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Relevant bibliographies by topics / Documentary representation / Dissertations / Theses

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Dissertations / Theses on the topic 'Documentary representation'

Author: Grafiati

Published: 4 June 2021

Last updated: 11 February 2022

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1

Blackall, David. "John Perceval an ethical representation of a delinquent angel /." Access electronically, 2004. http://www.library.uow.edu.au/adt-NWU/public/adt-NWU20050215.154037/index.html.

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Thesis (Ph.D.)--University of Wollongong, 2004.<br>Typescript. EMBARGOED - this thesis is subject to a two year embargo (16/11/2004 to 16/11/2006) and may only be viewed and copied with the permission of the author. For further information please Contact the Archivist. Includes bibliographical references.

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2

Hedjam, Rachid. "Visual image processing in various representation spaces for documentary preservation." Mémoire, École de technologie supérieure, 2013. http://espace.etsmtl.ca/1186/1/HEDJAM_Rachid.pdf.

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Cette thèse établit un cadre de travail de traitement d’images pour le rehaussement et la restauration des images de documents historiques (IDH) dans deux espaces de représentations différents : l’espace des niveaux de gris et de couleur et l’espace multispectral (MS). Elle consiste en trois contributions majeures: 1) la binarisation d’IDH en niveaux de gris ou en couleur, 2) la restauration des IDH capturées au moyen de l’imagerie MS, et 3) l’estimation de données de référence (DR) utilisées à des fins d’évaluation des algorithmes de binarisation d’IDH. La binarisation d’IDH est l’une des tec

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3

BaÌ‚, SaeÌˆr Maty. "Malcolm X and the documentary film representation : text and intertext." Thesis, University of Exeter, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.430093.

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4

Zafar, Muhammad Hasan. "Pakistani documentary : representation of national history and identity (1976-2016)." Thesis, University of Glasgow, 2017. http://theses.gla.ac.uk/8386/.

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This thesis presents a study of Pakistani documentary, with a focus on the ways in which it represents Pakistan’s national identity and history. The study examines three sources of documentary production – state media, commercial television channels, and independent filmmakers – as three distinct voices of Pakistani documentary. The study argues that the discourses of these institutions are governed by their respective ideological, political, and economic priorities. These factors result in two competing approaches to Pakistan’s national history and identity: right-wing and left-wing. The Isla

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Cheng, Zhuofei. "Representation, New Documentary Movement: "A Bite of China: Season I"." Thesis, The University of Arizona, 2016. http://hdl.handle.net/10150/613496.

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This thesis attempts to explore within what historical context and with what documented content, A Bite of China: Season I, a Chinese documentary television series that explores the history of food, eating and cooking garners widespread popularity. By theoretical analyses, Chapter 1 concludes the relationship between documentary and the "reality" is built upon representation and there is "something beyond reality" in documentary. Moreover, in documentary representation, affect helps the "reality" to transform into "documentary reality," and affect is the key to understand "something beyond rea

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WANDERLEI, Ludimilla Carvalho. "Modos de ver: a imagem do proletariado através do fotodocumentarismo." Universidade Federal de Pernambuco, 2016. https://repositorio.ufpe.br/handle/123456789/21138.

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Submitted by Fabio Sobreira Campos da Costa (fabio.sobreira@ufpe.br) on 2017-09-01T13:21:04Z No. of bitstreams: 2 license_rdf: 811 bytes, checksum: e39d27027a6cc9cb039ad269a5db8e34 (MD5) dissertaçao.pdf: 7438574 bytes, checksum: 06a9847642e4f3a99a2d95ce35122fcc (MD5)<br>Made available in DSpace on 2017-09-01T13:21:04Z (GMT). No. of bitstreams: 2 license_rdf: 811 bytes, checksum: e39d27027a6cc9cb039ad269a5db8e34 (MD5) dissertaçao.pdf: 7438574 bytes, checksum: 06a9847642e4f3a99a2d95ce35122fcc (MD5) Previous issue date: 2016-02-24<br>CNPQ<br>Esta dissertação analisa a representação do proletari

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Grace, Jennifer Elizabeth. "The representation of dogs as family in contemporary American documentary film." Thesis, Montana State University, 2010. http://etd.lib.montana.edu/etd/2010/grace/GraceJ0810.pdf.

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The American family dog is a social construct that blurs the ontological boundaries of nature/culture dualism and which contemporary American documentary filmmakers represent by employing alternate tropes of 'dog as human' and 'dog as animal.' In filmic and practical use, these tropes are in flux and are confusing. The position of the dog as a paradox of nature and culture and member of the contemporary inter-species family makes the decision to euthanize it ethically challenging. Non-fiction dog programming is more popular than ever and most shows employ the 'dog as human' trope. But few addr

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8

Jones, Rex Allan. "'We on history channel!' the representation of history in documentary film /." Thesis, Montana State University, 2009. http://etd.lib.montana.edu/etd/2009/jones/JonesRA0509.pdf.

