Academic literature on the topic 'Documentary representation'

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Journal articles on the topic "Documentary representation"

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MATTHEWS, HARRIET. "Persuasion, Representation, and Emotional Heightening." Music, Sound, and the Moving Image 15, no. 1 (2021): 71–93. http://dx.doi.org/10.3828/msmi.2021.4.

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Synthesising real events with creative treatment, increasingly emotive and cinematic documentary presents now more than ever an ethically challenging dichotomy between factual broadcasting and fictional entertainment. Within the discussions of documentary ethics, this dichotomy is largely explored in relation to visual and editorial decisions which might be accused of manipulating or reframing the ‘truth’. However, within both ethical guidelines for documentary production, and academic debate around documentary ethics, reference to music is somewhat scarce. Potential challenges faced by non-mu
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Fuhs, Kristen. "How Documentary Remade Mike Tyson." Journal of Sport and Social Issues 41, no. 6 (2017): 478–92. http://dx.doi.org/10.1177/0193723517719668.

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This article will theorize the relationship between stardom and documentary by considering the ways in which documentary representations contribute to the discursive formation of a star. Specifically, the article will explore the central role that documentary film has played in remaking Mike Tyson’s public image by analyzing the boxer’s representation across three distinct films: Fallen Champ: The Untold Story of Mike Tyson (Barbara Kopple, 1993), Tyson (James Toback, 2008), and Mike Tyson: Undisputed Truth (Spike Lee, 2013).
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Jeon, Gyongran, and Young Chul Kim. "Changes and Variations in Documentary Representation." Journal of Image and Cultural Contents 19 (February 29, 2020): 117–37. http://dx.doi.org/10.24174/jicc.2020.02.19.117.

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김한주. "Representation of Post-World Cup Documentary." Korean Society for the Sociology of Sport 20, no. 2 (2007): 249–68. http://dx.doi.org/10.22173/jksss.2007.20.2.249.

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Leuthold, Steven, Victor Masayesva, Roy Bigcrane, et al. "Historical Representation in Native American Documentary." Ethnohistory 44, no. 4 (1997): 727. http://dx.doi.org/10.2307/482886.

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Ad-deen, Hafidh Shams. "The Ethics of Representation: Documentary Film and Islam." Khazar Journal of Humanities and Social Sciences 18, no. 3 (2015): 82–103. http://dx.doi.org/10.5782/2223-2621.2015.18.3.82.

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The great artistic potential of the documentary film photograph as well as the filmmakers’ intervention and manipulation impact viewers as well as interviewees to believe that the camera is able to capture a “real” moment in time. Both viewers and documentary subjects are exploited: the latter’s “informed consent” is not built on true, honest and clear relationship. That is, informing subjects, before camera proceeds, about the possible consequences of their participation is absent. For instance, interviewees know nothing of the overall goals of the project and have no idea about the intended
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Shin, Boo Ja. "Representation of Tradition for Healing in Documentary - Focussing on The Documentary [Dharma]." CONTENTS PLUS 17, no. 4 (2019): 83–106. http://dx.doi.org/10.14728/kcp.2019.17.04.083.

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Carta, Silvio. "Orientalism in the Documentary Representation of Culture." Visual Anthropology 24, no. 5 (2011): 403–20. http://dx.doi.org/10.1080/08949468.2011.604592.

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Andrade Nunes, Thatiany, та Hyunseok Lee. "애니메이티드 다큐멘터리와 다큐멘터리 게임의 사실 재현에 대한 비교연구". CONTENTS PLUS 17, № 5 (2019): 23–42. http://dx.doi.org/10.14728/kcp.2019.17.05.023.

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Riter, Robert B. "Book art and the representation and communication of original sources." Art Libraries Journal 44, no. 4 (2019): 167–73. http://dx.doi.org/10.1017/alj.2019.25.

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Works of book art can express archival and documentary values. Book artists whose work is informed by archival and documentary evidence contribute to the wider dissemination of original sources. In supporting this function, their generative practices can be viewed as curatorial and editorial functions. How does archivally informed book art represent and communicate evidence? How can these sources operate as documentary sources? This essay offers a discussion of these questions.
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Dissertations / Theses on the topic "Documentary representation"

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Blackall, David. "John Perceval an ethical representation of a delinquent angel /." Access electronically, 2004. http://www.library.uow.edu.au/adt-NWU/public/adt-NWU20050215.154037/index.html.

