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Dissertations / Theses on the topic 'Documentary films'

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1

Robertson, Robert Philip. "Ghostwriting Hong Kong : post-colonial documentary and the western tradition /." Thesis, Hong Kong : University of Hong Kong, 1998. http://sunzi.lib.hku.hk/hkuto/record.jsp?B20007450.

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2

Wang, Chi. "From véité to post-véité a critical analysis of Chinese "new documentaries" /." Ohio : Ohio University, 2009. http://www.ohiolink.edu/etd/view.cgi?ohiou1258125393.

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3

Meiser, Cory. "Documentary Film: Love's Story." Thesis, University of North Texas, 2006. https://digital.library.unt.edu/ark:/67531/metadc5312/.

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Abstract Love's Story is a documentary journey into the storytelling world, where the themes of love and memory connect the audience to a unique set of film interviewees. Marie and Alexis provide interesting recollections about their individual pasts, while Cherie guides the course of the film with her expert theories about the nature of storytelling. What initially appears a simple film, actually provides a multi-tiered commentary tackling issues of memory, love, and perseverance. The film equally highlights the nature of storytelling to encourage audiences to critically dissect the stories
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4

Dinc, Nefin. "Documentary Film: I Named Her Angel." Thesis, University of North Texas, 2005. https://digital.library.unt.edu/ark:/67531/metadc4736/.

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Recent political developments in the world show us that different cultures need to know and understand each other better. Even though technological developments like the Internet, satellites, cable television and conglomeration of big media entities have made mass communication more effective and faster, we cannot easily say that these developments help to bring world cultures together. As a result, mass audiences are not very much able to see what few productions do speak to these issues in a constructive manner. The main aim of this documentary film project is to serve as a small step toward
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5

Petty, Laurel Ann Levin C. Melinda. "Documentary film Accidental Shakespeare /." [Denton, Tex.] : University of North Texas, 2007. http://digital.library.unt.edu/permalink/meta-dc-3628.

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6

Palmer, G. E. "Basil Wright : definitions of documentary." Thesis, University of Stirling, 1990. http://hdl.handle.net/1893/2150.

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A close textual analysis of the films of Basil Wright between 1931 and 1938. This work will give a fresh perspective on the working methods of one of the senior members of the British Documentary Movement. It will also discuss the influence exerted by the leader of this group John Grierson. Seven films will be looked at in detail beginning with The Country Comes to the Town and concluding with Face of Scotland. In these detailed analyses we will discuss how the ideological thinking of the group found expression through Wright The purpose of studying an individual is to judge what measure of fr
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7

Dancsok, Michael. "Transcending the documentary : the films of Arthur Lipsett." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ39429.pdf.

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8

Van, Laanen Michael Whitney. "The pose of neutrality in social documentary films." Thesis, Montana State University, 2010. http://etd.lib.montana.edu/etd/2010/van_laanen/Van_LaanenM0510.pdf.

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From the outset, documentary filmmakers have sought to achieve the unobtainable goal of re-presenting reality in a purely objective manner. What began with an attempt to document a dying/evolving culture in Flaherty's Nanook of the North led to a century of debate about how closely documentary film could come to achieving the ultimate goal of representing our historical and social world accurately, objectively, and truthfully. The stem cell research debate has produced three documentaries that illustrate two models of filmmaking process: engaged filmmaking and non-engaged filmmaking. Within th
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9

Petty, Laurel Ann. "Documentary Film: Accidental Shakespeare." Thesis, University of North Texas, 2007. https://digital.library.unt.edu/ark:/67531/metadc3628/.

