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Journal articles on the topic 'Doctor Faustus (Doktor Faustus)'

Author: Grafiati

Published: 4 June 2021

Last updated: 10 February 2022

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1

Mathieu, Jeanne. "Doctor Faustus." Cahiers Élisabéthains: A Journal of English Renaissance Studies 103, no. 1 (November 2020): 157–60. http://dx.doi.org/10.1177/0184767820946175q.

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2

Lubich, Frederick A., and Thomas Sprecher. "Vom "Zauberberg" zum "Doktor Faustus"." German Studies Review 24, no. 3 (October 2001): 621. http://dx.doi.org/10.2307/1433437.

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3

Stott, Andrew. "Faustus' Signature and the Signatures of Doctor Faustus." Cahiers Élisabéthains: A Journal of English Renaissance Studies 54, no. 1 (October 1998): 27–43. http://dx.doi.org/10.1177/018476789805400106.

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4

Hermann, Lukas. "Autonom autobiografisch: Zu Thomas Manns Die Entstehung des Doktor Faustus." arcadia 55, no. 1 (June 5, 2020): 83–99. http://dx.doi.org/10.1515/arcadia-2020-0003.

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AbstractIn its peritext, Thomas Mann’s Entstehung des Doktor Faustus is described as a “Roman eines Romans”. The essay reasons that this description of its genre as well as structural aspects of its composition mark it as an autobiographical text. Instead of following most studies on the Doktor Faustus, which regard the Entstehung simply as a documentary source for exposing autobiographical intricacies of Mann’s novel, textual evidence for the Entstehung’s autonomy is given. The analysis focuses first on the structural frame of the Entstehung in order to show Mann’s central techniques of autobiographical self-stylization. In this context auto-fictional elements can also be identified. Exemplary passages from two longer sections are taken into account based on these findings. While the Doktor Faustus is a recurrent topic in these passages, it is not, by any means, the only one. Combined with varying autobiographical writing techniques, the Entstehung is thus displaying continuous independence from the Faustus. Based on these insights, future Mann studies on both works may reevaluate the role of the Entstehung for the reception of the Faustus and the status of autobiographical literature in the works of Thomas Mann.

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5

Grenville, Anthony, Michael Beddow, and Hugh Ridley. "Thomas Mann: 'Doctor Faustus'." Modern Language Review 92, no. 1 (January 1997): 245. http://dx.doi.org/10.2307/3734780.

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6

Puhvel, Martin. "Marlowe's Doctor Faustus, V.i." Explicator 46, no. 4 (July 1988): 3–5. http://dx.doi.org/10.1080/00144940.1988.9933833.

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7

Valéro, Rémy. "Play review: Doctor Faustus." Cahiers Élisabéthains: A Journal of English Renaissance Studies 91, no. 1 (November 2016): 122–25. http://dx.doi.org/10.1177/0184767816669040k.

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8

Rohls, Jan. "Thomas Manns »Doktor Faustus« und die Theologie." Zeitschrift für Theologie und Kirche 110, no. 4 (2013): 439. http://dx.doi.org/10.1628/004435413x13835622623393.

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9

Kiesel, Helmuth. "Thomas Manns Doktor Faustus Reklamation der Heiterkeit." Deutsche Vierteljahrsschrift für Literaturwissenschaft und Geistesgeschichte 64, no. 4 (December 1990): 726–43. http://dx.doi.org/10.1007/bf03396193.

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10

Feldvoss, Lars. "En moderbunden Prometheus." K&K - Kultur og Klasse 29, no. 91 (January 10, 2001): 107–26. http://dx.doi.org/10.7146/kok.v29i91.21100.

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11

McAlindon, Tom. "DOCTOR FAUSTUS: GROUNDED IN ASTROLOGY." Literature and Theology 8, no. 4 (1994): 384–93. http://dx.doi.org/10.1093/litthe/8.4.384.

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12

Alaina Jobe. "Doctor Faustus (review)." Shakespeare Bulletin 27, no. 3 (2009): 508–10. http://dx.doi.org/10.1353/shb.0.0095.

