Relevant bibliographies by topics / Do Androids Dream of Electric Sheep?

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Do Androids Dream of Electric Sheep?'

Author: Grafiati
Published: 4 June 2021
Last updated: 19 February 2022

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Journal articles on the topic "Do Androids Dream of Electric Sheep?"

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Horsfield, Robert. "Do Androids Dream of Electric Sheep?" Exchanges: The Interdisciplinary Research Journal 8, no. 2 (February 4, 2021): 84–98. http://dx.doi.org/10.31273/eirj.v8i2.584.

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This article performs a close reading of the Philip K. Dick novel, Do Androids Dream of Electric Sheep? While developing the argument for an ‘ironic’ usage of the concept of the Anthropocene. This ironised conception is one that intends to countenance both the Anthropocene’s strength as a designation of human impact on the non-human and the important, valid critiques responding to the Anthropocene. Philip K Dick’s work, in particular Do Androids Dream of Electric Sheep? is a superb illustration of such an ironic dynamic because of the dual narrative structure present. For example, Do Androids Dream of Electric Sheep? raises questions about human identity that, while metaphysical, have great significance materially for the characters in the novel, and can be understood as a form of structural discrimination. To demonstrate this ironic duality that should be brought to the Anthropocene, the article draws on Nick Land’s essay Kant, Capital, and the Prohibition of Incest: A Polemical Introduction to the Configuration of Philosophy and Modernity.
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Monge, L. "Do Androids Dream of Electric Sheep?" Journal of AMD 21, no. 3 (November 2018): 177. http://dx.doi.org/10.36171/jamd18.21.3.01.

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Kim, Yeon Jeong. "Posthuman as Diaspora: Focusing on Philip Dick’s Do Androids Dream of Electric Sheep?" Modern Studies in English Language & Literature 65, no. 2 (May 31, 2021): 231–50. http://dx.doi.org/10.17754/mesk.65.2.231.

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Majella. J, Linnette John. "The Uncanniness and the Othering of the ‘Androids’ and the ‘Clones’ in Philip K. Dick’s Do Androids Dream of Electric Sheep? and in Kazuo Ishiguro’s Never Let Me Go." SMART MOVES JOURNAL IJELLH 6, no. 10 (October 10, 2018): 8. http://dx.doi.org/10.24113/ijellh.v6i10.5105.

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The article gives an explanation of the definition of ‘the Other’ and tries to explore how the technological Others namely the Androids and the Clones in Philip K. Dick’s novel, Do Androids Dream of Electric Sheep? and in Kazuo Ishiguro’s novel, Never Let Me Go, are treated as ‘the Other’ using the Theory of the Uncanny.
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Dinucci, Aldo. "Blade Runner, pós-modernidade e totalitarismo." Viso: Cadernos de estética aplicada 7, no. 13 (July 1, 2013): 9–21. http://dx.doi.org/10.22409/1981-4062/v13i/148.

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Em 2012 tivemos o trigésimo aniversário tanto do lançamento do filme Blade Runner, do diretor Ridley Scott, quanto da morte do escritor de ficção científica Philip K. Dick, cujo livro intitulado Do Androids Dream of Electric Sheep? (Sonham os Androides com carneiros elétricos?) inspirou a película. Nas páginas seguintes, analisarei alguns aspectos do filme Blade Runner, mostrando que se pode ver nele uma metáfora da pós-modernidade e do totalitarismo que acompanha esta última.
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Palumbo, Donald. "Faith and Bad Faith in Do Androids Dream of Electric Sheep?" Journal of Popular Culture 46, no. 6 (December 2013): 1276–88. http://dx.doi.org/10.1111/jpcu.12088.

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Behroozi Moghadam, Nima, and Farideh Porugiv. "Quiet Refusals: Androids as Others in Philip K. Dick’s Do Androids Dream of Electric Sheep?" Advances in Language and Literary Studies 9, no. 3 (June 30, 2018): 10. http://dx.doi.org/10.7575/aiac.alls.v.9n.3p.10.

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This study intends to show how science fiction literature in general and Philip K. Dick’s novel Do Androids Dream of Electric Sheep? in particular can be read as a symptom of the postmodern era we live in. Taking as the main clues the ideas of the cultural theorist Slavoj Žižek, who combines Marxism with the psychoanalysis of Jacques Lacan, as well as his account of “postmodernism,” the study discusses how, contrary to what capitalism dubs a “post-ideological” era, we are more than ever dominated by ideology through its cynical function. It further examines (through such Lacanian concepts as fantasy, desire, objet petit a, and jouissance) the way late capitalistic ideology functions in Dick’s narrative, and discusses how the multiculturalist society prompts new forms of racism through abstract universalization which only accounts for and tolerates the other as long as they appear within the confines of that formal abstraction. Finally, it looks into how ideologies as such can be subverted from the Real point within the symbolic.
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Gramantieri, Riccardo. "Alexithymic personality in Philip K. Dick’s Do androids dream of electric sheep?" Neohelicon 47, no. 2 (June 19, 2020): 673–83. http://dx.doi.org/10.1007/s11059-020-00544-z.

