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Relevant bibliographies by topics / Documentary films

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Academic literature on the topic 'Documentary films'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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Journal articles on the topic "Documentary films"

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Middleton, Jason. "Documentary Comedy." Media International Australia 104, no. 1 (2002): 55–66. http://dx.doi.org/10.1177/1329878x0210400108.

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While documentaries like Roger and Me and mock documentaries such as This is Spinal Tap differ in terms of the ontological status of their referents, they share many formal characteristics, particularly in their editing strategies. This essay examines the editing techniques in these two influential films of the 1980s in order to theorise exactly how film-makers combine conventions of documentary with those of comedy in an attempt to produce laughter in audiences. Having demonstrated the formal qualities of an editing technique prevalent in these films which I term ‘cutting on the absurd’, the

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Soshnikov, V. D., and F. D. Shakhnazaryants. "Animation in Documentary Films." Университетский научный журнал, no. 61 (2021): 77–88. http://dx.doi.org/10.25807/22225064_2021_61_77.

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Lieberman, Janice S. "Film Review: Documentary Films." Journal of the American Psychoanalytic Association 58, no. 4 (2010): 819–25. http://dx.doi.org/10.1177/0003065110379488.

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Li, Manxi, Wenqing Su, and Xinman Li. "New Documentary Film Seeks to Be “More Real”." Scientific and Social Research 3, no. 5 (2021): 169–73. http://dx.doi.org/10.36922/ssr.v3i5.1246.

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After the birth of documentary film, the discussion of “fiction” and “non-fiction” has not stopped. Influenced by the ideological trend of postmodernism, “new documentary film” overturns the concept of traditional documentary film and believes that it is feasible and meaningful for documentary to take “fiction” as a means. Adhering to the “new” exploration of this documentary, the author discusses the historical origin of new documentary films, the authenticity of new documentary films at home and abroad and the creative techniques of new documentary films, in order to provide innovative suppo

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Ren, Wei. "The Application of Intelligent Technologies in the Creation of Historical Documentary Films." Communications in Humanities Research 36, no. 1 (2024): 1–11. http://dx.doi.org/10.54254/2753-7064/36/2024bj0045.

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In the context of intelligent media, communication ushers in an unprecedented transformation. As an important way of cultural communication, documentary production is exploring the deep integration with emerging technologies. As an important part of documentary creation, historical documentary films are constantly integrated with intelligent technology in reality creation due to their special attributes. The research scope of this paper is under the national "new quality productivity" development strategy to explore the application and potential of intelligent technology in the content shaping

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Zhu, Zhaoyu. "Documenting Chinese homecomings: Reflexive aesthetics and cinematic memories in Four Springs (2017) and The Reunions (2020)." Asian Cinema 34, no. 2 (2023): 215–31. http://dx.doi.org/10.1386/ac_00072_1.

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This article examines two contemporary Chinese films that document the filmmakers’ homecoming journey during the Chinese New Year: Sige chuntian (Four Springs) () and Jixiang ruyi (The Reunions) (). It argues that both films have the characteristic of being reflexive documentaries exploring and expanding the boundaries of documentary films. According to Meunier’s three types of filmic identifications – the documentary attitude, the home-movie attitude and the fiction attitude – the two films challenge documentary norms and combine the documentary attitude with the other two types of attitude.

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Irawanto, Budi. "Exploring the Terrains of Indonesian Cultural Policy: Learning from Singapore’s and Malaysia’s Experiences." Jurnal Ilmu Sosial dan Ilmu Politik 21, no. 1 (2017): 28. http://dx.doi.org/10.22146/jsp.28681.

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This article seeks to examine Indonesian cultural policy in comparison to Singapore and Malaysia. It focuses particularly on documentary films as a field covered by the cultural policy, which is closely associated with the creative industry. Therefore, this article analyzes various official documents regarding cultural policy and the position documentary films within that policy. While Singapore’s cultural policy is quite comprehensive and visionary in managing and regulating arts and culture, it tends to neglect documentary films as it celebrates commercial feature (fiction) films. Similarly,

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Carter, Holly, and Zoe Barnstone-Clark. "Teaching Empathy Through Documentary Films." Childhood Education 98, no. 4 (2022): 62–67. http://dx.doi.org/10.1080/00094056.2022.2108297.

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Sark, Katrina. "Post-Wall Berlin Documentary Films." Film International 14, no. 2 (2016): 70–88. http://dx.doi.org/10.1386/fiin.14.2.70_1.