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The representation of history in documentary film is problematic. Documentary's creative treatment of actuality and assumed fidelity to perceived truth is at conflict with the historian's pursuit of veracity. Ever since the dawn of photography, artists have manipulated images and compromised facticity in service to aesthetics and drama. This trend continued into the early days of cinema, as newsreel producers adopted a more liberal than literal ethos that persists in documentary to this day. Reality can never be shown just as it is even in the most simplistic treatments of the most banal subje

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9

Pichaske, Kristin. "Colour adjustment : race and representation in post-apartheid South African documentary." Doctoral thesis, University of Cape Town, 2009. http://hdl.handle.net/11427/8248.

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Includes abstract.<br>Includes bibliographical references (p. 251-267).<br>The goal of this dissertation is to examine the process of racial transformation within South Africa's documentary film industry and to assess how the nation's shifting identity is both influenced by and reflected in documentary film. Drawing examples from a diverse collection of local and international films, I have examined changes in who is making documentaries in South Africa and how, as well as the representations of race that result. In particular, I have focused on how the balance of insider vs. outsider storytel

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Thornton, Karen D. "Discourses of Power and Representation in British Broadcasting Corporation Documentary Practices: 1999-2013." Thesis, University of Bradford, 2018. http://hdl.handle.net/10454/18364.

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This dissertation re-evaluates the ways in which contemporary television documentary practices engage their audience. Bringing together historical frameworks, and using them to analyse a range of examples not considered together within this context previously, the main finding is that the use of spectacle to engage the audience into a visceral response cuts across all of the examples analysed, regardless of the subject matter being explored. Drawing on a media archaeological approach, the dissertation draws parallels with the way in which pre-cinema engaged an audience where t

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Lima, Vania Mara Alves. "Terminologia, Comunicação e Representação Documentária." Universidade de São Paulo, 1998. http://www.teses.usp.br/teses/disponiveis/27/27143/tde-11052004-122839/.

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Proposta de um modelo teórico para a construção e compatibilização de Linguagens Documentárias cujo referente é a Terminologia da área do conhecimento a ser representado por um Sistema de Informação. Para atingir este objetivo procuramos: definição de um modelo de comunicação entre o acervo de um Sistema de Informação e o seu usuário, isto é, um modelo de comunicação documentária onde a LD é elemento essencial; definir o que é uma LD, como elas são constituídas e quais as principais LDs utilizadas pelos Sistemas de Informação para realizar a representação documentária, analisar especificamente

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Govaert, Charlotte. "Cueing the viewer : how reflective elements in documentary film engage audiences in issues of representation." Thesis, University of Aberdeen, 2011. http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?pid=166024.

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Documentary theorists such as Brian Winston and Bill Nichols have theorised the merits of reflexivity to issues of representation in documentary film. They advanced the reflexive mode as a conscious effort to heighten the viewer’s awareness of the problematic relationship between the documentary image and that which it represents. Yet, how viewers read reflexive elements, and whether they raise the viewer’s consciousness with respect to the problem of authenticity in documentary film, has remained under-researched. In general terms, reflexivity is the procedure by which a particular piece of c

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Lima, Vania Mara Alves. ""Da classificação do conhecimento científico aos sistemas de recuperação de informação: enunciação de codificação e enunciação de decodificação da informação documentária"." Universidade de São Paulo, 2004. http://www.teses.usp.br/teses/disponiveis/27/27143/tde-06032006-150120/.

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Ao identificar novas necessidades, que possibilitem seu desenvolvimento, a sociedade altera sua concepção do conhecimento, o que induz a formulação de diferentes formas de tratamento dos documentos e de seu conteúdo. Estabelecemos então, como objeto de pesquisa, os processos da enunciação de codificação e da enunciação de decodificação da informação documentária. Supomos que tais processos são construídos com a função de representar e recuperar o conhecimento registrado em qualquer tipologia de documento, pois a necessidade de codificação e decodificação está sintonizada com as necessidades in

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BRASIL, BRUNA RAFAELA VEIGA. "FICTION, DOCUMENTARY AND HISTORICAL NARRATIVE: A CASE STUDY OF SOCIAL REPRESENTATION OF KIDNAPPING OF BUS 174." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2011. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=18792@1.