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According to the American Heritage College Dictionary, the word “community” derives from the Latin roots: communitas and communis meaning “fellowship” and “common,” respectively. The word “amateur” derives from the Latin roots: amator meaning “lover.” A community of amateurs, who love to put on plays, exists within the Denton Community Theatre. Their first attempt at classical theatre was the January 2006 production of Romeo and Juliet, directed by Brad Speck. The film follows two actors (through observational shooting) - Kevin Wickersham, a waiter who is trying theatre for the first time, an
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10

Gainsborough-Waring, Craig. "Exegesis and dissertation for an interactive documentary program entitled NGO Advocacy Documentary : a dissertation submitted to Auckland University of Technology in partial fufilment of the requirements for the degree of Bachelor of Communication Studies (Honours) , 2008 /." Click here to access this resource online Click here to access this resource online, 2008. http://puka2.aut.ac.nz/ait/Dissertations/GainsboroughWaringC.pdf.

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Thesis (BCS(Hons)) - Bachelor of Communication Studies (Hons) -- AUT University, 2008.<br>Includes bibliographical references. Also held in print (23 leaves ; 30 cm. + 2 CD-ROMs) at the City Campus (T 070.18 GAI)
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11

Schilt, Paige Eileen. "Fables of authority : ethics, power, and authenticity in contemporary documentary film /." Digital version accessible at:, 2000. http://wwwlib.umi.com/cr/utexas/main.

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12

Gordon, Stephani Rae. "Film and the illusion of experience." Thesis, Montana State University, 2010. http://etd.lib.montana.edu/etd/2010/gordon/GordonS0510.pdf.

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Thesis (MFA)--Montana State University--Bozeman, 2010.<br>Typescript. Chairperson, Graduate Committee: Dennis Aig. Chasing birds in Beringia is a DVD accompanying the thesis. Includes bibliographical references (leaves 34-39).
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13

Smith, Elizabeth Ann. "Ecstatic Truth through Fiction: Re-framing the Science Film to Engage a Wider Audience." Thesis, Montana State University, 2007. http://etd.lib.montana.edu/etd/2007/smith/SmithE0507.pdf.

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Americans obtain a majority of their information about science through science films, primarily in the form of documentaries on television. However, despite the recent proliferation of these films, there is much discussion in the science filmmaking community about how ineffective these films have been lately at informing the public about science and compelling viewers to act. It is time to look at the underlying definitions of the genre from a different perspective and determine whether the current standards are the best way to successfully convey messages about science to the widest audience.
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14

Walker, Hannah Smith. "Moving beyond broadcast and traditional pedagogy making a children's documentary for the new media landscape /." Thesis, Montana State University, 2009. http://etd.lib.montana.edu/etd/2008/walker/WalkerH1208.pdf.

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Thesis (MFA)--Montana State University--Bozeman, 2009.<br>Typescript. Chairperson, Graduate Committee: Cindy Stillwell. Why don't we ride zebras is a DVD accompanying the thesis. Includes bibliographical references (leaves 29-34).
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15

Lakpassa, Komlan Daholega Levin Ben. "Gods, have Merced! a documentary film /." [Denton, Tex.] : University of North Texas, 2008. http://digital.library.unt.edu/permalink/meta-dc-9763.

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16

Luna, Rassa Maria F. "Mapping heterotopias Colombian documentary films of the armed conflict." Doctoral thesis, Universitat Autònoma de Barcelona, 2014. http://hdl.handle.net/10803/284925.

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Los documentales del conflicto armado nos llevan hacia espacios otros. Lugares qde la realidad que para un ciudadano promedio son contra-espacios, territorios desconocidos. Los documentalistas experimentan físicamente con estos otros espacios. Construyen lazos de confianza con sus sujetos, siguen sus huellas o actualizan sus memorias. Sin embargo, siempre se sienten como testigos o turistas. Esto muestra una gran distancia entre las realidades de las zonas rurales aisladas y la vida urbana en mega-ciudades interconectadas. Esta distancia es la razón que me llevó a preguntarme por la producción
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Boyd, Laura Jean. "Mythologizing the History of Easter Island through Documentary Films." Thesis, Montana State University, 2005. http://etd.lib.montana.edu/etd/2005/boyd/BoydL1205.pdf.

