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Journal articles on the topic 'Divan e Shams e Tabrizi'

Author: Grafiati

Published: 13 December 2022

Last updated: 31 July 2025

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1

Lewis, Franklin. "Love’s Freedom: A Ghazal from Rumi’s Divan-i Shams-i Tabrizi." Mawlana Rumi Review 1, no. 1 (2010): 16. http://dx.doi.org/10.1163/25898566-00101004.

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2

Losensky, Paul. "Don’t Sleep: A Ghazal from Rumi’s Divan-i Shams-i Tabrizi." Mawlana Rumi Review 1, no. 1 (2010): 80–81. http://dx.doi.org/10.1163/25898566-00101008.

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3

Lewis, Franklin. "The Uses of Adversity: A Ghazal from Rumi’s Divan-i Shams-i Tabrizi." Mawlana Rumi Review 2, no. 1 (2011): 9. http://dx.doi.org/10.1163/25898566-00201003.

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4

Losensky, Paul. "I am am I: A Ghazal from Rumi’s Divan-i Shams-i Tabrizi." Mawlana Rumi Review 2, no. 1 (2011): 165–66. http://dx.doi.org/10.1163/25898566-00201013.

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5

Faizullah Nasri. "Comparative Study of Love in Eastern and Western Literature: From Rumi to Shakespeare." International Journal of Literature Studies 4, no. 2 (2024): 64–69. http://dx.doi.org/10.32996/ijts.2024.4.2.9.

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This paper compares and contrasts the writings of William Shakespeare and Mawlana Jalaluddin Rumi to examine the issue of love in both Eastern and Western literature. Shakespeare, an English playwright and poet from the 16th century, and Rumi, a Persian poet and Sufi mystic from the 13th century, both present complex and nuanced depictions of love that are a reflection of their distinct philosophical and cultural backgrounds. Love is portrayed in Rumi's poetry as a means of achieving unity with God, with an emphasis on spiritual enlightenment and divine love. Shakespeare, on the other hand, fr

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6

Одинаев, Маҳмуд. "ШАМС ТАБРИЗИЙ МАЪНАВИЙ МЕРОСИНИНГ ШАРҚ ФАЛСАФАСИДАГИ ЎРНИ". TAMADDUN NURI JURNALI 7, № 58 (2024): 161–63. http://dx.doi.org/10.69691/tfsy4m07.

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Shams Tabrizi is one of the great representatives of Eastern philosophy, who lived in the 13th century. His works are especially important in the philosophy of Sufism. This article reveals the philosophical foundations of the life and scientific-spiritual heritage of the great mystic Shamsiddin Tabrizi. There are also comments on the scientific connections of Shams Tabrizi and Jalaluddin Rumi.

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7

Ale-Osfur, Seyyed Mohammad. "On a Mysterious Term in the Āzarī Verses of Maghrebi Tebrizi." Iran and the Caucasus 10, no. 1 (2006): 17–20. http://dx.doi.org/10.1163/157338406777979340.

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8

Shukurova, Gulxani (Panah). "Creativity of Maragali Avhadi and Shams Tabrizi." Filologiya məsələləri Journal of Philological Issues, no. 9 (2024): 313. https://doi.org/10.62837/2024.9.313.

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9

SayadChamani, Artmiz, and Yaser Karamzadeh Haftkhani. "Analysis of Mystical and Literary Concepts in Maqalat-e Shams from a Semiotics Perspective." Near East and Georgia 15 (December 15, 2023): 101–17. http://dx.doi.org/10.32859/neg/15/101-117.

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Semiotic systems and implications in the mystical literary work of Maqalat-e Shams Tabrizi raise multilayer. Thus, semiotic analysis of Maqalat can lead to a better understanding of such texts. In this article, Maqalat-e Shams is investigated from both mystical and literary points of view, and the science of semiotics is introduced. The research method is descriptive-analytical, and the library research method has collected and reviewed the data. From the mystical point of view, the semiotic analysis consists of expressions/idioms and word symbols. Terms such as Hijab, Samaa, Talab, Love, Mono

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10

Jafarzade, Gulnar Agig. "The Reflection of Maulana’s Heritage in the Divan of Shams Mahrebi." Journal of The Scientific Mysticism and Literature 1, no. 1 (2025): 85–94. https://doi.org/10.32955/neujsml202511985.

