Relevant bibliographies by topics / Documentary intent

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Documentary intent'

Author: Grafiati
Published: 4 June 2021
Last updated: 11 February 2022

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Journal articles on the topic "Documentary intent"

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Lewis, Randolph. "Questionable Intent: Documentary Cinema and the Authorial Fallacy." Studies in Documentary Film 1, no. 3 (2007): 265–78. http://dx.doi.org/10.1386/sdf.1.3.265_1.

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Bezruchko, Оleksandr, and Valeriia Сhaikovskа. "Features of the Implementation of the Director’s Intent in Documentary Surveillance-film." Bulletin of Kyiv National University of Culture and Arts. Series in Audiovisual Art and Production 3, no. 1 (2020): 65–74. http://dx.doi.org/10.31866/2617-2674.3.1.2020.202660.

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Robertson, Scott, and Noni Boyd. "Paganin House: a risen phoenix." Modern Houses, no. 64 (2021): 58–65. http://dx.doi.org/10.52200/64.a.k9zzixfe.

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A risen phoenix examines the issues surrounding the reinstatement of an important post-war house in suburban Perth, Western Australia that was destroyed by fire and examines the preservation of the original architect’s design intent through use and interpretation of the documentary evidence, the physical evidence and an understanding of the personality and design ethos of the original architect by the architect for the reinstatement work.
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Selejan, Ileana L. "Actions. Situations. Possible Scenarios." Protest, Vol. 4, no. 2 (2019): 50–55. http://dx.doi.org/10.47659/m7.050.art.

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Zigzagging through personal memory and historical episodes of great consequence – the fall of the Berlin wall, the Romanian revolution and the April 2018 protests in Nicaragua – the essay seeks points of connection between the personal and the political, exploring how the two are intimately and inextricably intertwined. The textual approach can be situated in-between historical analysis and auto-biographical fiction; the aim is to enable multi-layered narratives, and contrasting, conflicting temporalities to co-exist. Illustrative of this intent, Romanian artist Călin Man intervenes upon the m
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Willmann, Kate Sampsell. "Lewis Hine, Ellis Island, and Pragmatism: Photographs as Lived Experience." Journal of the Gilded Age and Progressive Era 7, no. 2 (2008): 221–52. http://dx.doi.org/10.1017/s1537781400001870.

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The origin of Lewis Hine's invention of social documentary photography can be found in his intellectual alliance to pragmatism. Reading Hine's photographs as primary sources of the author's intent, in context with Hine's progressive intellectual milieu and in contrast with his contemporaries, Jacob Riis and Alfred Steiglitz, reveals Hine as a self-conscious and tolerant commentator on the lives of individual immigrants and workers. Although Hine left the objects of his portraits mostly unnamed, through his documentary style, he conferred upon them individual identity in contrast to the nativis
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SCHEFFER, DAVID. "A Review of the Experiences of the Pre-Trial and Appeals Chambers of the International Criminal Court Regarding the Disclosure of Evidence." Leiden Journal of International Law 21, no. 1 (2008): 151–63. http://dx.doi.org/10.1017/s0922156507004773.

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AbstractNegotiators of the Rome Statute of the International Criminal Court (ICC) did not intend the Pre-Trial Chamber (PTC) to act as a de facto investigating judge; rather, their intent was that the PTC ensure that the Prosecutor act responsibly and within well-defined limits. Several opportunities have arisen in the Lubanga case before the ICC's PTC and the Appeals Chamber to examine the Prosecutor's duty and performance in disclosing documentary evidence and the identities of witnesses at the pre-trial stage. International criminal tribunals necessarily must bridge the evidentiary magnitud
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Alistar, Kata. "Review: The other side of the Tūhoe raids." Pacific Journalism Review 21, no. 2 (2015): 192. http://dx.doi.org/10.24135/pjr.v21i2.131.

