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Books on the topic 'Documentary representation'

Author: Grafiati

Published: 4 June 2021

Last updated: 11 February 2022

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1

Rhetoric and representation in nonfiction film. Cambridge University Press, 1997.

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2

Dewdney, Andrew. Racism, representation, and photography. Inner City Education Centre, 1994.

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3

Tomaselli, Keyan G. Appropriating images: The semiotics of visual representation. Intervention Press, 1996.

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4

See it now confronts McCarthyism: Television documentary and the politics of representation. University of Alabama Press, 1994.

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5

Rosteck, Thomas. See it now confronts McCarthyism: Television documentary and the politics of representation. University of Alabama Press, 1994.

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6

The burden of representation: Essays on photographies and histories. University of Minnesota Press, 1993.

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7

The burden of representation: Essays on photographies and histories. University of Massachusetts Press, 1988.

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8

The burden of representation: Essays on photographies and histories. Macmillan, 1998.

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9

Tagg, John. The burden of representation: Essays on photographies and histories. University of Minnesota Press, 1993.

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10

Durkin, Christopher Charles. Gay male performances in American confessional documentary and reality television: Representation, discourse and agency. Bournemouth University, 2004.

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11

Photographing Papua: Representation, colonial encounters and imaging in the public domain. Cambridge Scholars Pub., 2007.

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12

Chao, Shi-Yan. Queer Representations in Chinese-language Film and the Cultural Landscape. Amsterdam University Press, 2020. http://dx.doi.org/10.5117/9789462988033.

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Queer Representations in Chinese-language Film and the Cultural Landscape provides a cultural history of queer representations in Chinese-language film and media, negotiated by locally produced knowledge, local cultural agency, and lived histories. Incorporating a wide range of materials in both English and Chinese, this interdisciplinary project investigates the processes through which Chinese tongzhi/queer imaginaries are articulated, focusing on four main themes: the Chinese familial system, Chinese opera, camp aesthetic, and documentary impulse. Chao’s discursive analysis is rooted in and

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13

Boys, Jos. Making the social visible: Integrating street, documentary and self-representational modes of photography. De Montfort University, 2003.

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14

Litvinova, Margarita, and Irina Kozhaeva. Musical-poetic performance. INFRA-M Academic Publishing LLC., 2020. http://dx.doi.org/10.12737/1071391.

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In the educational-methodical manual deals with basic dramaturgical and staging the principles of working with documentary and artistic material, techniques use of fact and document in a journalistic view, clearly demonstrates techniques for creating imaginative solutions and scenarios of artistic and journalistic representations. Addressed to students of universities of arts and culture, studying under the direction of training 51.03.05 "direction of the dramatized representations and holidays", studying discipline "Directing poetry theater" and "writing"; and also workers of culture, D

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15

Documents on the Balkans -- history, memory, identity: Representations of historical discourses in the Balkan documentary film. Cambridge Scholars, 2009.

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16

(Project), Fórum Permanente, ed. Modes of representation of the São Paulo Biennial: The passage from artistic internationalism to cultural globalisation = Modos de representacão da Bienal de São Paulo : a passagem do internacionalismo artístico à globalizacão cultural. Hedra, 2011.

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17

Rauch, Klotman Phyllis, and Cutler Janet K, eds. Struggles for representation: African American documentary film and video. Indiana University Press, 1999.

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18

(Editor), Phyllis R. Klotman, and Janet K. Cutler (Editor), eds. Struggles for Representation: African American Documentary Film and Video. Indiana University Press, 1999.

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19

(Editor), Phyllis R. Klotman, and Janet K. Cutler (Editor), eds. Struggles for Representation: African American Documentary Film and Video. Indiana University Press, 1999.

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20

Wallis, Brian. Art After Modernism: Rethinking Representation (Documentary Sources in Contemporary Art). David R Godine Pub, 1985.

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21

See It Now Confronts McCarthyism: Television Documentary and the Politics of Representation (Studies Rhetoric & Communicati). University Alabama Press, 2005.

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22

James, Alison. The Documentary Imagination in Twentieth-Century French Literature. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198859680.001.0001.

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This book studies the documentary impulse that plays a central role in twentieth-century French literature. Focusing on nonfiction narratives, it analyzes the use of documents—pieces of textual or visual evidence incorporated into the literary work to relay and interrogate reality. It traces the emergence of an enduring concern with factual reference in texts that engage with current events or the historical archive. Writers idealize the document as a fragment of raw reality, but also reveal its constructed and mediated nature and integrate it as a voice within a larger composition. This ambiv

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23

DiBari, Michael. Advancing the Civil Rights Movement: Race and Geography of Life Magazine's Visual Representation, 1954-1965. RL, 2018.