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MaulanaJalaladdin Rumi, a prominent representative of classical Eastern literature and a distinguished philosopher-poet,is widely regarded as one of the most influential figures in Islamic mysticism. Rumi's philosophical and mystical views, which serve the spiritual elevation of humanity, are primarily expressed in his poetic legacy.Similarly, Shams Maghrebi, a Sufi poet,lived during the late 14th and early 15th centuries. The basis of Maghrebi's poetry collection consists of Persian ghazals in a style reminiscent of Maulana's poetry, and ideologically, his poems are characterized by their pro

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11

Azizi, Mehrdad, and Mahmud Rezaii. "Parametric analysis of site plan using environmental impacts assessment matrix (Case study: Shams Tabrizi Shrine)." Architectural Technologies Studies 1, no. 1 (2021): 55–70. http://dx.doi.org/10.52547/arch.1.1.55.

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12

Ahmadi, Zahra. "“Love” in Mawlana Jalaluddin Mohammad Balkhi's (Rumi) Works." International Letters of Social and Humanistic Sciences 36 (July 2014): 1–6. http://dx.doi.org/10.18052/www.scipress.com/ilshs.36.1.

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In this article we want to survey effect of love in Mawlana ,s life and his works. We want to understand what love is in his idea and his look. For earning this purpose we used his works like Mathnawi2, Ghazalyate Shams1, Rubais, Majalise Saabe, Fihi Mafih, and at The end of this article we earned these results that the love that Mawlana could find is very different with today ,s loves. He could find love by shams e Tabrizi and by this way he found his God. In fact love took some things and give him holy things. His love can change the universe and makes and destroys everything. He cannot defi

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13

SULEYMANOV, Salman. "OUR FIRST POET AND THE ARABIC LEXICAL UNITS." EUROASIA JOURNAL OF SOCIAL SCIENCES & HUMANITIES 9, no. 2 (2022): 45–53. http://dx.doi.org/10.38064/eurssh.337.

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In the article, the Arabic word units in the works of our poet Gazi Burhaneddin (1344-1398), who created the first Divan in the history of Turkish dialects literature are investigated. It is stated that these dictionary units are widely reflected in the works of Gazi Burhaneddin for the first time in the literature of Turkish dialects. Thus, Gazi Burhanaddin tried to ensure the eruza compatibility of his own language by using these dictionary units. Generally, the interrelationships between eruz and the Azerbaijani language are explored in the article. Gazi Burhaneddin is the first poet to wri

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14

Golkarian, Ghadir. "Traces of theosophical approach in Jalal'ud-Din Muhammad Rumi." Revista Amazonia Investiga 13, no. 74 (2024): 62–71. http://dx.doi.org/10.34069/ai/2024.74.02.5.

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Rumi's concept of "Love," which He has proposed for years, has been tried to be explained from various perspectives. However, some scholars claim that it consists of phrases reflecting the content of "Divine Love," some of them "The peak of human romanticism," and some of them "Theosophy." The critical works written by Rumi are Masnawi and Divan-e Shams. He points out two crucial issues there and even starts the poem at the beginning of the Masnawi not with the name of Allah, but with "Listen from the reed-flute!" In this beginning, Rumi deals with the expressions "separation" and "unity" and

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15

Sedaghat, Amir Artaban. "Rūmī’s Verse at the Crossroads of Language and Music." Mawlana Rumi Review 9, no. 1-2 (2020): 91–128. http://dx.doi.org/10.1163/25898566-00901007.

