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1

Eversberg, Gerd. "Doctor Johann Faust die dramatische Gestaltung der Faustsage von Marlowes "Doktor Faustus" bis zum Puppenspiel /." Köln : [s.n.], 1988. http://catalog.hathitrust.org/api/volumes/oclc/19807603.html.

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2

Matthews, Michelle M. "MAGICIAN OR WITCH?: CHRISTOPHER MARLOWE'S DOCTOR FAUSTUS." Connect to this title online, 2006. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=bgsu1143482826.

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3

Schmitz, Jens. "Konstruktive Musik Thomas Manns Doktor Faustus im Kontext der Moderne." Würzburg Königshausen & Neumann, 2009. http://d-nb.info/99184596X/04.

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4

黃國鉅 and Kwok-kui Wong. "Representing crises in German culture in Doctor Faustus." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1998. http://hub.hku.hk/bib/B31220095.

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5

Jones, Louise. "Stage action as metaphor in Marlowe's Doctor Faustus." Virtual Press, 1991. http://liblink.bsu.edu/uhtbin/catkey/774755.

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The purpose of the study is to establish the critical need for stage action in order to understand fully the theme of Marlowe's Doctor Faustus. Marlowe's primary intent is to invert the morality play, illustrating the distortions and ambiguities of a systematized religion and to establish the human dilemma when man is faced with moral choices. To illustrate this inversion, Marlowe uses emblematic action for an effect opposite to that of the traditional moralities: Often this action goes beyond the emblem, becoming a metaphor for Marlowe's theme, man as a victim, conflicting within himself and
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6

Wong, Kwok-kui. "Representing crises in German culture in Doctor Faustus /." Hong Kong : University of Hong Kong, 1998. http://sunzi.lib.hku.hk/hkuto/record.jsp?B2026317X.

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7

Halls, Stephen William Johnson. "The use and abuse of music in Thomas Mann's Doktor Faustus." Thesis, University of Sheffield, 1986. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.284454.

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8

Börnchen, Stefan. "Kryptenhall Allegorien von Schrift, Stimme und Musik in Thomas Manns "Doktor Faustus"." München Paderborn Fink, 2004. http://deposit.ddb.de/cgi-bin/dokserv?id=2801415&prov=M&dok_var=1&dok_ext=htm.

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9

Pratt, Rosemary Dorothea. "Closing the gap between music and history in Thomas Mann's 'Doktor Faustus'." Thesis, University College London (University of London), 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.392887.

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10

Severin, Karlsson Rasmus. "Kränklichkeit des Künstlers : Syphilis, Künstlertum und nietzscheanische décadence in Thomas Mann's Doktor Faustus." Thesis, Stockholms universitet, Avdelningen för tyska, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-96240.

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11

Klugkist, Thomas. "Sehnsuchtskosmogonie : Thomas Manns "Doktor Faustus" im Umkreis seiner Schopenhauer-, Nietzsche- und Wagner-Rezeption /." Würzburg : Königshausen & Neumann, 2000. http://catalogue.bnf.fr/ark:/12148/cb39077559s.

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12

Schulze, Matthias. "Die Musik als zeitgeschichtliches Paradigma : zu Hesses "Glasperlenspiel" und Thomas Manns "Doktor Faustus /." Frankfurt am Main ; Berlin ; Paris [etc.] : P. Lang, 1998. http://catalogue.bnf.fr/ark:/12148/cb371154768.

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13

Scaff, Susan von Rohr. "Time and the self in Thomas Mann: "Joseph und seine Bruder," "Der Zauberberg," "Doktor Faustus"." Diss., The University of Arizona, 1987. http://hdl.handle.net/10150/184309.

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Thomas Mann's Joseph tetralogy, Der Zauberberg, and Doktor Faustus, treat the modernist themes of myth, history, and the self by offering a conception of mythic history. In Joseph Mann's purpose is to provide a vision of stability for the modern world, where history has become destructive. To recall humankind to its fundamental goodness, he invokes and transforms a mythic conception of time and self. In archaic thought, "history" is the nondevelopmental reenactment of original models, and the human self takes its identity from eternal prototypes. Mann complicates the archaic view by infusing m
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14

Saffle, Michael. "Text as Music / Music as Text. Thomas Mann's «Doktor Faustus» and Beethoven's Sonata, op. 111." Bärenreiter Verlag, 1998. https://slub.qucosa.de/id/qucosa%3A37096.

