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Journal articles on the topic 'Division for Film and Broadcasting'

Author: Grafiati

Published: 4 June 2021

Last updated: 16 February 2022

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1

Marcum, Deanna B. "United States Library of Congress: Expanding in Three Directions." Alexandria: The Journal of National and International Library and Information Issues 19, no. 2 (August 2007): 83–93. http://dx.doi.org/10.1177/095574900701900202.

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Visitors to the United States Library of Congress will find it in the midst of major expansions of three kinds – expansions to preserve what otherwise might be lost, to protect what it already has, and to make what it has more readily and widely accessible. One current kind of expansion takes the form of constructing a new complex of four buildings in the side of a mountain near the city of Culpeper in the state of Virginia, about an hour's drive from the library's main facilities in Washington, DC. This complex, named the Library of Congress Packard Center for Audio-Visual Conservation, will provide safe storage and new preservation and access systems for the film, video, and sound collections – 5.7 million items – administered by the library's Motion Picture, Broadcasting, and Recorded Sound Division. The library's second major current expansion consists of constructing off-site storage modules for other collections on the site of Fort Meade, a US Army installation in the state of Maryland, less than an hour's drive from Washington, DC. On this site, the library and its partners are finishing the third and fourth of a projected 13, high-density storage modules, designed to extend the life of parts of the library's holdings by a factor of six. The third major current expansion of the Library of Congress is on the Internet, where the library's website now offers some 10 million digitized items. Through financial and other partnerships, the library will continue to add to its online resources, and is working with UNESCO on a project to create a World Digital Library. This will be a collaborative virtual repository through which libraries worldwide provide access to rare, primary source materials, illustrating cultures in all parts of the globe, for the potential benefit of people everywhere.

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2

Jin, Huangping, Kewu Peng, and Jian Song. "Bit Division Multiplexing for Broadcasting." IEEE Transactions on Broadcasting 59, no. 3 (September 2013): 539–47. http://dx.doi.org/10.1109/tbc.2013.2254269.

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3

Boldyrev, Roman, and Jörg Morré. "Organizational Structure, Channels and Methods of Propaganda Work of the Soviet Military Administration in Germany, 1945–1949." Vestnik Volgogradskogo gosudarstvennogo universiteta. Serija 4. Istorija. Regionovedenie. Mezhdunarodnye otnoshenija, no. 5 (October 2019): 205–21. http://dx.doi.org/10.15688/jvolsu4.2019.5.15.

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Introduction. The paper deals with the issues of the propaganda system in the Soviet Occupation Zone in Germany (SOZ) between 1945 and 1949. Based on de-classified documents from Russian Archives propaganda organization, channels and methods of propaganda units of the Soviet Military Administration in Germany (SMAG) became a subject to study. The authors emphasize on control means towards German mass media and implementing the Soviet propaganda monopoly in East Germany. Methods and materials. The authors consequently analyze the main channels and methods of positive USSR image broadcasting: radio, press, SMAG propaganda unit lectures, people’s education system, activities of society for Soviet cultural studies, acquaintance trips of German delegations to the USSR, presentations of Soviet exhibitions and films. Analysis and Results. The authors come to a conclusion that the Soviet propaganda in East Germany had a low efficiency. It failed to establish a complete monopoly of Soviet propaganda units in East Germany. The SOZ population could access the propaganda from West Germany and West Berlin, which broadcast a radically negative image of the USSR. Besides, the units and institutions of the Group of Soviet Occupation Troops in Germany (GSOTG) created their own image of Soviet people, which was different from the ideal and broadcast one. Thus, it turned out to be impossible to provide the unification of the broadcast and perception of propagandist materials devoted to the USSR and its population. Soviet propaganda in Germany had gone through the transition by the late 1940s: division of Germany in two states appeared to be a reality, and the establishment of socialist society on Stalin’s model took place in East Germany. Ideological revisiting of the Soviet social constitution, and so its supremacy over the bourgeois one was to replace the conventional image of the country of total welfare and happiness.

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Jiachen Huang, Kewu Peng, Changyong Pan, Fang Yang, and Huangping Jin. "Scalable Video Broadcasting Using Bit Division Multiplexing." IEEE Transactions on Broadcasting 60, no. 4 (December 2014): 701–6. http://dx.doi.org/10.1109/tbc.2014.2361471.

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5

Le Floch, B., M. Alard, and C. Berrou. "Coded orthogonal frequency division multiplex [TV broadcasting]." Proceedings of the IEEE 83, no. 6 (June 1995): 982–96. http://dx.doi.org/10.1109/5.387096.

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6

Verbych, Nataliia. "Architectonics of dialect text (experemental phonetic analyasis)." Ukrainska mova, no. 3 (2020): 110–21. http://dx.doi.org/10.15407/ukrmova2020.03.110.