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Stockwell, Peter. "‘Do androids dream of electric sheep?’ Isomorphic relations in reading science fiction." Language and Literature: International Journal of Stylistics 1, no. 2 (May 1992): 79–99. http://dx.doi.org/10.1177/096394709200100201.

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A principle of isomorphism is identified as a feature of the reception of texts in the reading process. Principally a mapping of elements or domains, this can be seen to underlie the textual features of explicit surface metaphors, implied metaphors, metaphoric readings of texts, perceived co-operation and coherence. The latter two levels are less obvious examples of isomorphic phenomena, and a model is adapted and developed to explain the pattern-matching involved in resolving meaning from a reading of a text. This resolution of meaning is seen as an effortful activity on the part of the reader, which is balanced against the likely pay-off in terms of satisfaction gained from the reading. The theoretical perspective of reader reception is supported by practical reader-response experiments on science fictional texts. The results of these are reported in terms of the isomorphic procedures already outlined. It is observed that the characteristics of readers determine readings as much as the characteristics of texts.
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Bhattacharya, Ananyo. "Where Blade Runner began: 50 years of Do Androids Dream of Electric Sheep?" Nature 555, no. 7695 (March 2018): 163–64. http://dx.doi.org/10.1038/d41586-018-02695-7.

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Dissertations / Theses on the topic "Do Androids Dream of Electric Sheep?"

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Finn, Richelle V. "“More Human Than Human”: Lacan’s Mirror Stage Theory and Posthumanism in Philip K. Dick’s Do Androids Dream of Electric Sheep?" ScholarWorks@UNO, 2018. https://scholarworks.uno.edu/td/2460.

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In my thesis, Philip K. Dick's Do Androids Dream of Electric Sheep? is examined using French psychoanalyst Jacques Lacan's mirror stage theory. In the novel, humans have built androids that are almost indistinguishable from humans except that they lack a sense of empathy, or so the humans believe. The Voigt-Kampff Machine is a polygraph-like device used to determine if a subject shows signs of empathy in order to confirm if one is an android or a human. Yet, should empathy be the defining quality of determining humanity? In his article "The mirror stage as formative of the function of the ‘I’ as revealed in psychoanalytic experience," Lacan refers to a particular critical milestone in an infant's psychological development. When the baby looks in a mirror, they come to the realization that the image they are seeing is not just any ordinary image; it is actually themselves in the mirror. This "a-ha" moment of self-realization is what Lacan's Mirror Stage Theory is based on. According to Lacan's theory, the image that the child sees in a mirror becomes an "Other" through which they will always scrutinize and pass judgment on, for it is not how they have pictured themselves to be in their mind’s eye. I hypothesize that the androids are humans' artificial and technological Other. It is my thought that Dick uses the conflict of determining the biological from the artificial, the effort to differentiate humans from androids and biological animals from artificial ones, to illustrate Lacan's psychoanalysis of the mirror stage and its importance in our continual search for determining what humanity is and who we really are.
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Piacentini, Gustavo. "Reificação na ficção científica norte-americana dos anos 60: uma análise do foco narrativo de Do Androids dream of electric sheep? de Philip K. Dick." Universidade de São Paulo, 2011. http://www.teses.usp.br/teses/disponiveis/8/8147/tde-06102011-134910/.

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Esta dissertação busca investigar os materiais sócio-históricos dos anos 60 norte-americanos materializados no romance de ficção científica Do androids dream of electric sheep? de Philip K. Dick por meio da análise do foco narrativo, especialmente. Embora não seja considerado um dos mais refinados romances de Dick, a obra apresenta um diagnóstico bastante apurado dos limites de experiência disponíveis da década.
This dissertation aims to investigate the socio-historical materials of the North American 60s materialized in the Philip K. Dicks science fiction novel Do androids dream of electric sheep? by analyzing its point of view, mostly. Although it is not considered one of Dicks finest novels, the work presents a very refined diagnosis of the limits of the available experiences of the decade.
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Walsh, Ryan Nicholas. "The Agency and Empathy of Non-Human Others : How Non-Human Agency Anticipates the Anthropocene in Philip K. Dick’s Do Androids Dream of Electric Sheep?" Thesis, Högskolan Dalarna, Institutionen för språk, litteratur och lärande, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:du-37606.