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15

Da, Silva Maia Alexandre. "Renaissance desire and disobedience : eroticizing human curiosity and learning in Doctor Faustus." Thesis, McGill University, 1998. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=21205.

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Focusing on the A-text (1604) version of Marlowe's Doctor Faustus , this study further assesses biographical information on the poet and intellectual currents of the Counter Reformation, so as to investigate the play's relation to emergent trends of individualism in the Renaissance, recovery of the pagan past, and intellectual aspirations that could readily collide with orthodoxy. Clearly reflecting anxieties of the period about individual deviance from social norms through intellectual overreaching, Doctor Faustus powerfully testifies to the potential dangers of human aspiration and the schol
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16

Da, Silva Maia Alexandre. "Renaissance desire and disobedience, eroticizing human curiosity and learning in Doctor Faustus." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape9/PQDD_0026/MQ50508.pdf.

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17

Andersson, Love. ""The Devil to pay" : Temptation and desire in Christopher Marlowe's Doctor Faustus." Thesis, Högskolan i Halmstad, Akademin för lärande, humaniora och samhälle, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:hh:diva-43851.

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The Faustian myth may not have started with Christopher Marlowe and the staging of his play The Tragical tale of Dr. Faustus, but few adaptions have managed to become as prominent as Marlowe’s in passing on the Faustian myth. Psychoanalyst Jacques Lacan highlights the presence of a more or less conscious catalyst behind each desire, the objet a (the lost object of desire), thus indicating that desiring is not a straight path but rather a constant filling of the void that comes with being human. In an eerie mirroring of this tendency, the play eloquently paints the picture of Faustus’ incessant
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18

Vejmelka, Marcel. "Kreuzwege: Querungen : João Guimarães Rosas "Grande sertão: veredas" und Thomas Manns "Doktor Faustus" im interkulturellen Vergleich." Berlin Ed. tranvía, 2005. http://www.tranvia.de/buecher/92586794.htm.

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19

Habington, William A. "Necessary evil, the interplay of compulsion and necessity in Doctor Faustus and Macbeth." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape15/PQDD_0001/MQ36458.pdf.

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20

Jarvis, Beau Thomas. "Dialectical parallels in Alfred Schnittke's Seid Nuchtern und Wachet and Thomas Mann's Doctor Faustus." Thesis, Wichita State University, 2012. http://hdl.handle.net/10057/5600.

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Alfred Schnittke and Thomas Mann were both fascinated by the legend of Doctor Faustus, a Germanic myth based upon the life of a real man who lived in the early sixteenth century. Doctor Faustus was a transgressive figure from the perspective of the Lutheranism that swept Germany during the sixteenth century. His exploits were exaggerated to the point of fantasy and eventually became the basis for a 1587 chapbook by Johann Spies. The Spies chapbook functioned as a morality play censuring the acts of witchcraft and divination and exhorting would be-readers to consign themselves to the grace of G
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21

Henry, Lorena A. "The disobedience of a Christian man sin and free will in Marlowe's Doctor Faustus." Thesis, University of Ottawa (Canada), 1986. http://hdl.handle.net/10393/4566.

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22

Stamenkovic, Zoran. "Culture-bound shifts in the first french and italian translations of Christopher Marlowe's Doctor Faustus." Thesis, Perpignan, 2018. http://www.theses.fr/2018PERP0052.