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Phonetics of Ukrainian dialects has long been and remains the object of analysis. Separate articles and thorough monographic studies confirm this. Researchers consider to describing the system-structural originality of speeches, establishing the composition of segmental units in different dialects, their significance in the phonological system of the dialect, systematizing knowledge about the manifestations and relationships of phonemes. Super segmental differences of Ukrainian dialects are insufficiently studied. Intonation is a collection of sound linguistic means that are used to express semantic, emotional, expressive and modal character of the phrase, communicative meaning and situational conditionality, stylistic color of the text and the individuality of dialect speakers’ expressive techniques. The value of intonation in organization of oral speech is determined by its function – segmentation, structuring and selection. The paper studies the intonation parameters that ensure the integrity of the text and perform the function of connecting its individual elements. The author described the super segmental organization of a dialect text, identified and explored prosodic means not only of a single word, phrase or phrase, described the relationship of these units within the text, taking into account its content and structure. The article focuses on the features of segmentation of the dialectal speech. This study shows the difference between real sound file and his fixing during an auditory analysis. Much attention is given to the difference between a syntax and real articulation of broadcasting. The study demonstrates that the intonation structure of the dialect text as a kind of spontaneous speech is peculiar. In dialect narratives, the relationship between syntax and pauses (as the most important markers of segmentation) is much more complex than in a read or pre-prepared text. In spontaneous dialect narratives, the correlation between content and form shifts due to the simultaneity and synchronicity of the processes of thinking, planning, and producing thought. In some parts of the text there is a violation of formal and grammatical connections, the boundaries of phrases / syntagmas are blurred, their prosodic design has no clear delimitative features, as in codified speech, which leads to variance in the division of the text into separate segments. Keywords: dialect narratives, intonation, contour, pitch, pause.

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7

Xu, Youyun, Xiaochen Xia, Kui Xu, and Dongmei Zhang. "On the hybrid relaying protocol for time division broadcasting." Transactions on Emerging Telecommunications Technologies 26, no. 5 (November 6, 2013): 893–904. http://dx.doi.org/10.1002/ett.2761.

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8

Cherny, R. W. "Before and after the Great Earthquake and Fire: Early Films of San Francisco, 1897-1916, http://memory.loc.gov/ammem/papr/sfhome.html. Created and maintained by the Motion Picture, Broadcasting, and Recorded Sound Division, Library of Congress, Washington, D.C. Reviewed June 30-July 1, 2008." Journal of American History 96, no. 2 (September 1, 2009): 634–35. http://dx.doi.org/10.1093/jahist/96.2.634-a.

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9

Zheng, Zi Wei. "Iterative Channel Estimation for the Chinese Digital Television Terrestrial Broadcasting Systems with the Multiple-Antenna Receivers." Advanced Engineering Forum 6-7 (September 2012): 439–44. http://dx.doi.org/10.4028/www.scientific.net/aef.6-7.439.

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Orthogonal frequency division multiplexing is an effective against multipath fading and high data throughput wireless channel transmission technology. Assistance with the inverse fast Fourier transform and fast Fourier transform operation, orthogonal frequency division multiplexing modulation and demodulation operations of the system convenient and convenient hardware implementation, orthogonal frequency division multiplexing, so in the modern digital television terrestrial broadcasting the system is widely used to support high performance bandwidth-efficient multimedia services. Broadband multi-carrier orthogonal frequency division multiplexing with multi-antenna and multi-antenna receiving system, to increase the diversity gain and improve the capacity of the system in different multipath fading channel. Accurate channel estimation in a simple channel equalization and decoding of broadband multi-carrier orthogonal frequency division multiple-antenna receiver and channel estimation accuracy and multiplexing system is very important, is the key to the performance of the overall broadband multi-carrier orthogonal frequency division multiplexing system in the multi-antenna receiver bit error rate. In this paper, iterative channel estimation to plan for digital terrestrial television broadcasting broadband multi-carrier orthogonal frequency division multiple antenna receiver multiplexing system proposal.

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10

Bergeron, A., J. Y. Chouinard, and Yiyan Wu. "NTSC in-band data broadcasting using orthogonal frequency division multiplexing." IEEE Transactions on Broadcasting 47, no. 4 (2001): 325–39. http://dx.doi.org/10.1109/11.979370.

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11

Weerackody, V., Hui-Ling Lou, and Z. Sayeed. "A code division multiplexing scheme for satellite digital audio broadcasting." IEEE Journal on Selected Areas in Communications 17, no. 11 (1999): 1985–98. http://dx.doi.org/10.1109/49.806827.

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12

Kim, Ho Jae, JaeHwui Bae, Namho Hur, and Hyoung-Nam Kim. "Wideband Time Division Multiplexing Transmission for Low Power Broadcasting System." Journal of Korean Institute of Communications and Information Sciences 45, no. 6 (June 30, 2020): 961–70. http://dx.doi.org/10.7840/kics.2020.45.6.961.

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13

Shao, Zong Ru, and Chao Shao. "A Geographic Flooding Scheme for Air-Dropping and Node-Assembling Applications Using MANETs." Advanced Materials Research 684 (April 2013): 592–95. http://dx.doi.org/10.4028/www.scientific.net/amr.684.592.

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The paper proposes a geographic flooding algorithm, maximum distance broadcasting, for a location sinking system within the local mobile ad hoc network (MANET) during parachutists’ airdropping and on-ground assembling procedure. A time division and geographic routing (TD-GR) protocol for this MANET application is presented. Simulations are conducted to verify the feasibility of maximum distance broadcasting and TD-GR protocol.

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14

Sinka, Margit. "Introduction: The Denk ich an Deutschland Television Film Series." German Politics and Society 25, no. 4 (December 1, 2007): 31–42. http://dx.doi.org/10.3167/gps.2007.250403.

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Intended to provoke contemplation and discussion about collectiveidentity in unified Germany, the Denk ich an Deutschland (When I thinkabout Germany) television film series was commissioned by BayerischerRundfunk (Bavarian Broadcasting, BR) and Westdeutscher Rundfunk(West German Broadcasting, WDR) and was produced from 1997 to 2004by megaherz gmbh. The complete series consists of twelve documentaryfilms ranging from forty-five to sixty minutes1 with the first five (seeTable 2) having been launched on BR and WDR as a set in October 1998.