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PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO<br>O propósito deste trabalho consiste em analisar o espaço ético nas representações sociais do cinema brasileiro contemporâneo. Para compreensão dos limites entre ficção e documentário, e entre filme baseado ou inspirado em fatos reais, tomam-se para análise comparativa o documentário e a ficção realizados sobre a rendição armada do ônibus 174 por Sandro do Nascimento, em junho de 2000: Ônibus 174(2002), de José Padilha e Última parada 174 (2009), de Bruno Barreto. Estes filmes constroem discursos sobre o local (a cidade do Rio de Janeiro) de

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Van, Vuuren Lauren. "The Great Dance : myth, history and identity in documentary film representation of the Bushmen, 1925-2000." Doctoral thesis, University of Cape Town, 2005. http://hdl.handle.net/11427/22171.

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This thesis utilises a sample of major documentary films on the Bushmen of Southern Africa as primary sources in investigating change over time in the interpretation and visualisation of Bushmen peoples over seventy-five years from 1925 to 2000. The primary sources of this thesis are seven documentary films on the subject of Bushmen people in southern Africa. These films are as follows The Bushmen (1925), made by the Denver African Expedition to southern Africa; the BBC film Lost World of Kalahari (1956) by Laurens van der Post; The Hunters (1958) by John Marshall; the 1974 National Geographic

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Hart, Phoebe. "Orchids : intersex and identity in documentary." Queensland University of Technology, 2009. http://eprints.qut.edu.au/29712/.

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Orchids: Intersex and Identity in Documentary explores the creative practice challenges of working with bodies with intersex in the long-form auto/biographical documentary Orchids. Just as creative practice research challenges the dominant hegemony of quantitative and qualitative research, so does my creative work position itself as a nuanced piece, pushing the boundaries of traditional cultural studies theories, documentary film practice and creative practice method, through its distinctive distillation and celebration of a new form of discursive rupturing, the intersex voice.

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Davey, Gerald John. "Understanding Photographic Representation : Method and Meaning in the Interpretation of Photographs." Diss., University of Iowa, 1992. https://ir.uiowa.edu/etd/5372.

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The "linguistic turn" in early twentieth-century philosophy established that through language we not only live in a world but create it as well. Language, in this sense, incorporates the entire range of media and cultural artifacts through which we create and share meaning. In contemporary post-industrial societies, photographic images play a central role in communicating and creating the world in which we live. In part, this increasingly visually oriented culture is possible because we tend to equate what we see in photographs with what is real. Photographs, however, bring to light a vision o

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18

Jørgensen, Christine Sander. "Ethical Issues in Documentary Filmmaking - A Case Study of DR's Generation Hollywood." Thesis, Malmö universitet, Fakulteten för kultur och samhälle (KS), 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-22615.

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This thesis focus on ethical issues within documentary filmmaking in the largest broadcasting institution in Denmark. It is a case study of the documentary serial Generation Hollywood, produced by Danmarks Radio (DR) in 2016. DR has produced many documentaries, using same style and format as in Generation Hollywood. But something is different with this one, and the thesis aims to find out why this one stands out, from the presumption that ethical issues are involved. It examines the participants’ motives and expectations, DR’s intentions and how ethical issues affected the final product. In th

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Penlington, Amanda Jane. "'A little easy and modern for the times' : a documentary of productions of Ben Jonson's plays by major professional theatre companies in England, 1977-2000." Thesis, University of Warwick, 2001. http://wrap.warwick.ac.uk/50713/.

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This thesis is a collation and discussion of productions of Ben Jonson's plays in England between 1977 and 2000. It focuses on mainstream theatre productions. Therefore, amateur and Fringe productions, adaptations and productions by small-scale theatre companies are not included. It contains previously unreleased material of interviews with theatre practitioners who have been instrumental in staging the productions covered. Whilst scholarship has concentrated on recent productions of Shakespeares, tudies in Jonsonianp erformanceh ave been neglected.W ith the recent resurgence in popularity of

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Hernández, Rejón Mónica. "Like Sámis do : A postcolonial and intersectional analysis of the contemporary film representations and self-representations of the Sámi people." Thesis, Stockholms universitet, Filmvetenskap, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-131499.

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The film representation of the Sámi people has evolved during the last century from the ethnographic portrayals that reproduce a romantic stereotype of the good savages, to feature and documentary films that discuss the Sámi identity and its colonial history. In recent years a new generation of Sámi and Swedish documentary directors have focused their work on analysing the impact that multiple structures of power actually have in the production of the Sámi identity and culture. In this research I explore the intersections of such structures in the documentary road movies Sámi Daughter Yoik (20

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Souza, Edvaldo de. "Imagem e representação: conteúdo informativo nas fotonovelas das décadas de 1960-1980 pela perspectiva de Barthes." Universidade Federal da Bahia/Instituto de Ciência da Informação, 2015. http://repositorio.ufba.br/ri/handle/ri/18643.