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Documentaries have the power to rewrite history and perpetuate myths in our society. In the case of Easter Island, documentary filmmakers have sensationalized the history of the Rapa Nui people, dwelling on dramatic concepts such as eco-disaster, cannibalism and mysteriously vanishing cultures. As a result of poor filmmaking, we have a mythologized history of Easter Island. In my attempt to create a science-based documentary about an issue affecting contemporary Easter Island society, this mythologizing of history became a major obstacle. It became apparent that I had to first inform audiences
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18

Horst, Jennifer Lynne Levin C. Melinda. "The making of the documentary film Women in red." [Denton, Tex.] : University of North Texas, 2008. http://digital.library.unt.edu/permalink/meta-dc-9088.

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19

Gallep, Larissa Tannus [UNESP]. "Anna dos 6 aos 18 anos." Universidade Estadual Paulista (UNESP), 2012. http://hdl.handle.net/11449/86901.

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Made available in DSpace on 2014-06-11T19:22:28Z (GMT). No. of bitstreams: 0 Previous issue date: 2012-08-22Bitstream added on 2014-06-13T19:27:48Z : No. of bitstreams: 1 gallep_lt_me_ia.pdf: 1157277 bytes, checksum: b706aed8e8a39902338d9b0401639ea1 (MD5)<br>Universidade Estadual Paulista (UNESP)<br>Com esta pesquisa a minha intenção foi a de realizar uma investigação do filme/documentário russo Anna dos 6 aos 18 e como ele expõe os momentos históricos do fim dos anos 1980 e começo dos 1990, com a queda da União Soviética e o surgimento da Perestroika. Tentei aqui apresentar uma análise de c
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20

Blackall, David. "John Perceval an ethical representation of a delinquent angel /." Access electronically, 2004. http://www.library.uow.edu.au/adt-NWU/public/adt-NWU20050215.154037/index.html.

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Thesis (Ph.D.)--University of Wollongong, 2004.<br>Typescript. EMBARGOED - this thesis is subject to a two year embargo (16/11/2004 to 16/11/2006) and may only be viewed and copied with the permission of the author. For further information please Contact the Archivist. Includes bibliographical references.
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Sylvestre, Helena Schiavoni [UNESP]. "Análise da estrutura de interação do web documentário One Millionth Tower: um estudo semiótico." Universidade Estadual Paulista (UNESP), 2015. http://hdl.handle.net/11449/126495.

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Made available in DSpace on 2015-08-20T17:09:55Z (GMT). No. of bitstreams: 0 Previous issue date: 2015-02-27. Added 1 bitstream(s) on 2015-08-20T17:26:07Z : No. of bitstreams: 1 000841032.pdf: 1200389 bytes, checksum: 8ede8398f4a916c26e4a9702de5d11a9 (MD5)<br>A pesquisa em questão visa analisar os rizomas de interação do web documentário One Millionth Tower sob a perspectiva da semiótica peirceana, estudar possibilidades de interpretações dadas a estes a presumir a importância dos mesmos, uma vez que tal estrutura de interação influencia diretamente no caráter da leitura que o usuário integr
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22

Rosa, Bruno Navarini. "A jornada do herói de Joseph Campbell e os ídolos do futebol brasileiro : uma análise de "Garrincha, alegria do povo" e "Isto é Pelé" /." Bauru, 2017. http://hdl.handle.net/11449/152170.

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Orientador: José Carlos Marques<br>Banca: Marcelo Magalhães Bulhões<br>Banca: Flavio de Campos<br>Resumo: Diante do enquadramento que a mídia atribui aos ídolos esportivos, conferindo-lhes aspectos mitológicos que os transformam em heróis, figuras corajosas o suficiente para adentrar no mundo da aventura, vencer desafios e conquistar dádivas em prol da sociedade, o presente estudo tem por objetivo analisar as narrativas presentes nos documentários "Garrincha, Alegria do Povo" (1963, direção de Joaquim Pedro de Andrade) e "Isto é Pelé" (1974, direção de Luiz Carlos Barreto e Eduardo Escorel). M
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23

Sylvestre, Helena Schiavoni. "Análise da estrutura de interação do web documentário "One Millionth Tower" : um estudo semiótico /." Bauru, 2015. http://hdl.handle.net/11449/126495.