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La présente thèse compare le drame Le Docteur Faust de Christopher Marlowe (1604, 1616) avec la première traduction française faite par Jean-Pierre Antoine Bazy (1850) et la première traduction italienne faite par Eugenio Turiello (1898) en visant à identifier les changements textuels révélateurs du contexte culturelle et idéologique au moment où se produisent les deux textes cibles. Le Docteur Faust est un exemple emblématique de l’instabilité du texte dramatique source. Il nous est parvenu en deux versions (le texte A et le texte B) différentes du point de vue structurel, thématique et doctr
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23

Schillinger, Birgit. "Das kreative Chaos bei Thomas Mann und Hans Henny Jahnn : ein Vergleich von "Doktor Faustus" und "Fluss ohne Ufer /." St. Ingbert : Röhrig, 1993. http://catalogue.bnf.fr/ark:/12148/cb389563846.

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24

Hofmann-Ortega, Lleras Gabriela. "Die produktive Rezeption von Thomas Manns Doktor Faustus : Einzeltextanalysen zu João Guimarães Rosa, Clarice Lispector, Michel Tournier und Danièle Sallenave /." Heidelberg : C. Winter, 1995. http://catalogue.bnf.fr/ark:/12148/cb35773545s.

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25

Holmes, Jonathan. ""Hell is empty, and all the devils are here" the influence of Doctor Faustus on The tempest /." Connect to resource, 2009. http://hdl.handle.net/1811/36527.

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26

Wißmach, Friederike [Verfasser], and Jochen [Akademischer Betreuer] Strobel. "Narrative Identitätsentwürfe. Erzählen zwischen Vermittlung und Selbstbefragung in Thomas Manns "Joseph und seine Brüder" und "Doktor Faustus" / Friederike Wißmach ; Betreuer: Jochen Strobel." Marburg : Philipps-Universität Marburg, 2020. http://d-nb.info/1205879692/34.

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27

Popelard, Mickaël. "Faustus, Prospero, Salomon : la représentation du savant en Angleterre à l'époque de la Révolution Scientifique." Paris 3, 2007. http://www.theses.fr/2007PA030098.

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En Angleterre, la révolution scientifique coïncide avec la Renaissance. Il n'est pas surprenant dès lors que Marlowe et Shakespeare s'emparent de la figure du savant dans Doctor Faustus et The Tempest. La science est encore plus présente dans l'oeuvre de Bacon : New Atlantis dépeint une société idéale dont la prospérité et le bonheur dépendent d'une institution scientifique nommée "Maison de Salomon". Le terme "savant" est néanmoins problématique. Il ne correspond à aucune catégorie sociale ou culturelle de l'époque. On peut cependant tenter de définir certains des traits que partagent alors l
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28

Potter, Martin Gabriel. "The old and the new : art, society, and cultural change in Goethe's Wilhelm Meisters Lehrjahre, Keller's Der Grüne Heinrich, and Thomas Mann's Doktor Faustus". Thesis, University College London (University of London), 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.402446.

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29

Lee, Seong Joo. "Inspiration bei Thomas Mann "die @zweite Verhüllung" als der literarische Zwang zum Verschweigen und zum Weiterschreiben in Der Tod in Venedig und in Doktor Faustus." Würzburg Königshausen & Neumann, 2009. http://d-nb.info/994498233/04.

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30

Kholiavka, Sergii Verfasser], and Moritz [Akademischer Betreuer] [Baßler. "Zwei Wege der literarischen Moderne: Das metonymische Verfahren und die Lesbarkeit : anhand von Carl Einsteins 'Bebuquin' und Thomas Manns 'Doktor Faustus' / Sergii Kholiavka ; Betreuer: Moritz Baßler." Münster : readbox unipress in der readbox publishing GmbH, 2020. http://d-nb.info/1219963976/34.

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31

Kholiavka, Sergii [Verfasser], and Moritz [Akademischer Betreuer] Baßler. "Zwei Wege der literarischen Moderne: Das metonymische Verfahren und die Lesbarkeit : anhand von Carl Einsteins 'Bebuquin' und Thomas Manns 'Doktor Faustus' / Sergii Kholiavka ; Betreuer: Moritz Baßler." Münster : readbox unipress in der readbox publishing GmbH, 2020. http://d-nb.info/1219963976/34.

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32

Bailey, Colin R. "As looks the sun, infinite riches, valorem : the economics of metaphor in Marlowe's Tamburlaine the Great, the Jew of Malta and the Doctor Faustus." Thesis, McGill University, 1987. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=63913.