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Submitted by Valdinei Souza (neisouza@hotmail.com) on 2016-01-05T21:25:15Z No. of bitstreams: 1 Dissertação - Imagem e Representação....pdf: 9237612 bytes, checksum: 0a3d456473c881a385171d560d377d78 (MD5)<br>Approved for entry into archive by Urania Araujo (urania@ufba.br) on 2016-02-23T17:19:51Z (GMT) No. of bitstreams: 1 Dissertação - Imagem e Representação....pdf: 9237612 bytes, checksum: 0a3d456473c881a385171d560d377d78 (MD5)<br>Made available in DSpace on 2016-02-23T17:19:51Z (GMT). No. of bitstreams: 1 Dissertação - Imagem e Representação....pdf: 9237612 bytes, checksum: 0a3d456473c8

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Nesbitt, Hills Christine. "Documentary Photography as a Tool of Social Change: reading a shifting paradigm in the representation of HIV/AIDS in Gideon Mendel's photography." Thesis, Malmö högskola, Fakulteten för kultur och samhälle (KS), 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-21561.

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Gideon Mendel’s ongoing photographic work documenting HIV/ AIDS, first started in 1993, has seen shifts not only in production but also in the author’s representation of his subjects. This paper looks at three texts of Mendel’s work, taken from three different stages of Mendel’s career and reads the shifting paradigm taking Mendel from photojournalist to activist armed with documentary photography as a tool of social change. This thesis explores how different positionings as an author and different representations of the subjects, living and dying, with HIV/AIDS influences meaning-making, and

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Pinzon, Monica. "Beyond human and science documentaries 'Molotov Alva' and 'Waltz with Bashir' as new study cases in the representation of reality /." Thesis, Montana State University, 2009. http://etd.lib.montana.edu/etd/2009/pinzon/PinzonM0509.pdf.

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Although the use of animation to support science documentaries has been well studied, and is easily accepted by viewers, the public has little familiarity with animations or virtual realities as being appropriate tools for other kinds of documentary storytelling. This paper contrasts previous studies of the use of animation and CGI in documentary filmmaking with issues generated by some of the more recent evolutions in the field. I find that although the public may have more difficulty understanding the link between an animated image on the screen and its real world referent, when used effecti

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Rocha, Silvia Gagliardi. "A representação documentária de informações estatísticas: quando a ordem dos fatores altera o produto." Universidade de São Paulo, 2006. http://www.teses.usp.br/teses/disponiveis/27/27151/tde-20052009-163801/.

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Estudo sobre a representação documentária da informação estatística. A partir do reconhecimento dessa informação como representação de realidades sociais, identificam-se as suas especificidades e as da sua representação documentária visando sua divulgação na Internet e, portanto, a transmissão de informação sem a intermediação presencial do documentalista. Parte-se das premissas que a informação estatística tem características próprias que a diferenciam da informação textual, e que nem todas as recomendações para a construção de linguagem documentária, para representar esse tipo de informação,

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Villarroel, Vivian Javiera Castro. "São Paulo Iconografias Transitórias." Universidade de São Paulo, 2016. http://www.teses.usp.br/teses/disponiveis/27/27161/tde-20092016-160140/.

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Este projeto busca articular visualmente as paisagens urbanas, as ocupações de edifícios abandonados e as grafias do centro de São Paulo com a linguagem fotográfica: mediante intervenções gráficas sobre as fotografias propõe-se uma reflexão a respeito das transformações que vem sofrendo a visualidade do centro antigo. Isto é, o colapso de um tipo de urbanismo, o derretimento da \"utopia\" moderna e da visão cartão postal da cidade fazem parte de um mesmo contexto de crise, em que também se questiona a fotografia como representação realista. O trabalho final é um livro de fotografia co

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Silva, Caroline da. "Nos entreatos, tal como peões: do Lula operário ao Lula presidente." Universidade do Vale do Rio do Sinos, 2009. http://www.repositorio.jesuita.org.br/handle/UNISINOS/2648.

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Made available in DSpace on 2015-03-05T18:25:04Z (GMT). No. of bitstreams: 0 Previous issue date: 18<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior<br>Esta dissertação discute a produção audiovisual documentária através de Peões e Entreatos, filmes sobre a ascensão do ex-líder sindical Luiz Inácio da Silva à presidência da República, lançados em 2004. Os diretores, Eduardo Coutinho e João Moreira Salles, respectivamente, abordam o personagem Lula em dois momentos distintos: o passado retirante, operário, sindical, de liderança grevista e o político maduro prestes a se torna

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Van, Straaten Marius. "Odd number : a reflective essay, on the filmmaker, Marius van Straaten's practice in Odd Number a documentary about Rashaad Adendorf, with a focus on representation." Master's thesis, University of Cape Town, 2013. http://hdl.handle.net/11427/13983.

