Relevant bibliographies by topics / Documenta (Exhibition)

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Documenta (Exhibition)'

Author: Grafiati
Published: 4 June 2021
Last updated: 31 July 2024

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Journal articles on the topic "Documenta (Exhibition)"

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Kenigsberg, Ekaterina. "THE GENESIS OF THE DOCUMENTA INTERNATIONAL EXHIBITION OF CONTEMPORARY ART AS A DIALOGUE PLATFORM FOR ELITE ART AND MASS CULTURE." Herald of Culturology, no. 3 (2022): 158–75. http://dx.doi.org/10.31249/hoc/2022.03.10.

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The article examines the genesis of the documenta exhibition as the largest forum in the world of contemporary art, based on the dialogical character of elite art and mass culture. On the example of 14 exhibitions held from 1955 to 2017 documenta traced the long path of development from a single art event as part of the Federal Exhibition of Gardens to a regular global event, studied the role of its artistic directors - curators.
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Lutz, Barbara. "Von der documenta lernen? Über die kulturelle Dringlichkeit im Ursprung der Ausstellungsreihe und ihre transkulturellen Implikationen für das kuratorische Konzept der documenta 14." Kulturwissenschaftliche Zeitschrift 2, no. 1 (December 20, 2017): 76–87. http://dx.doi.org/10.2478/kwg-2017-0004.

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Abstract With the guiding principle „Learning from Athens“ the 14th edition of documenta took place in 2017 both in the Greek metropolis of Athens and the German city of Kassel. As such, documenta 14 did not appear as a touring exhibition but as two single and at the same time correlated exhibitions in two different countries located in the middle of Europe and on its outskirts. With this curatorial approach, Artistic Director Adam Szymczyk goes counter the basic parameters of the well-established Western exhibition institution, which was founded in 1955 and, since then, is implemented as a periodical exhibition with a one hundred-day duration at its venue in Kassel. Taking a transcultural perspective, this article considers how the curatorial concept of documenta 14 challenges not only the institutional history, structure and status of documenta but also how it resumes and transforms its initial understanding of an ethics of cultural connectivity in times of crisis and traumatic historical ruptures for today. Moreover, it critically scrutinizes, how far the curatorially initiated „terms of invitation“ and „forms of collaboration“ for the exhibition between Kassel and Athens can be acknowledged as a shared cultural practice.
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Lundstrom, J. E. "Documenta: the first and last exhibition of place." Nka Journal of Contemporary African Art 2003, no. 18 (March 1, 2003): 56–59. http://dx.doi.org/10.1215/10757163-18-1-56.

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Fotiadi, Eva. "Revisiting documenta 14’s magazine South as a State of Mind: On ‘Southerness’ in contemporary art and theory." Journal of Greek Media & Culture 8, no. 2 (October 1, 2022): 207–25. http://dx.doi.org/10.1386/jgmc_00058_1.

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The fourteenth edition of documenta, the international exhibition of contemporary art, introduced in the cultural field of Greece a strong statement about the country being part of the Global South. Traditionally, documenta takes place every five years in the German city of Kassel. Yet the fourteenth iteration in 2017, titled ‘Learning from Athens’, was equally split between Kassel and Athens. As documenta is considered the world’s most important manifestation of contemporary art, already for more than two decades its artistic directors try to make the exhibition project globally relevant. As every edition, so also the fourteenth, was accompanied by several publications that constructed a rich theoretical framework. Four years after the exhibition project’s finissage, this article revisits the magazine of documenta 14, titled South as a State of Mind, in order to reflect on the conception of the terms ‘South’ and ‘Global South’ proposed there in relation to the situated Athens-based perspective. As the documenta 14 motto reassured, this was an exercise in ‘learning from Athens’ between 2013 and 2017: how productive did this perspective render conceptualizations of the South for the past, present or future? And what role did the intense context of the 2010s in Greece play in such conceptualizations, in the midst of the country’s sovereign debt crisis, waves of refugees and social and political turmoil?
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Zarobell, John. "Global Art Collectives and Exhibition Making." Arts 11, no. 2 (March 1, 2022): 38. http://dx.doi.org/10.3390/arts11020038.

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Art collectives come into existence for many reasons, whether to collaborate on art making or to generate a space for contemporary art outside of the established channels of exhibition and the art market. These efforts have been captured in recent exhibitions such as The Ungovernables, organized by the New Museum in 2012; Six Lines of Flight, which was launched at SFMOMA in 2013; and Cosmopolis I, organized by the Centre Pompidou in 2017. Artist collectives have received some scholarly attention, primarily as producers of artworks, but their exhibition-making practices have not been explored. Some of the collectives included in these exhibitions have also been very involved in exhibition making themselves. The Indonesian art collective ruangrupa was selected to curate the 2022 edition of documenta. This selection emerges not only from their participation in international biennials and their own exhibition practice in Jakarta—including the organization of regular exhibitions, workshops and film screenings at their compound—but also more ambitions events such as Jakarta 32 °C, a festival of contemporary art and media (2004–2014), or O.K. Video (2006–2018). Another group, the Raqs Media Collective, based in Delhi, curated the Shanghai Bienniale in 2016 and the Yokohama Trienniale in 2020. This paper will connect the local and the global through an examination of art collectives’ community-based work in their own cities, and the way it translates into global art events.
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Horváth, Gizela. "The Reception of Participatory Art. The Case of Documenta Fifteen." Studia Universitatis Babeș-Bolyai Philosophia 68, no. 1 (April 25, 2023): 97–112. http://dx.doi.org/10.24193/subbphil.2023.1.07.

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"Documenta fifteen in 2022 was par excellence the space for participatory art, so this edition can be seen as a touchstone for it. The research of the phenomenon of participatory art is based in this text on the one hand on the curatorial texts of ruangrupa, the collective that ensured the artistic direction of this edition of the documenta, and on the personal experience of the author as a visitor of the exhibition. Among the many issues raised by participatory art, the present text focuses on the aspect of reception of art in the case of the projects presented at documenta fifteen, and by extension, reflects on the experience of the receiver and the artistic value of participatory art projects. Keywords: participatory art, documenta fifteen, lumbung, reception of art, evaluation of participatory art "
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Buurman, Nanne. "d is for democracy?" MODOS: Revista de História da Arte 5, no. 2 (May 30, 2021): 338–55. http://dx.doi.org/10.20396/modos.v5i2.8665413.

