Relevant bibliographies by topics / Djuna Barnes

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Djuna Barnes'

Author: Grafiati
Published: 4 June 2021
Last updated: 6 February 2022

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Journal articles on the topic "Djuna Barnes"

1

Ricks, H. C., and Andrew Field. "Djuna Barnes." Contemporary Literature 26, no. 1 (1985): 114. http://dx.doi.org/10.2307/1208205.

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Richardson, Laura K. "Djuna Barnes’ antihumanist reproduction." Textual Practice 34, no. 9 (2020): 1435–54. http://dx.doi.org/10.1080/0950236x.2020.1808299.

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Neilen, Deirdre, Phillip Herring, and Djuna Barnes. "Djuna: The Life and Work of Djuna Barnes." World Literature Today 70, no. 3 (1996): 702. http://dx.doi.org/10.2307/40042215.

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Fitch, Noel Riley, and Mary Lynn Broe. ""Lightning Bolts" for Djuna Barnes." Contemporary Literature 33, no. 1 (1992): 144. http://dx.doi.org/10.2307/1208378.

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Kaup, Monika. "The Neobaroque in Djuna Barnes." Modernism/modernity 12, no. 1 (2005): 85–110. http://dx.doi.org/10.1353/mod.2005.0043.

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Herring, Scott. "Djuna Barnes and the Geriatric Avant-Garde." PMLA/Publications of the Modern Language Association of America 130, no. 1 (2015): 69–91. http://dx.doi.org/10.1632/pmla.2015.130.1.69.

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Though her publications were slight after she permanently moved to Greenwich Village, in New York City, in 1940, Djuna Barnes labored over scores of literary and nonliterary typescript drafts from the 1940s to the 1980s. This unpublished artwork constitutes a geriatric avant-garde that deepened her earlier investments in modernist aesthetics. Archived documents record the elderly writer performing the principles of high modernism—innovation, experimentalism, and novelty—across an unprecedented array of genres, such as the poem, the pharmacy order, the grocery list, the medicine regimen, the me
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Shin. "Djuna Barnes, History's Elsewhere, and the Transgender." Journal of Modern Literature 37, no. 2 (2014): 20. http://dx.doi.org/10.2979/jmodelite.37.2.20.

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Komelj, Miklavž. "»Man che trema«." Ars & Humanitas 8, no. 2 (2014): 149–77. http://dx.doi.org/10.4312/ah.8.2.149-177.

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Članek poskuša ob nekaterih pesniških zapuščinah dvajsetega stoletja spregovoriti o tisti funkciji rokopisne pisave, v kateri »manus propria« postaja »manus aliena«. S pojavom pisalnega stroja rokopisna pisava ni izgubila svojega pomena, ampak se je pokazala v novi funkciji, ki ni zvedljiva na manualnost, ampak naredi vidne psihične avtomatizme. V članku je posebna pozornost namenjena avtomatski pisavi pri nadrealistih in Fernandu Pessoi. Obenem je konceptualizirana funkcija neberljivosti, ki omogoča, da v območju zapisa vztraja nekaj, kar na ravni besednega pomena ni moglo doseči artikulacije
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Komelj, Miklavž. "»Man che trema«." Ars & Humanitas 8, no. 2 (2014): 149–77. http://dx.doi.org/10.4312/ars.8.2.149-177.

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Članek poskuša ob nekaterih pesniških zapuščinah dvajsetega stoletja spregovoriti o tisti funkciji rokopisne pisave, v kateri »manus propria« postaja »manus aliena«. S pojavom pisalnega stroja rokopisna pisava ni izgubila svojega pomena, ampak se je pokazala v novi funkciji, ki ni zvedljiva na manualnost, ampak naredi vidne psihične avtomatizme. V članku je posebna pozornost namenjena avtomatski pisavi pri nadrealistih in Fernandu Pessoi. Obenem je konceptualizirana funkcija neberljivosti, ki omogoča, da v območju zapisa vztraja nekaj, kar na ravni besednega pomena ni moglo doseči artikulacije
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Fitch, Noel Riley, and Mary Lynn Broe. "Silence and Power: A Reevaluation of Djuna Barnes." Tulsa Studies in Women's Literature 10, no. 2 (1991): 323. http://dx.doi.org/10.2307/464030.

