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Relevant bibliographies by topics / Dollar, American, in art

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Academic literature on the topic 'Dollar, American, in art'

Author: Grafiati

Published: 28 February 2023

Last updated: 2 March 2023

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Journal articles on the topic "Dollar, American, in art"

1

Rosenberg, Emily S. "Dawn of the Almighty Dollar." Current History 113, no. 766 (2014): 332–34. http://dx.doi.org/10.1525/curh.2014.113.766.332.

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GARSON, ROBERT. "Counting Money: The US Dollar and American Nationhood, 1781–1820." Journal of American Studies 35, no. 1 (2001): 21–46. http://dx.doi.org/10.1017/s002187580100651x.

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The success of the Founding Fathers in building a nation has for a long time attracted a sense of marvel. That admiration is well deserved. Political leaders in post-Revolutionary America understood that hard-won liberty could only flourish if there was a popular sense of common enterprise. They needed to create a cultural settlement that gave the idea of national civilization clear meaning. The new state would have to contrast sufficiently to the league of states that had combined to overthrow colonial rule, while still protecting local interests and sensitivities. It was an era that lent itself to imaginative statecraft and the Founding Fathers supplied it through their crafting of a national government and a national society. They appreciated that proper constitutional arrangements would not in themselves suffice to bind the common enterprise. The young republic needed to generate its own cultural and economic mechanisms that would serve to consolidate affinity to the nation. Recent studies on the formation of nationhood in the United States have identified some of these mechanisms in the shape of everyday experience in the forging of an identity that transcended the local community. For example, David Waldstreicher and Len Travers have pointed to the role of festivity and ritual in creation of a national consciousness. They have shown that celebration in the early republic served to reinforce the national implications of the American Revolution.

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Nygren, Edward J. "The Almighty Dollar: Money as a Theme in American Painting." Winterthur Portfolio 23, no. 2/3 (1988): 129–50. http://dx.doi.org/10.1086/496373.

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Leduc, Sylvain, and Daniel Wilson. "Are State Governments Roadblocks to Federal Stimulus? Evidence on the Flypaper Effect of Highway Grants in the 2009 Recovery Act." American Economic Journal: Economic Policy 9, no. 2 (2017): 253–92. http://dx.doi.org/10.1257/pol.20140371.

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This paper examines how state governments adjusted spending in response to the large temporary increase in federal highway grants under the 2009 American Recovery and Reinvestment Act (ARRA). The mechanism used to apportion ARRA highway grants to states allows one to isolate exogenous changes in these grants. The results indicate that states increased highway spending over 2009 to 2011 more than dollar-for-dollar with the ARRA grants they received. Rent-seeking efforts are shown to help explain this result: states with more political contributions from the public works sector to the governor and state legislators tended to spend more out of their ARRA highway funds than other states. (JEL H54, H76, R42, R53)

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Wainscott, Ronald H. "American Theatre Versus the Congress of the United States: The Theatre Tax Controversy and Public Rebellion of 1919." Theatre Survey 31, no. 1 (1990): 5–22. http://dx.doi.org/10.1017/s0040557400000958.

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For eight days in January 1919 the theatre industry was at war with the U.S. Congress, a nationwide event surprisingly overlooked in previous theatre history. Theatre management and its host of workers joined with the public to wage a well-orchestrated campaign in the newspapers and mail, in the theatres and on the streets to stop what was perceived as a gross injustice to the American theatre and its paying audience.When the United States Congress was framing a six billion dollar tax revenue bill to recover exorbitant war costs from the first world war, it attempted to slip in a new tax which would raise theatre admissions by ten per cent in order to return between seventy-five and eighty-one million dollars to the government. The original bill levied a twenty per cent tax on all tickets of admission above thirty cents (thus most movie houses were exempt). In addition box seat holders at theatres and the opera were to be taxed twenty-five per cent.

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Nagano, Yoshiko. "THE PHILIPPINE CURRENCY SYSTEM DURING THE AMERICAN COLONIAL PERIOD: TRANSFORMATION FROM THE GOLD EXCHANGE STANDARD TO THE DOLLAR EXCHANGE STANDARD." International Journal of Asian Studies 7, no. 1 (2010): 29–50. http://dx.doi.org/10.1017/s1479591409990428.