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As part of a larger study on documenta as a Haunted Exhibition, my article proposes a revision of the historiography produced by and about the recurring large-scale exhibition, founded 1955 in Kassel. By rehabilitating a selection of the modern abstract art that was ostracized in the ‘Third Reich’ as ‘Jewish-Bolshevist’ degeneration, the early documenta editions contributed to the construction of a binary historiographic fairy tale of ‘good’ (i.e. democratic) abstraction vs. ‘bad’ (i.e. totalitarian) realism, which has often been discussed with regard to US-American cultural politics of reeducation in Germany. Taking a closer look at the biographies of documenta’s founding fathers and the ‘Germanic’ genealogies of their historiographic practices, however, I seek to complicate this success story of documenta as an arbiter of democracy, whose makers were claiming a radical break with the Nazi past. Highlighting the show’s continuities with German nationalism before, during and after the Nationalist Socialist regime, both on an ideological and a personal level, I will argue that documenta not only served as a ‘weapon of the Cold War’, but also as a washing machine for German (art) history, including the biographies of its historians and curators, who thus managed to distract attention from their former Nazi associations by deploying abstraction as a detergent, whose capacity for political resignification allowed for its recuperation by different ideological regimes. The article traces the continuous attempts by a network of nationalist documenta co-founders to brand abstraction as something specifically German before, during and after the NS and discusses how this part of modern art’s history in Germany was largely overwritten by the general perception of an ‘Americanization' of abstraction after World War II.
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SEO, U.-Seok, and Min Jae KIM. "An Exploration of the Possibilities for Archival Art as Local Community Archive: Gyeonggi Archive Exhibition and Seongbuk Documenta Exhibition." Korean Arts Association of Arts Management 60 (November 30, 2021): 5–35. http://dx.doi.org/10.52564/jamp.2021.60.5.

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Mouratidis, Ioannis. "La dimensión espacial del «ser usuario de museo»: reflexiones sobre la construcción social de un espacio expositivo inclusivo = The Space Dimension of «Being A Museum User»: Reflections on the Social Construction of an Inclusive Exhibition Space." Espacio Tiempo y Forma. Serie VII, Historia del Arte, no. 7 (December 13, 2019): 379. http://dx.doi.org/10.5944/etfvii.7.2019.24269.

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Partiendo de algunas perspectivas teóricas sobre la construcción social del espacio y teniendo presentes los estudios que vinculan el arte actual y ese nuevo concepto espacial, este artículo investiga las posibles articulaciones entre espacio social, arte y forma de exposición de ese arte. Con la ayuda de dos propuestas artísticas de la última edición de documenta, se reflexiona acerca de la construcción social del espacio expositivo. Documenta 14 se entiende como el resultado de unos cambios políticos y sociales más generalizados. Su propuesta expositiva sigue una tendencia que viene consolidándose los últimos años. En el presente artículo sirve como ejemplo de creación de un nuevo espacio relacional, ampliado hacia lo temporal y lo social, como medio de representación de una sociedad inclusiva en un entorno social adverso.AbstractBased on some theoretical perspectives on the social construction of space and bearing in mind the studies that link current art and this new spatial concept, this article investigates the possible articulations between social space, art and ways of exhibition of that art. With the help of two artistic proposals from the latest edition of documenta, we reflect on the social construction of the exhibition space. Documenta 14 is understood as the result of more generalized political and social changes. Its expository proposal follows a trend that has been consolidated in recent years. In this article serves as an example of creating a new relational space extended to temporal and social dimensions, as a way of representing an inclusive society in an adverse social environment.
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Attia, Kader. "Sidewalk’s Cloud (2014)." TDR/The Drama Review 59, no. 1 (March 2015): 2. http://dx.doi.org/10.1162/dram_a_00422.

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Kader Attia lives and works in Berlin and Algiers. His first solo exhibition was held in 1996 in the Democratic Republic of Congo. In 2003, he gained international recognition at the 50th Venice Biennale. In 2014, he was awarded the Berlin Art Prize: Jubilee Foundation 1848/1948. Recent exhibitions include Culture, Another Nature Repaired (solo show), Middelheim Museum, Antwerp; Contre Nature (solo show), Beirut Art Center; Continuum of Repair: The Light of Jacob’s Ladder (solo show), Whitechapel Gallery, London; Repair. 5 Acts (solo show), KW Institute for Contemporary Art, Berlin; Construire, Déconstruire, Reconstruire: Le Corps Utopique (solo show), Musée d’Art Moderne de la Ville de Paris; the Biennale of Dakar; dOCUMENTA(13) in Kassel; Performing Histories (1) at MoMA, New York; and Contested Terrains, Tate Modern, London.
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Dissertations / Theses on the topic "Documenta (Exhibition)"

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Aroni, Maria. "The aesthetics of curating : exhibition-making after the conceptual turn." Thesis, Kingston University, 2017. http://eprints.kingston.ac.uk/39276/.

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The thesis examines the evolving realtions of the aesthetic and conceptual aspects in exhibition-making after the 'conceptual turn' that took place in the late-1960s and instigated key transformations in the aesthetic condition of art and contemporary curatorial practice. Drawing on a broadly construed and variously manifested conceptualism pervading the growing field of curating since 1990s, the thesis focuses on investigating the relation between the aestheti and conceptual dimensions of three exhibitions that have had a significant impact on the postconceptual development of curating. In doing so, it aims to construct an alternative genealogy that reaffirms the significance of the aesthetic element, and so to reconstruct curatorial practice from the perspective of an Aesthetics of Curating. This trajectory unfolds a non-unitary Curatorial Aesthetics that emerges and develops together with the conceptual shift offering a revisionist perspective to dominant practices and discourses today that tend to devalue or repress aesthetic modes of production. The driving force of the thesis is neither to affirm aestheticism nor simply reversing the received positions. Instead, the investigation of aesthetics - as the poetics of an exhibition and a philosophical understanding of the experience offered - provides a reading that contests the emphasis placed upon conceptualism in order to revise those relations and established assumptions, and enable us to understand contemporary aspects of curating that have been downgraded. The thesis focuses on three case-studies, which mark important shifts in the conceptual development of curating from 1969 to 2007: When Attitudes Become Form: Works-Processes-Concepts-Situations-Information (Live in Your Head), curated by Harald Szeemann. Kunsthalle Bern (1969); Les Immateriaux, co-curated by Jean-Francois Lotard and Thierry Chaput, Centre George Pompidou, Paris (1985); Documenta 12, under the artistic directorship of Roger Buergel and chief curatorship of Ruth Noack, Kassel (2007). By exploring the different ways in which these exhibitions accommodate, engage with, and define aesthetic experience in relation to their conceptual modes, the study provides an alternative account of Curatorial Aesthetics that attains its transformative potential and political efficacy in the present through the invention of new sensations that incite new modes of thinking and acting.
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Voorhies, James Timothy Jr. "Falling from the Grip of Grace: The Exhibition as a Critical Form since 1968." The Ohio State University, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=osu1340212498.

