Academic literature on the topic 'Documentary Writing'

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Journal articles on the topic "Documentary Writing"

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Troiani, Igea. "Writing architectural history as documentary." Journal of Architecture 10, no. 3 (2005): 275–84. http://dx.doi.org/10.1080/13602360500162394.

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Kostina, Anastasia. "“Documentary Filmmaking Is an Absolute Delight”." Film Quarterly 77, no. 3 (2024): 79–85. http://dx.doi.org/10.1525/fq.2024.77.3.79.

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Vitaly Mansky is an internationally recognized documentary filmmaker whose writings, films, and programming practice have actively shaped the Russian documentary scene since the early 1990s. As a filmmaker, he has directed over thirty documentary productions that impress in their thematic scope and stylistic diversity. As the president of the ArtDocFest film festival, Mansky gave hundreds of independent filmmakers an opportunity to reach a broader audience. As a public figure, he has been vigorously promoting documentary cinema in his speeches and writing. In this interview with Film Quarterly
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Tg Abdul Rahman, Tg Ainul Farha, Abdul Rahman Chik, Muhammad Sabri Sahrir, and Mohd Shukri Nordin. "A REVIEW OF DOCUMENTARY FILM AS AUTHENTIC INPUT IN ENHANCING WRITING SKILLS IN ASL SETTING." Journal of Nusantara Studies (JONUS) 2, no. 1 (2017): 99. http://dx.doi.org/10.24200/jonus.vol2iss1pp99-110.

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The objectives of this paper are three folds: firstly, to highlight the studies which have used documentary film as authentic input in teaching second language skills, secondly to review the studies which have used documentary film in enhancing the second language writing skill, and lastly to offer ways to deal with documentary film in improving Arabic as a Second Language (ASL) writing skill. For this purpose, the paper analyses related literature review and previous studies in the field. The literature review shows the concern of second language practitioners as well as scholars in the field
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Minle, SUN. "Documentary Writing and Politics of "Truth." Critical Theory 2, no. 2 (2018): 136–81. http://dx.doi.org/10.47297/wspctwsp2515-470204.20200202.

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Park, So Young, and Sun Young Park. "Photo Essay Writing utilizing Documentary Animation FERUZA." Korean Association For Learner-Centered Curriculum And Instruction 19, no. 11 (2019): 665–94. http://dx.doi.org/10.22251/jlcci.2019.19.11.665.

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Merewether, Janet. "Shaping the documentary subject: Writing and visualizing the documentary and media art script." Journal of Screenwriting 6, no. 1 (2015): 89–113. http://dx.doi.org/10.1386/josc.6.1.89_1.

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Sobczak, Paweł. "From Iceland to Brazil. Documentary Writing on Foreign Countries in the Interwar Period: Authors, Conventions, Motifs." Tekstualia 4, no. 47 (2016): 79–92. http://dx.doi.org/10.5604/01.3001.0013.4299.

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The interwar period was an important time in the history of Polish documentary writing. The poetics of the genre was formed at the turn of the 1920s and 30s. At that time, there was a debate about the cognitive and aesthetic values of documentary writing. A variety of thematic forms quickly emerged, including works about foreign countries. This subgenre had two main variants: the „exotic documentary” (or „exotic-adventure”) and „sociopolitical documentary”. The present article examines a selection of texts representing both the variants and written by: Ferdynand Goetel, Zbigniew Uniłowski, Ale
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Rieser, Klaus. "First-Person Documentary Film and Self-Life Narration." JAAAS: Journal of the Austrian Association for American Studies 1, no. 1 (2020): 144–47. http://dx.doi.org/10.47060/jaaas.v1i1.75.

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In lieu of an abstract, here is the first paragraph of this forum contribution: My contribution to this forum on life writing contemplates life narrative practices in documentary film and proposes two theses that also bear relevance for other fields and media under discussion here. Firstly, it problematizes the concepts of autobiography and life writing for their applicability to (documentary) film, arguing with Alisa Lebow for a notion of "first person film."[1] Secondly, it contends that representations of the self in documentary film are more appropriately comprehended as a discourse rather
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Martín López, María Encarnación. "Sobre el ángulo de escritura en la documentación de San Isidoro de León: evolución de los siglos XI al XIII." Estudios humanísticos. Geografía, historia y arte, no. 14 (February 15, 2021): 105. http://dx.doi.org/10.18002/ehgha.v0i14.6895.