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Orientador: Leticia Passos Affini<br>Banca: Vania Cristina P. N. Valente<br>Banca: Vanessa Matos dos Santos<br>Resumo: A pesquisa em questão visa analisar os rizomas de interação do web documentário "One Millionth Tower" sob a perspectiva da semiótica peirceana, estudar possibilidades de interpretações dadas a estes a presumir a importância dos mesmos, uma vez que tal estrutura de interação influencia diretamente no caráter da leitura que o usuário integrante faz do conteúdo faceado por ele. Assim como "One Millionth Tower", outros tantos web documentários interativos em emergência no ciberesp
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24

Bryant, Marsha. "Auden and documentary in the 1930's /." Charlottesville (Va.) ; London : University press of Virginia, 1997. http://catalogue.bnf.fr/ark:/12148/cb37530577s.

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25

Backus, Alison Lorraine. "Bringing Medicine to the Masses: Exploring the Relationship Between the Medical Documentary and the Public." Thesis, Montana State University, 2006. http://etd.lib.montana.edu/etd/2006/backus/BackusA0506.pdf.

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The medical documentary seeks to bridge the gap between the traditional imbalance of knowledge between the patient and her medical practitioner. This paper will examine the issue of the imbalance of the doctor and patient throughout the history of medicine, explore how the medical documentary seeks to solve this imbalance, and the methods by which it does so. By comparing three related medical documentaries and examining the strengths and weaknesses of each one in its attempt to educate and engage the viewer, I will seek to create a broad model for future medical documentaries and relate how m
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26

Kennerson, Elliott Doran. "Ocean Pictures the construction of the ocean on film /." Thesis, Montana State University, 2008. http://etd.lib.montana.edu/etd/2008/kennerson/KennersonE1208.pdf.

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Thesis (MFA)--Montana State University--Bozeman, 2008.<br>Typescript. Chairperson, Graduate Committee: Ronald Tobias. Sealed Off is a DVD accompanying the thesis. Includes bibliographical references (leaves 31-35).
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27

Greer, Daniel Levin Ben. "Snakes alive!" [Denton, Tex.] : University of North Texas, 2008. http://digital.library.unt.edu/permalink/meta-dc-9101.

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28

Tsakiri, Maria. "What are you looking at? : representations of disability in documentary films." Thesis, University of Stirling, 2015. http://hdl.handle.net/1893/24517.

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This study sets out to explore the representations of disability in documentary films. Its starting point is that when such representations of disability films are under examination, one needs to take into consideration a level of complexities that come with disability, the construction and functionalities of representations, and more particularly the impact of documentary films on understanding disability. In order to address this issue, I draw upon disability theory and disability aesthetics, crip theory and crip willfulness, as well as practices of good looking, synthesising in this way a t
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29

Beam, Brooke W. "Lights, Cameras, and Agricultural Documentaries: Understanding viewers’ interpretation of source credibility in food documentary films." The Ohio State University, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=osu1500448684766755.

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30

Ferris, Mika Levin Ben. "Mama D's 2 blocks a documentary film /." [Denton, Tex.] : University of North Texas, 2007. http://digital.library.unt.edu/permalink/meta-dc-3674.

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31

Gallep, Larissa Tannus. "Anna dos 6 aos 18 anos /." São Paulo : [s.n.], 2012. http://hdl.handle.net/11449/86901.

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Orientador: José Leonardo do Nascimento<br>Banca: Omar Khoury<br>Banca: Simonetta Persichetti<br>Resumo: Com esta pesquisa a minha intenção foi a de realizar uma investigação do filme/documentário russo Anna dos 6 aos 18 e como ele expõe os momentos históricos do fim dos anos 1980 e começo dos 1990, com a queda da União Soviética e o surgimento da Perestroika. Tentei aqui apresentar uma análise de como esta obra, enquanto objeto de arte e documento histórico, se relaciona com as transformações e o discurso oficial do final da URSS. Foram analisadas as diferentes formas de articulação entre os
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32

Hogenkamp, Albert Peter. "The British documentary movement and the 1945-51 Labour governments." Thesis, University of Oxford, 1991. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.280557.

