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Relevant bibliographies by topics / Djebar, Assia, Women in literature / Dissertations / Theses

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Dissertations / Theses on the topic 'Djebar, Assia, Women in literature'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

Bouaissi, Zahia. "Femmes aux frontiéres de l'interdit étude des premiers romans d'Assia Djebar (1957-1969) /." Göteborg: Göteborgs Universitet, 2009. http://catalog.hathitrust.org/api/volumes/oclc/369310231.html.

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2

Ivantcheva-Merjanska, Irene. "Assia Djebar et Julia Kristeva: choisir le français comme langue d'écriture." University of Cincinnati / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1307104630.

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3

Harsh, Mary Anne. "From muse to militant francophone women novelists and surrealist aesthetics /." Columbus, Ohio : Ohio State University, 2008. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1199254932.

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4

Still, Edward. "Representing the Algerian woman in Francophone literature of the late-colonial period : une dissymétrie s'évoque." Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:15de2de5-ef05-4e08-8508-5da1da4d6973.

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This thesis seeks to discuss the ways in which canonical Francophone Algerian authors, writing in the late-colonial period (1945 - 1962), namely Kateb Yacine, Mohammed Dib, Mouloud Feraoun, Mouloud Mammeri and Assia Djebar, approached the representation of Algerian women through literature. The thesis, divided into five chapters, each focusing on the late-colonial oeuvre of one writer, initially makes use of Bourdieusian conceptions relating to a gendered "dissymétrie fondementale" and concomitant Spivakian notions of representation, to argue that a masculine domination of public fields of re

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5

Weber-Fève, Stacey A. "There's no place like home: homemaking, making home, and femininity in contemporary women's filmmaking and the literature of the MÉTROPOL and the MAGHREB." The Ohio State University, 2006. http://rave.ohiolink.edu/etdc/view?acc_num=osu1148746370.

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6

Weber-Fève, Stacey A. "There's no place like home homemaking, making home, and femininity in contemporary women's filmmaking and the literature of the Métropol and the Maghreb /." Columbus, Ohio : Ohio State University, 2006. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1148746370.

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7

Newbold, Marianne Goncalo. "L'exil des mots dans Le blanc de l'Algerie d'Assia Djebar." Oxford, Ohio : Miami University, 2008. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=miami1218565745.

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8

Nickenig, Annika. "Diskurse der Gewalt : Spiegelung von Machtstrukturen im Werk von Elfriede Jelinek und Assia Djebar /." Marburg : Tectum-Verl, 2007. http://deposit.d-nb.de/cgi-bin/dokserv?id=2908897&prov=M&dok_var=1&dok_ext=htm.

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9

Praud, Julia Marie. "Nationalism's discontents postcolonial contestations in the writings of Mariama Ba, Assia Djebar, Henri Lopes, and Ousmane Sembene /." Connect to resource, 2005. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1117566472.

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10

Lameirinha, Cristianne Aparecida de Brito. "Língua, Exílio e Memória: uma leitura comparativa de Le Premier Homme, de Albert Camus e La disparition de la langue française, de Assia Djebar." Universidade de São Paulo, 2013. http://www.teses.usp.br/teses/disponiveis/8/8146/tde-08012014-153130/.

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Este estudo propõe uma análise comparativa entre Le Premier Homme, de Albert Camus, e La disparition de la langue française, de Assia Djebar, tendo como contexto os impasses que cercaram a colonização francesa da Argélia, bem como o período posterior à sua independência, a partir da reflexão sobre as inter-relações língua, exílio e memória. Albert Camus é um escritor de origem francesa, nascido na Argélia. Assia Djebar é uma argelina de origem árabe, que escreve em francês. Nos romances em questão, parte-se da perspectiva da vida privada dos protagonistas para alcançar o espaço da memória cole

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11

Clark, Colin. "Cross-cultural poetics in Kateb, Salih, Djebar and Dib." Thesis, University of Oxford, 2013. http://ora.ox.ac.uk/objects/uuid:436b2243-7b55-4f4c-9c61-6ce94f1ca300.