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<span>The technical elements of writing have proved to be essential when establishing a serious and definitive assessment of documentary form - specifically jis external characteristics - and tradition. One of these technical elements is the angle of writing. This paper is meant as a first approach to the issue, which, it is our opinion, places the angle of writing, as well as its assessment, in the foreground of documentary criticism considered as tradition.</span>
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Lamont, Austin. ": Writing, Directing, and Producing Documentary Films . Alan Rosenthal ." Film Quarterly 45, no. 1 (1991): 52–53. http://dx.doi.org/10.1525/fq.1991.45.1.04a00160.

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Dissertations / Theses on the topic "Documentary Writing"

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Lim, Hyunyang Kim. ""Take Writing" news, information, and documentary culture in late medieval England /." College Park, Md. : University of Maryland, 2006. http://hdl.handle.net/1903/3694.

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Thesis (Ph. D.) -- University of Maryland, College Park, 2006.<br>Thesis research directed by: English Language and Literature. Title from t.p. of PDF. Includes bibliographical references. Published by UMI Dissertation Services, Ann Arbor, Mich. Also available in paper.
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Fischer, Julie (Julie Lynn). "To create live treatments of actuality : an investigation of the emerging field of live documentary practice." Thesis, Massachusetts Institute of Technology, 2014. http://hdl.handle.net/1721.1/92659.

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Thesis: S.M. in Comparative Media Studies, Massachusetts Institute of Technology, Department of Humanities, Graduate Program in Science Writing, 2014.<br>Cataloged from PDF version of thesis.<br>Includes bibliographical references.<br>Keywords: documentary, interactive, live, liveness, ephemerality, interactivity, theater, performance, television, televisuality, database, data, live data, real time Abstract: The field of documentary is undergoing a transformation as it collides with digital technologies. A new arena of Interactive Documentary production is thriving, and critics and scholars ar
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Davidson, Paul John. "Time Rhythm and Magic: Developing a Communications Theory Approach to Documentary Film Editing." Thesis, Griffith University, 2016. http://hdl.handle.net/10072/367998.

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Time, Rhythm and Magic: developing a Communications Theory approach to Documentary Film Editing is principally concerned with the editing of documentary films, in particular the historical documentary. The essence of the study draws upon a reflective experiential analysis of the author’s extensive creative practice in documentary film production, with particular reference to the principles and techniques the author employs in documentary editing. The research argues that the process of constructing certain forms of documentary film involves the selection of small segments, or samples, taken fr
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Rasmi, Jacopo. "une écologie des méthodes documentaires.à partir d'écritures filmiques et littéraires de l'Italie contemporaine." Thesis, Université Grenoble Alpes (ComUE), 2019. http://www.theses.fr/2019GREAL001/document.

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Cette recherche se structure autour de quelques pratiques documentaires dans le contexte italien contemporain : Michelangelo Frammartino, Gianni Celati, Pietro Marcello… Étudiées en tant que méthodes particulières de médiation et d’écriture parmi de nombreuses autres agençant l’univers médial actuel, ces expériences nous révèlent leur spécifique statut écologique. C’est à une écologie générale (socio-politique, perceptive et symbolique) qu’on se réfère : celle qui a été proposée par des théoriciens tels que Felix Guattari, Tim Ingold ou Bruno Latour. Fidèles à un certain empirisme habitant ain
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Rogers, Wendy Kaye. "Xavier Herbert." Thesis, Queensland University of Technology, 2010. https://eprints.qut.edu.au/41241/1/Wendy_Rogers_Exegesis.pdf.

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As a biographical documentary concept develops, its intention and its form are impacted and may be transformed by market demands. The documentary idea about the life of Xavier Herbert has been in development through a number of iterations within the shifting landscape of the Australian documentary industry from the mid- 1990s to 2009. This study is, on the one hand, an endeavour to find a workable way to express and practise the multi-layered complexity of creative work, a long-form documentary script on Herbert, an Australian literary icon. On the other hand, this thesis represents a cumulati
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Baker, Julia K. "The return of the child exile re-enactment of childhood trauma in Jewish life-writing and documentary film /." Cincinnati, Ohio : University of Cincinnati, 2007. http://www.ohiolink.edu/etd/view.cgi?ucin.

