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Dissertations / Theses on the topic 'Dogmatic image of thought'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

Rosa, Sara Morais da [UNESP]. "Entre o ensino de filosofia e a aprendizagem filosófica: a experiência do pensar a partir de Gilles Deleuze." Universidade Estadual Paulista (UNESP), 2016. http://hdl.handle.net/11449/145000.

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Submitted by SARA MORAIS DA ROSA null (sara_moraesrosa@hotmail.com) on 2016-12-02T18:10:22Z No. of bitstreams: 1 ROSA, Sara Morais da. Entre o ensino de Filosofia e a aprendizagem filosófica..pdf: 1001150 bytes, checksum: dafd4d2aacf73fa400323c74e4bea27f (MD5)<br>Approved for entry into archive by Felipe Augusto Arakaki (arakaki@reitoria.unesp.br) on 2016-12-05T15:36:04Z (GMT) No. of bitstreams: 1 rosa_sm_me_mar.pdf: 1001150 bytes, checksum: dafd4d2aacf73fa400323c74e4bea27f (MD5)<br>Made available in DSpace on 2016-12-05T15:36:04Z (GMT). No. of bitstreams: 1 rosa_sm_me_mar.pdf: 1001150 byt

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cantinho, beatriz. "Choreographing thought: movement as an image of thought, seen through the Deleuzian Pure Optical and Sound Image." Doctoral thesis, Repositório da Universidade de Edimburgo, 2012. http://hdl.handle.net/1842/8979.

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Abstract: To assume that dance as an art form is about creating and displaying sequences of movement in space is to undermine choreography’s potential as a way of thinking through movement. The interdisciplinary relations between philosophy and dance explored in this research introduce a framework for exploring new possibilities of thinking through choreographic practice. How can dance be perceived as thought, considered as an experimental process, where the articulation between practice and theory becomes fundamental? The cinematic reversal of the subordination of time to movement proposed by

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3

Cantinho, Beatriz. "Choreographing thought : movement as an image of thought, seen through the Deleuzian pure optical and sound image." Thesis, University of Edinburgh, 2013. http://hdl.handle.net/1842/8979.

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To assume that dance as an art form is about creating and displaying sequences of movement in space is to undermine choreography’s potential as a way of thinking through movement. The interdisciplinary relations between philosophy and dance explored in this research introduce a framework for exploring new possibilities of thinking through choreographic practice. How can dance be perceived as thought, considered as an experimental process, where the articulation between practice and theory becomes fundamental? The cinematic reversal of the subordination of time to movement proposed by French ph

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4

Montgomery, Eric R. "The Image of God in Pauline thought." Theological Research Exchange Network (TREN), 2006. http://www.tren.com/search.cfm?p001-1103.

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5

Lam, Pui-wah June. "The thought without image of Deleuze and Guattari." Click to view the E-thesis via HKUTO, 2006. http://sunzi.lib.hku.hk/hkuto/record/B36923539.

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6

Lam, Pui-wah June, and 林佩華. "The thought without image of Deleuze and Guattari." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2006. http://hub.hku.hk/bib/B36923539.

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7

McAuliffe, Sam. "Image and thought in Adorno, Blanchot and Deleuze." Thesis, Goldsmiths College (University of London), 2017. http://research.gold.ac.uk/21132/.

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The essay brings together the work of Adorno, Blanchot and Deleuze insofar as their thinking gives rise to a reconfigured conception of the image. It seeks to determine the latter as it is developed across each of these philosophical oeuvres: the various functions the image comes to be assigned, the differing contexts to which it is tied and the respective models of thought it thereby generates. It does this in order to understand the sense in which, for each of these thinkers, a relation to the image in some way comes to be considered constitutive of thinking itself. This thesis receives its

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8

Loveday, Thomas. "The Darkened Room: Painting as the Image of Thought." Sydney Collage of the Arts, 2006. http://hdl.handle.net/2123/1103.