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Declich, Francesca, and Marie Rodet. "African Slavery in Documentary Films." Journal of Global Slavery 5, no. 1 (2020): 1–21. http://dx.doi.org/10.1163/2405836x-00501008.

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Dissertations / Theses on the topic "Documentary films"

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Robertson, Robert Philip. "Ghostwriting Hong Kong : post-colonial documentary and the western tradition /." Thesis, Hong Kong : University of Hong Kong, 1998. http://sunzi.lib.hku.hk/hkuto/record.jsp?B20007450.

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Wang, Chi. "From véité to post-véité a critical analysis of Chinese "new documentaries" /." Ohio : Ohio University, 2009. http://www.ohiolink.edu/etd/view.cgi?ohiou1258125393.

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Meiser, Cory. "Documentary Film: Love's Story." Thesis, University of North Texas, 2006. https://digital.library.unt.edu/ark:/67531/metadc5312/.

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Abstract Love's Story is a documentary journey into the storytelling world, where the themes of love and memory connect the audience to a unique set of film interviewees. Marie and Alexis provide interesting recollections about their individual pasts, while Cherie guides the course of the film with her expert theories about the nature of storytelling. What initially appears a simple film, actually provides a multi-tiered commentary tackling issues of memory, love, and perseverance. The film equally highlights the nature of storytelling to encourage audiences to critically dissect the stories

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Dinc, Nefin. "Documentary Film: I Named Her Angel." Thesis, University of North Texas, 2005. https://digital.library.unt.edu/ark:/67531/metadc4736/.

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Recent political developments in the world show us that different cultures need to know and understand each other better. Even though technological developments like the Internet, satellites, cable television and conglomeration of big media entities have made mass communication more effective and faster, we cannot easily say that these developments help to bring world cultures together. As a result, mass audiences are not very much able to see what few productions do speak to these issues in a constructive manner. The main aim of this documentary film project is to serve as a small step toward

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Petty, Laurel Ann Levin C. Melinda. "Documentary film Accidental Shakespeare /." [Denton, Tex.] : University of North Texas, 2007. http://digital.library.unt.edu/permalink/meta-dc-3628.

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Palmer, G. E. "Basil Wright : definitions of documentary." Thesis, University of Stirling, 1990. http://hdl.handle.net/1893/2150.

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A close textual analysis of the films of Basil Wright between 1931 and 1938. This work will give a fresh perspective on the working methods of one of the senior members of the British Documentary Movement. It will also discuss the influence exerted by the leader of this group John Grierson. Seven films will be looked at in detail beginning with The Country Comes to the Town and concluding with Face of Scotland. In these detailed analyses we will discuss how the ideological thinking of the group found expression through Wright The purpose of studying an individual is to judge what measure of fr

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Dancsok, Michael. "Transcending the documentary : the films of Arthur Lipsett." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ39429.pdf.

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Van, Laanen Michael Whitney. "The pose of neutrality in social documentary films." Thesis, Montana State University, 2010. http://etd.lib.montana.edu/etd/2010/van_laanen/Van_LaanenM0510.pdf.

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From the outset, documentary filmmakers have sought to achieve the unobtainable goal of re-presenting reality in a purely objective manner. What began with an attempt to document a dying/evolving culture in Flaherty's Nanook of the North led to a century of debate about how closely documentary film could come to achieving the ultimate goal of representing our historical and social world accurately, objectively, and truthfully. The stem cell research debate has produced three documentaries that illustrate two models of filmmaking process: engaged filmmaking and non-engaged filmmaking. Within th

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Petty, Laurel Ann. "Documentary Film: Accidental Shakespeare." Thesis, University of North Texas, 2007. https://digital.library.unt.edu/ark:/67531/metadc3628/.

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According to the American Heritage College Dictionary, the word “community” derives from the Latin roots: communitas and communis meaning “fellowship” and “common,” respectively. The word “amateur” derives from the Latin roots: amator meaning “lover.” A community of amateurs, who love to put on plays, exists within the Denton Community Theatre. Their first attempt at classical theatre was the January 2006 production of Romeo and Juliet, directed by Brad Speck. The film follows two actors (through observational shooting) - Kevin Wickersham, a waiter who is trying theatre for the first time, an

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Gainsborough-Waring, Craig. "Exegesis and dissertation for an interactive documentary program entitled NGO Advocacy Documentary : a dissertation submitted to Auckland University of Technology in partial fufilment of the requirements for the degree of Bachelor of Communication Studies (Honours) , 2008 /." Click here to access this resource online Click here to access this resource online, 2008. http://puka2.aut.ac.nz/ait/Dissertations/GainsboroughWaringC.pdf.