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Kata, Alistar. (2015). The other side of the Tūhoe raids. Pacific Journalism Review, 21(2): 192-194. Review of The Price of Peace [documentary], directed by Kim Webby. English and Te Reo Māori. 2015, 87min. www.nziff.co.nz/2015/auckland/the-price-of-peace/Most New Zealanders will remember when Tūhoe activist Wairere Tame Iti shot the national flag, during a powhiri ceremony, at a Waitangi Tribunal Hearing in 2005. New Zealanders will also remember when Iti, along with three others, was tried and found guilty of firearms charges as part of what the media coined, the ‘Urewera Four’ (Gay, 2012) t
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Tietjen, Jeanie. "Durchfall, Auschwitz’s Unwritten Story: Filth and Excremental Violence in Tadeusz Borowski’s Postwar Fiction." Holocaust and Genocide Studies 34, no. 3 (2020): 409–30. http://dx.doi.org/10.1093/hgs/dcaa057.

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Abstract As an author central to postwar literature on the concentration and death camp experience, Tadeusz Borowski chose to depict the relatively taboo subject of excremental violence. Borowski’s documentary fiction depicted an aspect of history that was, especially in 1946 after his own incarceration and survival, both raw and controversial. Writing in Polish as part of a collective work, Borowski was intent on speaking in his native language to a shattered Polish nation. This article analyzes how Borowski drew attention to human rights violations by writing about excremental violence. It f
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Mukhzarudfa, Mukhzarudfa, and Muhammad Qodri. "ANALYSIS OF SYARI'AH ACCOUNTING IN MURABAHAH FINANCING AT THE SYARI'AH MANDIRI BANK IN JAMBI BRANCH." ILTIZAM Journal of Shariah Economic Research 4, no. 1 (2020): 1. http://dx.doi.org/10.30631/iltizam.v4i1.555.

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This study intends to find out the murabahah financing procedure and analyze the murabahah financing accounting system implemented at the Jambi SyariahMandiri Bank Branch. In this study analyzing data with a qualitative descriptive approach, and collected by doing documentary studies, observations and interviews. This study concludes that the general procedure for submitting murabahah financing to Bank SyariahMandiri in four ways, the first is to propose a letter of intent to use murabahah financing products, the second is to analyze the ability to pay installments, goodwill and collateral, th
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Larsen, Mads. "Paratextual Adaptation of Social Importance for Three Groundbreaking Scandinavian Novels." Logos 30, no. 3 (2020): 40–56. http://dx.doi.org/10.1163/18784712-03003003.

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To sell a novel as socially relevant, the book cover, prefaces, and other paratext can help convey why readers should care and how the story should be read. But relevance can expire as society moves on. Reprints of groundbreaking classics that no longer engage contemporary concerns adapt their paratext to reach new readers, often by emphasizing the book’s historical and/or literary position. This article examines paratextual strategies across time and space for three Scandinavian novels with exceptional influence. Enlightenment-promoting Niels Klim’s Underground Travels (1741) was the region’s
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Dissertations / Theses on the topic "Documentary intent"

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Daley, KaRyn Elizabeth. "The Role of Documentary Film in the Emerging Social Entrepreneurial Culture." BYU ScholarsArchive, 2015. https://scholarsarchive.byu.edu/etd/5663.

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Considering the current skepticism surrounding the impact and efficacy of nonprofit and nongovernmental organizations, some believe that a unique category of innovator known as the social entrepreneur may be society’s best hope for bringing innovative, scalable, and systemic solutions to bear on the world’s most intractable problems. Social entrepreneurs, as defined by Ashoka, have a unique set of characteristics that determine not only how they move within the world of social change-making but also how they communicate their ideas and mission to the public. This exploratory study reviewed how
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Penteado, Julia Dantas de Oliveira. "As redes de conhecimento de documentários online : uma análise do The New York Times na plataforma Twitter /." Bauru, 2017. http://hdl.handle.net/11449/151113.

