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1

Núñez, Rubén Molina. La firma manuscrita: Importancia y problemática. Editorial Jurídica ConoSur, 1996.

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2

Rosenthal, Alan. Writing, directing, and producing documentary films and videos. 4th ed. Southern Illinois University Press, 2007.

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3

1936-, Rosenthal Alan, ed. Writing, directing, and producing documentary films and videos. Southern Illinois University Press, 1996.

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4

Student Action with Farmworkers (Organization), ed. Fields without borders: An anthology of documentary writing and photography. Student Action with Farmworkers, 1998.

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5

Jones, Manina. That art of difference: "documentary-collage" and English-Canadian writing. University of Toronto Press, 1993.

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6

1942-, Coventry Virginia, ed. The Critical distance: Work with photography, politics, writing. Hale & Iremonger, 1986.

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7

1939-, Perlina Nina, ed. Writing the siege of Leningrad: Women's diaries, memoirs, and documentary prose. University of Pittsburgh Press, 2002.

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8

Neusner, Jacob. Extra-and non-documentary writing in the canon of formative Judaism. Global Publications, Binghamton University, 2001.

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9

Zhizhina, M. V. Sudebno-pocherkovedcheskai︠a︡ ėkspertiza dokumentov: Uchebno-prakticheskoe posobie. I︠U︡rlitinform, 2006.

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10

Bruce, Jackson. Get the money and shoot: The DRI guide to funding documentary films. Documentary Research, 1987.

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11

Dines, Jess E. Document examiner textbook. Pantex International Ltd., 1998.

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12

C, Cutamora Marcelino. Forensic document examination and the rules on evidence on expert testimony: Principles, practice, techniques in qualifying, cross-examining and impeaching the forensic document expert. Central Book Supply, Inc., 2010.

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13

Chu, Yingchi. Chinese documentaries: From dogma to polyphony. Routledge, 2007.

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14

Albertini, Lino Sardos. Esiste l'aldilà: Un'eccezionale testimonianza rigorosamente documentata. L. Reverdito, 1985.

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15

Litvinova, Margarita, and Irina Kozhaeva. Musical-poetic performance. INFRA-M Academic Publishing LLC., 2020. http://dx.doi.org/10.12737/1071391.

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In the educational-methodical manual deals with basic dramaturgical and staging the principles of working with documentary and artistic material, techniques use of fact and document in a journalistic view, clearly demonstrates techniques for creating imaginative solutions and scenarios of artistic and journalistic representations.
 Addressed to students of universities of arts and culture, studying under the direction of training 51.03.05 "direction of the dramatized representations and holidays", studying discipline "Directing poetry theater" and "writing"; and also workers of culture, D
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16

Tjaden, Ted. Legal research and writing. Irwin Law, 2001.

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17

Rollins, Henry. Occupants: Photographs and writings. Chicago Review Press, 2011.

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18

Fitzgerald, Maureen F. Legal problem solving: Reasoning, research & writing. Butterworths, 1996.

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19

Fitzgerald, Maureen F. Legal problem solving: Reasoning, research & writing. Butterworths, 1996.

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20

Gordon, Suzanne. The law workbook: Developing skills for legal research and writing. Emond Montgomery Publications, 2001.

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21

Pizzorusso, Valeria Bertolucci. Scritture di viaggio: Relazioni di viaggiatori e altre testimonianze letterarie e documentarie. Aracne, 2011.

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22

Singhania, Yash, and Ishita Vyas. Writing documentary and Film Script. Prakhar Goonj, 2020.

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23

Writing, directing, and producing documentary films. Southern Illinois University Press, 1990.

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24

Eckhardt, Ned, and Alan Rosenthal. Writing, Directing, and Producing Documentary Films and Digital Videos. Southern Illinois University Press, 2015.

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25

Writing, directing, and producing documentary films and videos. 4th ed. Southern Illinois University Press, 2007.

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26

Writing, Directing, and Producing Documentary Films and Videos. 3rd ed. Southern Illinois University, 2002.

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27

Rosenthal, Alan. Writing, Directing, and Producing Documentary Films and Videos. 4th ed. Southern Illinois University, 2007.