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33

Nelson, Jodi. "Digital technologies, social media and emerging, alternative documentary production methodologies." Thesis, University of Sussex, 2015. http://sro.sussex.ac.uk/id/eprint/54595/.

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My research is a practice-based project involving documentary production and theoretical analysis of emerging forms of documentary and online co-collaboration, exploring paradigm shifts in digital technology particularly in the web-based feminist activism and feminist social praxis. The practice-led research explores new forms of production practices outside traditional methodologies and dissemination. Specifically, by utilizing cheap digital technology tools and working within online social networking platforms the research theoretically analyses what means were available towards online parti
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Asquith, Daisy. "This is not us : performance, relationships and shame in documentary filmmaking." Thesis, University of Sussex, 2019. http://sro.sussex.ac.uk/id/eprint/81595/.

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This thesis investigates performance, identity, representation and shame in documentary filmmaking. Identities that are performed and mediated through a relationship between filmmaker and participant are examined with detailed reference to two decades of my own practice. A reflexive, feminist approach engages my own films - and the relationships that produced them - in analysis of the ethical potholes and emotional challenges in representing others on TV. The trigger for this research was the furiously angry reaction of the One Direction fandom to my representation of them in Crazy About One D
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35

Shier, Sara Ann. "The depiction of indigenous African cultures as other in contemporary, Western natural history film." Thesis, Montana State University, 2006. http://etd.lib.montana.edu/etd/2006/shier/ShierS1206.pdf.

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36

Hegedus, Peter. "Towards a Model for Autobiographical and Socially Conscious Cinematic Documentary in Australia." Thesis, Griffith University, 2008. http://hdl.handle.net/10072/365761.

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The Australian film and television industry is currently undergoing a major transformation, which ultimately will have significant impact on its practitioners. As an Australian filmmaker whose interest and ambition lie in more idiosyncratic and autobiographical films for cinema, I believe a close examination of these filmmaking aspirations in relation to the current codes and practices of the Australian film industry is necessary. Apart from some festivals and media interviews, for filmmakers there is little room for self-reflection. Having the opportunity to conduct a critical and in-depth e
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Rezaei, Rashin Maral. "To what extent are documentary films superior to fictional motion pictures?" Thesis, Umeå universitet, Institutionen för tillämpad fysik och elektronik, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-94789.

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The aim of this study was to examine if documentaries have become more superior to fictional motion pictures. By focusing on defining the categories and pointing out what their differences are, viewers get a deeper understanding of what the project wants to tell. Even viewing some popular movies that are in its field, will help the conclusion become more accurate. My main source of method will lay in literature but my main focus will be on a survey that will be provided by the answers, to the topic in hand.
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Pugsley, Bronwen E. "Challenging perspectives : documentary practices in films by women from Francophone Africa." Thesis, University of Nottingham, 2012. http://eprints.nottingham.ac.uk/12658/.

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This thesis is located at the intersection of three dynamic fields: African screen media, documentary studies, and women’s filmmaking. It analyses a corpus of fifteen films by Francophone sub-Saharan African women filmmakers, ranging from 1975 to 2009, within the framework of documentary theory. This study departs from the contextual approach to African women’s documentary, which has been predominant among scholarship and criticism thus far, in favour of a focus on the films as texts. The popular models developed for the study of documentary film by Western scholars are applied to African wome
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Patino, S. C. "Exploring the formal and informal distribution mechanisms for Colombian documentary films." Thesis, University of Salford, 2016. http://usir.salford.ac.uk/37891/.

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Historically, documentary films have always encountered very serious problems of distribution and have struggled immensely to find reliable audiences, even though, ironically, documentaries are accepted by many as significant tools for the promotion of important historical, social and cultural values. There is a very serious lack of proper tools and strategies to allow documentaries to reach their potential audience in a manner that is consistent with the importance of these films as enablers of important discussion and analysis inside a society. This is especially true in the case of most dev
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40

Bussart, Anna Lynn Levin Ben. "The making of the documentary Women at work." [Denton, Tex.] : University of North Texas, 2008. http://digital.library.unt.edu/permalink/meta-dc-9791.