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Orientador: Denis Porto Renó<br>Banca: Marcos Américo<br>Banca: Pollyana Ferrari Teixeira<br>Resumo: Desde o seu surgimento, o documentário sempre esteve vinculado à formação de conhecimento cidadão. Esta pesquisa teve como objetivo analisar o potencial do documentário na internet para a construção do conhecimento em rede. Para isso, foi utilizada a abordagem do conhecimento conectivista, teoria de aprendizagem contemporânea que considera formação de redes como fundamental para o processo de formação do conhecimento. Para efetuar a análise, foi realizado um estudo de caso múltiplo, de caráter
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Sidibé, Amadou Békaye. "Usages d'Internet et services d'Internet au Mali : rôle et positionnement des bibliothèques." Thesis, Université Grenoble Alpes (ComUE), 2018. http://www.theses.fr/2018GREAL003/document.

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Depuis l’époque sumérienne (4ème – 3ème millénaire avant J.-C.), les bibliothèques ont su traiter les documents pour les mettre à la disposition des populations pour leur développement intellectuel, culturel, économique … Pour répondre aux besoins informationnels de toutes les couches socioprofessionnelles, elles ont pris diverses formes : nationale, publique, spécialisée, scolaire, universitaire … et cela, à travers tous les pays du monde.Avec la naissance du web et l’accès progressif des populations aux ressources en ligne, les partenaires techniques et financiers des pays africains ont comm
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Finco, Henrique. "Imagem intensa e performance como testemunho em filmes documentários no Brasil." Florianópolis, SC, 2012. http://repositorio.ufsc.br/xmlui/handle/123456789/96155.

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Tese (doutorado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão. Programa de Pós-Graduação em Literatura.<br>Made available in DSpace on 2012-10-26T09:20:07Z (GMT). No. of bitstreams: 1 301863.pdf: 1548183 bytes, checksum: 44af15bc7af60eedb8e593958dfb2e55 (MD5)<br>Problematizar a relação do filme documentário com a realidade é o objeto desta tese, que se organiza a partir de um recorte espacial definido no Brasil, país em que a imersão de novos atores sociais também exige novos modos de narrar. Assim, utiliza-se como corpus dois filmes de João Moreira Salles para d
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Miranda, Dulce Branca da Costa Ribeiro de. "Edição e ditribuição de conteúdo documental para a Web." Master's thesis, Universidade de Aveiro, 2009. http://hdl.handle.net/10773/1197.

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Mestrado em Comunicação Multimédia - Televisão Digital<br>A investigação propõe a edição de um documentário para ser divulgado online que permita que os utilizadores da Web participem com o envio de registos documentais sobre o tema. As questões teóricas relativas ao conteúdo documental, à Web 2.0 e ao utilizador enquanto produtor de conteúdos estão explicadas na revisão da literatura, cujo propósito é encontrar os pontos convergentes e divergentes destas áreas. O objectivo da dissertação é perceber como editar e distribuir um filme documentário num canal online e enumerar as funcionalidades q
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Gifreu, Castells Arnau. "El Documental interactiu com a nou gènere audiovisual : estudi de l'aparició del nou gènere, aproximació a la seva definició i proposta de taxonomia i d'un model d'anàlisi a efectes d'avaluació, disseny i producció." Doctoral thesis, Universitat Pompeu Fabra, 2013. http://hdl.handle.net/10803/119606.

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L’objecte d’aquesta tesi doctoral és mostrar i demostrar com el documental interactiu es constitueix i es proposa en els últims anys com a nou gènere audiovisual amb característiques pròpies i específiques. Aquesta investigació argumenta com el mitjà digital interactiu ha afectat les lògiques de producció, exhibició i recepció audiovisuals del gènere documental tradicional. Durant els últims anys, aquestes noves dinàmiques han transformat els processos comunicatius i la naturalesa dels diferents actors implicats, donant lloc a un nou gènere que anomenem “documenal interactiu”. A partir d’una
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Dieye, Mor. "Valorisation et médiation numérique du patrimoine documentaire colonial et de l'esclavage." Phd thesis, Université Paul Valéry - Montpellier III, 2013. http://tel.archives-ouvertes.fr/tel-00942980.