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Zefran, Gani Vered. "Sculpture since 1945 in the Documenta Exhibitions 1955-1992." Thesis, University of Essex, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.388573.

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Weisz, Talia M. "Voices from Israel/Palestine: A Documentary Video Exhibition." The Ohio State University, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=osu1274903253.

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Porobic, Damir Verona. "MFA thesis exhibition." Morgantown, W. Va. : [West Virginia University Libraries], 2005. https://eidr.wvu.edu/etd/documentdata.eTD?documentid=4189.

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Thesis (M.F.A.)--West Virginia University, 2005.
Title from document title page. Document formatted into pages; contains vi, 30 p. : ill. (some col.). Includes a video file in the QuickTime format. Includes abstract. Includes bibliographical references (p. 30).
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Selser, Jayne Marie. "Mystery in a Common Place: A Supporting Paper for a Graduate Exhibition." [Johnson City, Tenn. : East Tennessee State University], 2001. http://etd-submit.etsu.edu/etd/theses/available/etd-0419101-125304/unrestricted/selser0427.pdf.

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Pereira, Puigvert Sílvia. "La exhibición de documentos probatorios y soportes informáticos." Doctoral thesis, Universitat de Girona, 2012. http://hdl.handle.net/10803/104485.

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The objective of the PhD thesis is the analysis of the institute of the exhibition of documents (of an evidentiary nature and technical support) in the Spanish civil procedure. It deals with addressing a momentous problem of the practice of documentary evidence: the access to the document on behalf of whom intends to introduce it in the procedure, when this is found in the power of the opposite litigant or of a third party beyond the procedure. The issue until now, hasn't been worthy of a monographic approach in Spanish Law, in open contrast to what occurs with more advanced legal systems of our environment. In this work, what has been examined is the existing scientific bibliography, which deals with the different general aspects of the exhibition of documents, as well as abundant jurisprudence; it has dealt with providing the institution from a solid doctrinal base, as well as the resolution of numerous practical and theoretical problems that arise, analyzing the different mechanisms that the legal system offers in order to allow the litigant access to the documents that are required so as to advance the claims which I have attached in the procedure. Particularly, the subject of the exhibition of technical support has been tackled, a matter entailing new, special problems, which until this point, have hardly been studied.
El objetivo de la tesis doctoral es el análisis del instituto de la exhibición de documentos (de índole probatoria y soportes informáticos) en el proceso civil español. Se trata de afrontar un problema trascendental de la práctica de la prueba documental: el acceso al documento por parte de quien pretende introducirlo en el proceso, cuando éste se halle en poder del litigante contrario o de un tercero ajeno al proceso. La cuestión no ha merecido hasta la actualidad un tratamiento monográfico en Derecho español, en abierto contraste con lo que sucede con los ordenamientos jurídicos más avanzados de nuestro entorno. En la obra se ha examinado la bibliografía científica existente que trata sobre los diferentes aspectos generales de la exhibición documental, así como abundante jurisprudencia y se ha tratado de dotar a la institución de una base doctrinal sólida, así como de resolver numerosos problemas prácticos y teóricos que se plantean, analizando los diferentes mecanismos que ofrece el ordenamiento jurídico para permitir el acceso a los documentos al litigante que los precisa para hacer prosperar las pretensiones que adujo en el proceso. En especial, se ha abordado el tema de la exhibición de soportes informáticos, materia que entraña muy especiales y novedosos problemas, hasta el momento escasamente estudiado.
L’objectiu de la tesi doctoral és l’anàlisi de l’institut de l’exhibició de documents (de naturalesa probatòria i suports informàtics) en el procés civil espanyol. Es tracta d’afrontar un problema transcendental de la pràctica de la prova documental: l’accés al document per part de qui pretén introduir-lo en el procés, quan aquest es trobi en poder del litigant contrari o d’un tercer aliè al procés. La qüestió no ha merescut fins a l’actualitat un tractament monogràfic en el Dret espanyol, en obert contrast amb el que succeeix en els ordenaments jurídics més avançats del nostre entorn. A l’obra s’examina la bibliografia científica existent que tracta sobre els diferents aspectes generals de l’exhibició documental, així com abundant jurisprudència; s’ha volgut dotar a la institució d’una sòlida base doctrinal, així com resoldre nombrosos problemes pràctics i teòrics que es plantegen, analitzant els diferents mecanismes que ofereix l’ordenament jurídic per permetre l’accés als documents al litigant que els precisa per fer prosperar les pretensions que va adduir en el procés. En especial, s’ha abordat el tema de l’exhibició de suports informàtics, aspecte que comporta actuals i rellevants problemes, fins al moment escassament estudiat.
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Clausen, Barbara. "Staging the documentary." Saechsische Landesbibliothek- Staats- und Universitaetsbibliothek Dresden, 2015. http://nbn-resolving.de/urn:nbn:de:bsz:14-qucosa-172646.

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Barbara Clausen thinks about the relationship between experience and knowledge in curating performance art. She will in particular explain her curatorial work on Babette Mangolte's first international solo exhibition which took place at the VOX center for contemporary art in Montreal in 2013. This exhibition and film retrospective showcased Mangolte's various practices and modes of production, as one of the key chroniclers of 1970s performance in dance, visual arts and theater, ranging from early archival works to new site specific multi-media installations. Clausen will consider the complexity of Mangolte's practices in light of the current processes of change that are taking hold in the visual politics of performance arts’ past and present.
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Allerston, Patricia. "The Ring Net : ring net herring fishing on the west coast of Scotland : a documentary exhibition by Will Maclean." Thesis, University of St Andrews, 1991. http://hdl.handle.net/10023/7071.

