Log in

Relevant bibliographies by topics / Domains of creativity / Books

To see the other types of publications on this topic, follow the link: Domains of creativity.

Books on the topic 'Domains of creativity'

Author: Grafiati

Published: 11 September 2021

Last updated: 1 February 2022

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 21 books for your research on the topic 'Domains of creativity.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse books on a wide variety of disciplines and organise your bibliography correctly.

1

Kaufman, James C., Vlad P. Glaveanu, and John Baer, eds. The Cambridge Handbook of Creativity Across Domains. Cambridge: Cambridge University Press, 2017. http://dx.doi.org/10.1017/9781316274385.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

H. H. C. M. Christiaans. Creativity in design: The role of domain knowledge in designing. Utrecht: Uitgeverij Lemma, 1992.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

3

Bollier, David. Why the public domain matters: The endangered wellspring of creativity, commerce and democracy. Washington, D.C: New America Foundation, 2002.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

4

Kaufman, James C. Creativity Across Domains. Psychology Press, 2005. http://dx.doi.org/10.4324/9781410611925.

Full text

APA, Harvard, Vancouver, ISO, and other styles

5

Kaufman, James C., John Baer, and Vlad P. Glăveanu. Cambridge Handbook of Creativity Across Domains. Cambridge University Press, 2017.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

6

Creativity across domains: Faces of the muse. Mahwah, NJ: L. Erlbaum Associates, 2004.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

7

Creativity Across Domains: Faces of the Muse. Lawrence Erlbaum, 2004.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

8

C, Kaufman James, and Baer John, eds. Creativity across domains: Faces of the muse. Mahwah, N.J: Lawrence Erlbaum Associates, 2005.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

9

Kaufman, James C., and John Baer. Creativity Across Domains: Faces of the Muse. Taylor & Francis Group, 2014.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

10

Domain Specificity of Creativity. Elsevier, 2016. http://dx.doi.org/10.1016/c2013-0-09995-1.

Full text

APA, Harvard, Vancouver, ISO, and other styles

11

Gabora, Liane. The Creative Process of Cultural Evolution. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190455675.003.0002.

Full text

Abstract:

This chapter explores how we can better understand culture by understanding the creative processes that fuel it, and better understand creativity by examining it from its cultural context. First, it summarizes attempts to develop a scientific framework for how culture evolves, and it explores what these frameworks imply for the role of creativity in cultural evolution. Next it examines how questions about the relationship between creativity and cultural evolution have been addressed using an agent-based model in which neural network-based agents collectively generate increasingly fit ideas by building on previous ideas and imitating neighbors’ ideas. Finally, it outlines studies of how creative outputs are influenced, in perhaps unexpected ways, by other ideas and individuals, and how individual creative styles “peek through” cultural outputs in different domains.

APA, Harvard, Vancouver, ISO, and other styles

12

Beaty, Roger E., and Rex E. Jung. Interacting Brain Networks Underlying Creative Cognition and Artistic Performance. Edited by Kalina Christoff and Kieran C. R. Fox. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780190464745.013.10.

Full text

Abstract:

Cognitive neuroscience research has begun to address the potential interaction of brain networks supporting creativity by employing new methods in brain network science. Network methods offer a significant advance compared to individual region of interest studies due to their ability to account for the complex and dynamic interactions among discrete brain regions. As this chapter demonstrates, several recent studies have reported a remarkably similar pattern of brain network connectivity across a range of creative tasks and domains. In general, such work suggests that creative thought may involve dynamic interactions, primarily between the default and control networks, providing key insights into the roles of spontaneous and controlled processes in creative cognition. The chapter summarizes this emerging body of research and proposes a framework designed to account for the joint influence of controlled and spontaneous thought processes in creativity.

APA, Harvard, Vancouver, ISO, and other styles

13

Pérez-Sobrino, Paula. Cognitive Modeling and Musical Creativity. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190457747.003.0006.

Full text

Abstract:

This chapter provides a preliminary account of different figurative operations in twelve examples of program classical and contemporary music involving music and text. The main goals are to explore the directionality and scope of the mappings between language and music and to investigate the communicative effects of each operation in a musical work. Metonymy, metaphor, hyperbole, paradox, and irony are compared and contrasted to highlight the dynamism and flexibility of conceptual mechanisms to account for meaning construction in multimodal contexts. Although all these conceptual tools consist of putting in correspondence two entities, there are differences that allow us to draw boundaries among them. The main advantage of adopting a view based on figurative operations is that they overcome the two-domain layout of metaphors while counting on a limited inferential capacity that allows the prediction of possible communicative effects.