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La question de la préservation et de la pérennisation du patrimoine documentaire des archives et des bibliothèques a toujours été au centre des préoccupations et des débats des professionnels en information-documention et intéresse maintenant de plus en plus les usagers. Ceci est lié à l'importance que nos sociétés attachent à l'histoire et à la mémoire. Ce retour vers le passé n'est souvent possible que si la preuve qui l'incarne (en l'occurrence les archives) est bien conservée et valorisée. La numérisation a ouvert de nouvelles perspectives pour la sauvegarde du patrimoine, surtout dans le
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Brezel, Sophie Cavalier François. "Concevoir un portail documentaire académique des pistes pour la bibliothèque de Sciences Po /." [S.l.] : [s.n.], 2009. http://www.enssib.fr/bibliotheque-numerique/document-2043.

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Matuck, Fouad Camargo Abboud [UNESP]. "Docweb: análise do documentário on-line HayMotivo.com." Universidade Estadual Paulista (UNESP), 2009. http://hdl.handle.net/11449/89466.

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Made available in DSpace on 2014-06-11T19:24:04Z (GMT). No. of bitstreams: 0 Previous issue date: 2009-09-29Bitstream added on 2014-06-13T20:51:21Z : No. of bitstreams: 1 matuck_fca_me_bauru.pdf: 4537967 bytes, checksum: d737163765ca16c4c88373b6687f60c8 (MD5)<br>Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)<br>Este trabalho analisa a coletânea de vídeos HayMotivo.com, definida como documentário on-line (docweb), a partir do conceito e da abordagem histórica do documento como gênero, seus limites com o cinema de ficção e sua migração para o ambiente web. Depois, de descrito e
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Wirschum, Nadine. "Informationssuche im Internet : der Suchprozesses aus psychologischer und informationstechnologischer Sicht /." Saarbrücken : VDM Verlag Dr. Müller, 2006. http://www.gbv.de/dms/bs/toc/517427966.pdf.

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Books on the topic "Documentary intent"

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InTents. powerHouse Books, 2004.

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Gagnon, Maryse. Guide de la recherche documentaire. Presses de l'Université de Montréal, 2004.

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Les collections électroniques, une nouvelle politique documentaire. Éditions du Cercle de la librairie, 2009.

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Varanini, Gian Maria, ed. Deformità fisica e identità della persona tra medioevo ed età moderna. Firenze University Press, 2016. http://dx.doi.org/10.36253/978-88-6655-846-0.

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Negli ultimi decenni, la storiografia europea si è occupata attivamente della storia del corpo, dando così spessore e consapevolezza a potenti sollecitazioni provenienti dalla cultura dominante nella società affluente. Non solo dunque il corpo ‘bello’ è stato oggetto di ricerca, ma anche il corpo dell’uomo comune, mutilato, deforme e imperfetto. Il volume, attraverso sondaggi nelle fonti giuridico-normative, anagrafiche, iconografiche, letterarie e nei trattati medici e fisiognomici e la partecipazione di alcuni dei maggiori specialisti internazionali nel campo, intende approfondire queste tem
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Morville, Peter. The Internet searcher's handbook: Locating information, people & software. Neal-Schuman Publishers, 1996.

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Morville, Peter. The Internet searcher's handbook: Locating information, people & software. 2nd ed. Neal-Schuman Publishers, 1999.

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Olivia, Le Sidaner, and Batifoulier Christian, eds. Organiser sa documentation et rechercher l'information. 4th ed. Victoires, 2004.

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Chirurgien, Estelle. Comment trouver: La recherche d'information plaNETaire. Éditions MultiMondes, 2001.

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Gilster, Paul. Finding it on the Internet: The essential guide to archie, Veronica, Gopher, WAIS, WWW (including Mosaic), and other search and browsing tools. Wiley, 1994.

