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Books on the topic 'Dogme 95'

Author: Grafiati

Published: 4 June 2021

Last updated: 27 July 2025

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1

Rantanen, Jussi-Pekka. Puhtaan illuusion puolesta: Dogme 95 -elokuvaliikkeen audiovisuaalinen estetiikka. Tampereen yliopisto, Tiedotusopin laitos, 2000.

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2

Louzon, Vanessa. Dogme 95 manifesto and the quest for truth. LCP, 2002.

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3

Ostromecka, Marzena. New realism in contemporary media: The reality television and Dogme 95. LCP, 2002.

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4

Stevenson, Jack. Dogme uncut: Lars von Trier, Thomas Vinterberg, and the gang that took on Hollywood. Santa Monica Press, 2003.

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5

Stevenson, Jack. Dogme uncut: Lars von Trier, Thomas Vinterburg, and the gang that took on Hollywood. Santa Monica Press, 2003.

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6

Hjort, Mette. Lone Scherfig's Italian for beginners. University of Washington Press, 2010.

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7

Schulte-Eversum, Kristina M. Zwischen Realität und Fiktion: Dogma 95 als postmoderner Wirklichkeits-Remix? UVK Verlagsgesellschaft, 2007.

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8

Simons, Jan. Playing the waves: Lars von Trier's game cinema. Amsterdam University Press, 2006.

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9

Ibertsberger, Sabina. Das Dogmakonzept und seine Folgen: Zur Herausbildung einer ästhetischen Kategorie. Verlag Dr. Kovač, 2007.

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10

Lorenz, Matthias N., ed. DOGMA 95 im Kontext. Deutscher Universitätsverlag, 2003. http://dx.doi.org/10.1007/978-3-663-07874-6.

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11

Mette, Hjort, and MacKenzie Scott 1967-, eds. Purity and provocation: Dogma 95. BFI Pub., 2003.

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12

Blanchet, Robert. New Hollywood bis Dogma 95. Schüren, 2008.

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13

Michelangelo, Pasini, ed. Purezza e castità: Il cinema di Dogma 95 : Lars von Trier e gli altri. Foschi, 2011.

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14

MacKenzie, Scott, and Mette Hjort. Purity and Provocation: Dogme '95. British Film Institute, 2003.

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15

MacKenzie, Scott, and Mette Hjort. Purity and Provocation: Dogme '95. British Film Institute, 2003.

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16

Dogma 95. Alexander Verlag Berlin, 2001.

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17

Digital Babylon: Hollywood, Indiewood & Dogme 95. IFILM, 2001.

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18

Roman, Shari. Digital Babylon: Hollywood, Indiewood and Dogme 95. Lone Eagle Publishing Company, 2001.

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19

Lars von Trier e Dogma. Il castoro cinema, 2001.

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20

Simons, Jan. Playing the Waves: Lars Von Trier's Game Cinema. Amsterdam University Press, 2007.

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21

Simons, Jan. Playing the Waves: Lars Von Triers Game Cinema. Film in Transition. Amsterdam University Press, 2010.

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22

Simons, Jan. Playing the Waves: Lars Von Trier's Game Cinema. Amsterdam University Press, 2014.

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23

Hjort, Mette. Lone Scherfig's Italian for Beginners. University of Washington Press, 2015.

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24

Thomas Vinterberg's Festen. University of Washington Press, 2013.

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25

Thomson, C. Claire. Thomas Vinterberg's Festen. University of Washington Press, 2015.

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26

Der Auteur und die Autoren: Die Politique des Auteurs und ihre Umsetzung in der Nouvelle Vague und in Dogme '95. Leipziger Universitätsverlag GMBH, 2011.

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27

The name of this book is Dogme95. Faber and Faber, 2000.

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28

Ehrliche Liebe Als Synonym Fur Die Dogma 95 - Problematik? GRIN Verlag GmbH, 2009.

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29

Thomson, C. Claire, Isak Thorsen, and Pei-Sze Chow, eds. A History of Danish Cinema. Edinburgh University Press, 2021. http://dx.doi.org/10.3366/edinburgh/9781474461122.001.0001.

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Abstract:

The contribution of Denmark to world cinema has been substantial: not just relative to the size of the population, but by any measure. In the silent period, the pioneering work of the company Nordisk Films Kompagni, and the emergence of early film stars such as Asta Nielsen, secured Denmark a place as a leading film nation. The auteur Carl Theodor Dreyer won global renown during his five-decade career. Documentary and educational filmmaking flourished after the Second World War; the late 1980s brought successive Academy Awards for Best Foreign Film; and Dogme 95 aimed to reinvigorate cinema by

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30

DOGMA 95 Im Kontext: Kulturwissenschaftliche Beiträge Zur Authentisierungsbestrebung Im dänischen Film der 90er Jahre. Deutscher Universitäts Verlag, 2013.

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31

Lorenz, Matthias N. DOGMA 95 im Kontext. Kulturwissenschaftliche Beiträge zur Authentisierungsbestrebung im dänischen Film der 90er Jahre. Deutscher Universitäts-Verlag, 2003.

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32

Ferguson, Ailsa Grant. Shakespeare, Cinema, Counter-Culture: Appropriation and Inversion. Taylor & Francis Group, 2016.

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33

Ferguson, Ailsa Grant. Shakespeare, Cinema, Counter-Culture: Appropriation and Inversion. Taylor & Francis Group, 2016.

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34

Shakespeare, Cinema, Counter-Culture: Postmodern Appropriations of Shakespeare. Taylor & Francis Group, 2016.

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35

Schaefer, Jerome P. An Edgy Realism: Film Theoretical Encounters with Dogma 95, New French Extremity, and the Shaky-Cam Horror Film. Cambridge Scholars Publishing, 2015.

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36

Analyse zu 'Das Fest' von Thomas Vinterberg im erweiterten Kontext von Dogma 95: Untersuchung der ästhetischen, psychologischen und soziologischen Dimensionen. GRIN Verlag GmbH, 2007.

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