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This dissertation focuses on The Ring Net, a documentary exhibition by the artist Will Maclean. The Ring Net is a collection of drawings, photographs and printed plans numbering more than three hundred and forty items, which was originally shown at the 'Third Eye Centre, Glasgow in 1978. It subsequently toured to various venues, mostly in Scotland, and was later bought by The Scottish National Gallery of Modern Art, Edinburgh where it is presently held. The project is based on a particular method of sea fishing which used to be practised on the West Coast of Scotland. The subject of fishing is a consistent feature in the work of Maclean, although this particular undertaking is somewhat unusual as the artist has chosen a documentary approach. The initial period of research for the project was enabled by an Edinburgh-based charitable organisation, the Scottish International Education Trust. The artist continued to work on the project for some time afterwards, and the eventual exhibition was not shown until four and a half years later. The aim of this dissertation is to look at The Ring Net in its context. The period of its making is explored in some depth, as is the showing of the project at the Third Eye Centre and the various venues included in its tour. Though the methods and media used in The Ring Net are discussed, they do not constitute the main objective of the work. More space has been devoted to the documentary aspect of the project and the effect this had on the finished result. Unpublished sources such as a series of letters from the artist to a collaborator in Kintyre have been used to some extent.
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Clausen, Barbara. "Staging the documentary: Babette Mangolte and the curatorial ‘dispositif’ of performance’s histories." map - media archive performance ; 2014/5 (E-Journal, URL: http://www.perfomap.de, ISSN 2191-0901), 2014. https://slub.qucosa.de/id/qucosa%3A7328.

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Barbara Clausen thinks about the relationship between experience and knowledge in curating performance art. She will in particular explain her curatorial work on Babette Mangolte''s first international solo exhibition which took place at the VOX center for contemporary art in Montreal in 2013. This exhibition and film retrospective showcased Mangolte''s various practices and modes of production, as one of the key chroniclers of 1970s performance in dance, visual arts and theater, ranging from early archival works to new site specific multi-media installations. Clausen will consider the complexity of Mangolte''s practices in light of the current processes of change that are taking hold in the visual politics of performance arts’ past and present.
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Books on the topic "Documenta (Exhibition)"

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Söder, Alexander. Positionen zu Architektur und Städtebau der documenta-Ausstellungen. Kassel: Kassel University Press, 2020.

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Zinelli, Anna. 1955-1968: Gli artisti italiani alle Documenta di Kassel. Sesto San Giovanni (MI): Mimesis, 2017.

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Archiv, Documenta, and Documenta (Exhibition), eds. Documenta: A brief history of an exhibition and its contexts. Berlin: B&S Siebenhaar Verlag, 2017.

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GmbH, Documenta, and Museum Fridericianum Veranstaltungs GmbH, eds. Documenta 11, Plattform 5: Ausstellung, Kurzführer = Documenta 11, platform 5 : exhibition, short guide. Ostfildern-Ruit: Hatje Cantz, 2002.

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Hess, Barbara. Die Anfänge der Documenta: Eine "Frage der Schaufenster"? Deiningen: Verlag Steinmeier, 2017.

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Jenior, Pablo. "Neue Kunst in der Orangerie": Die Ausstellungen von 1913 - 1922 - 1927 - 1929 : Vorboten der Documenta? Kassel: Verlag Winfried Jenior, 2016.

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Hoffmann, Uta. UTOPIEdocumenta: Unverwirklichte Projekte aus der Geschichte der Weltkunstausstellung = Unrealized projects from the history of the world art exhibition. Wien: VfmK, Verlag für Moderne Kunst GmbH, 2015.

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Okwui, Enwezor, Museum Fridericianum Veranstaltungs GmbH, and Documenta GmbH, eds. Documenta11p̲latform5: Exhibition : catalogue. Ostfildern-Ruit: Hatje Cantz, 2002.

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Nay, E. W. (Ernst Wilhelm), 1902-1968, ed. Die Kunst der Inszenierung, oder, Als Arnold Bode Ernst Wilhelm Nay in den Himmel hob. Berlin: B&S Siebenhaar, 2009.

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1954-, David Catherine, Sztulman Paul, Documenta GmbH, and Museum Fridericianum Veranstaltungs GmbH, eds. Documenta X: Short guide = Kurzführer. [Ostfildern-Ruit]: Cantz, 1997.

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Book chapters on the topic "Documenta (Exhibition)"

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Hieber, Lutz. "Art Politics’ Tendencies of the Documenta Exhibition Series." In Kunst und Gesellschaft, 235–65. Wiesbaden: Springer Fachmedien Wiesbaden, 2022. http://dx.doi.org/10.1007/978-3-658-37429-7_12.

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Russell, Patrick, and James Piers Taylor. "Films Nobody Sees?: Distribution and Exhibition." In Shadows of Progress: Documentary Film in Post-War Britain, 20–29. London: British Film Institute, 2010. http://dx.doi.org/10.1007/978-1-349-92441-7_3.

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Martini, Ricardo, Mónica Guimarães, Giovani Librelotto, and Pedro Henriques. "Storing Archival Emigration Documents to Create Virtual Exhibition Rooms." In New Contributions in Information Systems and Technologies, 403–9. Cham: Springer International Publishing, 2015. http://dx.doi.org/10.1007/978-3-319-16486-1_40.

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Odorico, Stefano. "Beyond the Screen: Interactive Documentary Exhibition in the Festival Sphere." In Documentary Film Festivals Vol. 2, 93–111. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-17324-1_6.

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Page, Joanna. "Introduction." In Decolonial Ecologies, 1–24. Cambridge, UK: Open Book Publishers, 2023. http://dx.doi.org/10.11647/obp.0339.08.

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The visual arts have played an integral role in the collection, identification, study, and exhibition of flora and fauna since the earliest times. The introduction traces ways in which art has participated in the construction of knowledge about the New World in particular, drawing on relevant recent scholarship by Daniela Bleichmar, Mauricio Nieto Olarte, and Juan Pimentel, among others. It focuses on how animal and plant life in Latin America were documented by chroniclers of the early colonial period, in the great scientific expeditions of the Enlightenment, and in museum exhibition practices of the late nineteenth and early twentieth centuries. The introduction outlines how the more recent artworks studied in this book develop a critique of the Enlightenment’s quest for a universal scientific language, searching instead to pluralize epistemologies. Returning to technologies of knowledge that were often designed to yield greater objectivity and universalism, Latin American artists have adapted these for different purposes: to reentwine natural history with human history, to historicize a timeless and universal nature, and to reconnect modern science with forms of knowledge it has marginalized since the eighteenth century. These techniques allow them to intervene critically in debates about environmental change and to explore decolonial and post-anthropocentric perspectives on the relationships between humans and the natural world.
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Boockmann, Jan H., and Gerald Lüttgen. "Comprehending Object State via Dynamic Class Invariant Learning." In Fundamental Approaches to Software Engineering, 143–64. Cham: Springer Nature Switzerland, 2024. http://dx.doi.org/10.1007/978-3-031-57259-3_7.