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15

Yoshihisa, T., and S. Nishio. "A Division-Based Broadcasting Method Considering Channel Bandwidths for NVoD Services." IEEE Transactions on Broadcasting 59, no. 1 (March 2013): 62–71. http://dx.doi.org/10.1109/tbc.2012.2229846.

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16

Graham, Cooper. "The Motion Picture, Broadcasting and Recorded Sound Division, Library of Congress." Historical Journal of Film, Radio and Television 16, no. 1 (March 1996): 43–53. http://dx.doi.org/10.1080/01439689600260081.

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17

Sharikov, Alexander V. "Film Viewing of the Russians on TV Channels: Sociological Analysis." Journal of Flm Arts and Film Studies 10, no. 3 (September 15, 2018): 128–43. http://dx.doi.org/10.17816/vgik103128-143.

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In the context of increasing digitalization of media-space, the analysis of broadcasting films on Russian leading TV channels is of intense interest. The article examines the specific character of movie broadcasting in general and the films preferred by Russian TV audience. The analysis is based on the viewing grids of 22 Russian channels in the July of 2018 taking into account the main data of film repertoire on TV and the preferences of the audience in accordance with the age categories.

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18

Kringstad, Morten, Harry Arne Solberg, and Tor Georg Jakobsen. "Does live broadcasting reduce stadium attendance? The case of Norwegian football." Sport, Business and Management: An International Journal 8, no. 1 (March 12, 2018): 67–81. http://dx.doi.org/10.1108/sbm-11-2016-0071.

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Purpose Attendance at matches in the smaller European football leagues is challenged by the increased number of live broadcast matches, particularly covering the biggest leagues. The purpose of this paper is to analyse the effects of live broadcasting, match scheduling and other factors on stadium attendance in the top division of Norwegian football. Design/methodology/approach The analysis is based on a fixed effects regression model on attendance at match levels covering the period 2005 to 2011. Findings The main results show two different effects. While live broadcast domestic matches on “free TV” is positively correlated to stadium attendance, the increased number of “imported” matches from the big-five leagues is a substitute. Moreover, matches played on weekdays have a lower level of attendance than weekend matches. Practical implications The increased number of imported live broadcast football matches from the biggest European leagues influences and widens the financial gap between the biggest and the smaller football leagues. One possible solution for reducing the substitution effect from these matches is a more efficient match schedule in the Norwegian top division in football. Originality/value Norway has a small population with a high interest for football. This paper measures effects on attendance in the Norwegian top division in football matches with regards to the increased number of live broadcast matches both from the domestic league and from the big five football leagues.

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19

Abdalazeez, Abeer Ali. "Freedom of Live Satellite Transmission and its Effect on State Sovereignty." Journal of AlMaarif University College, no. 32(1) (January 27, 2021): 446–65. http://dx.doi.org/10.51345/.v32i1.185.g201.

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Direct broadcasting through satellite raises a great problem if it is freed the information and programs without limits and restrictions, because it carries risks to the sovereignty of the receiving state. These risks caused by broadcasting programs and information that affect the political, social, cultural, economic, and other risks that befall the receiving country. This led to a conflict between the principle of state sovereignty and the principle of freedom of information flow which is the legal basis for freedom of direct satellite broadcasting and also led to the division of states between a supporter of freedom of direct satellite broadcasting and its primacy over the principle of state sovereignty and opposition to it. This research came to shed light on this problem of an attempt to address and resolve this conflict, by presenting the issue of freedom of direct satellite broadcasting and its impact on the sovereignty of the state within the framework of the rules of public international law to clarify the principles and provisions of international agreements and covenants and decisions related to this topic, as well as a preview of Juristic views and the states’ opinion.

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20

Andrews, Kylie. "Don’t tell them I can type: negotiating women’s work in production in the post-war ABC." Media International Australia 161, no. 1 (September 26, 2016): 28–37. http://dx.doi.org/10.1177/1329878x16669400.

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This article examines the pervasive mechanisms of discrimination in Australian public broadcasting in the 1950s and 1960s and considers how concepts of femininity were engaged to maintain the sexual division of labour within one of Australia’s leading cultural institutions, the Australian Broadcasting Commission (ABC). Constructing a collective biography of female producers who challenged gendered work practices, it discusses the obstacles that confronted women in production and considers the social, economic and industrial factors that allowed certain women to become producers when many failed to escape the ABC’s typing pool. Referring to case studies derived from biographical memory sources and industrial documentation, this article historicises the careers of radio and television producers and contextualises their histories against data found in the 1977 Women in the ABC report, to re-imagine the nature of women’s work in Australian broadcasting in the post-war era.

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21

Urazova, S. L. "Russia's Contribution to Digital TV Broadcasting." Journal of Flm Arts and Film Studies 9, no. 3 (September 15, 2017): 146–51. http://dx.doi.org/10.17816/vgik93146-151.

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In the second decade of the 21st century, the interconnection and even interdependence between the qualitative characteristics of modern screen produce and screen arts in general and those of rapidly developing innovative technologies becomes increasingly obvious. tte affinity of different academic problems pertaining to the analysis of film industry, in humanities and science in particular, raises a lot of questions. One of them deals with revealing the factors necessary for the international recognition of a fundamental project and its subsequent implementation. This issue is illustrated in the article by the history of terrestrial television which has evolved from analogue broadcasting to digital, multi-program, interactive TV.

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22

Ball, Vicky, Pat Kirkham, and Laraine Porter. "Structures of feeling: contemporary research in women’s film and broadcasting history." Women's History Review 29, no. 5 (December 23, 2019): 759–65. http://dx.doi.org/10.1080/09612025.2019.1703533.