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PhD<br>This thesis is an interdisciplinary explanation of correspondences between painting and philosophy. It does not offer, as could be assumed, a critique of philosophical concepts or an instrumental description of painting. Instead, it shows how concepts from philosophy can be used to see painting in new ways, particularly abstract painting. The philosophy discussed here is limited to continental or speculative philosophy, mainly, but not exclusively, the philosophy of Gilles Deleuze and Félix Guattari. The work of philosopher Richard Rorty also plays a part because he presents a clear des

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9

Bénit, Bernard. "Deleuze : la pensée sans image." Thesis, Paris 10, 2017. http://www.theses.fr/2017PA100002/document.

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Dans ses premières œuvres, Deleuze recherche une "pensée sans image", inséparable de la critique de "l'image de la pensée", c'est-à -dire de la représentation. Le problème, organisant alors la philosophie de Deleuze, est celui du rapport de la pensée avec l'image, problème qui est repris .et déplacé, de Nietzsche et la philosophie à Différence et répétition. Pour "décrire" les actes d'une pensée sans image, Deleuze procède en trois étapes : "le point de départ" est la critique de l'image de la pensée, la dénonciation de la représentation et de ses présupposés, qui emprisonnent et dénaturent la

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Sundaram, Susmita. "Land of thought India as ideal and image in Konstantin Balʹmont's oeuvre /". Connect to this title online, 2004. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1087410693.

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Sundaram, Susmita. "Land of thought: India as ideal and image in Konstantin Bal'mont's Oeuvre." The Ohio State University, 2004. http://rave.ohiolink.edu/etdc/view?acc_num=osu1087410693.

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12

Knowles, Rob. "Communitarian anarchism 1840-1914 : a neglected tradition in economic thought /." [St. Lucia, Qld.], 2002. http://www.library.uq.edu.au/pdfserve.php?image=thesisabs/absthe16855.pdf.

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13

Ding, Ruizhong [Verfasser]. "Life, Thought and Image of Wang Zheng, a Confucian-Christian in Late Ming China / Ruizhong Ding." Bonn : Universitäts- und Landesbibliothek Bonn, 2019. http://d-nb.info/1198862904/34.

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Edwards, Jacklyn. "The use of a pro- and counter-message thought strategy to influence persuasion and resistance." [St. Lucia, Qld.], 2005. http://www.library.uq.edu.au/pdfserve.php?image=thesisabs/absthe19228.pdf.

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15

Islami, Seyed Yahya. "Architecture of surface : the significance of surficial thought and topological metaphors of design." Thesis, University of Edinburgh, 2009. http://hdl.handle.net/1842/4845.

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In the early twentieth century, the modernists problematized ornament in their refashioning of architecture for the industrial age. Today, architects are formulating different responses to image and its (re)production in the information age. In both discourses of ornament and image, surfaces are often the perpetrators: visual boundaries that facilitate false appearances, imprisoning humanity in a shadowy cave of illusion. Such views follow a familiar metaphysical model characterized by the opposition between inside and outside and the opaque boundary that acts as a barrier. This model determin

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Duff, Karen Malina. "What Are Some of the Common Traits in the Thought Processes of Undergraduate Students Capable of Creating Proof?" Diss., CLICK HERE for online access, 2007. http://contentdm.lib.byu.edu/ETD/image/etd1856.pdf.

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17

Rodrigues, Luís Filipe Salgado Pereira. "O desenho, a expressão gráfica dos mecanimos da cognição." Doctoral thesis, Universidade de Lisboa, Faculdade de Arquitetura, 2018. http://hdl.handle.net/10400.5/17618.

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Tese de Doutoramento em Arquitetura, com a especialização em Desenho e Computação apresentada na Faculdade de Arquitetura da Universidade de Lisboa para obtenção do grau de Doutor.<br>Esta investigação concentra o seu objetivo na abordagem do desenho empírico enquanto meio de representação sensível que, baseado nos mecanismos de cognição, tem potencialidades para estimular, incrementar e clarificar o pensamento baseado na forma. Neste sentido, estará patente a procura da argumentação sobre a confirmação das seguintes hipóteses contextualizadas na produção do desenho empírico: “o desenho poten

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Seixas, Vladimir Pereira. "Cinema e pensamento em Gilles Deleuze: a distinção dos automatismos pela passagem da imagem-movimento para a imagem-tempo." Universidade do Estado do Rio de Janeiro, 2011. http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=7427.