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This paper is a reflective essay supporting the documentary film Odd Number and aims to clarify and create more depth for the reader around the film's successes and failures in representing Rashaad Adendorf. Rashaad was formerly an assassin for a feared gang but is now a redeemed family man. His life is explored through interviews with him, his victims, his family and his enemies. Re-enactments of his most significant life changing events are used to inform the audience. A film representing Rashaad's life inevitably raises questions around representation and the filmmaker's relationship with R

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Araújo, Pedro Simon Gonçalves. "Corpos em movimento a partir do olhar de Pina Bausch – construindo modos de dançar." Universidade Federal de Goiás, 2015. http://repositorio.bc.ufg.br/tede/handle/tede/5361.

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Submitted by Luciana Ferreira (lucgeral@gmail.com) on 2016-03-21T15:27:49Z No. of bitstreams: 2 Dissertação - Pedro Simon Gonçalves Araújo - 2015.pdf: 1738646 bytes, checksum: da543cc2f1bed3ce2f83d67dfe65e49e (MD5) license_rdf: 23148 bytes, checksum: 9da0b6dfac957114c6a7714714b86306 (MD5)<br>Approved for entry into archive by Luciana Ferreira (lucgeral@gmail.com) on 2016-03-21T15:29:58Z (GMT) No. of bitstreams: 2 Dissertação - Pedro Simon Gonçalves Araújo - 2015.pdf: 1738646 bytes, checksum: da543cc2f1bed3ce2f83d67dfe65e49e (MD5) license_rdf: 23148 bytes, checksum: 9da0b6dfac957114c6a7714714b8

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Lessa, Rodrigo Oliveira. "Da passividade à luta política: as imagens da classe trabalhadora no cinema documentário brasileiro." Faculdade de Filosofia e Ciências Humanas, 2015. http://repositorio.ufba.br/ri/handle/ri/19015.

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Submitted by Oliveira Santos Dilzaná (dilznana@yahoo.com.br) on 2016-04-29T15:11:25Z No. of bitstreams: 1 TESE DE RODRIGO OLIVEIRA LESSA.pdf: 2736590 bytes, checksum: 094549a86a6970619800b8e764308f55 (MD5)<br>Approved for entry into archive by Ana Portela (anapoli@ufba.br) on 2016-04-29T19:34:41Z (GMT) No. of bitstreams: 1 TESE DE RODRIGO OLIVEIRA LESSA.pdf: 2736590 bytes, checksum: 094549a86a6970619800b8e764308f55 (MD5)<br>Made available in DSpace on 2016-04-29T19:34:41Z (GMT). No. of bitstreams: 1 TESE DE RODRIGO OLIVEIRA LESSA.pdf: 2736590 bytes, checksum: 094549a86a6970619800b8e764308f

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Hadley, Tiffany Sunshine. "Not All Reality Is Created Equal: A Rhetorical Hybrid Conspiracy and Diatribe in Michael Moore’s Fahrenheit 9/11." University of Cincinnati / OhioLINK, 2006. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1141244903.

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Souza, Maria Ines Dieuzeide Santos. "A memória assombrada : Um estudo da autorrepresentação no documentário animado Valsa com Bashir." Universidade Federal de São Carlos, 2012. https://repositorio.ufscar.br/handle/ufscar/5601.

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Made available in DSpace on 2016-06-02T20:23:13Z (GMT). No. of bitstreams: 1 4691.pdf: 2672221 bytes, checksum: 5c15554d9ac45df13043164fc0e2e67e (MD5) Previous issue date: 2012-05-02<br>Financiadora de Estudos e Projetos<br>This work aims to discuss processes of self-representation in animated documentaries, from the analysis of the film Waltz with Bashir (Ari Folman, 2008). With this analysis, it seeks to understand modes of articulation between the field of documentary and animation, using elements of both as a possibility of self-representation in films that are related to the shared hist

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Matteoni, Cecilia. "The Act of Representation : En adaptionsanalys av dokumentärfilmen The Act of Killing." Thesis, Linnéuniversitetet, Institutionen för film och litteratur (IFL), 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-96301.

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Uppsatsen är en tillämpning av Linda Hutcheons adaptionsteoretiska analysmodell på dokumentärfilmen The Act of Killing - en film som beskrivits som både modig, banbrytande, skrämmande, avslöjande och viktig, men också opolitisk, provocerande, vilseledande, manipulativ och exploaterande. Uppsatsen undersöker med hjälp av Hutcheons genomgripande metodfrågor vad, vem, varför, hur, var och när, hur frågor om representation kan uppfattas så olika och hur kritiken kan vara så polariserad kring filmen. Filmens komplexa bakgrund, innehåll och form kräver en bred och djupgående analys för att få fatt p

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MELCHIOR, Marcelo do Nascimento. "Identidade Cultural e Auto-Representação Cinematográfica Indígena Xavante." Universidade Federal de Goiás, 2011. http://repositorio.bc.ufg.br/tede/handle/tde/1398.