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Thesis (BCS(Hons)) - Bachelor of Communication Studies (Hons) -- AUT University, 2008.<br>Includes bibliographical references. Also held in print (23 leaves ; 30 cm. + 2 CD-ROMs) at the City Campus (T 070.18 GAI)

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Books on the topic "Documentary films"

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Grant, Barry Keith, and Jim Hillier. 100 Documentary Films. British Film Institute, 2009. http://dx.doi.org/10.1007/978-1-84457-551-0.

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Jim, Hillier, ed. 100 documentary films. BFI, 2009.

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Horst, Deinwallner, Schrot Eva, and Goethe-Institut (Munich Germany), eds. Documentary films: DEFA. Goethe Institut, 1992.

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Sharma, Aparna. Documentary Films in India. Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137395443.

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Saunders, Dave. Documentary. Routledge, 2010.

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Mohan, Jag. Documentary films and national awakening. Publications Division, Ministry of Information and Broadcasting, Govt. of India, 1990.

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Rabiger, Michael. Directing the documentary. 2nd ed. Focal Press, 1992.

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Mograbi, Avi. Avi Mograbi: Films & video works. Edited by Öktem, Esra Sarigedik, 1976- editor, Blüminger Christa author, Eilat Galit author, Kosova Erden author, and Stedelijk Van Abbemuseum. Veenman Publishers, 2007.

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Lee-Wright, Peter. The documentary handbook. Routledge, 2010.

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Lee-Wright, Peter. The documentary handbook. Routledge, 2009.

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Book chapters on the topic "Documentary films"

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Price, Stephen. "Documentary Films." In Single-Camera Video. Routledge, 2025. https://doi.org/10.4324/9781003010357-18.

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Grant, Barry Keith, and Jim Hillier. "Introduction." In 100 Documentary Films. British Film Institute, 2009. http://dx.doi.org/10.1007/978-1-84457-551-0_1.

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Padilha, José. "Bus 174 (Ônibus 174)." In 100 Documentary Films. British Film Institute, 2009. http://dx.doi.org/10.1007/978-1-84457-551-0_10.

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Capra, Frank. "Why We Fight 1: Prelude to War." In 100 Documentary Films. British Film Institute, 2009. http://dx.doi.org/10.1007/978-1-84457-551-0_100.

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Wadleigh, Michael. "Woodstock." In 100 Documentary Films. British Film Institute, 2009. http://dx.doi.org/10.1007/978-1-84457-551-0_101.

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Gordon, Douglas, and Philippe Parreno. "Zidane: A 21st Century Portrait (Zidane: un portrait du 21ième siècle)." In 100 Documentary Films. British Film Institute, 2009. http://dx.doi.org/10.1007/978-1-84457-551-0_102.

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Lewis, Mark. "Cane Toads: An Unnatural History." In 100 Documentary Films. British Film Institute, 2009. http://dx.doi.org/10.1007/978-1-84457-551-0_11.

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Ophüls, Marcel. "Le Chagrin et la pitié (full title: Le Chagrin et la pitié: chronique d’une ville française sous l’occupation)(The Sorrow and the Pity: Chronicle of a French City under German Occupation)." In 100 Documentary Films. British Film Institute, 2009. http://dx.doi.org/10.1007/978-1-84457-551-0_12.

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Rouch, Jean, and Edgar Morin. "Chronique d’un été (Chronicle of a Summer)." In 100 Documentary Films. British Film Institute, 2009. http://dx.doi.org/10.1007/978-1-84457-551-0_13.

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Kiarostami, Abbas. "Close-Up (Nema-ye nazdik)." In 100 Documentary Films. British Film Institute, 2009. http://dx.doi.org/10.1007/978-1-84457-551-0_14.

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Conference papers on the topic "Documentary films"

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White, Matthew, and Louis G. Lyras. "The Making of the Bridge Brothers Documentary." In SSPC 2018. SSPC, 2018. https://doi.org/10.5006/s2018-00047.

