Relevant bibliographies by topics / Documentary film

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Documentary film'

Author: Grafiati
Published: 4 June 2021
Last updated: 25 July 2025

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Journal articles on the topic "Documentary film"

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Lieberman, Janice S. "Film Review: Documentary Films." Journal of the American Psychoanalytic Association 58, no. 4 (2010): 819–25. http://dx.doi.org/10.1177/0003065110379488.

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Przylipiak, Mirosław. "Defining documentary." Panoptikum, no. 29 (June 30, 2023): 11–38. http://dx.doi.org/10.26881/pan.2023.29.01.

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The aim of this paper is to define documentary film. After a brief review of existing definitions, the author proposes his own. The methods of working on the set and the textual features of the films are considered as distinguishing documentary filmmaking from other film genres. Issues such as the filmmakers’ interference with the filmed reality, the criteria for distinguishing between fictional and non-fictional elements, the admissibility of special effects, the specificity of editing, and the place of the documentary film among other nonfictional genres are considered. The final definition
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Li, Manxi, Wenqing Su, and Xinman Li. "New Documentary Film Seeks to Be “More Real”." Scientific and Social Research 3, no. 5 (2021): 169–73. http://dx.doi.org/10.36922/ssr.v3i5.1246.

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After the birth of documentary film, the discussion of “fiction” and “non-fiction” has not stopped. Influenced by the ideological trend of postmodernism, “new documentary film” overturns the concept of traditional documentary film and believes that it is feasible and meaningful for documentary to take “fiction” as a means. Adhering to the “new” exploration of this documentary, the author discusses the historical origin of new documentary films, the authenticity of new documentary films at home and abroad and the creative techniques of new documentary films, in order to provide innovative suppo
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Toba, Koji. "On the Relationship between Documentary Films and Magic Lanterns in 1950s Japan." Arts 8, no. 2 (2019): 64. http://dx.doi.org/10.3390/arts8020064.

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In this paper, I explore three cases from postwar Japanese media history where a single topic inspired the production of both documentary films and magic lanterns. The first example documents the creation of Maruki and Akamatsu’s famed painting Pictures of the Atomic Bomb. A documentary and two magic lantern productions explore this topic through different stylistic and aesthetic approaches. The second example is School of Echoes, a film and magic lantern about children’s education in rural Japan. The documentary film blurs distinctions between the narrative film and documentary film genres by
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Louw, Lieza. "Documentary film politics and the politics of documentary film." Communicare: Journal for Communication Studies in Africa 40, no. 1 (2022): 49–66. http://dx.doi.org/10.36615/jcsa.v40i1.1511.

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This paper sets out to consider the production of political documentary films in post-apartheidSouth Africa at a time when massification of the media and state capture of the South AfricanBroadcasting Corporation, the country’s public broadcaster, silenced oppositional voices. RehadDesai’s award-winning film, Miners Shot Down (2014) serves as the main case study for theresearch. The film deals with the days leading up to the final and tragic outcome of strike action by minersat a time when the print media predicated the state and the mine owners’ points of view. Thefilmmaker, a self-acclaimed
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Middleton, Jason. "Documentary Comedy." Media International Australia 104, no. 1 (2002): 55–66. http://dx.doi.org/10.1177/1329878x0210400108.

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While documentaries like Roger and Me and mock documentaries such as This is Spinal Tap differ in terms of the ontological status of their referents, they share many formal characteristics, particularly in their editing strategies. This essay examines the editing techniques in these two influential films of the 1980s in order to theorise exactly how film-makers combine conventions of documentary with those of comedy in an attempt to produce laughter in audiences. Having demonstrated the formal qualities of an editing technique prevalent in these films which I term ‘cutting on the absurd’, the
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Barnes, Heather L. "Digital Curation and Contemporary Documentary Filmmaking." Preservation, Digital Technology & Culture 51, no. 4 (2022): 141–54. http://dx.doi.org/10.1515/pdtc-2022-0021.

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Abstract Documentary films have evolved considerably since 1922s Nanook of the North. Fans of nonfiction now stream multi-episode documentaries on platforms like Netflix or catch a feature at one of many documentary-centered film festivals around the world. Inexpensive video cameras and internet distribution have expanded the documentary film universe exponentially. From 1-min films to feature-length theater releases, moviegoers around the world have embraced this diverse and growing genre. To the benefit of aspiring filmmakers, documentaries can now be filmed on a wide array of digital video
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Shestakova, I. V. "ALTAI DOCUMENTARY FILM TEXT." Culture and Text, no. 44 (2021): 116–28. http://dx.doi.org/10.37386/2305-4077-2021-1-116-128.