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24

Advancing the civil rights movement: Race and geography of Life magazine's visual representation, 1954-1965. 2017.

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25

Accinno, Michael. Disabled Union Veterans and the Performance of Martial Begging. Edited by Blake Howe, Stephanie Jensen-Moulton, Neil Lerner, and Joseph Straus. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199331444.013.20.

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This essay discusses the phenomenon of disabled Union veterans who turned to the profession of organ grinding during and after the American Civil War: they became mendicant musicians who played music in the streets to beg for money. Within a cultural logic that emphasized the sorting of worthy from unworthy poor—and “true” veterans from “imposters”—the related practices of street music and mendicancy were harshly stigmatized. Although artistic and literary representations of disabled organ grinders often used the performers as rhetorical devices to elicit fear, loathing, or pity, closer scruti

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26

Miller, Giulia. Studying Waltz with Bashir. Liverpool University Press, 2017. http://dx.doi.org/10.3828/liverpool/9781911325154.001.0001.

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On its release in 2008, Ari Folman's animated documentary Waltz with Bashir was heralded as a brilliant and original exploration of trauma, and trauma's impact on memory and the recording of history. But it is surprising that although the film is seen through the eyes of one particular soldier, a viewpoint portrayed using highly experimental forms of animation, this has not prevented Waltz with Bashir from being regarded as both an “autobiographical” and “honest” account of the director's own experiences in the 1982 Lebanon War. In fact, the film won several documentary awards, and even those

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27

Krzych, Scott. Beyond Bias. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780197551219.001.0001.

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“Bias” is a term that circulates frequently in the contemporary landscape of political media, a term intended to diagnose a failure when media outlets fail to maintain journalistic objectivity. Beyond Bias interrogates what would seem, at first glance, to be examples of utterly biased political media—contemporary conservative documentary films. However, rather than dismiss such cases of political representation as exemplars of ideological nonsense, reactionary propaganda, and so on, Beyond Bias locates in conservative media a mode of discourse central to contemporary democratic debate in the U

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28

Matthews, Scott L. Capturing the South. University of North Carolina Press, 2018. http://dx.doi.org/10.5149/northcarolina/9781469646459.001.0001.

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This expansive history of documentary work in the South during the twentieth century examines the motivations and methodologies of several pivotal documentarians, including sociologists Howard Odum and Arthur Raper, photographers Jack Delano and Danny Lyon, and music ethnographer John Cohen. It also explores the contentious history of documentary work in Hale County, Alabama, a place immortalized by writer James Agee and photographer Walker Evans in their collaborative book, Let Us Now Praise Famous Men, as well by other documentary artists such as William Christenberry, Martha Young, and J.W.

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29

Weisenfeld, Judith. Race, Religion, and Documentary Film. Edited by Paul Harvey and Kathryn Gin Lum. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780190221171.013.2.

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This chapter uses Ingagi and The Silent Enemy, both independent films released in 1930, to examine the intersections of race and religion in the context of American documentary film conventions. The filmmakers claimed documentary status for their films, despite the fact that both were largely scripted and contained staged representations. Many audience members and critics nevertheless took their representations of the religious practices of Africans and Native Americans to be truthful and invested in the films’ authenticity because their visual codes, narratives, and advertising confirmed acce

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30

Aguayo, Angela J. Documentary Resistance. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190676216.001.0001.

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The potential of documentary moving images to foster democratic exchange has been percolating within media production culture for the last century, and now, with mobile cameras at our fingertips and broadcasts circulating through unpredictable social networks, the documentary impulse is coming into its own as a political force of social change. The exploding reach and power of audio and video are multiplying documentary modes of communication. Once considered an outsider media practice, documentary is finding mass appeal in the allure of moving images, collecting participatory audiences that c

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31

Cinquegrani, Maurizio. Journey to Poland. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474403573.001.0001.

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Journey to Poland: Documentary Landscapes of the Holocaust provides a new topographical methodology for the study of cinema and the Holocaust and addresses crucial issues of memory and history in relation to the Holocaust as it unfolded in the territories of the Second Polish Republic. Aiming to understand the ways past events inform present-day landscapes, and the way in which we engage with memory, witnessing and representation, the book creates a coherent cinematic map of this landscape through the study of previously neglected film and TV documentaries that focus on survivors and bystander

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32

Shepherd-Barr, Kirsten E. 6. Bearing witness: drama since 1980. Oxford University Press, 2016. http://dx.doi.org/10.1093/actrade/9780199658770.003.0007.