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13

Melnikoff, Kirk. "Doctor Faustus (review)." Shakespeare Bulletin 30, no. 2 (2012): 218–20. http://dx.doi.org/10.1353/shb.2012.0042.

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14

Hand, Molly. "Doctor Faustus (review)." Shakespeare Bulletin 31, no. 1 (2013): 132–36. http://dx.doi.org/10.1353/shb.2013.0007.

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15

Sheckter, Jennifer. "Doctor Faustus by Shakespeare's Globe." Shakespeare Bulletin 37, no. 3 (2019): 429–32. http://dx.doi.org/10.1353/shb.2019.0047.

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16

Rogers, Jami, Penny Gay, Lioyd Davis, Peter J. Smith, Katherine Wilkinson, and Peter J. Smith. "Play Reviews: Doctor Faustus, Twelfth Night, Doctor Faustus, the Duchess of Malfi, King Lear." Cahiers Élisabéthains: A Journal of English Renaissance Studies 71, no. 1 (May 2007): 53–60. http://dx.doi.org/10.7227/ce.71.1.7.

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17

Crawford, Karin L. "Exorcising the Devil from Thomas Mann's "Doktor Faustus"." German Quarterly 76, no. 2 (2003): 168. http://dx.doi.org/10.2307/3252173.

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18

Baron, Frank, William Empson, and John Henry Jones. "Faustus and the Censor. The English Faust-Book and Marlowe's Doctor Faustus." German Studies Review 12, no. 2 (May 1989): 354. http://dx.doi.org/10.2307/1430100.

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19

Covella, Francis Dolores. "The Choral Nexus in Doctor Faustus." Studies in English Literature, 1500-1900 26, no. 2 (1986): 201. http://dx.doi.org/10.2307/450504.

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20

Hamlin, William M. "Casting Doubt in Marlowe's Doctor Faustus." SEL Studies in English Literature 1500-1900 41, no. 2 (2001): 257–75. http://dx.doi.org/10.1353/sel.2001.0018.

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21

Golz, D. "The Four Books of Doctor Faustus." Notes and Queries 53, no. 4 (December 1, 2006): 444–49. http://dx.doi.org/10.1093/notesj/gjl152.

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22

Hamlin, William M. "Casting Doubt in Marlowe's "Doctor Faustus"." Studies in English Literature, 1500-1900 41, no. 2 (2001): 257. http://dx.doi.org/10.2307/1556188.

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23

RICKS, CHRISTOPHER. "Doctor Faustus and Hell on Earth." Essays in Criticism XXXV, no. 2 (1985): 101–20. http://dx.doi.org/10.1093/eic/xxxv.2.101.

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24

MacIntyre, Jean. "Doctor Faustus and the Later Shakespeare." Cahiers Élisabéthains: A Journal of English Renaissance Studies 29, no. 1 (April 1986): 27–37. http://dx.doi.org/10.1177/018476788602900107.

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25

Z.R., Djuraeva, and Nosirov O.T. "Dostoevsky's traditions in the novel “Doctor Faustus” by T. Mann." International Journal on Integrated Education 2, no. 6 (December 11, 2019): 110–14. http://dx.doi.org/10.31149/ijie.v2i6.216.

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This paper makes analyses of the different research points of the Dostoevsky's traditions in the novel “Doctor Faustus” by T. Mann . On this case, Reception of ideas of F. Dostoevsky's in the novel “Doctor Faustus” by T. Mann . Finally, conclusions of the author done to make further analyses on the topic.

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26

Potter, Lois. "Doctor Faustus, and: The Devil is an Ass, and: The Tragical History of Doctor Faustus (review)." Shakespeare Bulletin 26, no. 1 (2008): 124–31. http://dx.doi.org/10.1353/shb.2008.0022.

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27

Zysk, J. "The Last Temptation of Faustus: Contested Rites and Eucharistic Representation in Doctor Faustus." Journal of Medieval and Early Modern Studies 43, no. 2 (April 1, 2013): 335–67. http://dx.doi.org/10.1215/10829636-2081996.