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Thesis (Ph. D. )--University of Cincinnati, 2007.<br>Advisor: Dr. Katharina Gerstenberger Title from electronic thesis title page (viewed Dec.10, 2007). Includes abstract. Includes bibliographical references.
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BAKER, JULIA K. "THE RETURN OF THE CHILD EXILE: RE-ENACTMENT OF CHILDHOOD TRAUMA IN JEWISH LIFE-WRITING AND DOCUMENTARY FILM." University of Cincinnati / OhioLINK, 2007. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1186765977.

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Hoyos, Hattori Paula. "Epistles and Their Use as Documentary Sources in Historia de Japam (1585-1593) by Jesuit Luís Fróis: Comparative Analysis of an Episode." Pontificia Universidad Católica del Perú, 2017. http://repositorio.pucp.edu.pe/index/handle/123456789/121759.

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This paper analyzes two documents from the Jesuit mission to Japan, both written by Luís Fróis (1532-1597). They discuss the same topic: the conversion to Christianity of a young nobleman from Bungo (Kyushu) in 1577. One is an epistle and the other deals with historic issues. The comparison reveals the peculiarities of each genre, in line with the norms of the Society of Jesus. The paper concludes that epistles were considered to strengthen spiritual and identity links, as a result of which they were widely disseminated during the 16th century.<br>Este artículo analiza dos documentos del corpu
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Souza, Vânia Regina Alves de [UNESP]. "Leitura em língua estrangeira (inglês) para elaboração de resumos documentários." Universidade Estadual Paulista (UNESP), 2002. http://hdl.handle.net/11449/93714.

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Made available in DSpace on 2014-06-11T19:26:45Z (GMT). No. of bitstreams: 0 Previous issue date: 2002-08-30Bitstream added on 2014-06-13T19:34:31Z : No. of bitstreams: 1 souza_vra_me_mar.pdf: 400189 bytes, checksum: 45010e6ba518e2a26b0ee3e83b6bec1e (MD5)<br>A leitura em inglês para o fim de elaboração de resumos documentários pode ser facilitada mediante a utilização da abordagem do inglês instrumental. O aluno aprende estratégias de leitura que o ajudam na compreensão dos textos sem precisar ter o total domínio do inglês. A proposta desta pesquisa consiste na investigação do processo de le
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Souza, Vânia Regina Alves de. "Leitura em língua estrangeira (inglês) para elaboração de resumos documentários /." Marília : [s.n.], 2002. http://hdl.handle.net/11449/93714.

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Orientador: Mariângela Spotti Lopes Fujita<br>Banca: Maria Isabel Asperti Nardi<br>Banca: Nair Yomiko Kobashi<br>Resumo: A leitura em inglês para o fim de elaboração de resumos documentários pode ser facilitada mediante a utilização da abordagem do inglês instrumental. O aluno aprende estratégias de leitura que o ajudam na compreensão dos textos sem precisar ter o total domínio do inglês. A proposta desta pesquisa consiste na investigação do processo de leitura de um texto em inglês após os conhecimentos adquiridos nas disciplinas de "Inglês Instrumental" e "Indexação e Resumos" no curso de Bi
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Books on the topic "Documentary Writing"

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Núñez, Rubén Molina. La firma manuscrita: Importancia y problemática. Editorial Jurídica ConoSur, 1996.

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Rosenthal, Alan. Writing, directing, and producing documentary films and videos. 4th ed. Southern Illinois University Press, 2007.

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1936-, Rosenthal Alan, ed. Writing, directing, and producing documentary films and videos. Southern Illinois University Press, 1996.

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Student Action with Farmworkers (Organization), ed. Fields without borders: An anthology of documentary writing and photography. Student Action with Farmworkers, 1998.

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Jones, Manina. That art of difference: "documentary-collage" and English-Canadian writing. University of Toronto Press, 1993.

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1942-, Coventry Virginia, ed. The Critical distance: Work with photography, politics, writing. Hale & Iremonger, 1986.