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Thesis (Ph.D.)--University of Wollongong, 2004.<br>Typescript. EMBARGOED - this thesis is subject to a two year embargo (16/11/2004 to 16/11/2006) and may only be viewed and copied with the permission of the author. For further information please Contact the Archivist. Includes bibliographical references.
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Hedjam, Rachid. "Visual image processing in various representation spaces for documentary preservation." Mémoire, École de technologie supérieure, 2013. http://espace.etsmtl.ca/1186/1/HEDJAM_Rachid.pdf.

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Cette thèse établit un cadre de travail de traitement d’images pour le rehaussement et la restauration des images de documents historiques (IDH) dans deux espaces de représentations différents : l’espace des niveaux de gris et de couleur et l’espace multispectral (MS). Elle consiste en trois contributions majeures: 1) la binarisation d’IDH en niveaux de gris ou en couleur, 2) la restauration des IDH capturées au moyen de l’imagerie MS, et 3) l’estimation de données de référence (DR) utilisées à des fins d’évaluation des algorithmes de binarisation d’IDH. La binarisation d’IDH est l’une des tec
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Bâ, Saër Maty. "Malcolm X and the documentary film representation : text and intertext." Thesis, University of Exeter, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.430093.

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Zafar, Muhammad Hasan. "Pakistani documentary : representation of national history and identity (1976-2016)." Thesis, University of Glasgow, 2017. http://theses.gla.ac.uk/8386/.

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This thesis presents a study of Pakistani documentary, with a focus on the ways in which it represents Pakistan’s national identity and history. The study examines three sources of documentary production – state media, commercial television channels, and independent filmmakers – as three distinct voices of Pakistani documentary. The study argues that the discourses of these institutions are governed by their respective ideological, political, and economic priorities. These factors result in two competing approaches to Pakistan’s national history and identity: right-wing and left-wing. The Isla
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Cheng, Zhuofei. "Representation, New Documentary Movement: "A Bite of China: Season I"." Thesis, The University of Arizona, 2016. http://hdl.handle.net/10150/613496.

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This thesis attempts to explore within what historical context and with what documented content, A Bite of China: Season I, a Chinese documentary television series that explores the history of food, eating and cooking garners widespread popularity. By theoretical analyses, Chapter 1 concludes the relationship between documentary and the "reality" is built upon representation and there is "something beyond reality" in documentary. Moreover, in documentary representation, affect helps the "reality" to transform into "documentary reality," and affect is the key to understand "something beyond rea
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WANDERLEI, Ludimilla Carvalho. "Modos de ver: a imagem do proletariado através do fotodocumentarismo." Universidade Federal de Pernambuco, 2016. https://repositorio.ufpe.br/handle/123456789/21138.

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Submitted by Fabio Sobreira Campos da Costa (fabio.sobreira@ufpe.br) on 2017-09-01T13:21:04Z No. of bitstreams: 2 license_rdf: 811 bytes, checksum: e39d27027a6cc9cb039ad269a5db8e34 (MD5) dissertaçao.pdf: 7438574 bytes, checksum: 06a9847642e4f3a99a2d95ce35122fcc (MD5)<br>Made available in DSpace on 2017-09-01T13:21:04Z (GMT). No. of bitstreams: 2 license_rdf: 811 bytes, checksum: e39d27027a6cc9cb039ad269a5db8e34 (MD5) dissertaçao.pdf: 7438574 bytes, checksum: 06a9847642e4f3a99a2d95ce35122fcc (MD5) Previous issue date: 2016-02-24<br>CNPQ<br>Esta dissertação analisa a representação do proletari
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Grace, Jennifer Elizabeth. "The representation of dogs as family in contemporary American documentary film." Thesis, Montana State University, 2010. http://etd.lib.montana.edu/etd/2010/grace/GraceJ0810.pdf.

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The American family dog is a social construct that blurs the ontological boundaries of nature/culture dualism and which contemporary American documentary filmmakers represent by employing alternate tropes of 'dog as human' and 'dog as animal.' In filmic and practical use, these tropes are in flux and are confusing. The position of the dog as a paradox of nature and culture and member of the contemporary inter-species family makes the decision to euthanize it ethically challenging. Non-fiction dog programming is more popular than ever and most shows employ the 'dog as human' trope. But few addr
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Jones, Rex Allan. "'We on history channel!' the representation of history in documentary film /." Thesis, Montana State University, 2009. http://etd.lib.montana.edu/etd/2009/jones/JonesRA0509.pdf.