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Abstract This paper identifies the problems and challenges with the making of the Bridge Brothers documentary, from its inception to the distribution. It will discuss the intent of the film from the perspective of the filmmakers, and the bridge painting contractor. The documentary explains the importance of re-painting and rehabilitating our nation’s bridges, while exploring life on the bridge for the industrial bridge painters (Bridge Brothers) on the Commodore Barry and Walt Whitman Bridges in Philadelphia.

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Eftimie, Vlad. "Polyfunctionalities of the documentary film about art." In „Cultura şi arta: cercetare, valorificare, promovare”, conferinţă ştiinţifică naţională. Academy of Music, Theatre and Fine Arts, Republic of Moldova, 2025. https://doi.org/10.55383/ca2025.09.

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The paper presents six important functions of the documentary film about art. The aesthetic function is highlighted through the use and application of cinematic language, thus transforming the documentary film into a visual creation that captures the audience's attention. The artistic function reinterprets the artworks presented in a creative manner. Educating viewers and illustrating information within the historical, technical, and cultural context of artworks denotes the cognitive function, which is complemented by its formative function. The artistic and aesthetic presentation of artworks

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Irfan Ismail, Anugrah, Ercilia Rini Octavia, and Ibnu Kuncorobroto. "Creative Strategy Of Documentary Films To Embrace College Students Viewers." In Proceedings of the 3rd International Conference on Creative Media, Design and Technology (REKA 2018). Atlantis Press, 2018. http://dx.doi.org/10.2991/reka-18.2018.70.

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Li, Shu, and Maohua Li. "Analysis on the Art Therapy Function of Animated Documentary Films." In 4th International Conference on Education, Language, Art and Intercultural Communication (ICELAIC 2017). Atlantis Press, 2017. http://dx.doi.org/10.2991/icelaic-17.2017.113.

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"Educational Impact of Film and Television Culture Infiltrated by Environmental Documentary Films on Adolescents'Cognitive Level." In 2020 International Conference on Educational Training and Educational Phenomena. Scholar Publishing Group, 2020. http://dx.doi.org/10.38007/proceedings.0000945.

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Dux, Stefan. "The Impact of Camera Innovations on Visual Aesthetics in Documentary Films – A Filmmakers Perspective." In The European Conference on Media, Communication & Film 2020. The International Academic Forum(IAFOR), 2020. http://dx.doi.org/10.22492/issn.2188-9643.2020.4.

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Olărescu, Dumitru. "The evolution of the documentary film, dedicated to popular music performers." In Conferința științifică internațională "Învăţământul artistic – dimensiuni culturale". Academy of Music, Theatre and Fine Arts, Republic of Moldova, 2022. http://dx.doi.org/10.55383/iadc2022.17.

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Our folk songs, coming from over centuries, still today express the deepest soul of the man’s inner world, his sentimental experiences in the middle of the world, the connections with loved ones, with his native land, with society. These musical pieces, very diverse from the melodic perspective and the ideational background, form a complex socio-cultural phenomenon, which has interested scientists, men of art and culture. Back in the 1950s, at the beginnings of our cinema, current affairs topical cinematographic magazines already included subjects about some folk music performers, such as Tama

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"Effects of Documentary Films on Students’ Attitude towards Science: A Pretest and Posttest Study." In International Conference on Research in Social Sciences, Humanities and Education. Universal Researchers (UAE), 2016. http://dx.doi.org/10.17758/uruae.uh0516086.

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Jacevic, Milan. "Indie Game: The Movie: The Paper – Documentary Films and the Subfield of Independent Games." In Proceedings of DiGRA 2018 Conference: The Game is the Message. Digitial Games Research Association DiGRA, 2018. https://doi.org/10.26503/dl.v2018i1.956.

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Rezapour, Rezvaneh, and Jana Diesner. "Classification and Detection of Micro-Level Impact of Issue-Focused Documentary Films based on Reviews." In CSCW '17: Computer Supported Cooperative Work and Social Computing. ACM, 2017. http://dx.doi.org/10.1145/2998181.2998201.

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Reports on the topic "Documentary films"

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Girona, Ramón, and Jordi Xifra. The Ramparts We Watch: film documentary discourse in the field of Public Relations / The Ramparts We Watch: el discurso del cine documental en el campo de las Relaciones Públicas. Revista Internacional de Relaciones Públicas, 2014. http://dx.doi.org/10.5783/rirp-7-2013-02-05-24.