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28

author, Eckhardt Ned 1940, ed. Writing, directing, and producing documentary films and digital videos. Southern Illinois University Press, 2016.

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29

Osborne, Richard. Freud for Beginners (Writing and Readers Documentary Comic Books). Writers & Readers Publishing, 1993.

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30

Writing, Directing, and Producing Documentary Films and Digital Videos. Southern Illinois University Press, 1990.

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31

Grob, Eva Mira. Documentary Arabic Private and Business Letters on Papyrus. De Gruyter, Inc., 2010.

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32

Raynauld, Isabelle. Reading and Writing a Screenplay: Fiction, Documentary and New Media. Taylor & Francis Group, 2019.

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33

Raynauld, Isabelle. Reading and Writing a Screenplay: Fiction, Documentary and New Media. Taylor & Francis Group, 2019.

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34

Raynauld, Isabelle. Reading and Writing a Screenplay: Fiction, Documentary and New Media. Taylor & Francis Group, 2019.

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35

Reading and Writing a Screenplay: Fiction, Documentary and New Media. Taylor & Francis Group, 2019.

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36

Documentary Imagination in Twentieth-Century French Literature: Writing with Facts. Oxford University Press, 2020.

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37

Wilson, Richard Ashby. Writing History in International Criminal Trials. Cambridge University Press, 2011.

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38

Wilson, Richard Ashby. Writing History in International Criminal Trials. Cambridge University Press, 2012.

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39

Wilson, Richard Ashby. Writing History in International Criminal Trials. Cambridge University Press, 2011.

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40

Wilson, Richard Ashby. Writing History in International Criminal Trials. Cambridge University Press, 2011.

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41

Wilson, Richard Ashby. Writing History in International Criminal Trials. Cambridge University Press, 2011.

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42

Simmons, Cynthia, and Nina Perlina. Writing the Siege of Leningrad: Womens Diaries Memoirs and Documentary Prose. University of Pittsburgh Press, 2003.

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43

Extra- And Non-Documentary Writing in the Canon of formative jadaism. 3rd ed. Global Academic Publishing, 2001.

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44

Hardy, Duncan. Documentary Culture and Ritual. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198827252.003.0002.

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Political actors in Upper Germany interacted with one another through a shared repertoire of formats. Princes, prelates, nobles, and urban and communal governments all employed a similar array of documentary forms and ritualized transactions. The use of writing was characterized by ‘pragmatic literacy’: although by no means all elites could read, their interactions relied heavily on documents and records as means of communicating and supporting their governmental, financial, and judicial claims. In particular, the sealed charter, treaty, or contract (Siegelurkunde) had both symbolic and practi
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45

Hemley, Robin. Field Guide for Immersion Writing: Memoir, Journalism, and Travel. University of Georgia Press, 2012.

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46

Pi durama ottoke ssulkot inga: Dakyumentori, TV kusong puroguraem, radio kusong puroguraem. Chesam Kihoek, 1994.

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47

Wallace, Richard. Pop Documentary Since 1980. Bloomsbury Publishing Plc, 2025. https://doi.org/10.5040/9781350214279.

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In The Pop Documentary Since 1980, Richard Wallace examines the representation of pop music, musicians and music-making in documentary film and television. He draws together conceptual frameworks from within and outside of film and television studies - including performance studies, musicology, celebrity studies and fan studies - to provide a critical interrogation of the central issues in this genre. A common criticism of the music documentary is that it lacks artistic integrity because of its close affiliation with its subject. Wallace argues that music documentaries can be artful and concep
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48

Texts without boundaries: Protocols of non-documentary writing in the rabbinic canon. University Press of America, 2002.

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49

Neusner, Jacob. Extra-and Non-documentary writing in the canon of formative judaism Volume 3. 2nd ed. Global Academic Publishing, 2001.

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50

Rampolla, Mary Lynn, and Michael H. Hunt. World Transformed & World Tranformed Documentary Reader & Pocket Guide to Writing in History 5e. Bedford/St. Martin's, 2006.

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