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This article describes the transformation of the Philippine currency system from a gold exchange standard to a dollar exchange standard during the first half of the twentieth century. During the American colonial period, Philippine foreign trade was closely bound to the United States. In terms of domestic investment, however, it was domestic Filipino or Spanish entrepreneurs and landowners who dominated primary commodity production in the Philippines, rather than American investors. How were both this US-dependent trade structure and the unique production structure of domestic primary commodities reflected in the management of the Philippine currency system? To answer this question, this article first discusses the introduction of the gold standard system in the Philippines in the early twentieth century. Second, the de facto conversion of the Philippine currency system from the gold standard to the dollar exchange standard in the 1920s is described, together with the mismanagement of the currency reserves and the debacle of the Philippine National Bank that functioned as the government depository of the currency reserves in the United States. Third, the formal introduction of the dollar exchange standard during the Great Depression is outlined, a clear example of the dependency of the Philippine currency system on the US in the 1930s.

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Dannenberg, Ross, and Josh Davenport. "Top 10 video game cases (US): how video game litigation in the US has evolved since the advent of Pong." Interactive Entertainment Law Review 1, no. 2 (2018): 89–102. http://dx.doi.org/10.4337/ielr.2018.02.02.

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Video game litigation in the United States is neither new nor infrequent, and video game developers can learn valuable lessons from cases won, and lost, by others before them. This article examines the evolution of United States intellectual property law from historically narrow roots to classifying video games as an art form deserving broad free speech protection. This article examines seminal cases in a variety of IP areas, including not only copyrights, but also reverse engineering, derivative works, patents, trademarks, rights of publicity, the Digital Millennium Copyright Act, contracts, and freedom of speech. These cases explore the factual and legal limits of American jurisprudence in video game law, including how one's own expression can be limited by the rights of others, permissible and fair use and of others' IP, and the impact these cases have had in the industry. As video games have leveled up into a multi-billion dollar industry, the law has leveled up, too, and this article is the primer you need to level up with it.

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GISMONDI, MICHAEL, and JEREMY MOUAT. "Merchants, Mining, and Concessions on Nicaragua's Mosquito Coast: Reassessing the American Presence, 1893–1912." Journal of Latin American Studies 34, no. 4 (2002): 845–79. http://dx.doi.org/10.1017/s0022216x02006570.

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This article reassesses the influence of American business on US foreign policy towards Nicaragua, 1893–1912. It describes three episodes that involved American interests in Nicaragua – the Reyes uprising of 1899, the Emery claim of 1903–1909, and the US & Nicaragua Mining Company claim of 1908–1912 – as evidence for a different interpretation of US policy, one which stresses how the influence and material interests of American ‘men on the spot’ framed the ways in which the State Department came to understand American aims in Nicaragua. Earlier accounts of ‘Dollar Diplomacy’ do not adequately acknowledge the significant political consequences of American merchant activity on the Mosquito Coast.

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Schuler, Catherine. "The Silver Age Actress as Unruly Woman Starring Lidia lavorskaia as Madonna." Theatre Survey 34, no. 2 (1993): 55–76. http://dx.doi.org/10.1017/s0040557400009960.

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“And as for ‘art,’ well, philosophers differ. But it's widely believed by wise people that art and ego sit uncomfortably together.” Joseph Sobran, The National Review, 1991.Just when Madonna, the performer one critic recently referred to as a “schlockmistress,” seemed doomed to a future as the subject of scholarly articles on pop and post-modern aesthetics, she's in the news again with a coffee table best seller on the joys of sex with anything that moves and some things that don't. Madonna, the high priestess of American pop culture, has constructed a multi-million dollar performance empire, the success of which rests primarily on her extraordinary ability to behave outrageously and market it. Though pre-pubescent females are Madonna's most ardent and uncritical admirers, her concerts and films attract a heterogeneous crowd of men, women, gays, and straights–most of them under thirty. In spite of (or perhaps because of) her immense popular following, the press loathes her. Mainstream critics deplore her dissipated lifestyle, sexual athletics, and public exhibitionism, while avant-garde critics regard her performances as trendy schlock rather than legitimate art. This has little effect on Madonna except to increase curiosity about her (and therefore sales of the book and videotapes) among ordinary citizens who might otherwise be completely indifferent to the Madonna phenomenon.