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AbstractThis article demonstrates how Rūmī has made use of the Iranian musical system and Persian classical prosody, two separate semiotic systems with overlapping forms and aesthetic principles, in order to create a hybrid semiotic system in his poetry. His poetic feat can be observed through a comparative analysis of the linguistic and musical components of his poems in the Divān-e Shams-e Tabrizi, used extensively in the sacred tradition of samāʿ as well as in Iranian musical performances. This essay shows how the systematic use of rhythm and music in versification reaches new heights in Ru

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16

Shirinova, Rubaba. ""Adab al-bahs" is a work of literature." Golden scripts 4, no. 4 (2024): 79–90. https://doi.org/10.52773/tsuull.gold.2024.4/ihxw9364.

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Ahmad al-Iji al-Shirazi, who lived in the Middle Ages, was a scholar of kalam, usul, and language. He was born in Ija near Shiraz in 680/1281. He had high knowledge and wrote many works: "ar-Risala al-adudiyya fi al-vadiya", "al-Muvafiq fi elm al-kalam", "Risala fi elm al-akhlaq", "Taliqat litafsir al-Curcani lil-Muvafiq fi elm al-kalam", "Adab bahs al-Aduddiyya", etc. In his "Hafiz Divan", Hafiz Shirazi called him one of the five important figures of the Fars region, "the king of kings of the country of knowledge". Adudaddin al-Iji's work "Adab al-Bahs", dedicated to the methods of conducting

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17

Musalı, Vusala. "Mir Möhsün Nevvâb’ın Araştırılmamış Yazma Eserleri." Edeb Erkan 2 (November 20, 2022): 55–70. http://dx.doi.org/10.59402/ee002202204.

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Mir Mohsun Navvab (1833-1919) is an important poet, literary, scholar, painter, historian, musician, lecturer and publisher who grew up in the Karabakh region of Azerbaijan in the 19th century. He has more than twenty works in the fields of literature, history, religion, music and astronomy. Some of the works he wrote were published in his private printing house in Shusha, and some of them have survived to the present day in the form of manuscripts. Mir Mohsun Navvab is the author of works such as Turkish and Persian Divans, Tezkire-i Navvab, Shams al-Hidayeh, Bahr al-Huzan, Kenz al-Mihan, Maz

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18

Tasbihi, Eliza. "Me and Rumi: The Autobiography of Shams-i Tabrizi, translated, introduced and annotated by William C. Chittick. Louisville: Fons Vitae, 2004. 347 pages, index. US$25.95 (Paper) ISBN 1-887752-52-8." Middle East Studies Association Bulletin 39, no. 1 (2005): 89–90. http://dx.doi.org/10.1017/s0026318400047660.

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19

MAMMADOVA, Asmatkhanim. "The Character of Phonetic Substitution in The Works of Maulana." Journal of The Scientific Mysticism and Literature 1, no. 2 (2025): 1–18. https://doi.org/10.32955/neujsml2025121005.

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In this article, an investigation is made into the fascinating phenomenon of phonetics, with particular reference to sound substitutions and changes. These are based on the verses of the poetic works of Jalaladdin Rumi, a seminal figure in the classical artistic heritage, as exemplified by the works "Mesnavi" and "Divan-e Shams." To obtain detailed information about the historical substitutions of sounds and words in Persian, it is necessary to examine the history of this language. Like those of other classics, the creative works of Maulana provide a rich and comprehensive corpus of material t

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20

Mushfeq, Ehsanullah, and Noorullah Atef. "Description of Anxiousness Pain: A Hesitation on the Anthropology of Molana." Journal of Humanities and Social Sciences Studies 5, no. 12 (2023): 85–90. http://dx.doi.org/10.32996/jhsss.2023.5.12.9.

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Thinking and reflecting on human nature and addressing this question of what aptitudes humans have is a subject whose history reverts to the creation of humankind. The great God propounded the issue of the genesis of the humans with the angels on the threshold of creation. The discourse between the great God and the angels has cleared the existence of two opposite capacities in the existence of humans. Molana Jalaluddin Mohammad Balkhi, the great anthropologist in the field of culture and civilization of the Persian language, in his works, especially in spiritual Mathnavi by relying on the Hol

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21

Hasheminia, Seyyed Mohammadreza, and Behjat Torbatinezhad. "Scientific, Cultural and Religious Services of Bani Bagtakin or Arbil Atabaks (before 592-630AH 1145-1223AD)." Journal of Islamic History 4, no. 2 (2024): 1–19. https://doi.org/10.53088/jih.v4i2.1200.