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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior<br>Esta dissertação investiga o conceito de imagem-movimento e de imagem-tempo do filósofo Gilles Deleuze por meio das implicações contidas na passagem de um conceito para o outro. O aparecimento de regimes de imagem constituem mundos e automatismos específicos: o automovimento do chamado regime orgânico e a autotemporalização presente no regime inorgânico. A substituição da imagem-movimento pela imagem-tempo caracteriza-se por uma reversão da subordinação do tempo pelo movimento. Dessa forma, apresenta a conquista da realidade íntima

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Ferraz, Thien Spinelli [UNESP]. "Pensamento e criatividade: Uma abordagem à luz da semiótica peirceana." Universidade Estadual Paulista (UNESP), 2010. http://hdl.handle.net/11449/91751.

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Made available in DSpace on 2014-06-11T19:25:28Z (GMT). No. of bitstreams: 0 Previous issue date: 2010-02-23Bitstream added on 2014-06-13T18:53:29Z : No. of bitstreams: 1 ferraz_ts_me_mar.pdf: 1223197 bytes, checksum: 89126538ad732e720908d0ec00a038c4 (MD5)<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)<br>Nesta dissertação buscaremos discutir em que sentido o desenvolvimento de novas mediações cognitivas possibilita o surgimento de originais campos de exploração da atividade criativa. Em um primeiro momento veremos como perspectivas filosóficas estão articuladas em pe

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Pasillas, Rebecca M. "Accepting, suppressing, and monitoring thoughts about body shame in college women." abstract and full text PDF (free order & download UNR users only), 2008. http://0-gateway.proquest.com.innopac.library.unr.edu/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3307705.

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Benedykt, Breno Isaac. "O teorema de Béla Tarr: um estudo sobre imagem e pensamento." Universidade de São Paulo, 2016. http://www.teses.usp.br/teses/disponiveis/48/48134/tde-30112016-150651/.

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Este trabalho tem como fonte de estudo os filmes do diretor húngaro Béla Tarr, começando com Ninho Familiar, de 1977, e encerrando com O Cavalo de Turim, de 2011. Neste período o cineasta realizou, além de outros trabalhos, nove longasmetragens, alguns dos quais em parceria com o escritor húngaro László Krasznahorkai. Entretanto, esta pesquisa não tratou de suas obras como unidades separadas e/ou totalizáveis, mas como blocos de imagens em permanente contato com um plano de questionamentos a respeito da experiência estética do pensamento. Deste modo, o trabalho com os filmes teve como foco a a

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22

Di, Mercurio Francine. "Les images scéniques de Romeo Castellucci : expérience d'un théâtre plastique." Thesis, Aix-Marseille, 2016. http://www.theses.fr/2016AIXM3025.

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Certaines œuvres théâtrales de ce XXIème siècle semblent inscrire au cœur de leur projet esthétique une mise en question de l’ordre perceptif en créant de nouvelles manières de voir, d’entendre et d’être affecté. Le drame ‒ comme action ‒ s’y trouve réactualisé dans une forme s’adressant aux perceptions du spectateur au travers d’une dramaturgie visuelle, voire perceptuelle, prenant appui sur une fabrique d’images scéniques. Notre étude propose d'investir dans le champ du théâtre une part de la recherche sur l’image en mettant en perspective les questions esthétiques, philosophiques, voire pol

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Ito, Tomyo Costa. "Mímesis, pensamento e cinema digital: imagem-corpo em Dez, de Abbas Kiarostami." Universidade Federal de Juiz de Fora, 2013. https://repositorio.ufjf.br/jspui/handle/ufjf/1207.