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The article defines the methodological principles of the analysis of a film text, considers the historical, thematic, genre dynamics of «Altai documentary film text». The author uses the concept of text proposed By V. Toporov and developed in the research of «local texts» using the methods of intertextual and intermediate analysis. The article traces the formation of symbolic constants in films about Altai that determine the status of the region in the Russian and foreign media space.
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Ribke, Nahuel. "Documentary Filmmakers as Characters." Projections 17, no. 3 (2023): 64–82. http://dx.doi.org/10.3167/proj.2023.170304.

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Abstract Despite the increasing documentary filmmakers’ on-screen presence in their own films, the analysis of their corporeal presence and performance in the documentary genre hasn't been fully explored yet. Following Plantinga's (2018) discussion on characterization and character in documentary film, the present article proposes to examine documentary filmmakers’ on-screen presence and performance, making three central assumptions. First, documentary filmmakers’ on-screen presence is a cinematic representation constructed in similar ways to that of other characters/subjects participating in
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Loh, Yoke Ling, and Mohd Nor Shahizan Ali. "Dilemma of Indie Documentary Filmmaker Malaysia." Jurnal Komunikasi: Malaysian Journal of Communication 38, no. 1 (2022): 20–42. http://dx.doi.org/10.17576/jkmjc-2022-3801-02.

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Documentary films are so-called non-fiction films that have the elements of persuasion, objective content and candid cinematic techniques. It is an important propaganda tool for assisting the government in the development of the country and changing people's attitudes. The Freedom Film Fest, held annually since 2003 by the Community Communications Center, provides indie documentaries an alternative and more freedom for indie documentary filmmakers to represent social, economic and political issues. However, this genre of media has not received much attention especially from the youth or film i
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Dissertations / Theses on the topic "Documentary film"

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Lange, Shara K. "Documentary Film Engagement." Digital Commons @ East Tennessee State University, 2016. https://dc.etsu.edu/etsu-works/3651.

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Lange, Shara K. "Documentary Production & Documentary Problems." Digital Commons @ East Tennessee State University, 2012. https://dc.etsu.edu/etsu-works/3666.

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Petty, Laurel Ann Levin C. Melinda. "Documentary film Accidental Shakespeare /." [Denton, Tex.] : University of North Texas, 2007. http://digital.library.unt.edu/permalink/meta-dc-3628.

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Petty, Laurel Ann. "Documentary Film: Accidental Shakespeare." Thesis, University of North Texas, 2007. https://digital.library.unt.edu/ark:/67531/metadc3628/.

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According to the American Heritage College Dictionary, the word “community” derives from the Latin roots: communitas and communis meaning “fellowship” and “common,” respectively. The word “amateur” derives from the Latin roots: amator meaning “lover.” A community of amateurs, who love to put on plays, exists within the Denton Community Theatre. Their first attempt at classical theatre was the January 2006 production of Romeo and Juliet, directed by Brad Speck. The film follows two actors (through observational shooting) - Kevin Wickersham, a waiter who is trying theatre for the first time, an
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Meiser, Cory. "Documentary Film: Love's Story." Thesis, University of North Texas, 2006. https://digital.library.unt.edu/ark:/67531/metadc5312/.

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Abstract Love's Story is a documentary journey into the storytelling world, where the themes of love and memory connect the audience to a unique set of film interviewees. Marie and Alexis provide interesting recollections about their individual pasts, while Cherie guides the course of the film with her expert theories about the nature of storytelling. What initially appears a simple film, actually provides a multi-tiered commentary tackling issues of memory, love, and perseverance. The film equally highlights the nature of storytelling to encourage audiences to critically dissect the stories
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Bell, Leah Helanie. "Documentary Film: Access Denied." Thesis, University of North Texas, 2006. https://digital.library.unt.edu/ark:/67531/metadc5329/.