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BEVAN, PAUL. "Zhou Xicheng's “Guizhou Auto Dollar”: Commemorating the Building of Roads for Famine Relief." Journal of the Royal Asiatic Society 29, no. 2 (2019): 345–59. http://dx.doi.org/10.1017/s1356186318000561.

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AbstractIn 1926 Zhou Xicheng, Governor of Guizhou, China, obtained a new car from an American Motor Company, the first car ever to find its way to this remote Chinese province. Road construction in Guizhou was well underway when the American engineer O. J. Todd, a member of the China International Famine Relief Committee, was invited that year to assist in its continued development. Governor Zhou had his own methods for the speedy and effective building of roads and recruited local people, the army, and even large teams of school children to assist in construction. It is likely that his work methods had taken their inspiration from Sun Yat-sen's plans as outlined in his book The International Development of China of 1920; plans that Sun Yat-sen further promoted in the writing of a letter to Henry Ford in which he requested the industrialist's assistance in the improvement of the motor industry in China. In 1928, in an effort to commemorate his own role in China's road construction projects, Zhou Xicheng had a coin struck. Instead of showing an image of his own head or that of another luminary such as Sun Yat-sen or Yuan Shikai - as had been common with coins of the first decades of the twentieth-century - this one yuan silver coin shows an image of his beloved motor car.

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Dissertations / Theses on the topic "Dollar, American, in art"

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Adams, Sarah Elisabeth. ""A Dollar Book for a Dime!": The Vernacular of Cheapness and the Beadle Dime Handbooks." W&M ScholarWorks, 2012. https://scholarworks.wm.edu/etd/1539626679.

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Singh, Anupam. "An algorithm for a dollar bill recognition system." Thesis, Virginia Tech, 1988. http://hdl.handle.net/10919/45184.

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This paper presents an algorithm for a dollar bill recognition system. Although this thesis describes it in detail for the specific application of designing a dollar bill recognition system, the algorithm is quite general and can be applied to a variety of pattern recognition problems. The scheme operates on the image of a corner of the bill. Hough transform is used to find the edges and the corner point in the image. If there is any skew in the edges, it is corrected and a 256 x 256 pixel image is obtained. This image is then compressed to an 8 x 8 matrix, and features are extracted from a two dimensional Walsh Transform of this matrix. The process of feature selection is based upon the standard deviations of the Walsh coefficients. These features are then used by a Sequential Classifier for classifying the bill.<br>Master of Science

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Jeon, Eun-Hee. "American image /." Online version of thesis, 1990. http://hdl.handle.net/1850/11236.

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Haight, Sarah M. "American Art Lending, 1895-1975." Thesis, School of Information and Library Science, 2006. http://hdl.handle.net/1901/344.

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This paper documents the range of art lending in the United States to individuals by libraries, museums, and other cultural institutions from roughly 1895-1975. The historical analysis includes the reasons and motivations behind the creation of each kind of lending scheme and what its proponents hoped to accomplish, as well as how these collections fit into the broader goals of each type of institution. Loans of originals and reproductions are discussed.

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Мосіна, Елеонора. "Trends in American Modern Art." Thesis, Київський національний університет технологій та дизайну, 2017. https://er.knutd.edu.ua/handle/123456789/7340.

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Cirino, Gina. "American Misconceptions about Australian Aboriginal Art." Kent State University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=kent1435275397.

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Pascarella, John A. "American standard." Morgantown, W. Va. : [West Virginia University Libraries], 2006. https://eidr.wvu.edu/etd/documentdata.eTD?documentid=4929.

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Thesis (M.F.A.)--West Virginia University, 2006.<br>Title from document title page. Document formatted into pages; contains v, 27 p. : ill. (some col.). Vita. Includes abstract. Includes bibliographical references (p. 25).

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Einreinhofer, Nancy. "The paradox of the American art museum." Thesis, University of Leicester, 1994. http://hdl.handle.net/2381/35302.

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Tuomi, Scott Lawrence. "Finnish art song for the American singer." Diss., The University of Arizona, 2001. http://hdl.handle.net/10150/289889.