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The representation of history in documentary film is problematic. Documentary's creative treatment of actuality and assumed fidelity to perceived truth is at conflict with the historian's pursuit of veracity. Ever since the dawn of photography, artists have manipulated images and compromised facticity in service to aesthetics and drama. This trend continued into the early days of cinema, as newsreel producers adopted a more liberal than literal ethos that persists in documentary to this day. Reality can never be shown just as it is even in the most simplistic treatments of the most banal subje
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Pichaske, Kristin. "Colour adjustment : race and representation in post-apartheid South African documentary." Doctoral thesis, University of Cape Town, 2009. http://hdl.handle.net/11427/8248.

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Includes abstract.<br>Includes bibliographical references (p. 251-267).<br>The goal of this dissertation is to examine the process of racial transformation within South Africa's documentary film industry and to assess how the nation's shifting identity is both influenced by and reflected in documentary film. Drawing examples from a diverse collection of local and international films, I have examined changes in who is making documentaries in South Africa and how, as well as the representations of race that result. In particular, I have focused on how the balance of insider vs. outsider storytel
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Thornton, Karen D. "Discourses of Power and Representation in British Broadcasting Corporation Documentary Practices: 1999-2013." Thesis, University of Bradford, 2018. http://hdl.handle.net/10454/18364.

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This dissertation re-evaluates the ways in which contemporary television documentary practices engage their audience. Bringing together historical frameworks, and using them to analyse a range of examples not considered together within this context previously, the main finding is that the use of spectacle to engage the audience into a visceral response cuts across all of the examples analysed, regardless of the subject matter being explored. Drawing on a media archaeological approach, the dissertation draws parallels with the way in which pre-cinema engaged an audience where t
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Books on the topic "Documentary representation"

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Rhetoric and representation in nonfiction film. Cambridge University Press, 1997.

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Dewdney, Andrew. Racism, representation, and photography. Inner City Education Centre, 1994.

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Tomaselli, Keyan G. Appropriating images: The semiotics of visual representation. Intervention Press, 1996.

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See it now confronts McCarthyism: Television documentary and the politics of representation. University of Alabama Press, 1994.

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Rosteck, Thomas. See it now confronts McCarthyism: Television documentary and the politics of representation. University of Alabama Press, 1994.

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The burden of representation: Essays on photographies and histories. University of Minnesota Press, 1993.

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The burden of representation: Essays on photographies and histories. University of Massachusetts Press, 1988.

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The burden of representation: Essays on photographies and histories. Macmillan, 1998.

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Tagg, John. The burden of representation: Essays on photographies and histories. University of Minnesota Press, 1993.

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Durkin, Christopher Charles. Gay male performances in American confessional documentary and reality television: Representation, discourse and agency. Bournemouth University, 2004.

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Book chapters on the topic "Documentary representation"

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Smaill, Belinda. "Introduction: Representation and Documentary Emotion." In The Documentary. Palgrave Macmillan UK, 2010. http://dx.doi.org/10.1057/9780230251113_1.

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Roth, Wolff-Michael. "The documentary method." In On Meaning and Mental Representation. SensePublishers, 2013. http://dx.doi.org/10.1007/978-94-6209-251-8_8.

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Beattie, Keith. "‘Believe Me, I’m of the World’: Documentary Representation." In Documentary Screens. Macmillan Education UK, 2004. http://dx.doi.org/10.1007/978-0-230-62803-8_2.

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Nash, Kate. "Clicking on the World: Documentary Representation and Interactivity." In New Documentary Ecologies. Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137310491_4.

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Roth, Wolff-Michael. "The documentary method and «mental representation»." In On Meaning and Mental Representation. SensePublishers, 2013. http://dx.doi.org/10.1007/978-94-6209-251-8_9.

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Naiboglu, Gozde. "Documentary and the Question of Representation." In Post-Unification Turkish German Cinema. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-64431-8_4.

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Tagg, John. "The Currency of the Photograph: New Deal Reformism and Documentary Rhetoric." In The Burden of Representation. Macmillan Education UK, 1988. http://dx.doi.org/10.1007/978-1-349-19355-4_7.

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Vázquez-Herrero, Jorge, and Arnau Gifreu-Castells. "Interactive and Transmedia Documentary: Production, Interface, Content and Representation." In Studies in Systems, Decision and Control. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-91860-0_8.

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Lee, Ronald M. "Documentary Petri Nets: A Modeling Representation for Electronic Trade Procedures." In Lecture Notes in Computer Science. Springer Berlin Heidelberg, 2000. http://dx.doi.org/10.1007/3-540-45594-9_23.

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Trencsényi, Klára, and Vlad Naumescu. "Migrant Cine-Eye: Storytelling in Documentary and Participatory Filmmaking." In IMISCOE Research Series. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-67608-7_7.