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23

Astuti, Dian Widi. "Analisa Simulasi Performansi Penggunaan Orthogonal Frequency Division Multiplexing Pada Sistem Digital Video Broadcasting-Terrestrial." Jurnal Telekomunikasi dan Komputer 3, no. 1 (February 27, 2017): 65. http://dx.doi.org/10.22441/incomtech.v3i1.1114.

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Orthogonal Frequency Division Multiplexing (OFDM) merupakan suatu teknik transmisi yang menggunakan beberapa buah frekuensi pembawa (multicarrier) dalam satu saluran dimana setiap frekuensi pembawa tersebut saling orthogonal (tegak lurus). OFDM banyak dipakai untuk sistem komunikasi wireless mengingat kemampuan dari OFDM mengatasi multipath fading yang menyebabkan terjadinya intersymbol interference (ISI). Dampak dari ISI tersebut adalah penerima tidak dapat membaca sandi informasi dengan benar sehingga mengurangi performasi sistem komunikasi digital. Cara OFDM mengatasi ISI adalah dengan menggandakan simbol dan menambah simbol secara periodik yang digunakan sebagai guard interval. Penambahan dari guard band yang terlalu lebar bisa mengurangi throughput data yang dikirimkan. Fading juga menyebabkan amplitudo dan phasa berfluktuatif sehingga cara untuk mengatasinya adalah estimasi kanal (Channel Estimation) dengan menyisipkan simbol pilot pada pengiriman frame OFDM sehingga penerima dapat memperkirakan karakteristik kanal dan dapat mengembalikan data yang terkirim. CE terdiri atas comb-type pilot channel estimation dan block-type pilot channel estimation. DVB-T sebagai penyiaran televisi digital terestrial juga memakai OFDM dengan skema modulasi OFDM tambahan yaitu berupa pilot simbol atau yang lebih dikenal dengan estimasi kanal (Channel Estimation). Mengingat jumlah subcarrier dari DVB-T cukup besar jika dibandingkan dengan aplikasi lain yang menggunakan OFDM maka perlu dilakukan sebuah penelitian tentang analisa performasi penggunaan OFDM untuk sistem DVB-T terhadap perubahan guard interval, modulasi dan penggunaan kanal pada estimasi kanal tersebut.

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24

Jae-Shin Han, Jong-Seob Baek, and Jong-Soo Seo. "MIMO-OFDM Transceivers With Dual-Polarized Division Multiplexing and Diversity for Multimedia Broadcasting Services." IEEE Transactions on Broadcasting 59, no. 1 (March 2013): 174–82. http://dx.doi.org/10.1109/tbc.2012.2231258.

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25

Hamazumi, Hiroyuki, Yasuhiro Ito, and Hiroshi Miyazawa. "Adaptive Weighted Code Division Multiplexing(AW-CDM) Transmission System for Terrestrial Digital Television Broadcasting." Journal of the Institute of Television Engineers of Japan 47, no. 10 (1993): 1367–73. http://dx.doi.org/10.3169/itej1978.47.1367.

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26

Jian-Guo Zhang. "Design of integrated services digital broadcasting systems using multirate optical fiber code-division multiplexing." IEEE Transactions on Broadcasting 45, no. 3 (1999): 283–93. http://dx.doi.org/10.1109/11.796270.

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27

Declich, Francesca. "Codifying Memories through Film." Journal of Global Slavery 5, no. 1 (February 28, 2020): 62–88. http://dx.doi.org/10.1163/2405836x-00501005.

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Abstract Before the exponential diffusion of modern video broadcasting media, the history of forced migrations within Africa was mainly transmitted through the spread of individual and collective memories. Filming, instead, agglomerates memories and images by producing new overarching and often convincing interpretations of the past. This article describes how and why a documentary video on slavery in the Indian Ocean was produced and the reasons behind its narrative form. Stemming from the urge of people regarded as descendants of slaves to have their ancestral dances documented as proof of their origins, this documentary is the result of a long-range ethnographic encounter spanning time and space from the Juba River in Somalia to Malawi and the Niasa region of Mozambique. It was only audiovisual equipment like video cameras and computers that made such an amazing encounter possible.

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Han, Zhen Lei, Yan Qun Li, and Jing Yuan. "Research on the Imaging Technology of 3DTV." Advanced Materials Research 433-440 (January 2012): 6866–70. http://dx.doi.org/10.4028/www.scientific.net/amr.433-440.6866.

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From image shooting and recording system, nonlinear editing, parallax adjusting, color grading, live transmitting and broadcasting, Blu–ray ROM discs authorizing to screen display system, 3DTV solution does it all. This paper describes the imaging principles and off-the-screen theory concerning 3DTV, and then analyzes the working principle, advantages and disadvantages of frame sequential display technology based on time-division multiplexing.

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29

Ahmad Toni, Ahmad, and Dwi Fajariko. "Studi Resepsi Mahasiswa Broadcasting Universitas Mercu Buana Pada Film Journalism “Kill The Messenger”." Jurnal Komunikasi 9, no. 2 (January 16, 2018): 151. http://dx.doi.org/10.24912/jk.v9i2.161.