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AbstractMaintaining software is cumbersome when method argument constraints are undocumented. To reveal them, previous work learned preconditions from exemplary valid and invalid method arguments. In practice, it would be highly beneficial to know class invariants, too, because functionality added during software maintenance must not break them. Even more so than method preconditions, class invariants are rarely documented and often cannot completely be inferred automatically, especially for objects exhibiting complex state such as dynamic data structures.This paper presents a novel dynamic approach to learning class invariants, thereby complementing related work on learning method preconditions. We automatically synthesize assertions from an adjustable assertion grammar to distinguish valid and invalid objects. While random walks generate valid objects, a combination of bounded-exhaustive testing techniques and behavioral oracles yield invalid objects. The utility of our approach for code comprehension and software maintenance is demonstrated by comparing our learned invariants to documented invariant validation methods found in real-world Java classes and to the invariants detected by the Daikon tool.
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Rossetto, Piera. "The AesthEt(h)ics of the Fragment." In Public History - Angewandte Geschichte, 55–72. Bielefeld, Germany: transcript Verlag, 2024. http://dx.doi.org/10.14361/9783839464151-004.

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In this chapter, Piera Rossetto discusses the use of the fragment as ethical and aesthetic practice in working with difficult memories. The idea of an "AesthEt(h)ics of the fragment" is elaborated, drawing inspiration from two artistic practices: an exhibition dedicated to the 1938 census of the Jews in Milan, Italy, and a short documentary film of objects that survived their owners who drowned in the Mediterranean. Framed by Rothberg's conceptualization of memory as "multidirectional" and in recent shifts in map studies, the chapter illustrates some examples of creative maps produced in the context of research-creation practices. These creative maps chart the stories of the interviewees' as well as the position of the researcher in relation to them. The chapter is complemented by two visual essays that allow the reader to experience an "immersive form of knowing" and to grasp both the magnitude of the (tragic) events and the unique fragments that constitute them.
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Kalinina, Ekaterina. "Affordances of Digital Archives: The Case of the Prozhito Archive of Personal Diaries." In The Palgrave Handbook of Digital Russia Studies, 371–87. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-42855-6_21.

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With regard to increasing politicization and instrumentalization of history in Russia and the development of digital tools allowing public access to previously non-available historical documents, analysis of digital platforms exhibiting potential for engagement with the past becomes of relevance to Russian and Digital Media Studies. Therefore this chapter focuses on a Russian case study Prozhito, a digital archive of personal diaries created by a community of volunteers. Being an example of public engagement with the past, Prozhito, nevertheless, has a number of constraints that raise ethical, political and techno-methodological questions concerning archival composition and affordances of the platform for participation. Therefore the aim of this chapter is to study Prozhito’s affordances to learn more about the potentials of such platforms for the production of historical knowledge.
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Mallinson, Jonathan. "4. 1910–12: Approaching a Crossroads." In William Moorcroft, Potter, 71–92. Cambridge, UK: Open Book Publishers, 2023. http://dx.doi.org/10.11647/obp.0349.04.

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The accession of George V marked the dawn of a new age, and immediate high-profile interest in the pottery industry from Queen Mary. These years saw the launch of some of Moorcroft’s most ambitious designs, displaying a new palette of rich colours and particularly sophisticated decoration. A highly regarded exhibit at the Brussels International Exhibition of 1910 consolidated his international reputation, and brought renewed prestige (and increasing trade success) for Macintyre’s. His popularity continued to grow in North America, even as the UK’s pottery exports were in steady decline. Diary entries reveal Moorcroft’s tireless promotion of his work in both artistic and commercial circles; this was a highly unusual combination of roles. Contemporary reviews continued to identify Moorcroft as an individual artist (as opposed to an industrial designer). This is all the more significant as the future of ceramic art was increasingly associated with the work of individual potters rather than that of industrial studios. But against this background of artistic and commercial success, the tensions with Watkin continued to grow; surviving documents suggest that this was not simply a clash of priorities, but a more personal antagonism. As Moorcroft’s reputation grew and his working conditions deteriorated, separation from Macintyre’s was becoming inevitable.
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Innerhofer, Florian, Thomas Reuter, and Conny Coburger. "More Than Just Documenting the Past: 15 Years of 3D Scanning at the Archaeological Heritage Office of Saxony." In The 3 Dimensions of Digitalised Archaeology, 27–46. Cham: Springer International Publishing, 2024. http://dx.doi.org/10.1007/978-3-031-53032-6_3.

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AbstractThe 3D find documentation has been an essential part of the Archaeological Heritage Office of Saxony since 2005. The great effectiveness, the considerable gains in accuracy and the consistently high quality of the data have established the 3D laboratory as a centre of expertise. Using the three close-range scanners, over 24,000 objects had been scanned and documented by mid-2020. Various projects, such as the excavation of the Neolithic well at Altscherbitz, the DFG project ‘Automated Classification’ and the international, EU-funded projects on medieval mining in the Erzgebirge, clearly show the advantages of the high-resolution digitisation of archaeological finds. In addition to standard applications, industrial methods are being used to address research questions in archaeology and conservation. For example, dimensional changes during the conservation of waterlogged wooden finds are monitored by multiple scans and wear-and-tear traces are detected and examined. Furthermore, the 3D data are employed in the important area of knowledge transfer in exhibitions and public relations. With the help of common rendered graphics, animations, 3D printing and VR/AR applications, the research results and knowledge thus acquired are presented. With the publication of the Internet portal Archaeo | 3D, a platform has been created to present the 3D data from the last 15 years to both professionals and interested members of the public.
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Conference papers on the topic "Documenta (Exhibition)"

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Lin, Wenxuan. "A Comparative Study of Kassel Documenta and the National Art Exhibition in an Interwoven Context." In 2022 3rd International Conference on Language, Art and Cultural Exchange（ICLACE 2022). Paris, France: Atlantis Press, 2022. http://dx.doi.org/10.2991/assehr.k.220706.085.