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Made available in DSpace on 2014-07-29T15:22:30Z (GMT). No. of bitstreams: 1 Dissertacao Marcelo do Nascimento Melchior.pdf: 2046184 bytes, checksum: 6f3e048454a2cfc5cbd396c6b53f4ebb (MD5) Previous issue date: 2011-03-10<br>A pesquisa faz uma análise a respeito da Produção Cinematográfica dos índios Xavante do estado de Mato Grosso. Buscando entender expressões e visões nas quais os próprios indígenas se auto representam em suas produções visuais. O mundo contemporâneo possibilita o acesso a novas tecnologias de forma prática e dinâmica. Desse modo as culturas que por assim chamamos de "mino

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de, León Hernández María Julia. "ENCUENTRO CON LA PRECARIEDAD: LA REAPARICIÓN DEL GITANO EN EL CINE DOCUMENTAL ESPAÑOL DE LA CRISIS DE 2008." UKnowledge, 2019. https://uknowledge.uky.edu/hisp_etds/43.

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In 2008, Spain’s financial crisis had a great impact on the primary sector on which the nation’s ‘economic miracle’ was founded: housing.Land speculation, the increase in housing construction, and easy loans had become one of the hallmarks of twenty-first-century Spanish identity. The crisis del ladrillo (“brick crisis”) plunged the national economy into chaos and condemned many Spanish citizens to job insecurity, loss of earning power, threat of eviction, and put them at high risk of social marginalization. This dissertation studies the unusual proliferation of documentary films during the ye

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Rodrigues, Maria Luisa Prandina. "Representação e identidade cultural em \'Tabu Brasil\' e a linguagem dos documentários da National Geographic para a TV." Universidade de São Paulo, 2015. http://www.teses.usp.br/teses/disponiveis/8/8147/tde-04082015-172551/.

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Esta dissertação se propõe a problematizar as representações de tabu da sociedade brasileira, apresentadas na série de documentários Tabu Brasil, produzidos sob o viés do olhar da National Geographic Society. A hipótese que norteia este estudo é de que as representações de tabu na série focal, para além da mera exposição de casos, acabam marginalizando outros saberes e culturas, a partir de uma perspectiva situada e defendida por grupos hegemônicos no ocidente. A fundamentação teórica para esta análise apresenta como suporte principal os estudos discursivos de teóricos como Pechêux (1975, 1988

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Barak, Katherine Sullivan. "Spinsters, Old Maids, and Cat Ladies: A Case Study in Containment Strategies." Bowling Green State University / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1393246792.

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Ganjaei, Sara. "Representations of Iran in British documentary, 1920s-2006." Thesis, University of East Anglia, 2010. https://ueaeprints.uea.ac.uk/47573/.

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The research examines the representations of Iran in British documentaries made between 1920s and 2006. It aims to: a)investigate in British documentary the represented position of Iran in the world and in comparison to Britain, as well as how the positioning has evolved along historical change inside Iran, in the outside world, and in Iran’s relation with the outside world and Britain; b) reveal how, as mediated text, documentary film acts as part of the broader representational regimes in a social context in which these positionings are produced through contemporary social and political disc

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Santos, Noaide Reis dos. "A Representação da Informação do Folclore Alagoano na Obra Literária e Bibliográfica de Théo Brandão: um Meio de Visibilidade e Acessibilidade." Universidade Federal da Bahia/Instituto de Ciência da Informação, 2015. http://repositorio.ufba.br/ri/handle/ri/18633.

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Submitted by Valdinei Souza (neisouza@hotmail.com) on 2016-01-05T20:05:49Z No. of bitstreams: 1 DISSERTAÇÃO NOAIDE REIS DOS SANTOS.pdf: 2655838 bytes, checksum: 9718b5036819e6a4de27feb442859989 (MD5)<br>Approved for entry into archive by Urania Araujo (urania@ufba.br) on 2016-02-19T20:12:48Z (GMT) No. of bitstreams: 1 DISSERTAÇÃO NOAIDE REIS DOS SANTOS.pdf: 2655838 bytes, checksum: 9718b5036819e6a4de27feb442859989 (MD5)<br>Made available in DSpace on 2016-02-19T20:12:48Z (GMT). No. of bitstreams: 1 DISSERTAÇÃO NOAIDE REIS DOS SANTOS.pdf: 2655838 bytes, checksum: 9718b5036819e6a4de27feb4428

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Robertson, Paul L. "The Mountains at the End of the World: Subcultural Appropriations of Appalachia and the Hillbilly Image, 1990-2010." VCU Scholars Compass, 2019. https://scholarscompass.vcu.edu/etd/5854.