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Submitted by Renata Lopes (renatasil82@gmail.com) on 2016-04-04T14:21:22Z No. of bitstreams: 1 tomyocostaito.pdf: 1770745 bytes, checksum: 7da766d3e43e9cd6f28664b22e9be58b (MD5)<br>Approved for entry into archive by Adriana Oliveira (adriana.oliveira@ufjf.edu.br) on 2016-04-24T03:56:20Z (GMT) No. of bitstreams: 1 tomyocostaito.pdf: 1770745 bytes, checksum: 7da766d3e43e9cd6f28664b22e9be58b (MD5)<br>Made available in DSpace on 2016-04-24T03:56:20Z (GMT). No. of bitstreams: 1 tomyocostaito.pdf: 1770745 bytes, checksum: 7da766d3e43e9cd6f28664b22e9be58b (MD5) Previous issue date: 2013-03-26<

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Thayne, Stanley J. "The Home of Truth: The Metaphysical World of Marie Ogden." Diss., CLICK HERE for online access, 2009. http://contentdm.lib.byu.edu/ETD/image/etd3275.pdf.

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25

Ferraz, Thien Spinelli. "Pensamento e criatividade : Uma abordagem à luz da semiótica peirceana /." Marília : [s.n.], 2010. http://hdl.handle.net/11449/91751.

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Orientador: Maria Eunice Quilici Gonzalez<br>Banca: Lauro Frederico Barbosa da Silva<br>Banca: Maria Lúcia Santaella Braga<br>Resumo: Nesta dissertação buscaremos discutir em que sentido o desenvolvimento de novas mediações cognitivas possibilita o surgimento de originais campos de exploração da atividade criativa. Em um primeiro momento veremos como perspectivas filosóficas estão articuladas em pesquisas da Cibernética, da Ciência Cognitiva e da Sistêmica. Em seguida, analisaremos a perspectiva epistemológica mecanicista a partir da qual estas ciências, em maior ou menor grau, abordam problem

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George, Carine. "The imago Dei as a Response to Consumerism and Individualism within the Church." Digital Commons at Loyola Marymount University and Loyola Law School, 2020. https://digitalcommons.lmu.edu/etd/942.

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The pastoral problem being addressed has to do with the culture of consumerism and individualism that have influenced the culture of the Church. Within Western society, the “ism” culture, consisting of factors such as: hedonism, consumerism, materialism, secularism, relativism and individualism, has become very prominent. Christians often operate no differently than non-Christians, and this is problematic since Christians are called to be salt for the earth and light for the world (Matthew 5:13-16), a people set apart. In John 15:19, we are told that we were not made to be of this world, so we

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Cederwall, Anthon. "Bilden av den amerikanska kvinnan : En studie av svenska reseskildringar från 1850-talet om Amerika och hur författare beskrivit kvinnorna i landet." Thesis, Högskolan i Jönköping, Högskolan för lärande och kommunikation, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:hj:diva-44464.

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Denna uppsats behandlar en del av historien med ett nytt perspektiv. Den handlar om hur kvinnor i Amerika/USA skildras utifrån reseskildringar av Fredrika Bremer och Lovisa Mathilda Nettelbladt. Detta skede genom att undersöka dem genom att analysera reseskildringarna utifrån genusperspektiv och den svenska kulturmötens-perspektiv som innebar att svenskarna var mer tillvägagående i möten med andra kulturer. Genom att lyfta ut de amerikanska kvinnornas situation, författarnas attityder om kvinnorna och egenskaper kunde denna analys ske och dessutom även se vilka skillnader det fanns mellan amer

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Silva, Breno Morita Forastieri da. "Sokúrov e a montagem em vida humilde (1997): imagem e representação." Universidade de São Paulo, 2015. http://www.teses.usp.br/teses/disponiveis/27/27161/tde-01122015-100059/.