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Art song teachers are constantly seeking new repertoire for their students. Many countries outside those commonly represented in American vocal studios (for instance Spain and Russia) have rich art song traditions which merit inclusion in the vocal studio. In this era of increased cultural awareness, many other areas of music education are seeking to explore these repertoires. However, many art songs are unable to be utilized because of the lack of resources in this country concerning their acquisition, identification, history, pronunciation and performance. Finland has a vast art song repertoire that is largely unexplored by American singers and teachers for the reasons mentioned above. A relatively new nation, Finland has a rich past which has remained a mystery to the west because of its close connection to the former Soviet Union. In addition, prior to the twentieth century, Finland had been under the control of foreign governments including those of Russia and Sweden since the Middle Ages. This document seeks to identify and examine Finnish art songs while providing background information regarding their history, development, and relevance to Finnish culture. In addition, tools for acquiring and performing Finnish art song are included to facilitate the inclusion of these songs in American vocal studios. Various sections include the development of the art song genre in Finland, the connection of songs to the Finnish national epic, the Kalevala, and a brief examination of the Finno-Ugrian language group. Biographical information is provided for seven selected composers arranged in chronological order. A total of ten songs are analyzed from the selected composers and an English translation is also provided for each. In addition, a collection of appendices providing complete lists of published songs for each composer, a Finnish IPA pronunciation chart, contact information for Finnish music publishers and musical resources and a selected discography are included.

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Moham, Carren D. "The contributions of four African-American women composers to American art song." The Ohio State University, 1997. http://rave.ohiolink.edu/etdc/view?acc_num=osu1250881412.

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Books on the topic "Dollar, American, in art"

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Extreme origami: [transforming dollar bills into priceless works of art]. 2nd ed. Race Point Pub., 2012.

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Gagosian Gallery (N.Y.). Andy Warhol $. Gagosian Gallery, 1997.

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Dollar Bill Animals in Origami. Dover Publications, 2000.

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International Monetary Stability Act of 2000: Report of the Committee on Banking, Housing, and Urban Affairs, United States Senate, to accompany S. 2101, together with additional views. U.S. G.P.O., 2000.

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G, Mendoza Enrique. On the benefits of dollarization when stabilization policy is not credible and financial markets are imperfect. National Bureau of Economic Research, 2000.

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Tierney, Tom. Famous Texas men: Paper dolls. Schiffer Pub., 2008.

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Carter, Curtis L. Dolls in contemporary art: A metaphor of personal identity. Patrick and Beatrice Haggerty Museum of Art, 1993.

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Outwater, Myra Yellin. Advertising dolls: The history of American advertising dolls from 1900-1990. Schiffer Pub., 1997.

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Engel, Charles. Long swings in the exchange rate: Are they in the data and do markets know it? National Bureau of Economic Research, 1989.

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United States. Congress. House. Committee on the Budget. Task Force on Economic Policy, Projections, and Revenues. Budgetary implications of H.R. 1245, the One Dollar Coin Act of 1991: Hearing before the Task Force on Economic Policy, Projections, and Revenues of the Committee on the Budget, House of Representatives, One Hundred Second Congress, second session, hearing held in Washington, DC, May 28, 1992. U.S. G.P.O., 1992.

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Book chapters on the topic "Dollar, American, in art"

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Rosenberg, Samuel. "From Dollar Shortage to Dollar Glut." In American Economic Development since 1945: Growth, Decline and Rejuvenation. Macmillan Education UK, 2003. http://dx.doi.org/10.1007/978-1-4039-9026-6_5.

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Hou, Joseph P. "Current American Ginseng Dollar Value." In The Healing Power of Ginseng. CRC Press, 2019. http://dx.doi.org/10.1201/9780429489112-8.

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Porter, Kathey, and Andrea Hoffman. "The Growing Impact of African American Women-Owned Businesses." In 50 Billion Dollar Boss. Palgrave Macmillan US, 2016. http://dx.doi.org/10.1057/9781137475022_1.

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Pompejano, Daniele. "Without Gold and After the Dollar." In American Divergences in the Great Recession. Routledge, 2021. http://dx.doi.org/10.4324/9781003025429-1.

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Weidman-Powers, Laura. "Coding for the Future: New Frontiers for African American Women in Technology." In 50 Billion Dollar Boss. Palgrave Macmillan US, 2016. http://dx.doi.org/10.1057/9781137475022_11.