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Theatre since 1980 is marked by a number of striking new forms, movements, and innovations, ushered in by a plethora of fresh new playwrights bursting on to the scene as well as the ongoing work of long-established playwrights. Through developments like verbatim theatre—a renewal of documentary drama—‘in-yer-face’ theatre, and postmodern theatre, drama in recent decades has been breaking taboos and fundamentally challenging what is acceptable for theatrical representation. ‘Bearing witness: drama since 1980’ describes some of the plays that define these innovations and goes on to discuss the i

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33

Brozgal, Lia. Absent the Archive. Liverpool University Press, 2020. http://dx.doi.org/10.3828/liverpool/9781789622386.001.0001.

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Cultural Traces of a Massacre in Paris: The October 17, 1961 Anarchive is the first cultural history devoted to literary and visual representations of the police massacre of peaceful Algerian protesters. Covered up by the state and hidden from history, the events of October 17 have nonetheless never been fully erased. Indeed, as early as 1962, stories about the massacre began to find their way their way into novels, poetry, songs, film, visual art, and performance. This book is about these stories, the way they have been told, and their function as both documentary and aesthetic objects. Ident

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34

Mitchell, Tony. Music and Landscape in Iceland. Edited by Fabian Holt and Antti-Ville Kärjä. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780190603908.013.8.

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This chapter brings much nuance to the constant representation of Icelandic music through landscape, seascape, and icescape, drawing from longitudinal field research and interdisciplinary cultural research on landscape. The narratives of landscape in Iceland have multiple dimensions, including national identity, ecology, and cultural imagination, and they are culturally and politically complex. The main examples are two Icelandic films: The 2009 documentary Draumlandið (Dreamland) about the Kárahnjúkar Hydropower Project and its environmental impact, the 2003 feature film Nói Albínói (Nói the

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35

Cunningham-Hill, Susan, and Karen Elder. 17. Witness Statements and Documentary Evidence. Oxford University Press, 2018. http://dx.doi.org/10.1093/he/9780198823193.003.0017.

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Cases can readily be won or lost on the strength of witness evidence at trial. Important applications may fail if a witness statement does not adequately deal with all of the issues. A legal representative, therefore, must understand both the underlying theory behind the use of witness evidence and documentation during the course of litigation, including the rules on hearsay, and the practical requirements and challenges encountered in the preparation of witness statements. This chapter discusses the use of evidence at trial; the preparation of witness statements for interim applications and a

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36

Cunningham-Hill, Susan, and Karen Elder. 17. Witness statements and documentary evidence. Oxford University Press, 2017. http://dx.doi.org/10.1093/he/9780198787655.003.0017.

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Cases can readily be won or lost on the strength of witness evidence at trial. Important applications may fail if a witness statement does not adequately deal with all of the issues. A legal representative must therefore understand both the underlying theory behind the use of witness evidence and documentation during the course of litigation, including the rules on hearsay, as well as the practical requirements and challenges encountered in the preparation of witness statements. This chapter discusses the use of evidence at trial; the preparation of witness statements for interim applications

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37

West-Harling, Veronica. Rome, Ravenna, and Venice, 750-1000. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198754206.001.0001.

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The richest and most politically complex regions in Italy in the earliest Middle Ages were the Byzantine sections of the peninsula, thanks to their links with the most coherent early medieval state, the Byzantine Empire. This comparative study of the histories of Rome, Ravenna, and Venice arises from their unifying element: their common Byzantine past, since all three escaped being incorporated into the Lombard kingdom in the late seventh and early eighth centuries. By 750, however, their political links with the Byzantine Empire were irrevocably severed, except in the case of Venice. Thus, af

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38

Iheka, Cajetan. African Ecomedia. Duke University Press, 2021. http://dx.doi.org/10.1215/9781478022046.

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In African Ecomedia, Cajetan Iheka examines the ecological footprint of media in Africa alongside the representation of environmental issues in visual culture. Iheka shows how, through visual media such as film, photography, and sculpture, African artists deliver a unique perspective on the socioecological costs of media production, from mineral and oil extraction to the politics of animal conservation. Among other works, he examines Pieter Hugo's photography of electronic waste recycling in Ghana and Idrissou Mora-Kpai's documentary on the deleterious consequences of uranium mining in Niger.