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Gilster, Paul. Finding it on the Internet: The Internet Navigator's guide to search tools and techniques. 2nd ed. Wiley, 1996.

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Book chapters on the topic "Documentary intent"

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Furtado, Gustavo Procopio. "Tactics of the Invisible, Shadow Archives." In Documentary Filmmaking in Contemporary Brazil. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190867041.003.0005.

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This chapter shifts the reflections on marginalization and visibility discussed in chapter 3 to Brasilia, the modernist capital that was built from scratch in forty-one months and completed in 1960. Embodying a strategic visuality intent on ordering urban space, Brasilia also produced massive forms of invisibility, as illustrated by the forced relocation of workers to peripheral satellite cities and by the repression of marginal histories—histories that are buried beneath the city’s surface like the bodies of workers who died during its construction. Paying special attention to Vladimir Carvalho and Adirley Queirós, this chapter examines a counter-visual cinema that is dedicated to what is invisible and even non-visual—such as the sounds of the periphery and the voices of workers whose memories contradict the official record.
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Krzych, Scott. "Biased Beliefs." In Beyond Bias. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780197551219.003.0003.

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This chapter considers the challenges faced by documentary filmmakers who have attempted to expose examples of religious fundamentalism as ideological bias. How does one document fundamentalism objectively without also becoming a means for the very spread of the fundamentalist’s message? If documentary filmmakers rely too heavily on their own biases to frame the subject matter, then they risk trading one ideological position for another, as they well know; yet to simply reproduce on-screen the viewpoints of religious fanatics, without commentary or criticism, may result in documentary films that serve the interests of the same subjects they originally intended to expose; documentaries about evangelical Christianity may become just one additional means for evangelizing the “unsaved,” for instance. Turning to examples of fundamentalist documentary—particularly films intent to prove creationism—the chapter explains how evangelical media understands more intimately the creative potential involved in embracing bias as a means to reconstruct common sense on their own terms.
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Glick, Joshua. "Roots/Routes of American Identity." In Los Angeles Documentary and the Production of Public History, 1958-1977. University of California Press, 2018. http://dx.doi.org/10.1525/california/9780520293700.003.0007.

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Bicentennial events in Los Angeles spoke to black mayor Tom Bradley’s plan for shaping the city into a business-friendly, multicultural metropolis—a plan that would reach fruition in the next decade. This chapter looks at Wolper Productions’s principal role as architect of a patriotic culture of national commemoration. Without a cinematic record of early American history, the studio turned to “docudrama” as the solution to a narrative problem of documentary historiography. Combining the form and style of period fiction with the truth-telling charge of documentary, docudramas such as Sandburg’s Lincoln (1974) and I Will Fight No More Forever (1975) were a novel kind of prestige programming. Docudrama could command high ratings and claim the pedagogical intent of educating viewers. Wolper Productions made network series and specials on American Indians, African Americans, and eighteenth- and nineteenth-century political leaders, which culminated with the studio’s twelve-part miniseries Roots (1977).
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Jørgensen, Anne Mette. "A Gentle Gaze on the Colony: Jette Bang’s Documentary Filming in Greenland 1938–9." In Films on Ice. Edinburgh University Press, 2015. http://dx.doi.org/10.3366/edinburgh/9780748694174.003.0018.

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This chapter discusses one of few women documentary filmmakers of the Arctic, Danish Jette Bang. A prolific photographer and filmmaker in Greenland throughout her career, Jørgensen shows how the early color film Inuit (1940) was nimbly shot and cinematographically deliberate. Made for the 1940 International Polar Year, the film and accompanying photo book created substantial media coverage when it premiered in Copenhagen. Bang’s later films, including her depictions of a changing Greenlandic society in the 1950s and 60s, this chapter argues, were made with the intent to both document Greenlandic life in the post-war era and as a testament to Denmark’s benevolent colonial rule of Greenland. Bang’s films thereby showcase the welfare state and industrial modernization processes imported Greenland, while maintaining an interest in ‘traditional’ practices and customs.
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Stone, Rob. "Masochistic Nationalism and the Basque Imaginary." In Spanish Erotic Cinema. Edinburgh University Press, 2017. http://dx.doi.org/10.3366/edinburgh/9781474400473.003.0011.