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33

Ramos, Diego Rogério. "Os lamentos da razão: mito e história em Doutor Fausto de Thomas Mann." Universidade de São Paulo, 2015. http://www.teses.usp.br/teses/disponiveis/8/8133/tde-19112015-154808/.

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Trata-se de realizar uma articulação entre as imagens construídas pelo romance Doutor Fausto, de Thomas Mann, e o quadro teórico elaborado pela Escola de Frankfurt, a fim de compor uma interpretação filosoficamente investida do romance e alcançar uma melhor compreensão das ideias da Teoria Crítica. A vida do compositor Adrian Leverkühn, o Fausto de Mann, é narrada pelo amigo e biógrafo Serenus Zeitblom, e essa narrativa revela a identidade fundamental entre o músico e a Alemanha, aproximando suas características e histórias. Nossa abordagem tematiza especialmente a questão da salvação ou conde
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34

French, Rebecca S. C. "The devil in disguise : a comparative study of Thomas Mann's "Doktor Faustus" (1947 and Klaus Mann's "Mephisto" (1936, focussing on the role of art as an allegory of the rise and fall of Nazi Germany /." Thesis, Rhodes University, 2008. http://eprints.ru.ac.za/1634/.

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35

Odendahl, Johannes. "Literarisches Musizieren : Wege des Transfers von Musik in die Literatur bei Thomas Mann /." Bielefeld : Aisthesis-Verl, 2008. http://d-nb.info/988603675/04.

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36

Hetyei, Judit. "Der Teufelsbündner Faust als Verführter im 20. Jahrhundert /." Hamburg : Kovač, 2005. http://www.verlagdrkovac.de/3-8300-1972-6.htm.

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37

Zitová, Olga. "Pojetí mýtu u Thomase Manna a Olbrachtovy podkarpatské prózy." Master's thesis, 2012. http://www.nusl.cz/ntk/nusl-305613.

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This thesis deals with a myth concept in Thomas Mann's and Ivan Olbracht's work. In regard to the tertium comparationis, which is myth, Mann's novels Joseph and His Brothers (Joseph und seine Brüder) and Doctor Faustus (Doktor Faustus) as well as Olbracht's novels The Bitter and the Sweet (Nikola Šuhaj loupežník) and Valley of Exile (Golet v údolí) are analysed. The concepts of these two authors are being compared both on a genetic level, which includes a possible influence of the tetralogy Joseph and His Brothers on Olbracht's work, and on a typological level. The second one includes analogie
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38

Chen, Shu-hui, and 陳淑惠. "The Comic Scenes in Marlowe's Doctor Faustus." Thesis, 1993. http://ndltd.ncl.edu.tw/handle/76817238039415913859.

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碩士<br>國立中山大學<br>外國語文學系<br>81<br>It is a fairly common experience for modern audience to come away from the performance of Marlowe's Doctor Faustus in perplexity. What puzzles modern audience is the undue insertion of farcical scenes in Doctor Faustus. From the fact that Doctor Faustus had enjoyed great popularity in the Elizabethan age, it comes to the conclusion: to the Elizabethan audience, that undue farce in Doctor Faustus was never an obstacle to understanding of the tragic play. Beca
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39

LAI, JI-SHENG, and 賴吉生. "Die problematik des kunstlerischen in Thomas manns roman "Doktor faustus"." Thesis, 1989. http://ndltd.ncl.edu.tw/handle/35060764915201010973.

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40

Bien, Delphine Shu-fang, and 邊淑芳. "Ambiguity as a Strategy in Thomas Mann’s Doctor Faustus." Thesis, 2001. http://ndltd.ncl.edu.tw/handle/77140596937978971006.