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Wilson, Mark Robert. "Historicizing Maps of Hell." Miami University Honors Theses / OhioLINK, 2005. http://rave.ohiolink.edu/etdc/view?acc_num=muhonors1115503544.

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Johansson, Magnus. "Do Non Player Characters dream of electric sheep? : A thesis about Players, NPCs, Immersion and Believability." Doctoral thesis, Stockholms universitet, Institutionen för data- och systemvetenskap, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-89293.

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This is a thesis that deals with the norms and rules of players playing online games together. It is also a thesis about believability, the current capabilities of non-player characters (NPCs) and the attitudes amongst game developers towards dynamic and systemic games AI. The primary theme of this thesis considers which means of communication and coordination in terms of norms and rules are present in groups of players and particularly in guilds and clans playing Massively Multi Online Games (MMOGs) and First Person Shooters (FPSs) respectively. The presence of norms in these types of groups has been overlooked in previous research even though guilds have been addressed to some extent. When rules have been discussed in games research, the actual use, meaning and interpretation behind these rules from a player perspective has been omitted. In this thesis rules and norms are interpreted from a guild and clan perspective as important means for coordination, used in order to keep the group together. The implicit rules are further seen as implicit rules made explicit through guild and clan forums where these groups of players express how to preserve the shared game experience. The absence of rituals, norms and rules has also been studied in temporary groups of one MMOG, with the explanation that existing relations with other players are maintained in these game sessions, but new relations are usually seen as too costly to invest in. The second theme is directed at believability and the state of current NPCs, how immersion is influenced by NPCs that do not act in believable ways. The second theme is also influenced by the first theme, whereby rules and norms are seen as valuable tools for creating believability in NPCs, directly targeting the social layer, a slightly overlooked area of research. The last section is directed at applying the results from the first section, how players play by the rules and norms of the group, and how this could foster believability in NPCs.

At the time of the doctoral defense, the following papers were unpublished and had a status as follows: Paper 2: In press. Paper 5: In press. Paper 6: In press.

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Ju, Huang Yin, and 黃吟如. "Postmodern Imaginations of the Science Fiction:Do Androids Dream of an Electric Sheep?" Thesis, 2008. http://ndltd.ncl.edu.tw/handle/u9db56.

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碩士
國立臺東大學
兒童文學研究所
97
This thesis aims to analyze the science fiction Do Androids Dream of an Electric Sheep? written by Philip K Dick in 1968. In the fiction, the nuclear war ruined the earth seriously. This research adopts the postmodern theories of Theodor Ludwig Wiesengrund Adorno, Jean Baudrillard, Pierre Bourdieu and Fredric Jameson, attempting to analyze the theoretical structures and the plots of the phenomenon in postmodern capitalistic society of the text. This research begins with discussions about the sources, characteristics and cultural phenomena of postmodern, then analyzes the postmodern society phenomenon of the text, and finds out that there are several postmodern characteristics in the text: scientific developments cause the alienation of relationships, the scarcity of animals, and the commodity fetishism. Mass media are under the control of Multinational Corporations, and the popular appropriation makes individuals materialized and commercialized. In addition, by the interaction and argumentation of the human/ replicant, the research treats of the entity of the human and the subjectivity in postmodern, and draws the conclusion that the subjectivity has been collapsed. In the other way, the research tries to explain blurred border between human/ replicant, reality/illusion with the ‘simulacra’ theory from Jean Baudrillard, and tries to make the suggestions in postmodern simulacra society that the way how individuals confirm their self-identities and religion-identities in which the believes have been questioned.
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Livshits, Rita. "Does Ishiguro dream of electric sheep? : androids as a distinctive emergent phenomenon in Japan." Thesis, 2016. http://hdl.handle.net/1828/7516.

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The Japanese robotics industry stands out in both its scale and its diversity of innovations. No other country has put so much effort in research and development of humanoid robots. This phenomenon has been widely discussed in academic scholarship, and cultural, religious and socio-economic influences are widely cited as contributing factors to the shaping of robotics in Japan. This work is focused on a specific and relatively new product of this industry: the robot in human image, the android. The main feature that separates androids from humanoid robots is external appearance, a design aspect that has no operational function. This work attempt to offer a holistic theory for the existence of an entire field of study dedicated to creating robots that look just like humans.
Graduate
rita.livshits@gmail.com
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Hsu, Fang Jui, and 許方睿. "Empathy and the Distinction between Humans and Androids in Philip Dick’s Do Androids Dream of Electric Sheep?" Thesis, 2015. http://ndltd.ncl.edu.tw/handle/68528264135445390464.