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The present study elaborates a poetics of cross-cultural writing. Its primary theoretical reference is the ‘cross-cultural poetics’ (poétique de la relation) of Edouard Glissant: a set of poetic tropes and narrative structural strategies that he identifies in the mixed cultural setting of the Caribbean, in Le Discours antillais. My thesis argues that if these poetic strategies are indeed a response to specific social, cultural and political situations, then if analogous situations were considered elsewhere, we might expect an analogous poetics to arise. Taking North Africa as an example contex

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12

Husung, Kirsten. "L'Écriture comme seul pays. Construction et subversion des discours identitaires : hybridité et genre chez Assia Djebar et Nina Bouraoui." Doctoral thesis, Linnéuniversitetet, Institutionen för språk och litteratur, SOL, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-17965.

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This thesis, situated in the context of francophone and maghrebian postcolonial studies, examines the impact of identity discourses on the protagonists’ subjectivity in Assia Djebar’s La Femme sans sépulture (2002) and La Disparition de la langue française (2003) and Nina Bouraoui’s Garçon manqué (2000) and Mes mauvaises pensées (2005). These novels draw a parallel between two historically connected spaces, France and Algeria, and periods, the years of the Algerian war of independence and the rise of Islamists in 1990s Algeria. The movement between the two spaces and periods constitutes in a

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13

Nkealah, Naomi Epongse. "Islamic culture and the question of women's human rights in North Africa : a study of short stories by Assia Djebar and Alifa Rifaat." Pretoria : [s.n.], 2006. http://upetd.up.ac.za/thesis/available/etd-09102007-111635.

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14

Velcic, Daniela. "« La sultane et sa sœur » : Une étude narratologique à partir de la thématique de la sororité dans Ombre sultane d’Assia Djebar." Thesis, Högskolan i Halmstad, Sektionen för humaniora (HUM), 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:hh:diva-4422.

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Ce mémoire est consacré au roman djebarien Ombre sultane, qui raconte l’histoire de deux femmes : Isma et sa coépouse Hajila, entre lesquelles se développe une sorte de sororité. À partir de la thématique de la sororité le mémoire cherche à analyser l’interaction du contenu et des trois aspects de la forme : la voix narrative, la focalisation et le temps narratif ; pour réaliser l’analyse nous utilisons une méthode narratologique, celle de Gérard Genette.

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15

Bahsoun, Jihad. "Du sens et de l'utilité des réécritures dans la littérature comparée. Maryse Condé, Assia Djebar, Nédim Gürsel, Abdelwahab Meddeb." Thesis, Paris 4, 2017. http://www.theses.fr/2017PA040211.

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Nous avons tenté dans ce travail de mettre en évidence le sens et l’utilité des réécritures dans la littérature comparée. Pourquoi et comment les écrivains s’emparent-ils d’une œuvre ou d’un texte en général (un texte sacré par exemple) et les transforment-ils ? Les écrivains francophones (ou imprégnés de culture française) des XXe et XXIe siècles s’inspirent de certains modèles de réécritures présents dans la littérature classique européenne ; ils apportent cependant une richesse supplémentaire aux hypotextes sur plusieurs plans : culturel, philosophique et esthétique. Un parallèle entre les

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16

Aioanei, Otilia Maria. "Identité(s) et mémoire(s) dans l’œuvre d’Assia Djebar." Thesis, Paris Est, 2016. http://www.theses.fr/2016PESC0004.

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L’identité et la mémoire sont des concepts clé dans l’œuvre d’Assia Djebar. Le problème de l’identité et de la mémoire a représenté aussi le fondement de sa vie personnelle. Depuis qu’elle était une fillette, l’écrivaine se posait des questions existentielles à propos de la cohabitation des civilisations maghrébine et française au milieu desquelles elle est née. Son discours s’est toujours déroulé autour de la relation mutuelle entre la mémoire et l’identité, où la mémoire est à la fois le moteur et le piège de sa quête identitaire. Des universitaires et des critiques littéraires ont étudié l’

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17

Wardle, Nancy E. "Representations of African identity in nineteenth and twentieth century Francophone literature." Columbus, Ohio : Ohio State University, 2007. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1180554301.