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Da confluência entre o conceito de texto artístico de Iuri Lotman e a teoria do cinema intelectual de Sergei Eisenstein, este trabalho oferece uma análise do filme Vida humilde (1997) de Aleksandr Sokúrov. De estudos de Eisenstein sobre a lógica composicional do pensamento por imagens, foi compilado um conjunto de ferramentas analíticas a fim de se investigar a imagem geral do filme. Por meio de tais ferramentas, é investigada a relação entre a construção plástica do filme e a percepção da imagem de uma vida humilde. Ainda alinhada à teoria da montagem eisensteiniana, essa imagem é proposta co

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Chamiço, Vinicius Domingues [UNIFESP]. "Próximo ma(i)s distante: do potencial crítico das imagens de pensamento na obra “Rua de mão única” de Walter Benjamin." Universidade Federal de São Paulo (UNIFESP), 2014. http://repositorio.unifesp.br/handle/11600/39257.

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Submitted by Andrea Hayashi (deachan@gmail.com) on 2016-06-22T12:26:34Z No. of bitstreams: 1 dissertacao-vinicius-domingues-chamico.pdf: 5850435 bytes, checksum: b04450578273c814b9349d11830ea961 (MD5)<br>Approved for entry into archive by Andrea Hayashi (deachan@gmail.com) on 2016-06-22T12:27:31Z (GMT) No. of bitstreams: 1 dissertacao-vinicius-domingues-chamico.pdf: 5850435 bytes, checksum: b04450578273c814b9349d11830ea961 (MD5)<br>Made available in DSpace on 2016-06-22T12:27:31Z (GMT). No. of bitstreams: 1 dissertacao-vinicius-domingues-chamico.pdf: 5850435 bytes, checksum: b04450578273c8

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Blaga, Andreea Maria. "Emil Cioran entre poésie et lucidité. Analyse de la traduction française des oeuvres roumaines de jeunesse." Thesis, Lyon 3, 2015. http://www.theses.fr/2015LYO30020.

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Le présent travail portant sur la traduction française des œuvres roumaines d’Emil Cioran cherche à réévaluer ou à nuancer certains préjugés liés à l’écrivain ainsi qu’à la traduction littéraire. Nous entendons dépasser les généralisations réductrices, positives ou négatives, du genre : Emil Cioran, « le plus grand stylisticien du XXe siècle », Emil Cioran, l’aphoristicien ou bien l’insomniaque et le nihiliste, en analysant ponctuellement l’écriture cioranienne, notamment celle de jeunesse. Quant à la traduction, nous sommes encline à penser qu’il n’existe pas de « recette » prédéfinie applica

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Maria, João Paulo Miranda. "A influência do Grupo Dziga Vertov no cinema de Jean-Luc Godard." [s.n.], 2010. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284944.

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Orientador: Etienne Ghislain Samain<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-08-16T23:32:40Z (GMT). No. of bitstreams: 1 Maria_JoaoPauloMiranda_M.pdf: 42490477 bytes, checksum: da5eeddc5e6cbb844d4939a310c2be54 (MD5) Previous issue date: 2010<br>Resumo: O trabalho investiga a transformação estética no cinema de Jean-Luc Godard, analisando antes, durante e pós o grupo Dziga Vertov, encabeçado por Jean-Luc Godard e estudantes maoístas. A mudança estética de Godard é notada por muitos, contudo há escassez de estudos det

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Madeiro, Elen Naiara Batista. "Sobre a imagem-movimento ou as cartas que enderecei a Deleuze." Universidade Federal de Sergipe, 2015. https://ri.ufs.br/handle/riufs/6018.

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This work aims to study the taxonomy of film images made by Deleuze, considering the cinema as an experience that builds their own senses. This research has come a way that went through a cinema that makes you think and met a cinema thinking itself. He also found conceptual revolutions, revisiting perceptions, feelings and actions and jeopardizing a consciousness anchored in a subject. My work is not intended to dictate truths about the work of Deleuze in a matter, nor about any other. I allow myself to use unpretentious words, those that do not crave status of truth, those that do not impriso

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Valério, Luís Carlos Boa Nova. "A IMAGEM DO PENSAMENTO E O ENSINO DE FILOSOFIA." Universidade Federal de Santa Maria, 2010. http://repositorio.ufsm.br/handle/1/6930.