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This study seeks to reveal receptions university student broadcasting beacon globe on film journalism. The purpose of this study to determine the meaning construction contents journalism-themed films through the movie shows them. The relations of meaning to the theme of movies they watch give you an idea about their opinions on the meanings contained in the movie scene. This study uses analysis reception Stuart Hall stated on the three main elements of meaning that is, the dominant meaning, the opposition of meaning and significance negotiations conducted by the subject studied. Construction of meaning built by the subject of research conducted with data triangulation technique, namely written questionnaires, interviews and discussions after watching the film so we get a more comprehensive picture of signification. The results showed that there are different meanings in one scene to scene ten dominated the meaning opposition to the meanings that awakened nature did the film. Next is the meaning of meaning on meaning construction negotiations in the tenth scene. Meaning become dominant meaning that does not give meaning to the subject of study of journalism movie theme. Penelitian ini berupaya untuk mengungkapkan resepsi mahasiswa broadcasting universitas mercu buana pada film jurnalistik, tujuan penelitian ini untuk mengetahui konstruksi makna isi film bertema journalism melalui tayangan film yang ditonton mereka, relasi pemaknaan dengan tema film yang mereka tonton memberikan gambaran tentang pendapat mereka pada makna-makna yang terdapat di dalam scene film. Penelitian ini menggunakan metode analisis resepsi Stuart Hall yang dinyatakan pada tiga elemen utama pemaknaan yakni, dominan makna, oposisi makna dan negosiasi makna yang dilakukan oleh subjek yang diteliti, konstruksi makna yang dibangun oleh subjek penelitian dilakukan dengan teknik triangulasi data, yakni daftar pertanyaan tertulis, wawancara dan diskusi setelah menonton film sehingga didapatkan gambaran pemaknaan yang lebih menyeluruh. Hasil penelitian menunjukan bahwa terdapat perbedaan pemaknaan pada scene satu hingga scene sepuluh yang didominasi pada pemaknaan opisisi terhadap makna-makna yang terbangun did alam film, pemaknaan berikutnya ialah pemaknaan negosiasi terhadap makna yang dibanun di dalam kesepuluh scene, pemaknaan dominan menjadi pemaknaan yang tidak memberikan arti kepada subjek penelitian terhadap tema film journalism.

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Manhas, Pratima, and M. K. Soni. "Comparison of OFDM System in terms of BER using Different Transform and Channel Coding." Indonesian Journal of Electrical Engineering and Computer Science 1, no. 1 (January 1, 2016): 153. http://dx.doi.org/10.11591/ijeecs.v1.i1.pp153-158.

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<p>Orthogonal frequency division multiplexing is a type of multicarrier modulation technique which is used in wireless communication. OFDM can be used in various wireless and wired application such Digital audio broadcasting, digital video broadcasting & wireless LAN. The Performance of OFDM system depends on various parameters such as using different transform, different modulation and by putting various channel coding. In this paper OFDM system is modeled by using different transform (DWT/FFT), different modulation (BPSK, QPSK, QAM) and different channel coding (Linear / Cyclic block codes) for AWGN channel. The performance parameter is calculated as Bit error rate (BER) for various transform/modulation/channel coding based OFDM systems. MATLAB Simulink tool is used to calculate the bit error rate (BER).</p>

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Chen, Chien-Sheng, Chyuan-Der Lu, Ho-Nien Shou, and Le-Wei Lin. "Baseband Transceiver Design of a High Definition Radio FM System Using Joint Theoretical Analysis and FPGA Implementation." International Journal of Antennas and Propagation 2014 (2014): 1–9. http://dx.doi.org/10.1155/2014/580479.

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Advances in wireless communications have enabled various technologies for wireless digital communication. In the field of digital radio broadcasting, several specifications have been proposed, such as Eureka-147 and digital radio mondiale (DRM). These systems require a new spectrum assignment, which incurs heavy cost due to the depletion of the available spectrum. Therefore, the in-band on-channel (IBOC) system has been developed to work in the same band with the conventional analog radio and to provide digital broadcasting services. This paper discusses the function and algorithm of the high definition (HD) radio frequency modulation (FM) digital radio broadcasting system. Content includes data format allocation, constellation mapping, orthogonal frequency division multiplexing (OFDM) modulation of the transmitter, timing synchronization, OFDM demodulation, integer and fraction carrier frequency (integer carrier frequency offset (ICFO) and fractional CFO (FCFO)) estimation, and channel estimation of the receiver. When we implement this system to the field programmable gate array (FPGA) based on a hardware platform, both theoretical and practical aspects have been considered to accommodate the available hardware resources.

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32

Wickens-Feldman, Renate. "The National Film Board of Canada's Still Photography Division." History of Photography 20, no. 3 (September 1996): 271–77. http://dx.doi.org/10.1080/03087298.1996.10443666.

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33

Khan, Abid Muhammad, Varun Jeoti, Muhammad Zaka Ur Rehman, Muhammad Taha Jilani, Omer Chugtai, and Mubashir Hussain Rehmani. "Pilot-Based Time Domain SNR Estimation for Broadcasting OFDM Systems." Journal of Computer Networks and Communications 2018 (May 2, 2018): 1–8. http://dx.doi.org/10.1155/2018/9319204.

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The estimation of signal-to-noise ratio (SNR) is a major issue in wireless orthogonal frequency-division multiplexing (OFDM) system. In OFDM system, each frame starts with a preamble symbol that facilitates the SNR estimation. However, the performance of preamble-based SNR estimation schemes worsens in the fast-changing environment where channel changes symbol to symbol. Accordingly, in this paper, we propose a novel pilot-based SNR estimation scheme that optimally exploits the pilot subcarriers that are inserted in each data symbol of the OFDM frame. The proposed scheme computes the circular correlation between the received signal and the comb-type pilot sequence to obtain the SNR. The simulation results are compared with the conventional preamble-based Zadoff-Chu sequence SNR estimator. The results indicate that the proposed scheme generates near-ideal accuracy; especially in low SNR regimes, in terms of the normalized mean square error (NMSE). Moreover, this scheme offers a significant saving of computation over a conventional time domain SNR estimator.