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Girona, Ramón, and Jordi Xifra. The Ramparts We Watch: film documentary discourse in the field of Public Relations / The Ramparts We Watch: el discurso del cine documental en el campo de las Relaciones Públicas. Revista Internacional de Relaciones Públicas, 2014. http://dx.doi.org/10.5783/rirp-7-2014-02-05-24.

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Martínez Parra, Marc. El vulcanismo en el cine. Ilustre Colegio Oficial de Geólogos, 2021. http://dx.doi.org/10.21028/mmp.2021.10.06.

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Como recurso argumental o temático, o bien como soporte, el cine ha empleado conceptos de la vulcanología, desarrollando historias enmarcadas, en diversos géneros cinematográficos, especialmente el cine de catástrofes, de aventuras y el documental, con filmes basados en sucesos reales o bien ficticios, como las acaecidos en las ciudades de Pompeya y Dante’s Peak, respectivamente. Son filmes en lo que los efectos especiales tienen gran importancia. También el género documental, tanto en noticiarios como en largometrajes, a causa de la espectacularidad de las imágenes de la naturaleza más primig

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Rhee, Jongeun. Exploring the Impact of a Documentary Film on Young Consumers' Understanding of Sustainable Apparel Consumption and Behavioral Changes. Iowa State University, Digital Repository, 2016. http://dx.doi.org/10.31274/itaa_proceedings-180814-1558.

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Rangiwai, Byron, Marcel Croul, Allanna Goldsmith, Manaaki Fletcher, and Atareta Moses. Using Kaupapa Māori Research to Inform Practice. Unitec ePress, 2023. http://dx.doi.org/10.34074/ocds.104.

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This paper explores the profound connections between Kaupapa Māori research and practice through the reflections of Māori practitioners. As part of a Kaupapa Māori research internship funded by Te Whatu Ora, hosted at Ngā Wai a Te Tūī, and co-led by Dr Hinekura Smith and Associate Professor Byron Rangiwai, this paper presents the perspectives of four Māori practitioners. Marcel Croul (Ngāti Tamaterā) discusses his film-editing practice in the context of a collaboration with Dr Hinekura Smith to create a short documentary on the wahine-led practice of whatuora. Allana Goldsmith (Ngāti Porou, Ng

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Heinz Schönbach, Karsten. Hitler and the German Coal Industrialists: Passing the Keys to A Kingdom. Institute for New Economic Thinking Working Paper Series, 2024. http://dx.doi.org/10.36687/inetwp230.

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Ever since the publication of Henry Turner’s German Big Business and the Rise of Hitler, most historians in both Germany and the United States have dismissed the idea that support from German major industry played a key role in bringing Hitler to power.. This consensus is wrong, as I have shown in a series of works that began with my doctoral dissertation at the Free University of Berlin and now extends to more than ten different works, including two books. These works rely extensively on archival resources that were either inaccessible or only selectively open to earlier re-searchers. This pa

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Hediger, Vinzenz. Trust and spectatorship. ConTrust - Trust in Conflict. Research Centre "Normative Orders" of Goethe University Frankfurt am Main, 2025. https://doi.org/10.21248/gups.80293.

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Research on trust and media in communication measures the trustworthiness of legacy news media (newspapers, radio, television) in nation state settings in longitudinal studies, in which controls for demographics are usually limited to age and political preference. These studies assume that trust in news sources is a useful indicator of the viability of liberal democracy. However, in an increasingly globalized and diversified digital information space in which alternative media challenge the established division of cognitive labor of democracy the underlying assumptions of this research design

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Mora-García, Claudio, and Andy A. Pearson. Enables and Bottlenecks to Upgrading along the Medical Device Global Value Chain in Costa Rica. Inter-American Development Bank, 2025. https://doi.org/10.18235/0013458.

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The medical device sector is a critical driver of Costa Rica's economic development, accounting for 37 percent of total exports as of 2022. This paper analyzes the main enablers and bottlenecks in upgrading along the medical device global value chain into higher value-added segments. The mixed-method approach we use includes documentary analysis, 15 interviews with key stakeholders, and descriptive statistics of different datasets. Results indicate five enablers for upgrading: (i) a strategic location and economic, political, and social stability, education, human talent, and a favorable inves

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Documentary films: representing youth street groups through visual ethnography. Universitat Pompeu Fabra, 2023. http://dx.doi.org/10.31009/transgang.2023.fr06.

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