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1939-, Perlina Nina, ed. Writing the siege of Leningrad: Women's diaries, memoirs, and documentary prose. University of Pittsburgh Press, 2002.

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Neusner, Jacob. Extra-and non-documentary writing in the canon of formative Judaism. Global Publications, Binghamton University, 2001.

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Zhizhina, M. V. Sudebno-pocherkovedcheskai︠a︡ ėkspertiza dokumentov: Uchebno-prakticheskoe posobie. I︠U︡rlitinform, 2006.

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Bruce, Jackson. Get the money and shoot: The DRI guide to funding documentary films. Documentary Research, 1987.

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Book chapters on the topic "Documentary Writing"

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Raynauld, Isabelle. "Writing for documentary." In Reading and Writing a Screenplay. Routledge, 2019. http://dx.doi.org/10.4324/9781351068208-11.

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Dancyger, Ken. "Writing a Television Documentary." In Broadcast Writing. Routledge, 2023. http://dx.doi.org/10.4324/9781032621845-8.

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Dancyger, Ken. "Writing a Radio Documentary." In Broadcast Writing. Routledge, 2023. http://dx.doi.org/10.4324/9781032621845-6.

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Friedmann, Anthony. "Documentary and Nonfiction Narrative." In Writing for Visual Media, 5th ed. Routledge, 2021. http://dx.doi.org/10.4324/9780429280856-10.

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Walsh, Shannon. "Script & Treatment Writing for Documentary." In The Documentary Filmmaker's Intuition. Routledge, 2023. http://dx.doi.org/10.4324/9781003320296-8.

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Wade, Stephen. "The Berlin Fiction and Documentary Writing of the 1930s." In Christopher Isherwood. Macmillan Education UK, 1991. http://dx.doi.org/10.1007/978-1-349-21877-6_3.

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Forné, Anna, and Patricia López-Gay. "Autofiction and Film: Archival Practices in Post-millennial Documentary Cinema in Argentina and Spain." In Palgrave Studies in Life Writing. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-78440-9_12.

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AbstractThis chapter examines three recent autofictional documentaries produced in Argentina and Spain—Albertina Carri’s Cuatreros (Rustlers), Mercedes Álvarez’s Mercado de futuros (Futures Market), and Víctor Erice’s Vidros partidos (Broken Windows)—which share a distinctive “archival impulse.” These films propose a meaning in a specific political sense which we read in relation to the contexts of the Iberian financial crisis and the memories of political violence during the last dictatorship in Argentina. We address the autofictional strategies through which the filmmakers “re-stage” the arc
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Bartoli, Elisabetta. "The art of letter-writing." In Comparative History of Literatures in European Languages. John Benjamins Publishing Company, 2024. https://doi.org/10.1075/chlel.34.31bar.

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Abstract This essay contains, in the first part, a chronological excursus (late 11th-late 13th century) dedicated to the ars dictandi, the medieval ars that teaches epistolography and the editing of prose texts; the most significant masters and the most important works are illustrated, from Alberico di Montecassino to Pier della Vigna and Tommaso di Capua. In the second part, on the basis of contemporary studies, a panorama of comparative research carried out or to be carried out on the materials of ars dictandi is traced; these researches demonstrate the richness of the epistolographic texts
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Bartoli, Elisabetta. "Chapter 31. The art of letter-writing." In Comparative History of Literatures in European Languages. John Benjamins Publishing Company, 2024. http://dx.doi.org/10.1075/chlel.xxxiv.31bar.

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This essay contains, in the first part, a chronological excursus (late 11th-late 13th century) dedicated to the ars dictandi, the medieval ars that teaches epistolography and the editing of prose texts; the most significant masters and the most important works are illustrated, from Alberico di Montecassino to Pier della Vigna and Tommaso di Capua. In the second part, on the basis of contemporary studies, a panorama of comparative research carried out or to be carried out on the materials of ars dictandi is traced; these researches demonstrate the richness of the epistolographic texts and the p
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Buffo, Paolo. "Forme e funzioni della documentazione contabile nelle signorie rurali italiane (secolo XIII-inizio secolo XV): appunti per un questionario." In La signoria rurale nell’Italia del tardo medioevo. 4. Quadri di sintesi e nuove prospettive di ricerca. Firenze University Press, 2023. http://dx.doi.org/10.36253/979-12-215-0187-2.04.