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Deng, Xianzheng, Xin Bian, and Mingqi Li. "Enhanced LDM for Next-Generation Digital Broadcasting Transmission." Sensors 21, no. 5 (March 2, 2021): 1716. http://dx.doi.org/10.3390/s21051716.

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In the traditional layered division multiplexing (LDM) system, by simply adjusting the injection level, the reception performance of the core layer (CL) mobile services will be decreased significantly, resulting in the deterioration of system coverage performance. Thus, it is necessary to improve the performance of the enhanced layer (EL) service reception without affecting the reception threshold of CL service. To achieve this, in this paper, an enhanced LDM (En-LDM) scheme that supports multi-service transmission is proposed for the next-generation broadcasting network. In this scheme, at the transmitter end, part of the low-density parity-check (LDPC) coded data stream of fixed service conveyed in the EL will be extracted out through puncturing, and then, it will be transmitted over the CL of the LDM signal along with the original CL data in a frequency domain multiplexing (FDM) manner. At the receiving end, the punctured data of the EL fixed service will be recovered with a higher signal-to-noise ratio (SNR). Compared to the traditional LDM scheme, the proposed En-LDM scheme can significantly improve the reception performance of fixed services without decreasing the SNR threshold of mobile services. Moreover, the En-LDM can achieve a higher channel capacity than that of the traditional LDM for both the fixed services and the overall services. The superiority of the proposed En-LDM scheme over the traditional LDM scheme is validated by the simulation under the additive white Gaussian noise (AWGN) and fading channels.

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Sudarsono, Kus. "Pendidikan Pembuatan Film Pada Remaja Yang Berusia 16-18 Tahun." ULTIMART Jurnal Komunikasi Visual 7, no. 1 (November 12, 2016): 25–29. http://dx.doi.org/10.31937/ultimart.v7i1.373.

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Perkembangan teknologi membuat pembuatan film menjadi lebih murah dan mudah diakses oleh semua kalangan, bukan lagi terbatas pada para profesional saja. Industri film menawarkan kesempatan kerja yang luas, dari kritikus sampai dengan produser. Pendidikan film formal bagi remaja berusia 16-18 tahun yang sedang menjalani Sekolah Menengah Atas atau Kejuruan, masih terbatas pada sekolah kejuruan broadcasting, selebihnya merupakan kegiatan ekstrakurikuler dan metode otodidak. Melalui metode kualitatif wawancara, penulis akan melakukan analisis efek dari penerapan pendidikan film pada remaja pada umumnya. Key words : Pendidikan Film, Karir, Remaja, Industri Film.

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Abdourahamane, Ali. "ADVANTAGES OF OPTICAL ORTHOGONAL FREQUENCY DIVISION MULTIPLEXING IN COMMUNICATIONS SYSTEMS." EUREKA: Physics and Engineering 2 (March 31, 2016): 27–33. http://dx.doi.org/10.21303/2461-4262.2016.00058.

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The role of the optical transmitter is to generate the optical signal, impose the information bearing signal, and launch the modulated signal into the optical fiber. The semiconductor light sources are commonly used in state-of-the-art optical communication systems. Optical communication systems has become one of the important systems after the advent of telephone, internet, radio networks in the second half of the 20th century. The development of optical communication was caused primarily by the rapidly rising demand for Internet connectivity. Orthogonal frequency-division multiplexing (OFDM) belongs to a wide class of multicarrier modulation. Orthogonal frequency-division multiplexing has succeeded in a wide range of applications in the wireless communication domain from video/audio digital broadcasting to wireless local area networks (LANs). Although their very low loss compared to that of the wireless counterpart, optical systems still need renovation for spans commonly less than150 Km. In this paper advantages of optical orthogonal frequency division multiplexing in communications systems will explained.

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Hugenholtz, P. Bernt, and Joost Poort. "Film Financing in the Digital Single Market: Challenges to Territoriality." IIC - International Review of Intellectual Property and Competition Law 51, no. 2 (December 17, 2019): 167–86. http://dx.doi.org/10.1007/s40319-019-00900-2.

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AbstractThis article discusses the role of territorial licences for feature films against the background of judicial and market developments in the EU. Currently, territorial licences are deemed a cornerstone of the exploitation and financing of films in Europe. However, current models of film financing are under increasing pressure both from market developments such as the turbulent growth of global online video platforms, and from developments in EU law aimed at removing national territorial barriers to the Single Market. Examples are the rule of Union-wide exhaustion of the distribution right, the EU Portability Regulation and the country of origin rules for satellite broadcasting and online simulcasting. EU competition law sets additional limits to grants of territorial exclusivity, and prohibits clauses in broadcasting and pay television licences that prevent or restrict “passive” sales to consumers/viewers in non-licensed territories. The freedom of right holders to preserve territorial exclusivity by way of contract is likely to become increasingly vulnerable to EU competition law, as underlying territorial rights no longer support territorial grants. For the film sector where territorial exclusivity remains indispensable, the European Commission could create specific competition law rules in the form of “block exemptions”. Language exclusivity – i.e. exclusive grants of rights for distinct language versions of a film – could provide a practical and legally more robust alternative to territorial licensing.

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Song, Jian, Chao Zhang, Jintao Wang, Yonglin Xue, Changyong Pan, Kewu Peng, Fang Yang, et al. "TDS-OFDM based Digital Television Terrestrial Multimedia Broadcasting Standards." SET INTERNATIONAL JOURNAL OF BROADCAST ENGINEERING 2020, no. 6 (August 1, 2020): 38–49. http://dx.doi.org/10.18580/setijbe.2020.3.