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18

Ameur, Souad. "Ecriture féminine : images et portraits croisés de femmes." Phd thesis, Université Paris-Est, 2013. http://tel.archives-ouvertes.fr/tel-00951346.

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L'écriture des femmes a évolué d'une manière spectaculaire depuis le début du 20ème siècle. La création féminine a connu un essor remarquable. Ecrivaines occidentales et orientales, en position de défense ont pris une place prépondérante dans la littérature de leur temps. Leurs écrits ont tellement de points communs et si peu de divergences qu'il est possible d'en conclure qu'elles ont donné naissance à une expression littéraire nouvelle qui se distingue de l'écriture masculine. Le féminin émerge de la quête de soi et laisse apparaître des aspirations inédites. Les femmes s'expriment sous des

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19

Corvaisier, Gaëlle. "Histoire coloniale, fiction féminine : Frictions en francophonies. Étude comparative d'oeuvres de Maryse Condé et d'Assia Djebar." Phd thesis, Université de la Sorbonne nouvelle - Paris III, 2010. http://tel.archives-ouvertes.fr/tel-00978558.

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Pourquoi le passé colonial français lointain (esclavagisme aux Antilles entre XVe et XIXe siècles) ou plus récent (Algérie française de 1830 à 1962 ; colonisation française en Afrique de 1895 à 1958) hante les œuvres d'écrivains francophones en postcolonialisme ? Comment l'irrésolution de tensions historiques façonne les récits de l'Antillaise Maryse Condé (Célanire cou-coupé, La Belle Créole) et de l'Algérienne Assia Djebar (Les nuits de Strasbourg, La disparition de la langue française) ? Par l'étude de personnages aux frontières mémorielle, territoriale et identitaire, ces auteurs déroulent

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20

Harchi, Kaoutar. "La formation de la croyance en la valeur littéraire en situation coloniale et postcoloniale : étude des trajectoires de consécration des écrivains algériens francophones Assia Djebar et Kateb Yacine, en France, entre 1950 et 2009." Thesis, Paris 3, 2014. http://www.theses.fr/2014PA030077.

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La présente thèse de doctorat s’intéresse à la formation de la croyance en la valeur littéraire en la situation coloniale et postcoloniale, entre 1950 et 2009, en France. Pour cela, nous avons fait le choix de porter notre attention sur les trajectoires de consécration de deux auteurs algériens de langue française ayant fait l’objet d’une consécration littéraire sociologiquement objectivable, à savoir Assia Djebar (1936-) et Kateb Yacine (1929-1989). La problématique littéraire algérienne de langue française ne pouvant pertinemment être abordée au prisme de la théorie des champs de Pierre Bour

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21

Van, de Peer Stefanie E. "The aesthetics of moderation in documentaries by North African women." Thesis, University of Stirling, 2011. http://hdl.handle.net/1893/3535.

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This thesis focuses on documentaries by North African women, who have been marginalised within the limited space of the field of African filmmaking. I illustrate how North African cinema has suffered from neglect in studies on African as well as Arab culture and particularly African and Arab cinema. I discuss the work of four pioneering women documentary makers in Egypt, Tunisia, Algeria and Morocco. Consecutively I will discuss Ateyyat El Abnoudy, Selma Baccar, Assia Djebar and Izza Génini’s work. My approach is transnational and Bakhtinian in the sense that I am an outsider looking in. I pro

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22

Dehghanipour, Elham. "LA RELATION ENTRE LE MOUVEMENT ET L'ECRITURE CHEZ ASSIA DJEBARVIA CES VOIX QUI M'ASSIEGENT...EN MARGE DE MA FRANCOPHONIE, LOIN DE MEDINE, L'AMOUR, LA FANTASIA ET VASTE EST LA PRISON." Miami University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=miami1438463589.