APA, Harvard, Vancouver, ISO, and other styles

14

Zittoun, Tania, and Vlad Glaveanu, eds. Handbook of Imagination and Culture. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190468712.001.0001.

Full text

Abstract:

Imagination is a core driver of human development as well as social transformation. Long ignored in psychology, imagination enjoys renewed interest in developmental and sociocultural approaches to mind and culture. In this Handbook, the enquiry is broadened, and imagination is explored by a number of eminent scholars and practitioners within and at the frontiers of cultural psychology. Organized in four main sections, the Handbook of Imagination and Culture first examines the history and extension of the concept of imagination, its proximity to creativity, and the methodology used to approach it. The second section examines imagination as a dynamic, lifelong developmental process: its emergence in childhood and expression in adulthood and into old age. The third section explores imagination as a pervasive phenomenon in domains such as music, theatre, work, and education. The fourth sections shows that imagination can function as a motor for social change in community work, in the use of new technologies, in society’s relation to the past, and in political change. As a whole, the book invites us to go beyond the frontiers of our knowledge: it opens perspectives for future research and cultivates the potential for individual and collective action toward an imagined future.

APA, Harvard, Vancouver, ISO, and other styles

15

Pepe, Teresa. Blogging from Egypt. Edinburgh University Press, 2019. http://dx.doi.org/10.3366/edinburgh/9781474433990.001.0001.

Full text

Abstract:

Six years before the Egyptian revolution of January 2011, many young Egyptians had resorted to blogging as a means of self-expression and literary creativity. Some of these bloggers have not only received big popularity within the online community, but have also attracted the interest of independent and mainstream publishing houses, and have made their way into the Arab cultural field. Previous research on the impact of the Internet in the Middle East has been dominated by a focus on politics and the public sphere, while its influence on cultural domains remains very little explored. Blogging From Egypt aims at filling this gap by exploring young Egyptians’ blogs as forms of digital literature. It studies a corpus of 40 personal blogs written and distributed online between 2005 and 2016, combining literary analysis with interviews with the authors. The study reveals that the experimentation with blogging resulted in the emergence of a new literary genre: the autofictional blog. The book explores the aesthetic features of this genre, as well as its relation to the events of the “Arab Spring”. Finally, it discusses how blogs have evolved in the last years after 2011 and what is left of the blog in Arabic literary production. The book includes original extracts and translation from blogs, made available for the first time to an English-speaking audience.

APA, Harvard, Vancouver, ISO, and other styles

16

Ligon, Gina Scott, Douglas C. Derrick, and Mackenzie Harms. Destruction Through Collaboration. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190222093.003.0013.

Full text

Abstract:

Terrorism provides a rich yet understudied domain to examine creative teams. Because teams working in a violent ideological organization must continue to generate covert and novel ways to recruit members, raise finances, and plan attacks, theories of creativity typically applied to more conventional organizations should also apply to terrorist teams. However, with limited empirical data about this phenomenon, it is unclear which tenets of creative research hold versus which do not translate in the domain of violent extremist organizations. The present effort reviews the extant literature on malevolent creativity, as well as examines predictors of innovation in a longitudinal dataset of teams operating in 50 terrorist organizations. In addition, a case study of a historically creative team operating in the Aum Shinrikyo is examined.

APA, Harvard, Vancouver, ISO, and other styles

17

Saugera, Valérie. Remade in France. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190625542.001.0001.

Full text

Abstract:

Remade in France: Anglicisms in the Lexicon and Morphology of French chronicles the current status of French Anglicisms, a hot topic in the history of the French language and a compelling example of the influence of global English. The abundant data come from primary sources—a large online newspaper corpus (for unofficial Anglicisms) and the dictionary (for official Anglicisms)—and secondary sources. This book examines the appearance and behavior of English items in the lexicon and morphology of French, and explains them in the context of French neology and lexical activity. The first phase of the latest contact period (1990–2015) has its own complex linguistic characterization, including a significant influx of nonce borrowings and very low-frequency Anglicisms, heterogeneous and creative borrowing outcomes, and direct phraseological borrowing. This book is a counterargument to the well-known criticism that Anglicisms are lexical polluters. On the contrary, the use of Anglicisms requires the inventive application of complex linguistic rules, and the borrowing of Anglicisms into the French lexicon is convincing proof that language change is systematic. The findings bring novel interdisciplinary insights to the domains of borrowing in a non-bilingual contact setting; global English as a source of lexical creativity in the French lexicon; the phases, patterns and processes of integration of English loanwords; the morphology of borrowing; and computational corpus linguistics. The appended database is a snapshot of a synchronic period of linguistic contact and a useful lexicographic resource.