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Dissertations / Theses on the topic "Djuna Barnes"

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Linttell, Anne E. Carleton University Dissertation English. "Darkness in the work of Djuna Barnes." Ottawa, 1994.

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2

Shin, Ery. "Modernism and the queer : Djuna Barnes/Gertrude Stein." Thesis, University of Oxford, 2013. http://ora.ox.ac.uk/objects/uuid:71b77d1c-7981-497a-a5c5-8113f5d08c7f.

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Djuna Barnes and Gertrude Stein may appear unrelated to one another at first glance. We have an impoverished upstate New Yorker versus relatively comfortable Californian, bisexual romantic nomad versus lesbian monogamist, nihilist versus life-affirming enthusiast, and agnostic-atheist versus secular Jew. When they are referenced together (which happens rarely), it is usually in the context of their Parisian exploits. But a closer look reveals more vital affinities. Both writers remain problematically situated in the modernist canon. Both were inspired by visual art. Both struggled to get publi
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Frödin, Ellen. "Hatten, dockan, capen, byrån : ting och tinglighet hos Djuna Barnes." Thesis, Stockholms universitet, Avdelningen för litteraturvetenskap, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-96807.

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The inhuman element in Djuna Barnes’s works has been widely acknowledged. So far the research has, however, concerned itself primarily with animality, thus neglecting the importance of things and thingliness in her texts. In this essay I outline a new way of approaching Barnes were things are taken into account as a vital element in her literary world, using theories on prostheses, fetishes and souvenirs. In Nightwood and four of the short stories, ”A Night Among the Horses”, ”Aller et Retour”, ”Cassation”, and ”The Grande Malade”, I examine clothing, interiors, collections, statues and dolls
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Armond, Kate. "Wyndham Lewis and Djuna Barnes : modernist writers and German expressionism." Thesis, University of East Anglia, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.577645.

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This thesis considers the impact of German Expressionism on Anglo-American writers by focusing on the work of Wyndham Lewis and Djuna Barnes. Chapter One analyses Wassily Kandinsky's play Yellow Sound, and his theories of art, alongside Wyndham Lewis' Vorticist drama Enemy of the Stars. I trace similarities between the techniques used by both writers to develop awareness of spatial composition and non- representational form. Chapter Two rejoins Lewis in 1919 as he approaches the topic of art's potential to rehabilitate a war-torn society, and I argue that an examination of the work of Expressi
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McDonaugh, Karen Louise. "Subjection and subversion : a critical reading of Djuna Barnes' 'Nightwood'." Thesis, Cardiff University, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.399234.

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McNeary, Nora K. "Performative Identity in Djuna Barnes' The Ladies Almanack and Nightwood." Scholarship @ Claremont, 2016. http://scholarship.claremont.edu/scripps_theses/848.

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This thesis discusses performative identity in Djuna Barnes' The Ladies Almanack and Nightwood. Barnes' characters create and perform their identities as an attempt to escape or subvert patriarchal norms and societal prejudices. In analyzing the marginalized performative identity categories (race, class, gender, sexuality), one can glean an understanding of the complex social tensions present during Barnes' era, and understand the socially constructed, confining nature of identity itself.
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Niven, Debra L. "Fictive elements within the autobiographical project : necessary conflation of genres in Nightwood by Djuna Barnes /." Electronic version (PDF), 2007. http://dl.uncw.edu/etd/2007-1/nivend/debraniven.pdf.

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Hocking, Nick. "An insubstantial defence of the Father, incorporating Djuna Barnes' melancholy corpus." Thesis, Birkbeck (University of London), 2017. http://bbktheses.da.ulcc.ac.uk/288/.

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My thesis being a suitably rhizomatic proliferation of thematic obsessions, personal anecdotes, theoretical debates, political reflections, and close readings of several major works by Djuna Barnes, it feels like a particularly brutal kind of revisionary, reterritorialising horticulture would be required in order to state in a few hundred words what it is that I have tried to do, at root. But since I must, let’s say that the underlying preoccupation of my writing, oriented through a focus on various figures of the Father in Barnes’ writing, has been the (political, psychological and social) ne
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Sepulveda, Maria C. "Centered Fluidity and the Horizons of Continuity in Djuna Barnes' Nightwood." FIU Digital Commons, 2012. http://digitalcommons.fiu.edu/etd/746.