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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior<br>The following paper aims to ponder on the problems of Philosophy teaching from the concept of thought image formulated by Gilles Deleuze, being image the orientation the thought gives itself. Such orientation comes from subjective presuppositions (common sense in general or pré-philosophy) and objectives (scientific sense), responsible for the concepts given in Philosophy in the strict form of propositions. We intended to go through how much of the problems in teaching high-school philosophy are due to the learning of the philoso

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Törnegren, Gull. "Utmaningen från andra berättelser : En studie om moraliskt omdöme, utvidgat tänkande och kritiskt reflekterande berättelser i dialogbaserad feministisk etik." Doctoral thesis, Uppsala universitet, Etik, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-206500.

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The present study has a threefold aim: First, the theoretical aim is to give a contribution to refinement of the theory of dialogue based feminist ethics, concerning the understanding of judgment and narration within such an ethics. The study also has an empirical aim, defined as to clarify what kind of knowledge, relevant to the moral judgment of an engaged outsider actor, can be received from dialogical interpretation and analysis of a limited selection of critically reflecting life stories. Third, a methodological aim is defined as to develop an approach to interpretation and analysis of r

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Morrow, Stephen M. "The Art Education of Recklessness: Thinking Scholarship through the Essay." The Ohio State University, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=osu1492288407200045.

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Arfaoui, Saïda. "Le monde latin dans l'oeuvre de Pascal Quignard." Thesis, Bordeaux 3, 2012. http://www.theses.fr/2012BOR30038.

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Pascal Quignard est un écrivain qui a choisi de maintenir et de consolider le lien avec l’héritage latin. Son oeuvre en dévoile, cependant, la part la moins connue. L’auteur réhabilite la tradition marginalisée et antiphilosophique de la « rhétorique spéculative » dont les principes ne définissent pas seulement un art de bien dire, mais surtout un art de penser avec les « images » et avec la lettre du langage. Son investigation du champ culturel latin est aussi guidée par l’esprit de « pietas » et de « virtus » propre à la Rome ancienne, ainsi que par une sensibilité hantée par le mystère de l

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Hryniuk, Michael William. "The image of faith in the thought of James Fowler." 1990. http://hdl.handle.net/1993/17040.

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Hooper, Margaret J. "From head to hand and beyond : 'thought-image' drawing in sketchbooks." 2008. http://arrow.unisa.edu.au/vital/access/manager/Repository/unisa:37047.

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Situated between embryonic ideas and 'finished' work are thought-image drawings, the tangible evidence of the exploratory thinking of artists. Often found in sketchbooks, these drawings are ?becoming-art?, precursors to the work exhibited or performed in galleries and public places. Thought- image drawings are private drawings that reveal the uncensored hand at play, and hide in the shadows of public discourse. They are too easily ignored or forgotten, and if they are kept, they are relegated to archives where they remain, under-utilised. In this study, I explore and establish sketchbooks as d

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Dwyer, Paul Vincent. "Diversity of thought in the blogosphere: implications for influencing and monitoring image." 2008. http://hdl.handle.net/1969.1/ETD-TAMU-3018.

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A blog, a shortened form of weblog, is a website where an author shares thoughts in posts or entries. Most blogs permit readers to add comments to posts and thereby be a conversational mechanism. One way that companies have started to use blogs is to monitor their corporate image (in this dissertation, the term image is used in reference to corporate, brand and/or product image). This study focuses on how common socio-psychological processes mediate consumers’ revelation of corporate image in the blogosphere. Centering resonance analysis, a means of measuring similarity between two bodies of t

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Sessions, Brittany. "Is It All Just For Laughs? An Examination of Gender Minstrelsy and its Manipulation of the Image of Black Womanhood." 2015. http://scholarworks.gsu.edu/aas_theses/30.