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Brown, Brendan, and Philippe Simonnot. "American Capitalism Versus European Capitalism." In Europe's Century of Crises Under Dollar Hegemony. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-46653-4_13.

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Bradley, Patricia. "Outsider Art." In Making American Culture. Palgrave Macmillan US, 2009. http://dx.doi.org/10.1057/9780230100473_3.

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Motta, Ana Paula, and Guadalupe Romero Villanueva. "South American Art." In Encyclopedia of Global Archaeology. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-319-51726-1_2914-1.

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Mahan, Erin R. "Strain on the Dollar: Franco-American Monetary Disputes." In Kennedy, de Gaulle, and Western Europe. Palgrave Macmillan UK, 2002. http://dx.doi.org/10.1057/9781403913920_7.

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Rosenberg, Samuel. "The Dollar: No Longer As Good As Gold." In American Economic Development since 1945: Growth, Decline and Rejuvenation. Macmillan Education UK, 2003. http://dx.doi.org/10.1007/978-1-4039-9026-6_9.

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Conference papers on the topic "Dollar, American, in art"

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Schwartz, Mark, and Cal Disney. "Art of the Deal: Building WTE in the 21st Century." In 16th Annual North American Waste-to-Energy Conference. ASMEDC, 2008. http://dx.doi.org/10.1115/nawtec16-1942.

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The nation’s first successful commercial waste-to-energy facility went on-line in 1975 and the industry has accumulated a three-decade long track record—operating safely, improving efficiencies, and meeting new, tougher environmental standards. The industry has matured and has learned from operating experience. But as the industry faces a revival, have we also learned to improve on the art of the deal? In the past, the standard lump sum RFP approach forced project sponsors and vendors into a type of Russian roulette—one-sided gamesmanship that opened one or both sides to unreasonable risk with willing partners in the construction and financial community. On today’s financial and financial risk playing field, though, Wheelabrator believes that the road to prosperity—for sponsor and vendor—is found in above-board open book negotiations. It’s a process designed to reduce economic risk and provides a more realistic picture of the actual cost of the project once it’s in the ground and operating. Mark Schwartz, Senior Manager of Business Development for Wheelabrator Technologies, and Cal Disney, Vice President of Whiting-Turner, will review the pitfalls of the past and discuss how the process can be improved when all parties participate in the design, permitting and construction oversight of a facility. They will discuss how the process can lead to contracts with fixed costs, lower capital costs, minimal risks and a public private partnership that gets the most value for taxpayer dollars.

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Doman, Malgorzata, and Ryszard Doman. "The Impact of the US Dollar and the Euro on Currencies in Europe and Asia." In International Conference on Eurasian Economies. Eurasian Economists Association, 2013. http://dx.doi.org/10.36880/c04.00728.

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In this paper, we analyze dependencies between the currencies of chosen emerging countries and the major (global) currencies – the euro and the American dollar. The idea is taken from a paper by Eun and Lai proposing a method to verify an opinion that currencies systematically co-move and the pattern of co-movement is significantly driven by the relative influence of the two global currencies. The observation by Eun and Lai is that in the case when a minor currency XYZ is driven by the US dollar, the exchange rates XYZ/EUR and USD/EUR co-move very closely. In the opposite case, i.e. when the XYZ is influenced by the euro, the exchange rates XYZ/USD and EUR/USD show strong interdependence. In our approach, the dynamics of dependencies is modeled by means of 3-regime Markov regime switching copula models, and the considered measures of the strength of the linkages are dynamic Spearman’s rho and tail dependence coefficients. Applying the Markov regime switching copula models allows us to capture temporal changes in the impact of the global currencies on the analyzed minor ones. Our results show that the euro area of influence is widening, and that during the considered period some of the analyzed currencies are releasing from the US dollar impact.

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MĂIȚĂ, Daniel Nicolae, Alexandra-Irina PĂDUREAN (BADEA), Claudiu CREȚU, and Vasile APOSTOL. "SALARY CAP MODEL – INFLUENCE OF SPORTS LEAGUES COMPETITIVENESS – NATIONAL BASKETBALL ASSOCIATION VS NATIONAL HOCKEY LEAGUE IN NORTH AMERICA." In International Management Conference. Editura ASE, 2022. http://dx.doi.org/10.24818/imc/2021/01.18.