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Abstract Seljuks had a major role in political, racial, religious, economic, social, and cultural developments in Islamic lands under their territory. The Atabaki entity was introduced to Islam by Seljuk Turks. This study is to examine the scientific, cultural, and religious services of the Arbil Atabaks (Bani Bagtakin) government, which made their government last for about a century. According to the political, cultural, social, and military conditions and also the conflicts of local government in this period, many scholars and jurists were raised in the territory of Arbil Atabaks, and many b

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22

Afzali, Katayoon. "The retranslator as the propagandist of MOI." Babel / Revue internationale de la traduction / International Journal of Translation / Revista Internacional de Traducción, April 5, 2024. http://dx.doi.org/10.1075/babel.00390.afz.

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Abstract Translations are reflections of their historical, social, cultural, and political contexts. Given this, the current study aimed to explore the ways Nicholson (1898) and Arberry (1967) dealt with translating culture-bound terms and Quranic allusions in the translations of Rumi’s mystical poems in Divan-e-Shams-e- Tabrizi into English and then identify the textual relationships between the two. To do so, the comparative model of research and the notion of tertium comparationis was used. The strategies used by (re)translators for translating culture-bound terms and Quranic allusions were

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23

Datta Chaudhuri, Dr Indrani. "“Dance in Your Blood”: From the Anthropocentric to Organic in Rumi’s Poems." SMART MOVES JOURNAL IJELLH, August 26, 2020, 80–93. http://dx.doi.org/10.24113/ijellh.v8i8.10717.

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Almost about two centuries prior to the European Renaissance and preceding the Euro-centric assertion of an anthropocentric world-order, illustrated in the ideas of Humanism and the ‘homo universalis’, the view of a diversified earth where each sentient creature exists on the same plane and status as that of the human species was adopted by the falasifas (philosophers) of the Near East. In order to assess this prior emphasis on each living being and not only on the Anthropocene ? the ‘paragon of all animals’ and the supreme being created by the Almighty ? it is relevant that we re-read the wor

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24

Sajid, Aqsa, and Madiha Rizvi. "PERSIAN DIVAN OF JANBAZ MULTANI INTRODUCTION AND ANALYSIS." Oriental College Magazine, September 29, 2022, 9–20. http://dx.doi.org/10.57156/ocm09732022010920.

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Janbaz Multani was a 17th century leading Persian poet of Multan. His only surviving work is his Persian divan available at Punjab University’s central library, Lahore. His poetry is deeply influenced by the prominent Persian poets like Sa'adi Shirazi, Hafiz Shirazi, Qasim Anwar, Urfi Shirazi, Kaleem Kashani and Saib Tabrizi. His divan consists of various genres of poetry like ghazal, mukhammas, mathnavi etc. His verse revolves around topics such as love -both worldly and divine, mysticism and morality. The balanced use of rhetoric increases the colour, taste and impact of his poetry. The arti

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25

Babayev, Otabek Abdikarimovich. "THE FIRST ENCOUNTER BETWEEN MEVLANA RUMI & HAZRAT SHAMS TABREZI." January 7, 2023. https://doi.org/10.5281/zenodo.7512970.

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26

Lewis, Franklin. "Me & Rumi: The Autobiography of Shams-i Tabrizi. Louisville, Kentucky, Fons Vitae, 2004, xxv+409 p." Abstracta Iranica, Volume 27 (May 15, 2006). http://dx.doi.org/10.4000/abstractairanica.6218.

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27

Tüfekçioğlu, Zeynep. "Sufism in Turkish Crime Fiction: the Mystery of Shams-i Tabrizi in Ahmet Ümit’s Bab-ı Esrar." European journal of Turkish studies, no. 13 (December 31, 2011). http://dx.doi.org/10.4000/ejts.4532.

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