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Sculptor Eric McGehearty incorporates dyslexia, a learning disability, into his artwork to express his challenges with his limited ability to recognize and understand the written word. The film Access Denied focuses on Eric and his disability. Recognized in 1896, dyslexia has been studied and researched by scientists and educators. New assistive technology is now available to aid dyslexics in reading and writing. Specialized schools provide techniques to improve student learning. However, some options are not readily available to the general public; therefore, information about how to deal wi
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Dunn, Geoffrey. "Deconstructing documentary : theory and practice in documentary film and photography /." Diss., Digital Dissertations Database. Restricted to UC campuses, 2004. http://uclibs.org/PID/11984.

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Dinc, Nefin. "Documentary Film: I Named Her Angel." Thesis, University of North Texas, 2005. https://digital.library.unt.edu/ark:/67531/metadc4736/.

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Recent political developments in the world show us that different cultures need to know and understand each other better. Even though technological developments like the Internet, satellites, cable television and conglomeration of big media entities have made mass communication more effective and faster, we cannot easily say that these developments help to bring world cultures together. As a result, mass audiences are not very much able to see what few productions do speak to these issues in a constructive manner. The main aim of this documentary film project is to serve as a small step toward
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Rughani, Pratap. "Towards intercultural documentary." Thesis, University of the Arts London, 2014. http://ualresearchonline.arts.ac.uk/7082/.

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‘Towards Intercultural Documentary’ is a PhD by Published Work that is comprised of four documentary films, an exhibition catalogue essay and an academic book chapter to form a collective body of work in film and text focused on what Rughani proposes as ‘intercultural documentary practice’. This body of work configures ‘intercultural documentary practice’ as a space or arena in which people of radically different perspectives encounter the other.1 Intercultural documentary aspires to create pluralised spaces of exchange by engaging difference within and between communities. In this work, voice
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Piotrowska, Agnieszka. "Psychoanalysis and ethics in documentary film." Thesis, Birkbeck (University of London), 2012. http://bbktheses.da.ulcc.ac.uk/46/.

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Psychoanalysis has been used extensively in film studies from the late 1960s and 1970s onwards. Inspired by Jacques Lacan, the work of Metz and Baudry in France and Mulvey and McCabe in the United Kingdom laid the foundations for film theory that explored the relationship between cinematic systems such as the apparatus and the screen on the one hand and the spectator on the other. The objects of these examinations were exclusively fictional texts. I use psychoanalysis differently through an interrogation of a largely untheorised embodied relationship between the documentary filmmaker and the s
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Books on the topic "Documentary film"

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Roy, Carole. Documentary Film Festivals. SensePublishers, 2016. http://dx.doi.org/10.1007/978-94-6300-480-0.

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Winston, Brian, ed. The Documentary Film Book. British Film Institute, 2013. http://dx.doi.org/10.1007/978-1-349-92625-1.

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Kaneko, Yū. Dokyumentarī eigajutsu: Documentary film. Ronsōsha, 2017.

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Brylla, Catalin, and Mette Kramer, eds. Cognitive Theory and Documentary Film. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-90332-3.

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Vallejo, Aida, and Ezra Winton, eds. Documentary Film Festivals Vol. 1. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-17320-3.

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Vallejo, Aida, and Ezra Winton, eds. Documentary Film Festivals Vol. 2. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-17324-1.

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Ian, Aitken, ed. Encyclopedia of the documentary film. Routledge, 2005.

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O'Rawe, Des. Documentary Film and Radical Psychiatry. Springer Nature Switzerland, 2024. https://doi.org/10.1007/978-3-031-74231-6.

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Loh-Hagan, Virginia. Documentary Film. Cherry Lake Publishing, 2017.

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Loh-Hagan, Virginia. Documentary Film. Cherry Lake Publishing, 2017.

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Book chapters on the topic "Documentary film"

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Hole, Kristin Lené, and Dijana Jelača. "Documentary." In Film Feminisms. Routledge, 2018. http://dx.doi.org/10.4324/9781315618845-6.

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Rosenstone, Robert A. "Documentary." In History on Film/Film on History. Routledge, 2017. http://dx.doi.org/10.4324/9781315113654-5.

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Rosenstone, Robert A. "Documentary." In History on Film/Film on History, 4th ed. Routledge, 2023. http://dx.doi.org/10.4324/9781003377467-5.

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kydd, Elspeth. "Documentary Film." In The Critical Practice of Film. Macmillan Education UK, 2011. http://dx.doi.org/10.1007/978-0-230-34527-0_4.

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Römhild, Ricardo. "Documentary Film." In Palgrave Studies in Education and the Environment. Springer Nature Switzerland, 2023. http://dx.doi.org/10.1007/978-3-031-44674-0_4.

