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1

Assia Djebar. Paris: ADPF, Ministère des affaires étrangères, 2006.

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2

Assia Djebar: Histoires et fantaisies. Paris: PUPS, 2007.

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3

Chikhi, Beïda. Assia Djebar: Histoires et fantaisies. Paris: Presses de l'Université de Paris-Sorbonne, 2007.

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4

Rocca, Anna. Assia Djebar, le corps invisible: Voir sans être vue. Paris: L'Harmattan, 2004.

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5

Rocca, Anna. Assia Djebar, le corps invisible: Voir sans être vue. Paris: L'Harmattan, 2004.

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6

Assia Djebar, le corps invisible: Voir sans etre vue. Paris: L'Harmattan, 2004.

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7

Soares, Vera Lucia. A escritura dos silêncios: Assia Djebar e o discurso do colonizado no feminino. Niterói, RJ: Editora da Universidade Federal Fluminense, 1998.

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8

Hagars Töchter: Der Islam im Werk Assia Djebars. Ostfildern: Grünewald, 2011.

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9

Two major Francophone women writers, Assia Djébar and Leila Sebbar: A thematic study of their works. New York: P. Lang, 1999.

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10

Les écrivaines francophones en liberté: Farida Belghoul, Maryse Condé, Assia Djebar, Calixthe Beyala : écritures de l'hybridité postcoloniale et métaphores cognitives. Paris: Harmattan, 2007.

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11

Écrire l'urgence: Assia Djebar et Tahar Djaout. Paris: L'Harmattan, 2007.

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12

Le corps mondialisé: Marie Redonnet, Maryse Condé, Assia Djebar. Paris: L' Harmattan, 2007.

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13

Schreiben auf der Grenze: Postkoloniale Geschichtsbilder bei Assia Djebar. Köln: Böhlau, 2006.

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14

Hybridité et genre chez Assia Djebar et Nina Bouraoui. Paris: L'Harmattan, 2014.

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15

Gafaïti, Hafid. La diasporisation de la littérature postcoloniale: Assia Djebar, Rachid Mimouni. Paris: Harmattan, 2005.

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16

La diasporisation de la littérature postcoloniale: Assia Djebar, Rachid Mimouni. Paris: Harmattan, 2005.

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17

Thiel, Veronika. Assia Djebar: La polyphonie comme principe générateur de ses textes. Wien: Edition Praesens, 2005.

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18

Ich-Entwürfe im hybriden Raum: Das Algerische Quartett von Assia Djebar. Frankfurt am Main: Peter Lang, 2008.

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19

Les prémices littéraires des révolutions arabes: Yasmina Khadra, Assia Djebar, Abdellah Taïa. Paris: Harmattan, 2014.

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20

Remembering the (post)colonial self: Memory and identity in the novels of Assia Djebar. Bern: Peter Lang, 2008.

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21

L'Histoire de soi dans la langue de l'Autre: La polyphonie linguistique dans l'œuvre de Assia Djebar. Ariccia (RM): Aracne editrice int.le S.r.l., 2014.

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22

Femmes aux frontiéres de l'interdit: Étude des premiers romans d'Assia Djebar (1957-1968). Göteborg: Göteborgs Universitet, 2009.

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23

Bouaissi, Zahia, and Zahia Bouaissi. Femmes aux frontiéres de l'interdit: Étude des premiers romans d'Assia Djebar (1957-1968). Göteborg: Göteborgs Universitet, 2009.

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24

Minassian, Raffi. Representations of Algerian women in fiction by Assia Djebar. 2001.

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25

Algerian Imprints: Ethical Space in the Work of Assia Djebar and Hélène Cixous. Columbia University Press, 2015.

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26

Merini, Rafika. Two Major Francophone Women Writers: Assia Djebar and Leila Sebbar : A Thematic Study of Their Works (Francophone Cultures and Literatures : Vol. 5). Peter Lang Publishing, 2000.

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27

Assia Djebar Out Of Algeria. Liverpool University Press, 2011.

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28

Postcolonialisme & autobiographie: Albert Memmi, Assia Djebar, Daniel Maximim. Amsterdam: Rodopi, 1998.

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29

Approaches to Teaching the Works of Assia Djebar. The Modern Language Association of America, 2017.

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30

Approaches to Teaching the Works of Assia Djebar. The Modern Language Association of America, 2017.

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31

Alfred, Hornung, and Ruhe Ernstpeter, eds. Postcolonialisme & autobiographie: Albert Memmi, Assia Djebar, Daniel Maximim [sic]. Amsterdam: Rodopi, 1998.

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32

Merini, Rafika. Two Major Francophone Women Writers, Assia Djebar and Leila Sebbar: A Thematic Study of Their Works. Peter Lang Publishing, 2001.

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33

Jarvis, Jill. Decolonizing Memory. Duke University Press, 2021. http://dx.doi.org/10.1215/9781478021414.

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The magnitude of the legal violence exercised by the French to colonize and occupy Algeria (1830–1962) is such that only aesthetic works have been able to register its enduring effects. In Decolonizing Memory Jill Jarvis examines the power of literature to provide what demographic data, historical facts, and legal trials have not in terms of attesting to and accounting for this destruction. Taking up the unfinished work of decolonization since 1962, Algerian writers have played a crucial role in forging historical memory and nurturing political resistance—their work helps to make possible what state violence has rendered almost unthinkable. Drawing together readings of multilingual texts by Yamina Mechakra, Waciny Laredj, Zahia Rahmani, Fadhma Aïth Mansour Amrouche, Assia Djebar, and Samira Negrouche alongside theoretical, juridical, visual, and activist texts from both Algeria’s national liberation war (1954–1962) and war on civilians (1988–1999), this book challenges temporal and geographical frameworks that have implicitly organized studies of cultural memory around Euro-American reference points. Jarvis shows how this literature rewrites history, disputes state authority to arbitrate justice, and cultivates a multilingual archive for imagining decolonized futures.
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34

El Shakry, Hoda. The Literary Qur'an. Fordham University Press, 2019. http://dx.doi.org/10.5422/fordham/9780823286362.001.0001.

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The Literary Qurʾan: Narrative Ethics in the Maghreb mobilizes the Qurʾan’s formal, narrative, and rhetorical qualities, alongside its attendant embodied practices and hermeneutical strategies, to theorize Maghrebi literature. Challenging the canonization of secular modes of reading that occlude religious epistemes, practices, and intertexts, it attends to literature as a site in which the process of entextualization obscures ethical imperatives. To that end, the book engages the classical Arab-Islamic tradition of adab—a concept demarcating the genre of belles lettres, as well as the moral dimensions of personal and social conduct. Reading Islam through its intersecting ethical and epistemological dimensions, it argues that the critical pursuit of knowledge is inseparable from the spiritual cultivation of the self. Foregrounding questions of form and praxis, The Literary Qurʾan stages a series of pairings that invite paratactic readings across texts, languages, and literary canons. Reflecting both critical methodology and argument, it places twentieth-century novels by canonical Francophone writers (Abdelwahab Meddeb, Assia Djebar, Driss Chraïbi) into conversation with lesser-known Arabophone ones (Maḥmūd al-Masʿadī, al-Ṭāhir Waṭṭār, Muḥammad Barrāda). Blending literary and theological methodologies, conceptual vocabularies, and reading practices, the study builds upon an interdisciplinary body of scholarship across literary theory, Islamic and Qurʾanic studies, philosophy, anthropology, and history.
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