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AbstractThe so-called European ‘refugee crisis’ has bred a profusion of audiovisual accounts throughout the region, many of which aimed to give voice to hitherto voiceless, uprooted people. But as many of these ‘untold stories’ gain material expression as storylines, we are urged to consider the implications of yet another form of displacement: from the historical person to the film character, from personal stories to media representations. The growing interest into the migrant issue and visual representations of refugees have played an important role in the public construction of the ‘crisis’ but have also, paradoxically, obscured or silenced migrant voices. The authors of this paper, a documentary filmmaker (Trencsényi) and a social anthropologist (Naumescu) seek to explore narrative strategies and ethics of representation in European documentaries made after 2010 as well as their participatory filmmaking project developed in the wake of the 2015 refugee crisis in Hungary. Having collaborated on several documentary films and filmmaking workshops, they approach this issue from the perspective of practitioners, offering a critical reflection as well as possible strategies for those aiming to produce audiovisual works in this field. The inclusion of refugees’ insight and their ways of constructing their own stories as well as their own observations on the receiving societies can open new possibilities for collaboration and creative engagement for social scientists and filmmakers preparing visual fieldnotes, ethnographic and documentary films as well as participatory projects.
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Conference papers on the topic "Documentary representation"

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Saleh, Ali Abdullah, Kawa Abdulkareem Rasul, and Ken Fero. "Representation of ISIS actions in Television Documentary: Integrating storytelling into Multimodal Discourse Analysis." In 2nd International Conference on Future of Social Sciences. Acavent, 2019. http://dx.doi.org/10.33422/2nd.icfss.2019.12.937.

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Chervinchuk, Alina. "THE OPINION OF THE AUTHOR-PARTICIPANT OF EVENTS: A REPRESENTATION OF MILITARY EXPERIENCE IN «UKRAINIAN DOCUMENTARY LITERATURE (ON THE EXAMPLE OF THE COLLECTION BY V. PUZIK «MONOLITH»)." In Modern Global Trends in the Development of Innovative Scientific Researches. Publishing House “Baltija Publishing”, 2020. http://dx.doi.org/10.30525/978-9934-588-39-6-39.

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Vergara-Muñoz, Jaime, and Miguel Martínez-Monedero. "Bab Tut de la medina de Tetuán (Marruecos): estudio y datos para su conservación." In FORTMED2020 - Defensive Architecture of the Mediterranean. Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11489.

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Bab Tut of the medina of Tetouan (Morocco): study and data for its conservationAt the beginning of the Spanish Protectorate in Morocco (1912-1956) the medina of Tetouan, with its walls and gates, was perceived as a fundamental part of the traditional city that was to be conserved. It is interesting to consider, in this sense, the concern that since the war of Tetuan (1859) was to obtain an adequate graphic representation of this architecture. Among the Maps of the Spanish Army Geographical Service are the first drawing that were made (scale 1:100) of the gates of the medina. They are signed by
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Boone, Veronique Joanna, and Denis Derycke. "Analyse architecturale, modélisation 3D et narration filmique : un regard original sur quelques objets corbuséens." In LC2015 - Le Corbusier, 50 years later. Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.764.

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Abstract: To analyze Le Corbusier's work through 3D digital modeling constitutes an important issue for the dissemination of the legacy of this major architect. During an analytical process, a relevant use of contemporary graphic means associated to an understanding of the codes of architectural representation allows to reveal new issues, or new points of view. When linking the graphic production of such process to film narrative and to the codes of documentary film, one obtain singular documents: short-movies based on computer generated images that support an analytical and critical thought,
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Cavalcante de Melo, Thamyres, and Bianca Gomes da Silva Muylaert Monteiro de Castro. "Affirmative action and justice policies: an analysis of the understanding of law course students about the legal reservation of places for access to higher education." In 7th International Congress on Scientific Knowledge. Perspectivas Online: Humanas e Sociais Aplicadas, 2021. http://dx.doi.org/10.25242/8876113220212440.

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Affirmative actions reflect the ideal of achieving equal opportunities and represent the realization of cultural transformations in order to reduce the effects of historically accumulated inequalities. Such actions are capableof implementing greater representation of minority groups in the most diverse domains of public and private activity. In the case of quotas instituted to guarantee minority access to higher education, the reservation of places is one of the forms of social justice that tries to guarantee a minimum level of education for the most disadvantaged, trying to compensate and equ
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Conway, A. P., M. D. Giess, A. Lynn, et al. "Holistic Engineering Design: A Combined Synchronous and Asynchronous Approach." In ASME 2008 International Design Engineering Technical Conferences and Computers and Information in Engineering Conference. ASMEDC, 2008. http://dx.doi.org/10.1115/detc2008-49340.