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碩士
中國文化大學
英國語文學系
103
Do Androids Dream of Electric Sheep? is a science fiction novel first published in 1968, by an American writer, Philip K. Dick, also well known as the primary basis for the movie Blade Runner. The novel has consistently questioned the manifestations of humanity through the struggle and confusion when both Rick Deckard, a Bounty hunter accomplishing his mission to hunt down escaped androids and John Isidore, an lonesome outcast lives far away from the crowd getting along with androids and the conclusion they make to realize what is the true nature of life. This thesis will examine the reliability of “empathy” —an idea considered to be a most important factor of human identity from ideas and examples given in the story to distinguish between human and non-human. The first chapter introduces the author, the novel, and the existential questions posed by the novel regarding the relationship between man and machine as well as the increasingly unstable human identity, which depends on the problematic criterion of empathy. The second chapter will examine the definition of empathy in order to find out the role it plays in the novel, to analyze how is it used to distinguish humans and androids, whether it can be used as a standard without doubt, and problems that destabilize its validity as can be found in the novel. In light of the problems of empathy reflected in the second chapter, the third chapter will focus on how Philip Dick redefines the meanings of and the boundary between humans and androids. Based on Dick’s own reflections on humanity and the so-called “androidization”—a dehumanized process that can happen to anyone, the chapter will analyze the blurring of human-android distinction in the novel. In conclusion, Do Androids Dream of Electric Sheep? makes us go beyond the boundaries of human and non-human, and obtain new cognitions of life.
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Polyrakis, Anastasia. "Explorations of identity in Philip K. Dick's Do androids dream of electric sheep?" Thèse, 2008. http://hdl.handle.net/1866/7981.

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Lingya, Lindsay, and 黃鈴雅. "Panopticon Society in Blade Runner and Do Androids Dream of an Electric Sheep?" Thesis, 2005. http://ndltd.ncl.edu.tw/handle/45847156193194563069.

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碩士
國立中正大學
外國文學所
93
The purpose of this thesis is to propose that our society is a Foucauldian Panopticon. By examining Ridley Scott’s Blade Runner movie and its original novel Do Androids Dream of an Electric Sheep? written by Philip K. Dick, we can have not only the sketch of 2019 L.A. society, but also similar images of that in the twenty-first century. Thus, the discussion in this thesis will reveal the striking resemblance between the society of both texts and our society. This thesis is divided mainly into three chapters. In the Introduction, the motivation and research methods will be introduced. In Chapter One, Foucault’s analysis of Bentham’s Panopticon and his own development of Panopticism will be presented. In Chapter Two and Three, Foucault’s Panopticism will be applied to discuss both texts of the original novel Do Androids Dream of an Electric Sheep? and its visualized movie Blade Runner to prove that our society can be regarded as a Panopticon, a so-called Carceral Society. Finally, the Conclusion summarizes the main points of the previous chapters.
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Books on the topic "Do Androids Dream of Electric Sheep?"

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K, Dick Philip. Do androids dream of electric sheep? 2nd ed. Oxford: Oxford University press, 2000.

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K, Dick Philip. Do Androids Dream of Electric Sheep? Waterville, Me: G.K. Hall, 2001.

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K, Dick Philip. Do androids dream of electric sheep? [London]: Gollancz, 2001.

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K, Dick Philip. Do androids dream of electric sheep? London: HarperCollins, 1997.

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K, Dick Philip. Do androids dream of electric sheep? New York: Ballantine Books, 1996.

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K, Dick Philip. Blade runner: (Do androids dream of electric sheep). New York: Ballantine Books, 1992.

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K, Dick Philip. Blade runner (Do androids dream of electric sheep). New York: Ballantine Books, 1987.

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Do Androids Dream Of Electric Sheep?: Dust to Dust Vol. 2. Los Angeles: BOOM! Studios, 2011.

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Jimmy, Betancourt, Lozano Andrés, Carlson Bryce, Adler Robert E. 1946-, and Comicraft (Firm), eds. Do Androids Dream of Electric Sheep?: Dust to Dust Vol. 1. Los Angeles: BOOM! Studios, 2010.

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K, Dick Philip. Do androids dream of electric sheep?: Filmed as Blade Runner. London: Gollancz, 1999.

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Book chapters on the topic "Do Androids Dream of Electric Sheep?"

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Zimmerman, Michael E. "Authenticity, Duty, and Empathy in Do Androids Dream of Electric Sheep?" In Horizons of Authenticity in Phenomenology, Existentialism, and Moral Psychology, 75–92. Dordrecht: Springer Netherlands, 2014. http://dx.doi.org/10.1007/978-94-017-9442-8_6.