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Professional sports in North America has become, in recent years, a billion-dollar industry, where players are slowly becoming the industry's biggest assets. Through players, US national leagues have managed to grow in recent years by about 60%, but with this increase, player salaries have begun to become more competitive in the market, managing to reach impressive amounts in a short period of time. This research seeks to investigate the direct relationship between two models of the salary cap - hard cap salary and soft cap salary and the direct relationship with the success of teams in American national leagues in recent seasons. Also based on this study, the aim is to compare the leagues that use a hard cap salary model (NHL), with the leagues that use a soft salary model (NBA), and which of the two are more competitive from a professional and economic point of view.

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Williams, John F., and John C. Parker. "Measuring the Sustainable Return on Investment (SROI) of Waste-to-Energy." In 18th Annual North American Waste-to-Energy Conference. ASMEDC, 2010. http://dx.doi.org/10.1115/nawtec18-3552.

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Waste to Energy facilities serve their communities in a number of important ways. Our industry does a terrific job reducing volumes that would have otherwise been destined for landfills. Energy recovery is an important and positive byproduct of that process but not the only one. Beyond these two obvious attributes you seldom hear of anything else. This is unfortunate because there are significant social, environmental, and economic benefits associated with the technology. Industry “silence” can be attributed to an inability to describe those benefits in ways people understand or see a dollar value in. In other words, we have a tough time measuring the value of “Green.” This paper describes a framework through which we can make the case for sustainable benefits associated with Waste to Energy. It begins with discussion of why it is important to seek a connection with the “triple bottom line” including the social, environmental, and economic attributes of a given program/project/facility. It sheds light on the need to think beyond traditional life cycle cost analysis techniques that focus on direct cash benefits. It describes a process through which noncash and external costs and benefits can be calculated and presented in monetary terms, referred to as the Sustainable Return on Investment or SROI (direct cash + noncash + external costs and benefits = SROI). This paper should help readers make an aggressive case to reveal the FULL VALUE of Waste to Energy across the sustainability triple bottom line.

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Caillard, Fred, Francois Screve, and Delphine Deltour. "How to Successfully Increase the Revenue of Waste-to-Energy for the Long Term." In 12th Annual North American Waste-to-Energy Conference. ASMEDC, 2004. http://dx.doi.org/10.1115/nawtec12-2213.

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The objective of the paper is to outline a new business-oriented methodology based on the principle of diagnosing before improving and with the aim to produce long-term results that mutually benefit the owner and the operator of a Waste-to-Energy or biomass plant. The scope covers (1) the determination of correction curves and coefficients for various operating conditions to compare actual equipment performance with design one (with illustration for a steam turbine); (2) the mapping of the yearly plant operation schedule into different operating modes, for a better evaluation of dollar benefits of improvement solutions; (3) the use of a computerized plant simulator model that performs heat and mass balances and translates available monitoring data into dollar value. When benchmarking the illustrated plant case study with industry standards, we found out that reducing the Deaerator pressure by 40 psi (by 2.7 bar) would translate into an expected additional $850k of total benefits a year.

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"[Spine art]." In 2013 Latin American Computing Conference (CLEI). IEEE, 2013. http://dx.doi.org/10.1109/clei.2013.6670675.

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"[Cover art]." In 2008 IEEE Latin American Robotic Symposium. IEEE, 2008. http://dx.doi.org/10.1109/lars.2008.41.

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"[Spine art]." In 2017 XLIII Latin American Computer Conference (CLEI). IEEE, 2017. http://dx.doi.org/10.1109/clei.2017.8226369.

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"[Cover art]." In 2008 Latin American Web Conference (LA-WEB). IEEE, 2008. http://dx.doi.org/10.1109/la-web.2008.31.

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Radityo, Arief, Qorib Munajat, and Indra Budi. "Prediction of Bitcoin exchange rate to American dollar using artificial neural network methods." In 2017 International Conference on Advanced Computer Science and Information Systems (ICACSIS). IEEE, 2017. http://dx.doi.org/10.1109/icacsis.2017.8355070.