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Piotrowska, Agnieszka. "Documentary film." In Psychoanalysis and Ethics in Documentary Film, 2nd ed. Routledge, 2023. http://dx.doi.org/10.4324/9781003320173-5.

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Dixon, Mark. "Documentary film." In Essential Revision for A Level Film Studies. Routledge, 2021. http://dx.doi.org/10.4324/9781003119241-18.

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Benyahia, Sarah Casey, John White, and Freddie Gaffney. "Documentary film." In A Level Film Studies. Routledge, 2020. http://dx.doi.org/10.4324/9780429324628-19.

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Benyahia, Sarah Casey, and John White. "Documentary film." In A Level Film Studies, 4th ed. Routledge, 2025. https://doi.org/10.4324/9781003495901-25.

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Chanan, Michael. "Music, Documentary, Music Documentary." In The Documentary Film Book. British Film Institute, 2013. http://dx.doi.org/10.1007/978-1-349-92625-1_38.

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Conference papers on the topic "Documentary film"

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White, Matthew, and Louis G. Lyras. "The Making of the Bridge Brothers Documentary." In SSPC 2018. SSPC, 2018. https://doi.org/10.5006/s2018-00047.

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Abstract This paper identifies the problems and challenges with the making of the Bridge Brothers documentary, from its inception to the distribution. It will discuss the intent of the film from the perspective of the filmmakers, and the bridge painting contractor. The documentary explains the importance of re-painting and rehabilitating our nation’s bridges, while exploring life on the bridge for the industrial bridge painters (Bridge Brothers) on the Commodore Barry and Walt Whitman Bridges in Philadelphia.
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Gasparini, Amanda Martins, and Jair Lopes Junior. "CARACTERIZAÇÃO CURRICULAR DA ASTRONOMIA NO CONTEXTO DA REDE PÚBLICA DO ESTADO DE SÃO PAULO." In I CONGRESSO DE EDUCAÇÃO, INTERDISCIPLINARIDADE E PRÁTICAS ESCOLARES. CEEINTER, 2025. https://doi.org/10.56579/eduinterpe.v1i3.2274.

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Ao considerar a Astronomia como uma área de conhecimento relevante para a educação científica, este trabalho tem o objetivo de caracterizá-la como Objeto de Conhecimento no âmbito das diretrizes curriculares do estado de São Paulo. Foi realizada uma pesquisa qualitativa na modalidade bibliográfica documental subdividida em três etapas: 1) análise do Currículo Paulista, Material Digital e Caderno do Aluno em Ciências; 2) identificação das convergências, divergências e independências entre os documentos/materiais e 3) cotejamento dos dados obtidos com as modalidades de conteúdos curriculares pro
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Azqiya, Azkal, Irwan Sarbeni, Nenden Suryamanah Annisa, Dendy Kanaya, and Nela Aulia Nurliani. "“Lentera Asa” Documentary Film." In 4th International Conference on Arts and Design Education (ICADE 2021). Atlantis Press, 2022. http://dx.doi.org/10.2991/assehr.k.220601.012.

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Prasetyaningsih, Sandi, and Gretchen Coombs. "Continuity Editing in Documentary Film." In The International Conference on Applied Engineering. SCITEPRESS - Science and Technology Publications, 2020. http://dx.doi.org/10.5220/0010351200270033.

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Prasetyaningsih, Sandi. "Creative Editing in Documentary Film." In The Second International Conference on Social, Economy, Education, and Humanity. SCITEPRESS - Science and Technology Publications, 2019. http://dx.doi.org/10.5220/0009121902650271.

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Eftimie, Vlad. "Polyfunctionalities of the documentary film about art." In „Cultura şi arta: cercetare, valorificare, promovare”, conferinţă ştiinţifică naţională. Academy of Music, Theatre and Fine Arts, Republic of Moldova, 2025. https://doi.org/10.55383/ca2025.09.

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The paper presents six important functions of the documentary film about art. The aesthetic function is highlighted through the use and application of cinematic language, thus transforming the documentary film into a visual creation that captures the audience's attention. The artistic function reinterprets the artworks presented in a creative manner. Educating viewers and illustrating information within the historical, technical, and cultural context of artworks denotes the cognitive function, which is complemented by its formative function. The artistic and aesthetic presentation of artworks
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Iwasaki, Patsy. "Gathering the Story: Documentary Film Research and Data Collection." In – The Asian Conference on Media, Communication & Film 2020. The International Academic Forum(IAFOR), 2021. http://dx.doi.org/10.22492/issn.2186-5906.2021.2.