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This chapter investigates the curious absence of erotic content in Basque cinema (Julio Medem’s feature films are the obvious exception), an absence that, the author argues, extends well into the democratic period and therefore cannot be blamed on censorship or catholic repression. This research shows that the explicit content of Basque films often revolves around contexts of torture, revealing a certain fascination with masochist narratives that could be suggestive of nationalist martyrdom. This is explored in his Deleuzian analysis of his two main case studies, Estado de excepción/State of Emergency (dir. Iñaki Núñez, 1977) and Akelarre/Witches’ Sabbath (dir. Pedro Olea, 1984), and of a segment of Medem’s documentary La pelota vasca: la piel contra la piedra/The Basque Ball: Skin Against Stone (2003) among many other examples throughout the history of Basque cinema. This noticeable absence of erotic narratives could be part of a revolutionary intent to distance Basque cinema both from the erotic narratives of the Barcelona School and from the destape films associated with Madrid, but also a nationalist commitment to sacrifice individualistic desires and pleasures at the service of more collective aims.
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Aguayo, Angela J. "Street Tapes." In Documentary Resistance. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190676216.003.0006.

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The proliferation of screen media and the saturation of everyday life with digital culture led to dramatic shifts in public communication, challenging our sense of what it means to be a citizen in the 21st century. Digital technologies have expanded the capacity to author and circulate information in unforeseeable ways. Cell phone video recordings became evidence of an unprovoked police attack, leaving traditional news outlets with little original content. Shifts in online engagement and mobile recording patterns at the turn of the century have enabled people who exist outside of business, state, and mainstream media sectors to create visible documentary moving image discourse that circumvent traditional media content. The standardization of the internet at the turn of the century brought people together in new ways, paving the way for social media and newly formed social networks. Visibility through digital production, online self-publishing, and circulation through social networks offer more than the opportunity to gather an audience; these forms of communication consistently disrupt, contribute, penetrate, challenge, focus, and reframe important public conversations in our culture. This chapter focuses on accidental witnessing of racial struggle and representation of police brutality in documentary history. This chapter has implications for what bodies get to move freely through a documentary commons and what bodies do not.
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Pullen, Christopher. "Documentary and Performance." In Straight Girls and Queer Guys. Edinburgh University Press, 2016. http://dx.doi.org/10.3366/edinburgh/9780748694846.003.0006.

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This chapter considers the representation of the straight girl and the queer guy within varying documentary media forms, considering the notions of social agency and performativity. Foregrounding both documentary theory and performance studies, the documentary biographical film drama Carrington (Christopher Hampton 1995, UK), offers a historical precedent in the representation of the straight girl and queer guy, all the while foregrounding notions of devotion and intensity. The context of the social actor is further examined in more recent documentary case studies such as Fag Hags: Women Who Love Gay Men (Justine Pimlott 2005, Canada), My Husband Is Gay (Benetta Adamson 2005, UK) and My Husband Is Not Gay (TLC 2015, US), framing the intense relationships between straight girls and queer guys – in many instances relating legal marriages and questioning issues of fidelity. Also the performative potential of reality television is explored in Would Like to Meet (BBC 2001, UK), Boy Meets Boy (Bravo 2003, US) and Queer Eye for the Straight Guy (Bravo 2003–7, US), through examining the confines and opportunity of television formats.
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Pernin, Judith. "Independent Documentaries and Online Uses in China: From Cinephilia to Activism." In Post-1990 Documentary. Edinburgh University Press, 2015. http://dx.doi.org/10.3366/edinburgh/9780748694136.003.0016.