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28

Herwig, Malte, and Thomas Sprecher. "Vom 'Zauberberg' zum 'Doktor Faustus': Die Davoser Literaturtage 1998." Modern Language Review 98, no. 2 (April 2003): 513. http://dx.doi.org/10.2307/3737898.

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29

ÖZENÇ, Ardeniz. "Christopher Marloweun Doktor Faustus adlı Eserinde Transhümanizm ve Gnostisizm." Journal of Turkish Studies 13, Volume 13 Issue 20 (January 1, 2018): 619–29. http://dx.doi.org/10.7827/turkishstudies.13724.

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30

Powell, Larson, John Francis Fetzer, and Thomas Mann. "Music, Love and Death in Thomas Mann's "Doktor Faustus"." German Quarterly 65, no. 1 (1992): 93. http://dx.doi.org/10.2307/406834.

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31

Orłowski, Hubert. "Geschichtsphilosophische Parabel versus Epochenroman? Zu Thomas Manns "Doktor Faustus"." Studia Germanica Posnaniensia 25 (October 29, 2018): 39–57. http://dx.doi.org/10.14746/sgp.1999.25.04.

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32

Görner, Rüdiger. "Die Entstehung des Doktor Faustus: Thomas Mann's Narrated Poetics." Publications of the English Goethe Society 70, no. 1 (January 2000): 46–55. http://dx.doi.org/10.1080/09593683.2000.11716317.

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33

Wickerson, E. "Demonizing Gretchen through Gossip in Thomas Mann's Doktor Faustus." Forum for Modern Language Studies 50, no. 2 (March 20, 2014): 212–26. http://dx.doi.org/10.1093/fmls/cqu004.

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34

Cicora, Mary A. "Beethoven, Shakespeare, and Wagner Visual Music in Doktor Faustus." Deutsche Vierteljahrsschrift für Literaturwissenschaft und Geistesgeschichte 63, no. 2 (June 1989): 267–81. http://dx.doi.org/10.1007/bf03396338.

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35

Kojoyan, Ani. "Damnable Lives? The Inter-Textual Relations between Marlowe’s “Doctor Faustus” and “The English Faust” Book." Armenian Folia Anglistika 10, no. 1-2 (12) (October 15, 2014): 131–41. http://dx.doi.org/10.46991/afa/2014.10.1-2.131.

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Christopher Marlowe’s play Doctor Faustus is a problematic work in regards to the issues of its date and authorship, but one thing can be stated with certainty: it was inspired by The History of the Damnable Life and Deserved Death of Doctor John Faustus which is commonly known as the English Faust Book. The present article observes inter-textual dimensions between Marlowe’s tragedy Doctor Faustus and its prose source-book – the English Faust Book. The article discusses intertextual relations both at paradigmatic and syntagmatic levels. According to the analysis, it becomes obvious that despite several similarities between the two texts, certain differences also exist which are conditioned by political and religious factors of time and social-historical factors of space.

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36

Safaei, Mohammad. "Periodicity and intimations of a Judaic universe in David Mamet’s Faustus." International Journal of English Studies 18, no. 1 (June 26, 2018): 17–33. http://dx.doi.org/10.6018/ijes/2018/1/283321.

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David Mamet’s Faustus presents a complex amalgam of various ideas, traditions and cultures. After a preliminary discussion, in this essay, on the adaptive status of Mamet’s Faustus and on the myth of Faustus throughout history, I approach the notion of periodicity and time in the play, in its religious and anthropological contexts. I further investigate the same theme in tandem with the Nietzschean doctrine of eternal recurrence and its intersection with Judaism and, in specific, with Jewish philosopher Soloveitchik’s conception of halakhic man and its antithetical selves, namely cognitive man and homo religiosus. Exploring the echoes of Jewish existentialism in the works of Soloveitchik, I argue that the play, which is categorized as a typical adaptation of Marlowe’s Doctor Faustus, posits serious questions as to human existence and the significance of intellectual negation and spiritual challenge within a Judaic universe. The essay, beyond the analysis of intertextuality in Mamet’s Faustus, tends to underscore the play’s distinguished contribution to the myth of Faustus from a Judaic perspective.