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Modern writers like Djuna Barnes allow for the post-modern fluidity and explosion of sex and gender without finalizing either in a fixed form. Whereas the classical, archetypal androgyne is made up of two halves, one man and one woman; the deconstructed androgynous figure is not constituted of oppositional terms which would reflect an essential and unimpeachable truth. I reveal the way Djuna Barnes’ Nightwood not only thematizes the fluid androgyne, but also cleverly verbalizes David Wood’s perpetual and un-dischargable “debt” to extra-discursivity while poetically critiquing gender “appropria
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Jonsson, AnnKatrin. "Relations : ethics and the modernist subject in James Joyce's "Ulysses", Virginia Woolf's "The Waves", and Djuna Barnes's "Nightwood /." Frankfurt am Main : P. Lang, 2006. http://catalogue.bnf.fr/ark:/12148/cb40227023k.

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Books on the topic "Djuna Barnes"

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Parsons, Deborah L. Djuna Barnes. Northcote House in association with the British Council, 2003.

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Causse, Michèle. Ontmoeting met Djuna Barnes. 2nd ed. Furie, 1989.

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Warren, Diane. Djuna Barnes' consuming fiction. Ashgate, 2007.

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Djuna Barnes' consuming fiction. Ashgate, 2007.

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Herring, Phillip F. Djuna: The life and work of Djuna Barnes. Penguin Books, 1996.

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Djuna: The life and work of Djuna Barnes. Viking, 1995.

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1938-, Field Andrew, ed. Djuna, the formidable Miss Barnes. University of Texas Press, 1985.

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Djuna, Barnes. Poe's mother: Selected drawings of Djuna Barnes. Sun & Moon Press, 1995.

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Stromberg, Kyra. Djuna Barnes: Leben und Werk einer Extravaganten. Wagenbach, 1989.

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Decadent Djuna: Eine Untersuchung dekadenter Themen und Motive im Werk von Djuna Barnes. P. Lang, 1997.

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Book chapters on the topic "Djuna Barnes"

1

Danzer-Radecker, Ina. "Barnes, Djuna." In The Palgrave Encyclopedia of Urban Literary Studies. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-319-62592-8_214-1.

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Lemke, Sieglinde. "Barnes, Djuna." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_4863-1.

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Gersdorf, Catrin. "Barnes, Djuna." In Metzler Autorinnen Lexikon. J.B. Metzler, 1998. http://dx.doi.org/10.1007/978-3-476-03702-2_29.

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Drews, Jörg, and Sieglinde Lemke. "Barnes, Djuna: Nightwood." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_4864-1.

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Hurm, Gerd. "Barnes, Djuna [Chappell]." In Englischsprachige Autoren. J.B. Metzler, 2004. http://dx.doi.org/10.1007/978-3-476-02951-5_9.

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Loncraine, Rebecca. "Djuna Barnes: Nightwood." In A Companion to Modernist Literature and Culture. Blackwell Publishing Ltd, 2007. http://dx.doi.org/10.1002/9780470996331.ch33.

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Falkenberg, Betty, and Frank Kelleter. "Barnes, Djuna: The Antiphon." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_4865-1.

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Busch, Alexandra. "Djuna Barnes (1892–1981)." In Frauenliebe Männerliebe. J.B. Metzler, 1997. http://dx.doi.org/10.1007/978-3-476-03666-7_10.

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Goody, Alex. "Becoming-Modernists: Djuna Barnes, Mina Loy and Gertrude Stein." In Modernist Articulations. Palgrave Macmillan UK, 2007. http://dx.doi.org/10.1057/9780230288300_2.

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de Lauretis, Teresa. "The Odor of Memory: On Reading Djuna Barnes with Freud." In Freud's Drive. Palgrave Macmillan UK, 2008. http://dx.doi.org/10.1057/9780230583047_6.

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