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The essay aims to develop a questionnaire for the study of the accounting records of late medieval rural lordships, combining the problems and methods of medievalist historiography and diplomatics. Firstly, the textual types and functions of accounting records are analysed, dividing them into income lists and officers’ accounts and observing their evolution in the light of the general transformations of documentary writing during the late Middle Ages. A detailed analysis of the parallels between seigniorial accounts and the accounts of the central powers is then carried out, with particular at
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Conference papers on the topic "Documentary Writing"

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Thamer Hasan, AL-Anbagi Shayma. "Typologies Syntactic Constructions Of Russian Business Writing In The Arabic Documentary Tradition." In The Russian Language in Modern Scientific and Educational Environment. European Publisher, 2021. http://dx.doi.org/10.15405/epsbs.2021.09.32.

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MA, GUO-JIN. "KATYUSHA IN THE SMOKE OF GUNPOWDER—ON FEMALE CONSCIOUSNESS IN ALEKSEYEVICH'S WRITINGS." In 2021 International Conference on Education, Humanity and Language, Art. Destech Publications, Inc., 2021. http://dx.doi.org/10.12783/dtssehs/ehla2021/35663.

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Alekseyevich is the winner of the Nobel Prize for Literature in 2015. He is a journalist and writer in Belarus. She is good at documentary writing. The author pays attention to female groups from the literary level, and his works have obvious characteristics of female consciousness. Taking " War’s Unwomanly Face" as an example, this paper explores women's consciousness and position in Alexeievic's works from the perspectives of women's war image, life changes before, during and after the war, and identity alienation.
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TABURCEANU, Valerii. "The life of Constantin Cantemir by Dimitrie Cantemir (350 years from the birth of the humanist writer)." In "Educaţia lingvistică şi literară în contextul dezvoltării valorilor general-umane", conferinţă ştiinţifică internaţională. Ion Creangă Pedagogical State University, 2024. https://doi.org/10.46727/c.10-11-11-2023.p131-138.

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The writer Dimitrie Cantemir is the first multilateral personality of modern Romanian culture and literature, a world-renowned encyclopedic personality, the last great humanist, the author of the most important Romanian literary writing. The article is a multi-aspect analysis of the work Viaţa lui Constantin Cantemir by Dimitrie Cantemir. The writer's work is imposed by its documentary, cognitive side, the author insisting on the description and reconstruction of events; the memorialistic character; ways of artistic painting (familiar details, decorative paintings, ceremonial indications, stor
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Moreno Moreno, María Pura. "A propósito del documental “Arquitectura Emocional 1959”: elaborar un artículo de crítica." In Jornadas sobre Innovación Docente en Arquitectura. Grup per a la Innovació i la Logística Docent en l'Arquitectura (GILDA), 2023. http://dx.doi.org/10.5821/jida.2023.12269.

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This communication deals with the methodology, elaboration and results of a first immersion in architectural research and criticism by students of the fourth year of the Degree in Architecture: an opportunity to explore bibliographic and archival tools, and in parallel an exercise of critical essay that It will serve for the preparation of their future TFGs. The documentary "Emotional Architecture, 1959" by Elías León Siminiani was the perfect excuse to conceive the statement of this teaching experience that mobilized skills such as: the exercise of criticism, knowledge of theories of form, co
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Krasovec, Aleksandra N. "“KALEIDOSCOPIC” NOVEL OF JOSIP OSTI IN THE ASPECT OF TRANSCULTURALITY." In 50th International Philological Conference in Memory of Professor Ludmila Verbitskaya (1936–2019). St. Petersburg State University, 2023. http://dx.doi.org/10.21638/11701/9785288063183.10.

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The Slovenian-Bosnian poet, writer, essayist, literary critic, translator and editor Josip Osti (1945–2021) was born in Sarajevo, lived and worked in Slovenia since 1990. Being a recognized poet in his homeland, writing in Croatian, one of the largest translators of Slovenian literature into Serbo-Croatian, since 1997 he has been writing in Slovenian. The transcultural aspects of Josip Osti’s literary works, both poetry collections and novels, are a unique phenomenon. In our study, we turned to the novels of Josip Osti, namely his trilogy — Ghosts of the House of Heinrich Böll (2016), In Front
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Jensen, Bob. "Processing techniques for technical video production." In OSA Annual Meeting. Optica Publishing Group, 1991. http://dx.doi.org/10.1364/oam.1991.tha1.

