Relevant bibliographies by topics / DJ-ing

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'DJ-ing'

Author: Grafiati
Published: 4 June 2021
Last updated: 7 February 2022

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Journal articles on the topic "DJ-ing"

1

"An Introduction to the Calculus of Environments." Philosophical Literary Journal Logos 31, no. 5 (2020): 1–22. http://dx.doi.org/10.22394/0869-5377-2020-5-1-20.

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The paper deals with the modern appropriation of Lucretius’ atomistic philosophy as presented in Louis Althusser’s late writings. The aleatory materialism that Althusser elaborated in some fragments from the 1980s argues for the total contingency of any world, which is nothing but an accidental clutch of atoms resulting from a Lucretian clinamen. Althusser interprets “world” in a broad sense as referring both to cosmological and ontological global arrangements and also to particular political and practical states of affairs. By claiming that thought and necessity are always determined by a cer
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2

Daspit, Toby. "The Noisy Mix of Hip Hop Pedagogies." M/C Journal 4, no. 2 (2001). http://dx.doi.org/10.5204/mcj.1901.

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"(W)hen you look at the historic angle of what’s going on, DJ culture is the future, everything is a mix. Whether it’s video, electronic shit, studio shit, painting, you name it, the psychology is in place. It’s the DJ." – Paul D. Miller, AKA DJ Spooky, qtd. in Tobin "Turn it up! Bring the noise." – Public Enemy, "Bring the Noise "Turn down that damned noise!!!" Thus began the nightly negotiation with my father during my adolescence — him firmly rooted in his recliner as he stared at the television, me locked in my bedroom, fingers nudging the stereo knobs to experiment with acceptable volumes
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3

Chapman, Owen. "Mixing with Records." M/C Journal 4, no. 2 (2001). http://dx.doi.org/10.5204/mcj.1900.

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Introduction "Doesn't that wreck your records?" This is one of the first things I generally get asked when someone watches me at work in my home or while spinning at a party. It reminds me of a different but related question I once asked someone who worked at Rotate This!, a particularly popular Toronto DJ refuge, a few days after I had bought my first turntable: DJO: "How do you stop that popping and crackling sound your record gets when you scratch back and forth on the same spot for a while?" CLERK: "You buy two copies of everything, one you keep at home all wrapped-up nice and never use, a
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Dissertations / Theses on the topic "DJ-ing"

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Larsson, Ronja. "Hip-Hop Don't Die, We Multiply: Repetitiva troper i tidig hip-hop-film : Enhet och kreativitet som budskap och utväg." Thesis, Stockholms universitet, Filmvetenskap, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-161647.

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Denna studie behandlar tidig hip-hop-film från 80-talet och dess kreativa uttryck genom hip-hop- kulturens fyra grundelement, där en slutsats är att graffiti, breakdance, DJ-ing och rap är av yttersta vikt i bildspråket, och audiellt. Att elementen inleder filmerna visar vilken betydelse dessa har och vidare samverkar de på varierande vis, vilket förstärker den enhet som finns med i filmernas budskap. Enhet och kreativitet är centralt i filmerna och budskap om att möjligheter, framgång och framtid ligger i dem är tydliga. En annan slutsats är att elementen och diverse troper repet
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Books on the topic "DJ-ing"

1

Anniss, Matt. Dj-ing. PowerKids Press, 2010.

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Dj-ing. PowerKids Press, 2011.

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3

Anniss, Matt. DJ-ing. Wayland, 2012.

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Book chapters on the topic "DJ-ing"

1

Perkinson, James W. "DJ Qbert as Cyber-Mantac Shaman: Reading DJ-ing at the Crossroads of Tradition and Information." In Political Spirituality in an Age of Eco-Apocalypse. Palgrave Macmillan US, 2015. http://dx.doi.org/10.1057/9781137489814_9.

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Conference papers on the topic "DJ-ing"

1

Rietveld, Hillegonda C. "Dubstep: Dub plate culture in the age of digital DJ-ing." In Situating Popular Musics, edited by Ed Montano and Carlo Nardi. International Association for the Study of Popular Music, 2012. http://dx.doi.org/10.5429/2225-0301.2011.30.

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