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To aid the creation and through-life support of large, complex engineering products, organizations are placing a greater emphasis on constructing complete and accurate records of design activities. Current documentary approaches are not sufficient to capture activities and decisions in their entirety and can lead to organizations revisiting and in some cases reworking design decisions in order to understand previous design episodes. Design activities are undertaken in a variety of modes; many of which are dichotomous, and thus each require separate documentary mechanisms to capture information
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Fernández, Sandra Patricia, and Djasmine Deluca Alfano. "Herramientas virtuales de comunicación como experiencia innovativa de aprendizaje en la Tecnicatura en Turismo Rural de la FAUBA." In IN-RED 2019: V Congreso de Innovación Educativa y Docencia en Red. Editorial Universitat Politècnica de València, 2019. http://dx.doi.org/10.4995/inred2019.2019.10277.

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Este trabajo se propone documentar la experiencia de innovación tecnológica implementada en la Tecnicatura de Turismo Rural en la Facultad de Agronomía de la UBA. El espacio suministrado como propuesta formativa, a través de incentivar las producciones propias en redes sociales, fomenta la práctica inmersiva en la que los estudiantes proponen un producto y lo lanzan al mundo virtual sin intermediaciones. Esta práctica se ha perfeccionado a través de los años y los resultados son muy alentadores. Presentamos aquí DOS de los trabajos presentados durante el año 2018 a modo de casos representativo
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Cabanes, Jose Luis, Federico Iborra-Bernad, and Carlos Bonafé-Cervera. "Reconstrucción virtual de ambientes urbanos a partir de fotografías históricas a través de Image Based Animations (IBA). La Plaza de la Virgen de Valencia alrededor de 1870." In 24th ISUF 2017 - City and Territory in the Globalization Age. Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/isuf2017.2017.6055.

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Reconstrucción virtual de ambientes urbanos a partir de fotografías históricas a través de Image Based Animations (IBA). La Plaza de la Virgen de Valencia alrededor de 1870. Jose Luis Cabanes Ginés¹, Federico Iborra Bernad², Carlos Bonafé Cervera3 ¹Departamento de Expresión Gráfica Arquitectónica. Universidad Politécnica de Valencia. Caminio de Vera s/n 46022 Valencia. 2Departamento de Composición Arquitectónica. Universidad Politécnica de Valencia. Caminio de Vera s/n 46022 Valencia 3Departamento de Ing. Cartográf. Geodesia y Fotogramtría. Universidad Politécnica de Valencia. Caminio de Vera
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Galli, Claudio, and Alessandro Tosarelli. "Rapporto di ricerca storica sulle superfici architettoniche esterne della fortezza di San Leo." In FORTMED2020 - Defensive Architecture of the Mediterranean. Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11532.

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Historical research report on the external architectural surfaces of the fortress of San LeoThe hinterland of Rimini is characterized by the presence of many castles, but the fortress of San Leo is certainly the most representative because of its position and the different constructive contributions that over time have updated its appearance and military functions. Cited by Dante and Machiavelli for the impervious nature on which it stands, its origin dates back to the early Middle Ages. It was rehashed following the imprint of Francesco di Giorgio Martini in the fifteenth century, restored by
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Lei, Dongxue, and Andong Lu. "A Study of Chinese Traditional Wetland Island Settlement Combining Morphological and Narrative Analyses." In 24th ISUF 2017 - City and Territory in the Globalization Age. Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/isuf2017.2017.5895.

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A Study of Chinese Traditional Wetland Island Settlement Combining Morphological and Narrative Analyses Dongxue Lei¹, Andong Lu² School of Architecture and Urban Planning, Nanjing UniversityHankou Road 22#, Gulou District, Nanjing, ChinaE-mail: dxlei@outlook.com, andonglu@gmail.com Keywords (3-5): wetland island settlement, morphology, townscape, cognitive map Conference topics and scale: Tools of analysis in urban morphology The Lixiahe region, a low-lying wetland located to the eastern side of the Huaiyang section of the Grand Canal, is characterized by a complex hydrological environment and
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Reports on the topic "Documentary representation"

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San Deogracias, José Antonio, and María Antonia Paz Rebollo. A modified representation of truth through the use of editing in the documentary La pelota vasca. Revista Latina de Comunicación Social (RLCS), 2011. http://dx.doi.org/10.4185/rlcs-66-2011-922-001-030-en.

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