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There is an aversion within the field of Appalachian Studies to addressing the cultural formulations of the Appalachian/hillbilly/mountaineer as an icon of aggressive resistance. The aversion is understandable, as for far too long images of the irrationally and savagely violent mountaineer were integral to the most gross popular culture stereotypes of Appalachia. Media consumers often take pleasure or comfort in these images, which usually occur in a reactionary context with the hillbilly as either a type of nationally necessary savage OR as an unregenerate barbarian against whom a national

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Ortega, Cristina Dotta. "Os registros de informação dos sistemas documentários: uma discussão no âmbito da Representação Descritiva." Universidade de São Paulo, 2009. http://www.teses.usp.br/teses/disponiveis/27/27151/tde-21092009-211824/.

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A Organização da Informação engloba os processos necessários sob o ponto de vista informacional à construção e gestão de sistemas documentários. Nela localizamos a Representação Descritiva que se ocupa dos registros de informação destes sistemas e de seus pontos de acesso, no que tange aos aspectos da descrição formal. Para sua funcionalidade, é esperado que os registros dos sistemas documentários apresentem características que garantam aderência entre as entidades e as necessidades de informação que buscam representar. A hipótese principal de trabalho é a de que é preciso resgatar e reforça

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Souza, Claudia de. "A dimensão sociopolítica do documentário Dia de festa, de Toni Venturi." Pontifícia Universidade Católica de São Paulo, 2015. http://tede2.pucsp.br/handle/handle/2560.

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Made available in DSpace on 2016-04-25T20:21:28Z (GMT). No. of bitstreams: 1 Claudia de Souza.pdf: 1915797 bytes, checksum: 6d28acdc25bebf50421ff02cc08a38ec (MD5) Previous issue date: 2015-05-25<br>The present dissertation has as its main focus, the relation between cinema and social reality and as its object of study the documentary production and its relation to the Brazilian society; since the perception of such genre is related to other relevant questions and social problems. The documentary Dia de festa (2006), directed by Toni Venturi, was chosen to be the empiric constraint of the mai

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Tsakiri, Maria. "What are you looking at? : representations of disability in documentary films." Thesis, University of Stirling, 2015. http://hdl.handle.net/1893/24517.

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This study sets out to explore the representations of disability in documentary films. Its starting point is that when such representations of disability films are under examination, one needs to take into consideration a level of complexities that come with disability, the construction and functionalities of representations, and more particularly the impact of documentary films on understanding disability. In order to address this issue, I draw upon disability theory and disability aesthetics, crip theory and crip willfulness, as well as practices of good looking, synthesising in this way a t

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Feitosa, André Fonseca. "Documentário e cultura histórica: o sertão de trabalho e relações de classe em O País de São Saruê (1971)." Universidade Federal da Paraíba, 2014. http://tede.biblioteca.ufpb.br:8080/handle/tede/6017.

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Made available in DSpace on 2015-05-14T12:23:17Z (GMT). No. of bitstreams: 1 arquivototal.pdf: 6078547 bytes, checksum: e0b7854118adc7b2f4a7a68d121aa154 (MD5) Previous issue date: 2014-08-22<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES<br>This work analises the representation of backland and its people on the documentary O País de São Saruê(1971) of Vladimir Carvalho. We relate the film discourse to the historic and politic culturearound its film maker. Our hypothesis is that theserepresentaions are build based on work category.<br>Esta pesquisa pretende analisar

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Silveira, Naira Christofoletti. "A trajetória da autoria na representação documental." Universidade de São Paulo, 2013. http://www.teses.usp.br/teses/disponiveis/27/27151/tde-06052014-114125/.

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Ao percorrer a trajetória do conceito de autoria na sociedade e, em particular, em diferentes áreas do conhecimento científico, verifica-se que este ganhou destaque durante a Modernidade e, a partir deste período, vem sofrendo alterações sucessivas. Em meio aos debates constantes sobre a -autoria? em diferentes áreas do conhecimento, é importante desenvolver pesquisas integrando o contexto da natureza social à representação documental. Trata-se de uma investigação exploratória e teórica, pautada nas pesquisas bibliográfica, documental, histórica e comparativa, que tem como objeto de estudo o c

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Vincent-Gill, Sonia Claire. "Documentary representations of alterity on television : diversity and national identity in contemporary France." Thesis, Durham University, 2013. http://etheses.dur.ac.uk/7736/.

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Since the turn of the millennium, there is a growing literature concerned with investigating the representation of minorities on French television. This thesis sets out to explore the documentary representation of four types of alterity (non-Western, urban, rural and regional France) in a selection of documentaries broadcast on French television between 1995 and 2010. The originality of this thesis lies in its comparative approach to the question of alterity. This research seeks to contribute to the nascent field of diversity and minority studies, and explore the manner in which these document

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Silva, Marco Donizete Paulino da. "A indexação social na construção discursiva midiática de Jogo de cena." Universidade Federal de São Carlos, 2013. https://repositorio.ufscar.br/handle/ufscar/1103.