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23

Tomlinson, Emily Jane. "Torture, fiction, and the repetition of horror : ghost-writing the past in Algeria and Argentina." Thesis, University of Cambridge, 2002. https://www.repository.cam.ac.uk/handle/1810/284634.

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The object of this thesis is to study the attempts made by writers and filmmakers in two very different socio-cultural contexts to depict and elucidate the experience of political violence, particularly torture, in the periods 1954-1962 and 1976-1983. I seek to apply the hypotheses of Anglo-American and French theorists with an interest in historical representation, as well as trauma, to both 'realist' and experimental accounts of the widespread oppression that occurred during the Algerian war of independence and later during the so-called 'Dirty War' in Argentina. The texts analysed in detail

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24

Masters, Karen Beth. "Women adrift : familial and cultural alienation in the personal narratives of Francophone women." Thesis, 2015. http://hdl.handle.net/10500/21017.

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This study analyzes the experience of alienation from family and culture as portrayed in the personal narratives of francophone women. The authors appearing in this study are Assia Djebar and Marie Cardinal, from Algeria, Mariama Bâ and Ken Bugul, from Senegal, Marguerite Duras and Kim Lefèvre, from Vietnam, Calixthe Beyala, from Cameroon, Gabrielle Roy, from Canada, and Maryse Condé, from Guadeloupe. Alienation is deconstructed into the domains of blood, money, land, religion, education and history. The authors’ experiences of alienation in each domain are classified according to severity and

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25

Doriott, Anderson Vanessa K. "Subjects of History: Identity and Memory in the First Person Narratives of Patrick Modiano, Assia Djebar, and Hervé Guibert." Diss., 2012. http://hdl.handle.net/10161/5456.

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<p>In the wake of a twentieth century marked by the Occupation, the Algerian War, the AIDS crisis, and the aftermath of these events, the debates surrounding French identity have acquired particular urgency. French novelists, meanwhile, have increasingly turned to first person narratives; autobiographies and especially autofictions continue to dominate current publication lists. Equally concerned with identity questions, these same texts have often been accused of solipsism, and their authors described as narcissists of little talent. In this dissertation, I argue that the debates surrounding

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26

Davey, Jennifer Lynne. "Unruly voices : narration of communal memory and the construction of gender and communal identity in Assia Djebar’s Far from Madina." Thesis, 2012. http://hdl.handle.net/2152/ETD-UT-2012-05-5749.

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Assia Djebar’s Far from Madina retells the stories of the women who appear on the margins of the earliest sources of Islamic history from a contemporary Muslim feminist’s perspective. Djebar uses formal elements of early Islamic historiography and relies upon classical Sunni sources. These techniques place her novel in conversation with classical Islamic tradition and bring legitimacy to her subversive project which aims to shift the boundaries of that canon. Though crafted in relation to classical sources, Djebar’s critique of gender identity is also addressed to the discourses and institu

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27

Nkealah, Naomi Epongse. "Islamic culture and the question of women’s human rights in North Africa : a study of short stories by Assia Djebar and Alifa Rifaat." Diss., 2006. http://hdl.handle.net/2263/27852.

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Using selected stories by two North African women writers, Alifa Rifaat of Egypt and Assia Djebar of Algeria, this study, entitled ‘Islamic culture and the question of women’s human rights in North Africa: a study of short stories by Assia Djebar and Alifa Rifaat’, analyzes the creative representation of contemporary Muslim society and its treatment of women. The continued marginalization of women in Muslim societies has led to the rise of feminist movements in North Africa and the Middle East. Muslim women, like their Christian counterparts, have made a most remarkable appearance on the Afric

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28

Runcie, Frank Andrew. "Mohammed Palimpsests : Nascent Islam in the Late Twentieth Century Novel." Thèse, 2007. http://hdl.handle.net/1866/18989.

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