APA, Harvard, Vancouver, ISO, and other styles

18

Kahn, Andrew. Mandelstam's Worlds. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198857938.001.0001.

Full text

Abstract:

Rightly appreciated as a ‘poet’s poet’, Mandelstam has been habitually read as a repository of learned allusion. Yet as Seamus Heaney observed, his work is ‘as firmly rooted in both an historical and cultural context as real as Joyce’s Ulysses or Eliot’s Waste Land’. Great lyric poets offer a cross-section of their times, and Mandelstam’s poems represent the worlds of politics, history, art, and ideas about intimacy and creativity. The interconnections between these domains and Mandelstam’s writings are the subject of this book, showing how engaged the poet was with the history, social movements, political ideology, and aesthetics of his time. The importance of the book also lies in showing how literature, no less than history and philosophy, enables readers to confront the huge upheaval in outlook that can be demanded of us; thinking with poetry is to think through the moral compromise and tension felt by individuals in public and private contexts, and to create out of art experience in itself. The book further innovates by integrating a new, comprehensive discussion of the Voronezh Notebooks, one of the supreme achievements of Russian poetry. Mandelstam’s controversial political poetry has been virtually a taboo topic (despite sporadic attempts at assessment). This book considers the full political dimension of works that explore the role of the poet as a figure positioned within society but outside the state, caught between an ideal of creative independence and a devotion to the original, ameliorative ideals of the revolution.

APA, Harvard, Vancouver, ISO, and other styles

19

Freeden, Michael. 10. Conclusion: why politics can’t do without ideology. Oxford University Press, 2013. http://dx.doi.org/10.1093/actrade/9780192802811.003.0010.

Full text

Abstract:

If discourse, emotion, criticism, culture all intersect with the concept of ideology and claim it for their own, can politics still declare a prior vested interest in ideology? Can ‘ideology’ still be employed as shorthand for political ideology? This ‘Conclusion: why politics can't do without ideology’ makes the case for its core role in political ideology. Why is ideology central to the domain of politics? Four features make it central: its typical forms in which ideologies are presented; its influential kinds of political thought; its instances of imaginative creativity; and the necessity that ideologies need to be communicable.

APA, Harvard, Vancouver, ISO, and other styles

20

Maud, Jovan. Buddhist Relics and Pilgrimage. Edited by Michael Jerryson. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199362387.013.20.

Full text

Abstract:

The expansion of Buddhist traditions throughout Asia and beyond has not only involved the transmission of doctrine but also the establishment and expansion of a material presence of Buddhist institutions and sacred sites. Through the history of Buddhism, the closely related practices of relic veneration and pilgrimage have been central to the formation and expansion of a sacred geography, the exchange of Buddhist ideas and cultural forms, and to claims of political legitimacy. This chapter provides an overview of these practices—their origins, historical development, and their ongoing significance in contemporary times. Focusing in particular on two domains in which both practices are implicated—power and politics, and tourism and consumption—it shows that far from disappearing with modernity, both relic veneration and pilgrimage continue to be creatively adapted to contemporary social, political and economic circumstances.

APA, Harvard, Vancouver, ISO, and other styles

21

Contini–Morava, Ellen, and Eve Danziger. Non-canonical gender in Mopan Maya. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198795438.003.0006.

Full text

Abstract:

Mopan (Mayan, Belize/Guatemala) has two noun classifiers that resemble gender markers. However, the gender markers (GMs) violate expectations about canonical gender (Corbett and Fedden 2016): only a minority of Mopan nouns are gendered; gender is marked only together with the noun, not in multiple syntactic domains; gender marking can be omitted in certain syntactic contexts; and gender marking can be introduced when a normally non-gendered noun co-occurs with an adjectival modifier. We address the grammatical and discourse functions of Mopan GMs in relation to their non-canonical properties. Two productive functions—use as honorific titles with proper names and derivation of agentive nominals—are extended to various functions involving agentivity and differentiation, e.g. derivation of descriptive terms for non-human implements and terms for varietal subcategories. GMs are also employed creatively in discourse, e.g. to suggest animacy of inanimates or to introduce sex differentiation where it would not otherwise be signalled.

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!