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碩士<br>淡江大學<br>西洋語文研究所<br>89<br>This thesis probes the principle of ambiguity that prevails itself throughout Thomas Mann’s novel, Doctor Faustus: The Life of the German Composer Adrian Leverkühn as told by a Friend, concerning the themes of music, religion, history, and textual relations. Mann endeavors to revitalize and redirect the general attitude toward the world and man after the collapse of morality and bankruptcy of humanity, and the key to it lies in the notion of ambiguity, which aims to subvert the traditional thinking that has dominated the Western civilization. Mann’s idea of ambig
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41

Schneider, Thomas. "Das literarische Porträt : Quellen, Vorbilder und Modelle in Thomas Manns Doktor Faustus." 2004. http://deposit.ddb.de/cgi-bin/dokserv?idn=971886636.

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42

Lee, Frances Ann Ray. "Thomas Mann's Doktor Faustus in the light of Die Betrachtungen eines Unpolitischen." 2005. http://link.library.utoronto.ca/eir/EIRdetail.cfm?Resources__ID=232610&T=F.

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43

Guo, Jin-Xiu, and 郭錦秀. "Christopher Marlowe''s Doctor Faustus, a New Translation with an." Thesis, 1997. http://ndltd.ncl.edu.tw/handle/88209844030062925551.

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碩士<br>國立臺灣大學<br>戲劇研究所<br>85<br>The Tragical History of Doctor Faustus successfully dramatizes the perennial questions concerning the essence of human nature. Though interpretations differ greatly, most of the critics see in the play the spirit of a great tragedy. In Taiwan, there is still much to be done before this timeless tragedy gains more extensive attention in both of its text and performance. I hope that the translation and introduction of the play in this thesis will contribute to t
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44

LIN, YIN-HSING, and 林尹星. "Musical paradigm: a study of Thomas Mann's evocation of music in Doktor Faustus." Thesis, 1992. http://ndltd.ncl.edu.tw/handle/83647222388520699783.

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45

CHIN, YING-CHUN, and 金映君. "Why Faustus Refuses to Repent: A Secular Reading of The Tragical History of the Life and Death of Doctor Faustus." Thesis, 2019. http://ndltd.ncl.edu.tw/handle/t276tj.

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碩士<br>國立中正大學<br>外國語文研究所<br>107<br>Christopher Marlowe’s The Tragical History of the Life and Death of Doctor Faustus has seemed to many modern readers an intriguing yet perplexing play about life and death. The protagonist’s understanding of redemption is much related to the Protestant Reformation in Marlowe’s England. I propose to explain why Doctor Faustus refuses to repent from a non-Christian perspective. I suggest that the damnation of Faustus should be questioned from a more popular, worldly, and secular aspect inherited from the medieval times. The first part examines the causes of the
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46

Hand, Meredith Molly Vitkus Daniel J. "The devil and capitalism in Marlowe's Doctor Faustus and Milton's Paradise Lost." Diss., 2005. http://etd.lib.fsu.edu/theses/available/etd-04112005-182438.

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Thesis (M.A.)--Florida State University, 2005.<br>Advisor: Dr. Daniel Vitkus, Florida State University, College of Arts and Sciences, Dept. of English. Title and description from dissertation home page (viewed June 7, 2005). Document formatted into pages; contains v, 68 pages. Includes bibliographical references.
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47

Schneider, Thomas [Verfasser]. "Das literarische Porträt : Quellen, Vorbilder und Modelle in Thomas Manns Doktor Faustus / vorgelegt von Thomas Schneider." 2004. http://d-nb.info/971886636/34.

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48

Chen, Chin-Hao, and 陳智豪. "Thomas Mann on the Origin of Totalitarianism in German: Doctor Faustus as an Example." Thesis, 2019. http://ndltd.ncl.edu.tw/cgi-bin/gs32/gsweb.cgi/login?o=dnclcdr&s=id=%22107NCHU5493007%22.&searchmode=basic.

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FANG, YAO-GIAN, and 方耀乾. "Marlovian superman:a study of Tamburlaine the Great, the jew of Malta and doctor Faustus." Thesis, 1987. http://ndltd.ncl.edu.tw/handle/52155220427309593285.

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50

Kim, Ŭng-jun [Verfasser]. "Literatur als Historie : Zeitgeschichte in Thomas Manns "Doktor Faustus" und Günter Grass' "Die Blechtrommel" / vorgelegt von Eung-Jun Kim." 2004. http://d-nb.info/972033734/34.

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