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Ilyushchenko, A. G., and E. Yu Lekus. "THEME AS A CURATORIAL TOOL. CASE STUDY: THE DOCUMENTA EXHIBITION AND THE VENICE BIENNALE, 1972." In Художник и менеджер в пространстве современного арт-рынка. Санкт-Петербург: Федеральное государственное бюджетное образовательное учреждение высшего образования «Санкт-Петербургская государственная художественно-промышленная академия имени А.Л. Штиглица», 2022. http://dx.doi.org/10.54874/9785604868874_23.

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Al Hammadi, Saud Mohamed, and Ramakrishna Akula. "Human Factors in HSE Performance – Role of User-Friendly HSE Documentation." In Abu Dhabi International Petroleum Exhibition & Conference. SPE, 2021. http://dx.doi.org/10.2118/207594-ms.

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Abstract Organizational Multi layered documentation frameworks, complex document writing styles, cross referencing, poor document integration, end user language barriers and psychological factors for searching relevant information under pressure complicates the understanding of a technical document. Complex technical documents intimidate the end user and shrinks the user understanding. Document engineering or Usability mapping of documents is proven scientific method for writing technical documents in a simplified and user-friendly manner. The document engineering concepts are based on human psychology, that helps the user to navigate through document content rather searching for specific keyword or information. Safety intensive industrial sectors such as Aviation industry, Oil and Gas are already adopting the document engineering concepts in their technical documentation. It is proven in many organizations that the usage of document engineering concepts simplifies the document complexity and the end users feel much comfort in understanding the documents in their work. In this paper an attempt has been made suggest adoptable user engineering concepts to simplify technical HSE documents. Also, the paper discusses some of the in-built hidden readability features in Microsoft word for checking reading ease and reading grade levels to improve simplification of documents. The paper discusses the psychological aspects behind document reading, understanding, cognitive linking for reaching the required information. Also, the paper discusses some of the best practices to be considered for technical document writers.
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Conti, Alessandro, Grazia Tucci, Valentina Bonora, and Lidia Fiorini. "HOW WERE THE TAPESTRIES IN THE SALA DI SATURNO OF PITTI PALACE ARRANGED? GEOMATICS AND VIRTUAL REALITY FOR ART CURATORS." In ARQUEOLÓGICA 2.0 - 9th International Congress & 3rd GEORES - GEOmatics and pREServation. Editorial Universitat Politécnica de Valéncia: Editorial Universitat Politécnica de Valéncia, 2021. http://dx.doi.org/10.4995/arqueologica9.2021.12175.

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Three-dimensional acquisition techniques, reality-based modelling and virtual reality are tools used in Digital Humanities prevalently for displaying the results of a study, but they can also suggest new methods of investigation to humanities scholars. In a case study regarding art history, these techniques made it possible to recreate the layout of the Sala di Saturno in Pitti Palace (Florence) in the 17th century, based on information obtained from archive documents on the tapestries designed for that hall and a 3D model expressly elaborated with geomatic techniques. The results were summarised in a video showed in 2019 during the exhibition on tapestries dedicated to Cosimo I de' Medici. A tool was also developed to assist exhibition and museum curators in their work. Through virtual reality, they can design temporary exhibitions or modify the display of the works of art in a museum in a realistic way, using visually and metrically accurate models of the pieces and exhibition rooms.
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Shine, J. M., and K. L. Harris. "Beyond API: How to Evaluate Industry Standards for Practical Applications Improving Cementing Fluid Designs and Testing Accuracy." In SPE Annual Technical Conference and Exhibition. SPE, 2023. http://dx.doi.org/10.2118/214942-ms.

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Abstract A standard can represent the foundational instruction for performing any task consistently and enabling repeatable results. Laboratories as well as personnel can apply the practices and techniques documented in standards without the knowledge of the intent – how it relates to managing the risk at the wellsite and achieve the execution success. Within standards there can be instructions which resulted from field experience helping to improve the representative test conditions in the laboratory to overcome risks previously identified. As well operations evolve, cement placement and the resulting laboratory testing evolve aligning with standard organizations using a reaffirmation process for documents over time. As standards tend to omit acceptance or evaluation criteria due to differences of opinion across the industry or potential misinterpretation by regulatory agencies, the manuscript serves as a complimentary document helping to identify risks during wellsite execution and a means to optimize designs with suggested evaluation criteria as well as test method modifications when applicable.
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Miers, Glenn, Marek Czernuszenko, and Brian Hughes. "Improved Information Retrieval From Well Related Documents Using Supervised Learning." In SPE Annual Technical Conference and Exhibition. SPE, 2022. http://dx.doi.org/10.2118/210146-ms.

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Abstract We introduce a system for rapid retrieval of relevant well related information from a corpus of over 20 million documents. This allows for exploration workers to retrieve important business data more quickly. Tracking down all of the information required to make complex business decisions is a time consuming and error prone process. This poses a direct risk of expensive miscalculations and missed opportunities. A first version of this system is currently undergoing tests with select users. As the work here represents the first version of the system, it is expected that improvements will be made. This is a system that can be used at enterprise scale to enable searches to more easily yield usable information to workers. This system uses a supervised learning model to identify well related documents from several categories. Examples of these categories include (but are not limited to) formation evaluation and well completion reports. A machine learning model was trained to classify documents according to input from a well document expert. This input came in the form of a set of labeled documents compiled by said expert. This model was then applied to over 20 million documents that are deemed relevant to the exploration process. The inferred classifications for each document were stored in a search engine in order to facilitate retrieval of documents by each of the labels from above. The benefits of this system are twofold. First, it reduces the number of documents that come back for a given search of a large corpus of documents. Second, it allows users without technical experience in well-related work to more easily find documents.
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Pillai, Prashanth, and Purnaprajna Mangsuli. "Document Layout Analysis Using Detection Transformers." In Abu Dhabi International Petroleum Exhibition & Conference. SPE, 2021. http://dx.doi.org/10.2118/207266-ms.