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As the most popularly utilized broadcasting network, digital terrestrial television broadcasting (DTTB) can provide multimedia information coverage for the broad audience in a very efficient way because of its characteristic of wide-range coverage and mobile reception ability. After promulgating the first generation DTTB standard, digital terrestrial/television multimedia broadcasting (DTMB), in 2006, China began to research and develop the next generation DTTB standard, namely DTMB-advanced (DTMB-A), aiming to support higher spectrum efficiency and further improve transmission reliability. In 2019, DTMB-A was accepted by ITU as the second generation international DTTB standard (as System C). Similar to DTMB, time-domain synchronous - orthogonal frequency division multiplexing (TDS-OFDM) based multi-carrier modulation scheme is adopted by DTMB-A. Thanks to the more flexible frame structure, advanced error correction coding and improved constellation mapping, DTMB-A offers 30% higher transmission capacity than DTMB under the same transmission conditions. Thus, DTMB-A can support both fixed and mobile reception more efficiently, and provide users with higher quality services such as ultra-high definition television (UHDTV). This paper first gives details of key technologies at the transmitter of DTMB/DTMB-A and introduce core algorithms at the receiver. Both laboratory test and field trial results will then be provided and analyzed, especially for the application of 4K UHDTV and single frequency network (SFN).

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Lee, Donggeun, Sang-Woo Chang, and Sang-Sun Lee. "Velocity based Self-Configuring Time Division Broadcasting Protocol for Periodic Messages in Vehicle-to-Vehicle Communication." Journal of Korea Information and Communications Society 39B, no. 3 (March 31, 2014): 169–79. http://dx.doi.org/10.7840/kics.2014.39b.3.169.

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Feng, Chen, Chaoqin Gan, Ziyue Gao, Su Guo, Wei Li, and Yiqin Fang. "A Scalable Long-Reach Wavelength-Division Multiplexing Access Network Sharing Both Fiber Protection and Broadcasting Services." Fiber and Integrated Optics 33, no. 4 (July 4, 2014): 267–78. http://dx.doi.org/10.1080/01468030.2014.892186.

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41

Koutroumanides, Christos, Panagiotis Alexopoulos, Athanasios Laios, and John Douvis. "The English Premier League Mobile Phone Broadcasting Rights Selling Model – Historical Study." GYMNASIUM XIX, no. 2 (August 1, 2019): 140. http://dx.doi.org/10.29081/gsjesh.2018.19.2.13.

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Indicative of those rights increasing use was that for the 2004-2007 period Premier League games, 3/Vodafone bought the rights for 11,5 million euro, while for the 2007-2010 period, BSkyB bought the rights for 12,4 million euro. In 2010, the Walt Disney Co’s sports TV network ESPN has acquired the rights to screen Premier League highlights on UK mobile phones. The rights to all 380 Barclays Premier League matches were previously held by pay-TV rival British Sky Broadcasting. In 2013, News International, owned by the pay-TV broadcaster's controlling shareholder News Corporation, prevailed against BSkyB in the battle to acquire the Premier League exclusive rights to internet and mobile highlights for 30 million pounds, for three years. Sun, Times and Sunday Times publisher shut out fellow News Corp division as well as Yahoo, O2 and Perform Group.

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Murroni, Maurizio. "On the Efficient Broadcasting of Heterogeneous Services over Band-Limited Channels: Unequal Power Allocation for Wavelet Packet Division Multiplexing." International Journal of Digital Multimedia Broadcasting 2008 (2008): 1–9. http://dx.doi.org/10.1155/2008/523649.

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Multiple transmission of heterogeneous services is a central aspect of broadcasting technology. Often, in this framework, the design of efficient communication systems is complicated by stringent bandwidth constraint. In wavelet packet division multiplexing (WPDM), the message signals are waveform coded onto wavelet packet basis functions. The overlapping nature of such waveforms in both time and frequency allows improving the performance over the commonly used FDM and TDM schemes, while their orthogonality properties permit to extract the message signals by a simple correlator receiver. Furthermore, the scalable structure of WPDM makes it suitable for broadcasting heterogeneous services. This work investigates unequal error protection (UEP) of data which exhibit different sensitivities to channel errors to improve the performance of WPDM for transmission over band-limited channels. To cope with bandwidth constraint, an appropriate distribution of power among waveforms is proposed which is driven by the channel error sensitivities of the carried message signals in case of Gaussian noise. We address this problem by means of the genetic algorithms (GAs), which allow flexible suboptimal solution with reduced complexity. The mean square error (MSE) between the original and the decoded message, which has a strong correlation with subjective perception, is used as an optimization criterion.

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Li, Qi. "Primary Exploration on Opportunities for the Formation of New Zealand’s Creative Film & TV Industry." Applied Mechanics and Materials 311 (February 2013): 334–38. http://dx.doi.org/10.4028/www.scientific.net/amm.311.334.

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Over the past two decades, New Zealand has seen rapid and sharp rise of film & TV industry, developed competitive edges of film production industry, participated in labor division in the international markets and shaped creative film &TV industry with radiation effects. This paper analyzes the historical opportunities for the rapid rise of film & TV industry in Zealand from the perspectives of changes to the market environment of technology, market, industry labor division, etc.

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Lequime, Michel, Remy Parmentier, Fabien Lemarchand, and Claude Amra. "Toward tunable thin-film filters for wavelength division multiplexing applications." Applied Optics 41, no. 16 (June 1, 2002): 3277. http://dx.doi.org/10.1364/ao.41.003277.