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This chapter focuses on online documentary practices. It attempts to puts in perspective the uses generated by the independent Chinese documentary movement from the dawn of Internet film forums in the mid-1990s to the microblogs in the late 2000s. Two decades of online practices in this small film milieu reflect the evolution of both web-based platforms and Chinese independent documentary filmmakers. Using detailed examples, it shows that their unofficial cinephilia, emerging from piracy practices, quickly moved towards exchanges reflecting the filmmakers' concerns for recognition of their works and, beyond that, for the sensitive sociopolitical issues dealt with in their films. The popular practice of online document sharing completes and extends their film practices and creates a wider network ranging from film enthusiasts to activists.
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Chao, Shi-Yan. "Performing Gender, Performing Documentary in Postsocialist China." In Queer Representations in Chinese-language Film and the Cultural Landscape. Amsterdam University Press, 2020. http://dx.doi.org/10.5117/9789462988033_ch06.

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This chapter focuses on Tang Tang (Zhang Hanzi, 2004) and Mei Mei (Gao Tian, 2005), two Chinese documentaries. Although each documentary centers around a female impersonator, they approach their subjects in distinct ways. While Mei Mei portrays its subject with nuance and intense emotional investment, Tang Tang emphasizes formal experimentation. Positioning Tang Tang at the intersection of what I call the film’s “performing documentary” and the subject’s “performance of gender,” I argue that the reflexivity permeating Tang Tang foregrounds the openness of the queer subjectivities it portrays. My investigation further addresses each film’s subjects as human beings materialized in and through a matrix of social, political, and economic conditions marked by spatial and temporal parameters.
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van Noortwijk, Annelies. "The Other, The Same: Towards a Metamodern Poetics with Heddy Honigmann." In Female Authorship and the Documentary Image. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474419444.003.0009.

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Modernism and The Poetics of Sameness and Presence”. The author argues that through a paradigm shift from post-modernism towards what she proposes to refer to as meta-modernism, a new kind of poetic comes to the fore in which senses of ‘sameness’ and ‘presence’ and a drive towards inter-subjective connection and dialogue are pivotal. At the same time a turn to the subject, the real and the private, are the preferred strategies to address the central topics in contemporary culture; that of (often traumatic) memory and identity. The re-evaluation of the subject as an active, embodied and emotional individual is fundamental to such a shift.
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Conference papers on the topic "Documentary intent"

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Finger, Vítor, Valesca Reichelt, and João Capelli. "Big Data and Data Driven Marketing in Brazil." In CARMA 2018 - 2nd International Conference on Advanced Research Methods and Analytics. Universitat Politècnica València, 2018. http://dx.doi.org/10.4995/carma2018.2018.8314.

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The main purpose of this article is the understanding of which marketing strategies related to big data are being implemented by Brazilian companies in different sectors, in addition to assessing these actions within an already established construct. To reach the proposed objectives, an exploratory, qualitative research was conducted using the multiple case study method. Thus, data were collected through bibliographical, documentary and semi-structured interviews, with the intent of formulating the construct by which the companies are studied. The study unit interviewed consisted of market pro
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Dvorko, Nina. "THE POTENTIAL OF WEB DOCUMENTARY FOR EDUCATION." In International Technology, Education and Development Conference. IATED, 2016. http://dx.doi.org/10.21125/inted.2016.1960.

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Huang, Xin. "The Local Inheritance of Documentary Creation in the Internet." In 2021 International Wireless Communications and Mobile Computing (IWCMC). IEEE, 2021. http://dx.doi.org/10.1109/iwcmc51323.2021.9498783.

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Bobrova, E. "Portals to archive spaces." In Historical research in the context of data science: Information resources, analytical methods and digital technologies. LLC MAKS Press, 2020. http://dx.doi.org/10.29003/m1836.978-5-317-06529-4/378-384.