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Abstract In the O&G (Oil & Gas) industry, unstructured data sources such as technical reports on hydrocarbon production, daily drilling, well construction, etc. contain valuable information. This information however is conveyed through various formats such as tables, forms, text, figures, etc. Detecting these different entities in documents is essential for building a structured representation of the information within and for automated processing of documents at scale. Our work presents a document layout analysis workflow to detect/localize different entities based on a deep learning-based framework. The workflow comprises of a deep learning-based object-detection framework based on transformers to identify the spatial location of entities in a document page. The key elements of the object-detection pipeline include a residual network backbone for feature extraction and an encoder-decoder transformer based on the latest detection transformers (DETR) to predict object-bounding boxes and category labels. The object detection is formulated as a direct set prediction task using bipartite matching while also eliminating conventional operations like anchor box generation and non-maximal suppression. The availability of sufficient publicly available document layout data sets that incorporate the artifacts observed in historical O&G technical reports is often a major challenge. We attempt to address this challenge by using a novel training data augmentation methodology. The dense occurrence of elements in a page can often introduce uncertainties resulting in bounding boxes cutting through text content. We adopt a bounding box post-processing methodology to refine the bounding box coordinates to minimize undercuts. The proposed document layout analysis pipeline was trained to detect entity types such as headings, text blocks, tables, forms, and images/charts in a document page. A wide range of pages from lithology, stratigraphy, drilling, and field development reports were used for model training. The reports also included a considerable number of historical scanned reports. The trained object-detection model was evaluated on a test data set prepared from the O&G reports. DETR demonstrated superior performance when compared with the Mask R-CNN on our dataset.
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Peltonen, Hannu, Kari Alho, Tomi Männistö, and Reijo Sulonen. "An Authorization Mechanism for a Document Database." In ASME 1994 International Computers in Engineering Conference and Exhibition and the ASME 1994 8th Annual Database Symposium collocated with the ASME 1994 Design Technical Conferences. American Society of Mechanical Engineers, 1994. http://dx.doi.org/10.1115/edm1994-0508.

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Abstract A programmable authorization mechanism for an engineering document database is described. The database stores documents and their versions in a commercial relational database. Documents and other objects contain user-defined attributes. Release and approval procedures of the documents are described by means of state graphs that specify the possible states of a document and the transitions between them. The system consists of centralized server and client programs, which communicate with the server using a specific protocol. The database administrator must be able to formulate rules that tell who is allowed to do particular database operations; rules that tell which operations are allowed in particular document states; and rules that describe consistency invariants between attributes. These rules are expressed by means of authorization procedures written in a special language. Whenever the server receives an operation request, it executes the corresponding authorization procedure. The system can thus be easily adapted to an organization without actually modifying the client or server programs.
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Willerth, M., D. Gibson, R. Fortney, and A. Piskin. "Blind Trust: Challenges in Data Sharing for Oil and Gas Well Construction." In IADC/SPE International Drilling Conference and Exhibition. SPE, 2024. http://dx.doi.org/10.2118/217669-ms.

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Abstract The drilling and completion of oil and gas wells is a collaborative business, involving employees from many contractors working together. Well construction generates many documents that are shared cross-functionally between these different groups. A regulator may receive an as-drilled plat from a well planner, using surveys from an MWD operator, based on a pipe tally from a rig contractor. In this scenario, the person legally specifying the well location has likely never physically seen the wellhead or the equipment used to define the location. The regulatory database might later be used by a different operator for identifying offset wells on a nearby drilling program, further confounding matters. While document sharing is critical for successful well construction, there is often little opportunity for verification before use or transmission to another party. A review of documents related to well construction was performed. This included plats, well plans, bottom hole assembly reports, directional surveys, and other drilling records. The examination was performed on which data was contained in these documents, how it might be verified by a third party using it, and the potential for errors to arise when the data is received or transmitted. Of particular concern were documents such as well locations and directional surveys which are not only difficult to verify but are also likely to be further shared with additional parties. These documents are frequently the basis for critical decisions related to well construction, implying a strong potential for erroneous data to be used when making those decisions. For most of the document types investigated, there was little to no standardization on the content or format of the data presented. Similarly, when documents contained redundant data (such as a well name across a directional survey record, bottom hole assembly reports, and well plans) there was often inconsistency in how that data was presented. While in many cases the accuracy of the data may still be unverifiable, several good practices for identifying gross errors in documentation and preventing erroneous data from entering a curated database are presented. Examples include ensuring personnel are trained in the significance of the data being received and requesting redundant data whenever possible so internal cross-validation can be performed for data consistency. Data quality processes for internal workflows have long been a focus for the industry. As more systems become increasingly connected, a similar amount of attention must be paid to external workflows, where if care is not taken data of unknown and unverifiable quality may be used to make critical decisions.
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Maze, Elie, Amine Dirhoussi, Yann Vernaz, and Reza Farahbakhsh. "Duplicate Detection of Technical Documents in Petroleum Context Based on Near-Duplicate Image Search." In SPE Annual Technical Conference and Exhibition. SPE, 2023. http://dx.doi.org/10.2118/215161-ms.

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Abstract Identifying technical document duplications is a crucial task to optimize storage resources and improve document management and retrieval processes. This helps to ensure that the most up-to-date version of documents is going to be available, which is important in all industrial domains including the petroleum sector to avoid errors and inconsistencies. In addition, deduplication is a key step to consider in data pre-processing for training large machine learning models. This paper tackles the task of duplicate detection in technical reports by proposing a hybrid solution based on open-source libraries on computer vision. The proposed solution has been evaluated on a large set of data and provided promising results which can help us to optimize our storage. We observed the solution is flexible enough to adapt to different scenarios and different types of reports. Having such a solution will potentially lead to reducing the carbon footprint in IT infrastructures.
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Reports on the topic "Documenta (Exhibition)"

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Dabrovolskas, Audrius. In Search of Film Policy and Film Exhibition Model Based on Mission Economy: the Case of the Baltic Film Industries. Publishing House - Vilnius Business College, June 2023. http://dx.doi.org/10.57005/ab.2023.1.2.