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Pagan, Nicholas O. "Dick’s Do Androids Dream of Electric Sheep?: What Happened to Affective Empathy?" In Theory of Mind and Science Fiction, 55–66. London: Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137399120_6.

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Murphy, Graham J. "Cyberpunk Urbanism and Subnatural Bugs in Boom! Studios' Do Androids Dream of Electric Sheep?" In Cyberpunk and Visual Culture, 35–54. New York: Routledge, 2018.: Routledge, 2017. http://dx.doi.org/10.4324/9781315161372-4.

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Neill, Calum. "Do Electric Sheep Dream of Androids?: On the Place of Fantasy in Consideration of the Nonhuman." In Lacan and the Nonhuman, 213–25. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-63817-1_11.

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"DO ANDROIDS DREAM OF ELECTRIC SHEEP?" In Faculty Brat, 51–56. University of Iowa Press, 2020. http://dx.doi.org/10.2307/j.ctvx077j9.21.

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LoBrutto, Vincent. "Electric Ladyland." In Ridley Scott, 61–77. University Press of Kentucky, 2019. http://dx.doi.org/10.5810/kentucky/9780813177083.003.0007.

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In February 1980, Ridley Scott signed on to direct a film based on Philip K. Dick’s novel Do Androids Dream of Electric Sheep? During development of the project the film became Blade Runner, a highly influential science fiction film set in a dystopian Los Angeles of the near future. The production was highly inventive and the narrative experimental. Scott pushed the cast and crew hard because of the limited amount of time he had to put his vision on film. The producers were constantly hounding him over what they considered excesses and lack of respect for the schedule, actually firing him and his producer Michael Deeley at one point, only to rehire them days later, although they constantly threatened to take the film over. Narration included for clarity slowed the film down and was eventually removed after the initial release. Blade Runner is a landmark film in visual effects and for its sophisticated narrative and complex characters.
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"Do Androids Dream of Electric Sheep?: “Mechanical Universe and Its Discontents”." In Philip K. Dick, 83–104. Routledge, 2010. http://dx.doi.org/10.4324/9780203886847-9.

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Winge, Therèsa M. "Chapter 1. Do Androids Dream of Electric Sheep Dressed in Street Fashions?: Investigating Virtually Constructed Fashion Subcultures." In Subcultures, Bodies and Spaces: Essays on Alternativity and Marginalization, 13–26. Emerald Publishing Limited, 2018. http://dx.doi.org/10.1108/978-1-78756-511-120181003.

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Fernandez-Vara, Clara. "The Inescapable Intertextuality of Blade Runner: The Video Game." In Advances in Multimedia and Interactive Technologies, 22–38. IGI Global, 2016. http://dx.doi.org/10.4018/978-1-5225-0477-1.ch002.

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The video game adaptation of Blade Runner (1997) exemplifies the challenges of adapting narrative from traditional media into digital games. The key to the process of adaptation is the fictional world, which it borrows both from Philip K. Dick's novel Do Androids Dream of Electric Sheep? (1968) and Ridley Scott's film Blade Runner (1982). Each of these works provides different access points to the world, creating an intertextual relationship that can be qualified as transmedia storytelling, as defined by Jenkins (2006). The game utilizes the properties of digital environments (Murray, 2001) in order to create a world that the player can explore and participate in; for this world to have the sort of complexity and richness that gives way to engaging interactions, the game resorts to the film to create a visual representation, and to the themes of the novel. Thus the game is inescapably intertextual, since it needs of both source materials in order to make the best of the medium of the video game.
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Wiese, Wanja, and Thomas K. Metzinger. "Androids dream of virtual sheep." In Blade Runner 2049, 149–64. Routledge, 2019. http://dx.doi.org/10.4324/9780429460036-9.

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Conference papers on the topic "Do Androids Dream of Electric Sheep?"

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Lazaridou, Angeliki, Dat Tien Nguyen, and Marco Baroni. "Do Distributed Semantic Models Dream of Electric Sheep? Visualizing Word Representations through Image Synthesis." In Proceedings of the Fourth Workshop on Vision and Language. Stroudsburg, PA, USA: Association for Computational Linguistics, 2015. http://dx.doi.org/10.18653/v1/w15-2813.

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Paul Fox. "Will Mobiles Dream of Electric Sheep? Expectations of the New Generation of Mobile Users: Misfits with Practice and Research." In 2006 International Conference on Mobile Business. IEEE, 2006. http://dx.doi.org/10.1109/icmb.2006.50.

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