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The article analyzes the problem of searching through the Internet for information about archives and the documentary heritage stored in them. The history and role of the portal Archives of Russia is considered, and a technological analysis of the existing archival portals of the constituent entities of the Russian Federation is given.
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Atanasov, Hristiyan, Sabina Eftimova, and Iva Marinova. "MOTIVATING THROUGH GOAL SETTING: EXAMPLES OF WORKING WITH STUDENTS IN THE SPECIALTY OF ARCHIVAL AND DOCUMENTARY STUDIES AND LIBRARY AND INFORMATION MANAGEMENT UNDER THE PROJECT "INFORMATION PORTAL FOR ARCHIVAL-DOCUMENTARY HERITAGE OF THE BULGARIAN REVIVAL" FUNDED BY THE NATIONAL SCIENCE FUND." In 14th International Technology, Education and Development Conference. IATED, 2020. http://dx.doi.org/10.21125/inted.2020.1395.

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Vallejo, José Ramón, Ana María Díaz-Lagama, Andrés Posada, Julio González-Outón, and Antonio Pérez. "TEACHING AND LEARNING IN THE HISTORY OF MEDICINE: AN EXPERIENCE TO PROMOTE DOCUMENTARY RESEARCH THROUGH THE BIOGRAPHIES OF CADIZ DOCTORS." In 14th International Technology, Education and Development Conference. IATED, 2020. http://dx.doi.org/10.21125/inted.2020.1170.

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Eftimova, Sabina. "DIGITIZATION OF DOCUMENTARY HERITAGE FROM THE PERIOD OF THE BULGARIAN NATIONAL REVIVAL: EXAMPLES OF THE ACTIVITIES OF REGIONAL LIBRARIES IN BULGARIA." In 14th International Technology, Education and Development Conference. IATED, 2020. http://dx.doi.org/10.21125/inted.2020.1270.

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Abar, Celina, and Adriana de Oliveira Dias. "UNDERSTANDING DOCUMENTAL GENESIS IN CONTINUING TEACHER TRAINING IN A REMOTE CONTEXT: IS IT POSSIBLE?" In 15th International Technology, Education and Development Conference. IATED, 2021. http://dx.doi.org/10.21125/inted.2021.0530.

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Eftimova, Sabina. "BUILDING UP BIBLIOGRAPHIC CULTURE IN FUTURE ARCHIVE AND DOCUMENTAL EXPERTS – A PREREQUISITE FOR SUCCESSFUL PROFESSIONAL TRAINING." In 14th International Technology, Education and Development Conference. IATED, 2020. http://dx.doi.org/10.21125/inted.2020.1288.

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Dale, Alana, and Daisy Cunha. "Estratégias de enfrentamento utilizadas por trabalhadores de indústria têxtil frente ao trabalho repetitivo." In Simpósio Internacional Trabalho, Relações de Trabalho, Educação e Identidade. Appos, 2020. http://dx.doi.org/10.47930/1980-685x.2020.2301.

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O objetivo geral da presente pesquisa é identificar as estratégias de enfrentamento utilizadas por trabalhadores da indústria têxtil frente ao trabalho repetitivo. É um estudo de caso, com base na Ergonomia (Guérin et al; Wisner) e Ergologia do Trabalho (Yves Schwartz). Participaram da pesquisa trabalhadores de três funções do setor de fiação de uma indústria têxtil do interior do Brasil. Para a captação de dados foi feitas observações, coletas documentais e entrevistas individuais semiestruturadas. Em um primeiro momento identificamos os riscos presentes no ambiente de trabalho, como: realiza
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Reports on the topic "Documentary intent"

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Lubkovych, Igor. METHODS OF JOURNALISTIC COMMUNICATION. Ivan Franko National University of Lviv, 2021. http://dx.doi.org/10.30970/vjo.2021.50.11096.

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Journalistic communication is professional, its purpose is to obtain information and share it withthe audience. A journalist communicates when he intends to receive information directly from the interlocutor, from documents that the interlocutor has, or by observing the behavior of the interlocutor during the conversation. The most common method is communication in order to obtain verbal information. In the course of communication, a journalist succeeds when he adheres to politeness, clarity, brevity. It is important that the conditions of communication must be prepared or created: a place of
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