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Reports on the topic "Dollar, American, in art"

1

Wansley, William J. American Art: Toward an American Theory of Peace. Defense Technical Information Center, 1992. http://dx.doi.org/10.21236/ada253169.

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Anastas, Kevin P. The American Way of Operational Art: Attrition or Maneuver. Defense Technical Information Center, 1992. http://dx.doi.org/10.21236/ada254194.

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Lazonick, William, and Matt Hopkins. Why the CHIPS Are Down: Stock Buybacks and Subsidies in the U.S. Semiconductor Industry. Institute for New Economic Thinking Working Paper Series, 2021. http://dx.doi.org/10.36687/inetwp165.

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Abstract:

The Semiconductor Industry Association (SIA) is promoting the Creating Helpful Incentives to Produce Semiconductors (CHIPS) for America Act, introduced in Congress in June 2020. An SIA press release describes the bill as “bipartisan legislation that would invest tens of billions of dollars in semiconductor manufacturing incentives and research initiatives over the next 5-10 years to strengthen and sustain American leadership in chip technology, which is essential to our country’s economy and national security.” On June 8, 2021, the Senate approved $52 billion for the CHIPS for America Act, dedicated to supporting the U.S. semiconductor industry over the next decade. As of this writing, the Act awaits approval in the House of Representatives. This paper highlights a curious paradox: Most of the SIA corporate members now lobbying for the CHIPS for America Act have squandered past support that the U.S. semiconductor industry has received from the U.S. government for decades by using their corporate cash to do buybacks to boost their own companies’ stock prices. Among the SIA corporate signatories of the letter to President Biden, the five largest stock repurchasers—Intel, IBM, Qualcomm, Texas Instruments, and Broadcom—did a combined $249 billion in buybacks over the decade 2011-2020, equal to 71 percent of their profits and almost five times the subsidies over the next decade for which the SIA is lobbying. In addition, among the members of the Semiconductors in America Coalition (SIAC), formed specifically in May 2021 to lobby Congress for the passage of the CHIPS for America Act, are Apple, Microsoft, Cisco, and Google. These firms spent a combined $633 billion on buybacks during 2011-2020. That is about 12 times the government subsidies provided under the CHIPS for America Act to support semiconductor fabrication in the United States in the upcoming decade. If the Congress wants to achieve the legislation’s stated purpose of promoting major new investments in semiconductors, it needs to deal with this paradox. It could, for example, require the SIA and SIAC to extract pledges from its member corporations that they will cease doing stock buybacks as open-market repurchases over the next ten years. Such regulation could be a first step in rescinding Securities and Exchange Commission Rule 10b-18, which has since 1982 been a major cause of extreme income inequality and loss of global industrial competitiveness in the United States.

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Edwards, Sebastian. The Economics of Latin American Art: Creativity Patterns and Rates of Return. National Bureau of Economic Research, 2004. http://dx.doi.org/10.3386/w10302.

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Grubb, Farley. The Continental Dollar: How the American Revolution was Financed with Paper Money--Initial Design and Ideal Performance. National Bureau of Economic Research, 2013. http://dx.doi.org/10.3386/w19577.

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Miller, Naomi J., and Scott M. Rosenfeld. Demonstration of LED Retrofit Lamps at the Smithsonian American Art Museum, Washington, DC. Office of Scientific and Technical Information (OSTI), 2012. http://dx.doi.org/10.2172/1044507.

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Galenson, David. The Reappearing Masterpiece: Ranking American Artists and Art Works of the Late Twentieth Century. National Bureau of Economic Research, 2003. http://dx.doi.org/10.3386/w9935.

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Price, John K. The American Expeditionary Force Siberia: A Case Study of Operational Art with Ambiguous Strategic Objectives. Defense Technical Information Center, 2014. http://dx.doi.org/10.21236/ada611985.

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Licata, Paul Z. Operational Art and Munitions Supply: An Analysis of Munitions and Their Influence on Operational Art Practiced by the American Expeditionary Forces During World War I. Defense Technical Information Center, 2013. http://dx.doi.org/10.21236/ada606311.

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Matheny, Michael R. The Development of the Theory and Doctrine of Operational Art in the American Army, 1920-1940. Defense Technical Information Center, 1988. http://dx.doi.org/10.21236/ada195657.

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