NikSirat. Maqalat Shams Tabrizi : Vol. 2 : Discourse of Shams Tabrizi: Vol. 2. Lulu Press, Inc., 2022.

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Book chapters on the topic "Divan e Shams e Tabrizi"

1

"ADDITTIONAL NOTES." In Selected Poems from the Divani Shamsi Tabriz. Routledge, 2013. http://dx.doi.org/10.4324/9780203036570-10.

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2

"Illustrative passages from the Dīvān with a list of the historical and autobiographical allusions." In Selected Poems from the Divani Shamsi Tabriz. Routledge, 2013. http://dx.doi.org/10.4324/9780203036570-11.

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"Translations in verse." In Selected Poems from the Divani Shamsi Tabriz. Routledge, 2013. http://dx.doi.org/10.4324/9780203036570-12.

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"Table showing where the Selecte d Poems occur in other editions of the Dīvān." In Selected Poems from the Divani Shamsi Tabriz. Routledge, 2013. http://dx.doi.org/10.4324/9780203036570-13.

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"Comparative Table of passages quoted from the Maṣ̣navī." In Selected Poems from the Divani Shamsi Tabriz. Routledge, 2013. http://dx.doi.org/10.4324/9780203036570-14.

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"SELECTED POEMS." In Selected Poems from the Divani Shamsi Tabriz. Routledge, 2013. http://dx.doi.org/10.4324/9780203036570-8.

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7

"NOTES." In Selected Poems from the Divani Shamsi Tabriz. Routledge, 2013. http://dx.doi.org/10.4324/9780203036570-9.

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8

Pifer, Michael. "Stranger Encounters." In Kindred Voices. Yale University Press, 2021. http://dx.doi.org/10.12987/yale/9780300250398.003.0002.

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When Jalal al-Din Rumi left his home, as a boy, and migrated westward to Anatolia, he would have encountered a world in which it was customary to welcome strangers with song, dance, and forms of religious devotion. Although studies on Rumi place an emphasis on his later encounter with Shams al-Din Tabrizi, a peripatetic mystic who became Rumi’s spiritual guide, this chapter reconstructs the ways in which medieval Anatolia shaped Rumi’s poetic sensibilities. It particularly examines a metaphor employed by Rumi—amikhtan, or ‘to mix’—that simultaneously describes his own ‘mixing’ with the peoples of Rum, as well as illuminates his adaptive practice of ‘mixing’ together disparate literary styles, themes, tropes, and sources in the creation of something new. This chapter establishes a pattern of omnivorous adaptation that is revisited throughout the book.
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9

Feldman, Walter. "The Mevlevi Phenomenon." In From Rumi to the Whirling Dervishes. Edinburgh University Press, 2022. http://dx.doi.org/10.3366/edinburgh/9781474491853.003.0003.

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Mevlana Rumi (d. 1273) was both a great Islamic teacher and thinker and a renowned mystical poet. Nevertheless the extraordinary success of his descendants—beginning with his son Sultan Veled and grandson Ulu Arif Çelebi—in creating and maintaining a hierarchical Sufi organization and highly distinctive cultural practice, under aegis of the Mevlevi Dervish Order, was the result of their charismas, but also of the unique role of Sufism in the Islamicizing process taking place in Anatolia. One must also consider the patronage of the newly Islamic Mongol rulers in supporting them. This process began in Konya, Karahisar and other Anatolian cities, where systems of mystical training were adopted within the Melevi centers, known as Mevlevihane. By the 15th century this training came to combine the principles enunciated by Shams-e Tabrizi—the teacher of Rumi—and later by Pir Adil Çelebi (d. 1460) in Konya. By the earlier 17th century the Mevlevis became accepted within the new Ottoman capital Istanbul. From this period onward the Mevlevis were increasingly identified with and influential upon Ottoman civilization.
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Conference papers on the topic "Divan e Shams e Tabrizi"

1

Bayramov, Müşfiq, and Kamal Mahmudov. "Outstanding Representative of Azerbaijan Culture Sheikh Tajaddin Ibrahim Zahid Gilani." In International Symposium Sheikh Zahid Gilani in the 800th Year of His Birth. Namiq Musalı, 2023. http://dx.doi.org/10.59402/ees01201808.

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Sufism, which began to take shape as a religious-religious way of thinking in the 9th century, was fully formed in the 11th-12th centuries. As a religious-philosophical, spiritual and moral way of thinking, Sufism was also widespread in Azerbaijan. Well-known representatives of this religious and mystical movement in Azerbaijan were such as Abu Huseyn Dindari, Akhi Faraj Zanjani, Shams Tabrizi, Mahmud Shabustari Seyid Yahya Bakuvi. One of them is Ibrahim bin Rovshan Amir, who was born in the village of Siyavurd in Lankaran, better known as Sheikh Zahid Gilani. His role in the development of Su
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