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In Europe film industries are regulated through film policies at national and supra-national levels. The biggest attention is paid to film production and distribution, because they are considered as the most crucial sectors regarding financial investment. Film exhibition on the other hand is more about whole commercial life of a film and since theatrical admissions in European Union increased by 5.3 % (in 2019) before covid-19 pandemic it demonstrates that theatrical release is still among one of the most important release windows. Yet Lithuanian, Latvian, and Estonian film exhibition trends and their role for developing film policy were not examined. The qualitative and quantitative research methods applied: descriptive statistics and its analysis of secondary sources such as cinema attendance, the number of multiplexes and digital screens, premieres of national films and box-office and the analysis of film policy (regulatory) documents in Lithuania, Latvia, and Estonia. Economically film exhibition sector during covid-19 pandemic was heavily influenced and challenged by enormous decline in cinema attendance and the competition and rising role of audiovisual video-on-demand platforms. The article provides insights and findings based on the analysis of current role of film exhibition for the development of film policy and its possible model in the Baltic film industries.
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Story, Madison, Kayley Schacht, Aaron Schmidt, Karlee Feinen, Madelyn McCoy, Anthony White, and Adam Smith. The Black experience at Fort Huachuca during WWII : an interpretation and exhibit plan for the Mountain View Officers’ Club. Engineer Research and Development Center (U.S.), January 2024. http://dx.doi.org/10.21079/11681/48076.

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This technical report serves as a contextual planning document for an interpretive exhibit within and surrounding the Mountain View Officers’ Club, Building 66050, at Fort Huachuca, Arizona. During World War II (WWII), the Mountain View Officers’ Club served as the installation’s Black officers’ club. It served as various other uses until circa 1998, at which point it became vacant. Today, Fort Huachuca is planning to rehabilitate the building into a mission use space with an indoor-outdoor exhibit space for visitor use within the rehabilitation plan footprint, an 8.15 acre Area of Potential Effect (APE) including the WWII building and associated adjacent features. This report provides numerous potential Courses of Action regarding methods of exhibiting and interpreting historic materials and information in the public spaces within the APE. The Courses of Action chosen during a future Design-Build phase will be based on factors currently unknown, such as funding and staffing; thus, this document serves as a Phase I concept plan for ideas that will be further developed and finalized during the Phase II Design-Build phase. This report also provides guidance for course of action implementation pending factors currently unknown. Fort Huachuca will keep this report in both digital and analog format in perpetuity. ERDC-CERL will also publish it online and make it available to the public free of cost.
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Lanik, Amanda, Mikaela Ruga, Chad Hults, and Claire Schmid. Paleontological resources monitoring at Fossil Point, Lake Clark National Park and Preserve: 2019 field report. National Park Service, 2024. http://dx.doi.org/10.36967/2300633.

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Fossil Point is an exceptionally rich and scientifically important fossil locality found in Lake Clark National Park and Preserve. The rocks at Fossil Point are known for their abundant and well-preserved Middle Jurassic invertebrate fossils, including bivalves, ammonites, and belemnites. The abundance and quality, as well as the relatively easy coastal access, makes the fossils at Fossil Point vulnerable to unauthorized collection. Anecdotal evidence suggests that collection without a permit is occurring at Fossil Point and has been for decades. Monitoring of the prevalence and scale of unauthorized collecting was initiated at Fossil Point in 2018 (Lanik et al. 2019). The findings of the 2018 fieldwork indicated that visitors to Fossil Point were exhibiting behaviors related to fossil collection. However, flaws in the study design made it impossible to differentiate if the loss of fossils over the summer season was related to natural erosional processes or anthropogenic activity. This report summarizes monitoring of fossils and visitors at Fossil Point in the summer (May-August) of 2019. This study built upon the monitoring of the previous summer and the purpose was twofold: (1) assess visitation to Fossil Point, and (2) document the loss of paleontological resources via unauthorized collection.
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Jewell's Crescent City Illustrated: New Orleans: 1874. Inter-American Development Bank, March 2000. http://dx.doi.org/10.18235/0006419.

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Sixty objects and historic documents from the Historic New Orleans Collection, the Louisiana State Museum, and the New Orleans Museum of Art, including maps, photographs, lithographs, land deeds, silverware, earthenware, woodwork, msuic sheets, and even the trumpet of jazz great Dave Bartholomew. The "River and a City" section gave an overview of the history of New Orleans since discovery, and the "Unique Cultural Blend" section highlighted cultural expressions unique to the city itself. The exhibition was organized in honor of the City of New Orleans, site of the 41th Annual Meeting of the IDB Board of Governors in March, 2000.
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L51580 Safety Factors in the Assessment of Realistic Defects in Pipeline Welds. Chantilly, Virginia: Pipeline Research Council International, Inc. (PRCI), October 1998. http://dx.doi.org/10.55274/r0010330.

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The British Standards Institute document PD6493:1980 uses the crack tip opening displacement (CTOD) design curve as a method for determining defect acceptance levels in welded joints. The document is under revision and current proposals for the fracture section of the revised document employ three levels of assessment procedures, arranged as a progression from simple stress treatments producing conservative results, to critical analyses which incorporate more rigorous stress analyses and contain no inherent factors of safety. The proposed Level 1 assessment procedure is generally consistent with the CTOD design curve methodology of the current document. Changes include a more simplified treatment of stresses and a plastic collapse analysis. Level 1 is intended as a preliminary screening method before moving to the higher-level procedures as appropriate. Level 2 is seen as the most appropriate assessment level for the majority of industrial applications. It employs a collapse modified strip yield model, and allows for more complex stress analysis treatments than Level 1. These treatments take account of the plasticity interaction between primary and secondary stresses. Level 3 provides the most advanced assessment route. It is based on a reference stress approach and in general requires development of accurate stress-strain data for a particular material. Its main areas of application are for materials exhibiting a high work hardening characteristic or for tearing instability analyses.Result: Experimental work was carried out to generate data against which to validate the numerical models used in the subsequent theoretical investigation of safety factors inherent in defect assessment procedures. It is considered appropriate to examine the proposed Levels 1, 2 and 3 assessment procedures in preference to the CTOD design curve of the current document since this three-tier structure will soon supercede the PD6493:1980 approach. The similarities between the Level 1 methodology and the design curve, and also between the Level 2 approach and the previously investigated collapse modified strip yield formulations allow a systematic investigation of any relative change in safety factors between the old and the new methods.Benefit: The validation studies demonstrated that numerical models using true stress-logarithmic strain data gave reasonable predictions of the experimental global displacement and local crack tip response. Plane stress and plane strain succeeded in providing lower and upper bounds respectively to the experimental load-displacement behavior for plain and welded configurations. Plane stress conditions were considered the most suitable for the theoretical safety factor investigation. Level 1 assessment was found to be generally conservative but safety factors less than unity could occur for defects located in severe residual stress fields under high levels of load. Level 2 and Level 3 assessments produced consistent levels of safety when realistic defects at welds were considered which included over-matching weld metal and weld cap reinforcement.
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