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This presentation will focus on how a technical video production is assembled. Participants will discover the advantages and secrets of producing good technical videos. Various productions from the Maui Space Surveillance Site will be used to demonstrate how many separate elements are combined to achieve videos that meet complex technical objectives. Discussion of key production elements will include establishing objectives, choosing production values for a particular audience, script and storyboard writing, pre- production work, and techniques for production/post-production. Participants will
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Lee, Dr Joori. "Collecting Voices: Literary and Political Engagement in Svetlana Alexievich." In 5th World Conference on Arts, Humanities, Social Sciences and Education. Eurasia Conferences, 2024. http://dx.doi.org/10.62422/978-81-968539-1-4-046.

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Svetlana Alexievich, a Belarusian writer and political activist, spent most of her life in the Soviet Union and present-day Belarus, with prolonged periods of exile in the US and Germany. Opposing war and totalitarianism, Alexievich wrote about Soviet and post-Soviet individuals who suffered WWII, the Soviet-Afghan War, and the Chernobyl disaster in 1986.As a writer, she developed a prominent literary genre, “documentary literature,” which offers artistic renderings of real events. Cultivating this new form of literature, Alexievich recorded the recollections of real people and published polyp
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Regis Brasil, Priscilla. "Film as part of the thesis and mounting as a method for the social sciences." In LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.112.

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My argument is that the history of space can be built by montage. I'm a documentary filmmaker and editor. I understand film as a support for writing in fragments. I think that the filmic form, capable of carrying movements and times, testimonies and texts, past and present, is a suitable support for the history of space. There is a visual form of knowledge and a wisdom of the gaze, as in Warburg's Atlas, largely disregarded by the academy as a way of producing knowledge. If montage is a polyphonic device that uses forgotten remains and heterogeneous narrations to dismantle the official story a
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Chivu, Gheorghe. "Place names in old Romanian texts. Between cultural model and administrative constraints." In International Conference on Onomastics “Name and Naming”. Editura Mega, 2022. http://dx.doi.org/10.30816/iconn5/2019/33.

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Research on old Romanian texts, religious or non-religious translations, original writings underlying acts of culture or administrative records, documentary sources authored by Romanians or foreigners (missionaries or mere travellers fascinated by various aspects of Romanian space) brings to the foreground a significant number of toponyms for anyone interested in this onomastic variety. The toponyms in question mainly include names of settlements, provinces, and countries, as well as names of important landforms, most of which are real and can be located. Often recorded as phonetic variants li
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Ghilas, Victor. "Musical Chisinau. History Pages (1812-1918)." In Simpozion Național de Studii Culturale, dedicat Zilelor Europene ale Patrimoniului. Ediția III. Institute of Cultural Heritage, Republic of Moldova, 2022. http://dx.doi.org/10.52603/sc21.01.

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The article subjects to observation some coordinates of Chisinau’s musical life over the course of about a hundred years after the annexation of Bessarabia to the Russian Empire. The sources that served as documentary support for achieving this goal are: historical, literary, and scientific writings, sketches, notes, travel memoirs of some people, passing through our lands, testimonies little known or more difficult to reach the reader. From the synthesis of the most eloquent data and information, inserted in the reference sources, we try to outline a general picture of music in the administra
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Reports on the topic "Documentary Writing"

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Hall, Mark, and Neil Price. Medieval Scotland: A Future for its Past. Society of Antiquaries of Scotland, 2012. http://dx.doi.org/10.9750/scarf.09.2012.165.

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The main recommendations of the panel report can be summarised under five key headings. Underpinning all five areas is the recognition that human narratives remain crucial for ensuring the widest access to our shared past. There is no wish to see political and economic narratives abandoned but the need is recognised for there to be an expansion to more social narratives to fully explore the potential of the diverse evidence base. The questions that can be asked are here framed in a national context but they need to be supported and improved a) by the development of regional research frameworks
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