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Manhas, Pratima, and M. K. Soni. "Optimized OFDM Model Using CMA Channel Equalization for BER Evaluation." Bulletin of Electrical Engineering and Informatics 6, no. 2 (June 1, 2017): 133–39. http://dx.doi.org/10.11591/eei.v6i2.614.

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Orthogonal Frequency Division Multiplexing (OFDM) is a type of Multicarrier Modulation (MCM) technique in which entire bandwidth is divided into large number of small sub-carriers and each subcarrier is transmitted parallel to achieve higher data rates. It has various applications like Digital Audio Broadcasting (DAB), Digital Video Broadcasting (DVB) and wireless LAN.OFDM technique is widely used in wireless communication system because of its very high data rate. The performance of FFT based OFDM system using Linear and cyclic channel coding and Constant Modulus Algorithm (CMA) equalizer is simulated using simulink model. The BER saving using the optimized proposed model with both linear and cyclic channel coding along with CMA equalizer is evaluated. The proposed work using cyclic channel coding with QPSK/QAM modulation and CMA as channel equalization under AWGN channel results in 52.6% and 96.3% BER reduction as compared to conventional OFDM model without channel coding, channel equalization and channel fading. So, CMA equalizer is used to enhance the performance of OFDM system.

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PNEVMATIKAKIS, ARISTODEMOS, SPYROS BLIONAS, and DIMITRIS TRIANTIS. "PHYSICAL LAYER OF A BASE-BAND OFDM MODEM: ALGORITHMS AND PERFORMANCE." Journal of Circuits, Systems and Computers 14, no. 03 (June 2005): 631–51. http://dx.doi.org/10.1142/s0218126605002489.

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The base-band section of a modem employing Orthogonal Frequency Division Multiplexing (OFDM) is described in this paper. It utilizes the necessary algorithms to combat distortion due to the channel conditions and imperfect synchronization. A model describing these distortions is used to derive the algorithms. The system is realized in a prototype platform for the HIPERLAN/2 standard, but modifications for compliance to other broadband digital broadcasting and wireless networking OFDM systems are proposed. The performance of the prototype base-band modem is described.

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Ikäheimo, Janne, and Tiina Äikäs. "The Site of a Film Set as Material Heritage." VIEW Journal of European Television History and Culture 8, no. 15 (October 27, 2019): 46. http://dx.doi.org/10.18146/2213-0969.2019.jethc164.

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Rauta-aika (The Age of Iron, 1982), a four episode TV-series produced by YLE – the Finnish Broadcasting Company, transported the audience into a world of fantasy by successfully mixing the Finnish national epic Kalevala with elements of the local Iron Age. This paper focuses on the dismantled film set of the Pohjola village at the Seinävuori Hill in Hämeenkyrö, documented using archaeological methods in 2012, from the perspective of material heritage. While the remains visible today at the Seinävuori Hill are scarce, they continue to give a context for various meanings and experiences assigned to this place in the recent and more distant past and hence impact the heritagisation of the place.

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Bock, Gabriele, and Siegfried Zielinski. "Britain's Channel 4: A TV Provider Caught Between Private Sector Funding and Its Cultural Mission." Journal of British Cinema and Television 11, no. 4 (October 2014): 418–39. http://dx.doi.org/10.3366/jbctv.2014.0227.

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This article, which first appeared in Media Perspektiven 1 (1987), is published here for the first time in English. It offers an enlightening contemporary perspective, from the then German Federal Republic, on the innovation in European broadcasting which Channel 4 represented. It outlines the policy context which gave rise to the UK's fourth television channel and describes its unique, hybrid character as a commercial station funded by advertising revenue with a public service remit. It assesses the strengths and weaknesses of Channel 4's commissioning structure and identifies significant examples of its innovative programming, paying particular attention to its support for independent film. That emphasis is noteworthy since it was West German television's film-funding mechanism that provided the model on which Film on Four was based. The article recognises Channel 4's commitment to catering for minority audiences, to enabling broader access to programme-making and to commissioning work that was experimental in form and content. It is generous in suggesting that such a risk-taking cultural enterprise was only possible within the UK's mature and highly developed broadcasting ecology, but it remains cautious (perhaps presciently) of its sustainability in the expanding commercial marketplace of multi-channel television.

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Huang, Mei Gen, and Zhi Lei Wang. "Subnet Broadcast Polling Algorithm of Network Management Based on SNMP." Applied Mechanics and Materials 347-350 (August 2013): 2915–18. http://dx.doi.org/10.4028/www.scientific.net/amm.347-350.2915.

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The current data collection of a network device in the network management system exists low real-time and long polling cycle, this paper proposes a subnet broadcast algorithm based on SNMP. The algorithm introduces the idea of Subnet division and broadcasting, when polling, the algorithm polled network devices by sending a SNMP data broadcast packet to each subnet, which reduced the polling packets, shortened the polling cycle and lightened the burden of management station, thus the proposed algorithm improves real-time and work efficiency for the large-scale network management system.

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Astley, David. "QSTV a New Service for Remote Queensland." Media Information Australia 38, no. 1 (November 1985): 76–78. http://dx.doi.org/10.1177/1329878x8503800124.

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The concept of a commercial television service for the remote areas of Australia is something that has been under consideration since the Federal Government of the day first proposed that Australia establish its own domestic satellite system. From the time that the go-ahead for the satellite was given several years ago, remote area television has been one of the most hotly debated issues within the broadcasting industry. The reason for this was that there was a clear division within the industry as to how commercial television should be provided to the remote areas.

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