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Ardianto, Deny, Bedjo Riyanto, and Putut Pramana. "Suprapto Suryodarmo’s Silent Path a Documentary Film." In Proceedings of the 1st Conference of Visual Art, Design, and Social Humanities by Faculty of Art and Design, CONVASH 2019, 2 November 2019, Surakarta, Central Java, Indonesia. EAI, 2020. http://dx.doi.org/10.4108/eai.2-11-2019.2294938.

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Jones, Katie Baker. "Mything in action: Fashion designers in documentary film." In Pivoting for the Pandemic. Iowa State University Digital Press, 2020. http://dx.doi.org/10.31274/itaa.11857.

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Magal, Slavomir. "Theory of Documentary Film in the Modern Age." In Annual International Conference on Journalism & Mass Communications (JMComm 2016). Global Science & Technology Forum (GSTF), 2016. http://dx.doi.org/10.5176/2301-3710_jmcomm16.69.

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Reports on the topic "Documentary film"

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Rhee, Jongeun. Exploring the Impact of a Documentary Film on Young Consumers' Understanding of Sustainable Apparel Consumption and Behavioral Changes. Iowa State University, Digital Repository, 2016. http://dx.doi.org/10.31274/itaa_proceedings-180814-1558.

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Girona, Ramón, and Jordi Xifra. The Ramparts We Watch: film documentary discourse in the field of Public Relations / The Ramparts We Watch: el discurso del cine documental en el campo de las Relaciones Públicas. Revista Internacional de Relaciones Públicas, 2014. http://dx.doi.org/10.5783/rirp-7-2013-02-05-24.

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Girona, Ramón, and Jordi Xifra. The Ramparts We Watch: film documentary discourse in the field of Public Relations / The Ramparts We Watch: el discurso del cine documental en el campo de las Relaciones Públicas. Revista Internacional de Relaciones Públicas, 2014. http://dx.doi.org/10.5783/rirp-7-2014-02-05-24.

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Rangiwai, Byron, Marcel Croul, Allanna Goldsmith, Manaaki Fletcher, and Atareta Moses. Using Kaupapa Māori Research to Inform Practice. Unitec ePress, 2023. http://dx.doi.org/10.34074/ocds.104.

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This paper explores the profound connections between Kaupapa Māori research and practice through the reflections of Māori practitioners. As part of a Kaupapa Māori research internship funded by Te Whatu Ora, hosted at Ngā Wai a Te Tūī, and co-led by Dr Hinekura Smith and Associate Professor Byron Rangiwai, this paper presents the perspectives of four Māori practitioners. Marcel Croul (Ngāti Tamaterā) discusses his film-editing practice in the context of a collaboration with Dr Hinekura Smith to create a short documentary on the wahine-led practice of whatuora. Allana Goldsmith (Ngāti Porou, Ng
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Hediger, Vinzenz. Trust and spectatorship. ConTrust - Trust in Conflict. Research Centre "Normative Orders" of Goethe University Frankfurt am Main, 2025. https://doi.org/10.21248/gups.80293.

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Research on trust and media in communication measures the trustworthiness of legacy news media (newspapers, radio, television) in nation state settings in longitudinal studies, in which controls for demographics are usually limited to age and political preference. These studies assume that trust in news sources is a useful indicator of the viability of liberal democracy. However, in an increasingly globalized and diversified digital information space in which alternative media challenge the established division of cognitive labor of democracy the underlying assumptions of this research design
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Documentary films: representing youth street groups through visual ethnography. Universitat Pompeu Fabra, 2023. http://dx.doi.org/10.31009/transgang.2023.fr06.

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Código de classificação e tabela de temporalidade de destinação de documentos de arquivo relativos às atividades-fim do Ipea. Instituto de Pesquisa Econômica Aplicada (Ipea), 2024. http://dx.doi.org/10.38116/ri-codigodeclassificacao.

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Este instrumento tem como público-alvo o Instituto de Pesquisa Econômica Aplicada (Ipea) e objetiva seguir as diretrizes referentes à gestão documental da administração pública federal, possibilitando o acesso, guarda e recuperação de toda pesquisa produzida por este instituto.
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