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39

1962-, Albrecht Michael, and Getting Pictures Right (2004 : Basel, Switzerland), eds. Getting Pictures Right: Context and interpretation. Köppe, 2004.

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40

Fowler, Víctor. Some Dance Scenes From Cuban Cinema, 1959–2012. Edited by Melissa Blanco Borelli. Oxford University Press, 2014. http://dx.doi.org/10.1093/oxfordhb/9780199897827.013.023.

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This chapter traces dance in Cuban cinema from the onset of the Revolution to contemporary films. In so doing, the author attempts to set up a Cuban structure of feeling and how a corporeal form ofCubanidadmanifests through various filmic representations, whether narrative or documentary film. Might dance be an inherent aspect ofCubanidad? How does the Cuban filmic apparatus incorporate dance and all of its complexities into a narrative about Cuban fortitude? The films discussed include:Un día en el solar, Los del baile, Memorias del subdesarrollo, Son o no son,andHabana solo.

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41

Wilson, Oli. Tiki Taane’s With Strings Attached: Alive & Orchestrated and postcolonial identity politics in New Zealand. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199352227.003.0014.

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This chapter explores how the New Zealand popular music artist Tiki Taane subverts dominant representational practices concerning New Zealand cultural identity by juxtaposing musical ensembles, one a ‘colonial’ orchestra, the other a distinctively Māori (indigenous New Zealand) kapa haka performance group, in his With Strings Attached: Alive & Orchestrated album and television documentary, released in 2014. Through this collaboration, Tiki reframes the colonial experience as an amalgam of reappropriated cultural signifiers that enraptures those that identify with colonization and colonizin

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42

Six Plays for Young People from the Federal Theatre Project (1936-1939): An Introductory Analysis and Six Representative Plays (Documentary Reference Collections). Greenwood Press, 1986.

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43

Schneider, Nadja-Christina, and Fritzi-Marie Titzmann, eds. Family Norms and Images in Transition. Nomos Verlagsgesellschaft mbH & Co. KG, 2020. http://dx.doi.org/10.5771/9783845294056.

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In an ever-changing world, the family continues to simultaneously symbolise persistence and transformation. This book looks at various shifts, ruptures and continuities in representations of contemporary Indian families. How the media conveys family norms and images as well as the nature of romantic relationships constitutes the book’s central approach, which connects the different discussions in it. Its chapters analyse documentary and feature films, promotional material, such as television commercials, and the usage of new media technologies in communication. The authors look at visualisatio

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44

Jaeckle, Jeff, and Susan Ryan, eds. ReFocus: The Films of Barbara Kopple. Edinburgh University Press, 2019. http://dx.doi.org/10.3366/edinburgh/9781474439947.001.0001.

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Building on existing interviews, journal articles, and archival research, The Films of Barbara Kopple assesses Kopple’s entire career to date, paying particular attention historical contexts, technique, critical reception, and ongoing influence. Each chapter blends close analyses of the films with insights drawn from film history and documentary studies to demonstrate that Kopple has consistently and often doggedly pursued projects that document the experiences of the victimized, the voiceless, and those in crisis. The contributors treat the entire scope of Kopple’s career, from her work in th

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45

Doyle, Julie, Nathan Farrell, and Michael K. Goodman. Celebrities and Climate Change. Oxford University Press, 2017. http://dx.doi.org/10.1093/acrefore/9780190228620.013.596.

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Since the mid-2000s, entertainment celebrities have played increasingly prominent roles in the cultural politics of climate change, ranging from high-profile speeches at UN climate conferences, and social media interactions with their fans, to producing and appearing in documentaries about climate change that help give meaning to and communicate this issue to a wider audience. The role afforded to celebrities as climate change communicators is an outcome of a political environment increasingly influenced by public relations and attuned toward the media’s representation of political ideas, poli

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46

Sepúlveda, Jovanny. Hacia una taxonomía para analizar el crimen económico. CUA Medellín, 2018. http://dx.doi.org/10.52441/ciadcon201806.

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Este libro es producto de los resultados obtenidos en la primera fase terminada del proyecto y línea de investigación denominada: “Análisis y Desarrollo de Indicadores para Medir el Crimen Económico y Responsabilidad Social Empresarial”, el cual ha sido financiado en su tercer periodo de desarrollo por la Corporación Universitaria Americana durante el periodo enero de 2016 y diciembre de 2018. El trabajo investigativo presentado aquí se basa en la experiencia de aproximadamente 6 años de investigaciones documentales y participaciones de los autores como ponentes en varios congresos internacion

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