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37

Jungee Han. "Doctor Faustus: Renaissance Individualism and Protestant Individualism." Journal of Classic and English Renaissance Literature 19, no. 2 (December 2010): 73–93. http://dx.doi.org/10.17259/jcerl.2010.19.2.73.

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38

Spencer, Matthew, Christopher Marlowe, and David Wootton. "Doctor Faustus with the English Faust Book." Sixteenth Century Journal 37, no. 4 (December 1, 2006): 1152. http://dx.doi.org/10.2307/20478179.

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39

Siefken, Hinrich, and John Francis Fetzer. "Music, Love, Death, and Mann's 'Doctor Faustus'." Modern Language Review 86, no. 4 (October 1991): 1052. http://dx.doi.org/10.2307/3732633.

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40

Cerf, Steven R., and John F. Fetzer. "Music, Love, Death and Mann's "Doctor Faustus"." South Atlantic Review 56, no. 2 (May 1991): 158. http://dx.doi.org/10.2307/3199979.

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41

Walker, Katherine. "Clowns and Demonic Learning in Doctor Faustus." ELH 87, no. 2 (2020): 405–31. http://dx.doi.org/10.1353/elh.2020.0013.

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42

ERIKSEN, ROY T. "GIORDANO BRUNO AND MARLOWE'S DOCTOR FAUSTUS (B)." Notes and Queries 32, no. 4 (December 1, 1985): 463–65. http://dx.doi.org/10.1093/nq/32-4-463.

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43

Steggle, M. "Doctor Faustus and the Devils of Empedocles." Notes and Queries 56, no. 4 (December 1, 2009): 544–47. http://dx.doi.org/10.1093/notesj/gjp213.

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44

Fickert, Kurt, and John Francis Fetzer. "Music, Love, Death and Mann's Doctor Faustus." German Studies Review 14, no. 2 (May 1991): 426. http://dx.doi.org/10.2307/1430613.

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45

Minshull, C. "The Dissident Subtext of Marlowe's 'Doctor Faustus'." English 39, no. 165 (September 1, 1990): 193–207. http://dx.doi.org/10.1093/english/39.165.193.

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46

Park,Woo-Su. "Doctor Faustus and the Language of Magic." Journal of English Language and Literature 56, no. 2 (July 2010): 237–53. http://dx.doi.org/10.15794/jell.2010.56.2.003.

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47

Armstrong, Alan. "The Tragical History of Doctor Faustus (review)." Shakespeare Bulletin 24, no. 1 (2006): 77–80. http://dx.doi.org/10.1353/shb.2006.0003.

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48

Schuler, Douglas. "Doctor Faustus in the twenty-first century." AI & SOCIETY 28, no. 3 (February 17, 2012): 257–66. http://dx.doi.org/10.1007/s00146-012-0411-5.

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49

Wehrmann, Harald. "„Der Roman praktiziert die Musik, von der er handelt”." Die Musikforschung 46, no. 1 (September 22, 2021): 5–16. http://dx.doi.org/10.52412/mf.1993.h1.1139.

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Thomas Manns Roman fordert besonders das Interesse der Literaturwissenschaft heraus. Dabei wird der Anteil an musikalischen Komposition übersehen. Das Gesamtbild des Romans offenbart eine klare HInwendung zur Dodekaphonie. Mann praktiziert eine zwölftönige Schreibweise, indem er alle möglichen Erscheinungsformen in die Erzählstruktur seines "Doktor Faustus" transponiert. (Autor)

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50

Siefken, Hinrich, Hans Wisskirchen, and David J. T. Ball. "Zeitgeschichte im Roman: Zu Thomas Manns 'Zauberberg' und 'Doktor Faustus'." Modern Language Review 83, no. 3 (July 1988): 791. http://dx.doi.org/10.2307/3731401.

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