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Made available in DSpace on 2016-06-02T19:16:34Z (GMT). No. of bitstreams: 1 4933.pdf: 1410835 bytes, checksum: 4d98e0074d7415562240e8cd81b1b9b9 (MD5) Previous issue date: 2013-02-22<br>This work is a desk research and was elaborated in order to ascertain to what level is the process of indexing Social within the documentary film, specifically in the discursive construction developed by media around the movie Jogo de cena (Eduardo Coutinho, 2007). It was used the theoretical repertoire pertaining to Information Science to delineate differences between the concepts of indexing and Social Inde

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CAVATI, SOBRINHO Heliomar. "A representação documentária do domínio da economia: análise de estruturas de representação em linguagens documentárias e documentos específicos de economia." reponame:Repositório Institucional da UFC, 2014. http://www.repositorio.ufc.br/handle/riufc/19139.

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CAVATI SOBRINHO, Heliomar; FUJITA, Mariângela Spotti Lopes. A representação documentária do domínio da economia: análise de estruturas de representação em linguagens documentárias e documentos específicos de economia. 2014. 148 f. Tese (Doutorado) - Universidade Estadual Paulista, Programa de Pós-graduação em Ciência da Informação, Marília, 2014.<br>Submitted by Lidya Silva (nagylla.lidya@gmail.com) on 2016-08-16T12:36:06Z No. of bitstreams: 1 2014_tese_hcavatisobrinho.pdf: 1358089 bytes, checksum: 7383c894423bd51d438018df574c5666 (MD5)<br>Approved for entry into archive by Márcia Araújo (marc

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Aguiar, Andressa Furtado da Silva de. "Representação da informação arquivística: diálogos e conexões interdisciplinares." Instituto Brasileiro de Informação em Ciência e Tecnologia/Universidade Federal do Rio de Janeiro, 2013. http://ridi.ibict.br/handle/123456789/859.

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Submitted by Priscilla Araujo (priscilla@ibict.br) on 2016-08-01T18:30:30Z No. of bitstreams: 2 license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Andressa Dissertação revisado final.pdf: 4886535 bytes, checksum: 71a740b74fdd0e882c089bc407c1a6cf (MD5)<br>Made available in DSpace on 2016-08-01T18:30:30Z (GMT). No. of bitstreams: 2 license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Andressa Dissertação revisado final.pdf: 4886535 bytes, checksum: 71a740b74fdd0e882c089bc407c1a6cf (MD5) Previous issue date: 2013-07-30<br>Este estudo tem como objetivo ident

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Åsa, Back. "SINNLIG (sensuous) in Beijing : towards an Artistic Ethnography." Thesis, Stockholms konstnärliga högskola, Institutionen för skådespeleri, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:uniarts:diva-312.

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Projektet bygger på åtta veckors fältarbete på en oberoende teater i Peking våren 2017,baserat på antropologisk och konstnärlig metod. Det är ett försök att utveckla begreppet konstnärlig etnografi, samt tillämpa det praktiskt. I detta är konsten inte huvudsakligen en produkt eller en presentationsform, utan ett sätt att tänka, att förhålla sig till världen. Materialet består av fältanteckningar, video, foto, rörelsematerial, personliga berättelser, minnen av dofter, ljud och smaker och någonting så vagt som stämning – stadens tempo, känslan i en repsituation… Hur kan scenen förmedla en plats

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Maggi, Balliache Daniel Vicente. "O documentário venezuelano contemporâneo (2005-2013) paradigmas, práticas e formas de representação." Universidade Federal de São Carlos, 2015. https://repositorio.ufscar.br/handle/ufscar/7621.

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Submitted by Izabel Franco (izabel-franco@ufscar.br) on 2016-09-28T14:33:52Z No. of bitstreams: 1 DissDVMB.pdf: 2728788 bytes, checksum: eafaa9a80b790125f509cdcd84f1ddd2 (MD5)<br>Approved for entry into archive by Marina Freitas (marinapf@ufscar.br) on 2016-10-04T17:53:28Z (GMT) No. of bitstreams: 1 DissDVMB.pdf: 2728788 bytes, checksum: eafaa9a80b790125f509cdcd84f1ddd2 (MD5)<br>Approved for entry into archive by Marina Freitas (marinapf@ufscar.br) on 2016-10-04T17:53:34Z (GMT) No. of bitstreams: 1 DissDVMB.pdf: 2728788 bytes, checksum: eafaa9a80b790125f509cdcd84f1ddd2 (MD5)<br>Made availa

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