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41

Frost, Stephen. "Natural Bridge: Environmental Art in New Media Documentary." Thesis, Griffith University, 2013. http://hdl.handle.net/10072/367220.

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The Natural Bridge Project is a pilot study into design form as it applies to the Digital Media Documentation of Environmental Art. This component of the project aims to develop a new form of New Media Art Documentary that will help urban people reconnect with the natural environment. The project throws doubt on existing assumptions surrounding “connectivity” via the Internet and the positive attributes of social media. It argues that social media actually disconnects people from each other and from the natural environment. In an attempt to offer a solution to this problem, the Natural Bridge
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Lakpassa, Komlan Daholega. "Gods, Have Merced! A Documentary Film." Thesis, University of North Texas, 2008. https://digital.library.unt.edu/ark:/67531/metadc9763/.

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Gods, Have Merced! chronicles the struggle of Jose Merced, a Santeria priest, with the city of Euless, Texas, where he has been residing for 17 years in an effort to overrule an ordinance that bans the most critical element of his faith: animal sacrifice. As the city officials justify the ban on the basis of public health, Merced thinks he is merely a victim of selective code enforcement aimed a restricting his freedom of religion. Local and national media covered the lawsuit he filed against the City of Euless, and Merced seems ready to take the fight over animal sacrifice to the United State
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MacLennan, Gary. "From the actual to the real : left wing documentary film in Australia." Thesis, Queensland University of Technology, 2000.

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This thesis constructs and develops a critique of the tradition of left wing documentary film in Australia. The critique is from the perspective of the Critical Realist paradigm developed by Roy Bhaskar and others. The thesis is both an attempt to critique a tradition and to provide a new basis for documentary theory and criticism. On the theoretical level the thesis engages the work of the leading documentary film theorists including Noel Carroll, Bill Nichols, Paula Rabinowitz, Michael Renov and Trinh T. Minh-ha. These theorists take up positions, which range from New Realist to Poststructu
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Solbrig, Heide Frances. "Film and function : a history of industrial motivation film /." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2004. http://wwwlib.umi.com/cr/ucsd/fullcit?p3142448.

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45

Mueller, Denis. "John Dewey and doccumentary [sic] narrative." Bowling Green, Ohio : Bowling Green State University, 2007. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=bgsu1195476626.

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Bevins, Thomas Levin Ben. "Street chords and the truth a street level view of country music /." [Denton, Tex.] : University of North Texas, 2008. http://digital.library.unt.edu/permalink/meta-dc-6134.

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47

Daggett, Liz Levin C. Melinda. "Theoretical and practical record of the making of the documentary film, A Native American dream." [Denton, Tex.] : University of North Texas, 2008. http://digital.library.unt.edu/permalink/meta-dc-9110.

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48

Horst, Jennifer Lynne. "The making of the documentary film Women in Red." Thesis, University of North Texas, 2008. https://digital.library.unt.edu/ark:/67531/metadc9088/.

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Though the remnants of a stereotype created over two millennia ago still thrive in American popular culture today, redheaded women are enjoying a more positive role in society than they have ever seen before. Women in Red explores the experience of the redheaded woman in America today by examining how the stereotypes have affected a small group of them, how these women relate to the stereotypes, and why, given the verisimilitude of the stereotype, a non-redheaded woman would embrace such an identity with the simple act of dying her hair red. This is the story behind the experience that is Wo
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Williamson, Harry Alexander. "The essay, the time image and the double : a study of the films of Chris Marker." Thesis, University of Ulster, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.268596.

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50

Gibson, Sarah Edith Levin C. Melinda. "Behind the scenes of The Steve Taylor story a documentary /." [Denton, Tex.] : University of North Texas, 2009. http://digital.library.unt.edu/permalink/meta-dc-10992.

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