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Controlling images and negative stereotypes have had damaging effects on black men and women. The entertainment industry continues to play a vital role in perpetuating these historically damaging images to people all over the world. Early representations of black men and women within entertainment were performed by white men under the guise of blackface. These representations were offensive and inaccurate portrayals of black life. Early blackface minstrel performances of black women were performed by white men in blackface who were also cross-dressing. Their performances presented black women

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Tsou, Shu-Ching, and 鄒淑卿. "Dialogue between C.G.Jung’s Psychology and J.Calvin ’s Theology—Discussion on 「God Image」 and 「Suffering」 in Jung’s 《Answer to JOB》 and Calvin’s Thought." Thesis, 2011. http://ndltd.ncl.edu.tw/handle/60709513872534907801.

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碩士<br>東海大學<br>教育研究所<br>99<br>The psychology and the theology looked that resembles two different domains and the category, but is penetrating the religious dialog and the hermeneutics method, reduces each other's conflict and repels, then achieves the dialog the possibility. The author took C.G.Jung’s psychology and J.Calvin’s theology to dialog, and proposed that “the God image” and “the Suffering” takes the dialog the platform.And seeks the same or different place. Although both C.G.Jung and J.Calvin are differently viewpoint, but they have the same attention that how to face the suffering

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Zarnoveanu, Diana Elena. "L'image entre réflexion et représentation. Aby Warburg et Walter Benjamin." Thèse, 2012. http://hdl.handle.net/1866/9863.

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Pour la pensée humaine, l’image a toujours constitué une interrogation laissée sans réponse définitive : de l’interdit biblique à la possibilité technologique infinie, l’image a traversé des étapes conceptuelles complexes et hétérogènes. Aujourd’hui, on conçoit l’image comme une présence incontournable de l’existence quotidienne et comme une forme de réflexion mystérieuse. Cette thèse propose une analyse de la vision sur l’image chez Walter Benjamin et Aby Warburg à travers quelques concepts essentiels : image de pensée, survivance, espace de pensée, coupure, représentation de l’histoire. Situ

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Lessard, Jean-Philippe. "De l'espace narratif au dehors : deux histoires théoriques du hors-champ." Thèse, 2008. http://hdl.handle.net/1866/7351.

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Mémoire numérisé par la Division de la gestion de documents et des archives de l'Université de Montréal<br>Pour respecter les droits d'auteur, la version électronique de cette thèse ou ce mémoire a été dépouillée, le cas échéant, de ses documents visuels et audio-visuels. La version intégrale de la thèse ou du mémoire a été déposée au Service de la gestion des documents et des archives de l'Université de Montréal.

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Duarte, Susana Nascimento. "O Figural no Cinema Contemporâneo: Articulações e Disjunções do Visível e do Dizível." Doctoral thesis, 2015. http://hdl.handle.net/10362/15325.

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O que significa hoje um pensamento do figural? Qual a sua importância no quadro hegemónico do Arquivo Audiovisual e Multimédia Contemporâneo? Qual a relação que o cinema, enquanto assimilável ao pensamento do figural, tem com o Arquivo, tendo em conta a recente apropriação, interpretação, reconfiguração e interrogação das estruturas arquivísticas e materiais de arquivo, por parte de cineastas que usam o cinema, ele próprio, uma forma de arquivagem e material de arquivo, como ferramenta privilegiada de interpelação do Arquivo? Qual a potencial relevância do cinema, encarado nesta perspec

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Prášek, Petr. "Člověk v šíleném dění světa (Pojetí člověka u raného Deleuze)." Master's thesis, 2013. http://www.nusl.cz/ntk/nusl-328265.

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The philosophy of early Deleuze is the main subject of this dissertation. Concretely, it will be treated with regard to distinctive and singular individuation of a man: this essay tries to present his relationship to the ultimate horizon of Being in Deleuze's work. The first chapter constitutes a starting point which can be determined in criticism of the image of thought, closely related with Deleuze's transcendental empiricism. The second chapter is devoted to its culmination, to the metaphysical description of the virtual field of Ideas, of transcendental conditions of our experience. The ne

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