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Books on the topic 'Domenico Scarlatti'

Author: Grafiati
Published: 4 June 2021
Last updated: 25 April 2022

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1

Bassi, Adriano. Domenico Scarlatti. Ravenna, Italia: M. Lapucci, 1985.

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2

Place, Adélaïde de. Alessandro et Domenico Scarlatti. Paris: Fayard, 2003.

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3

Boyd, Malcolm. Domenico Scarlatti--master of music. London: Weidenfeld and Nicolson, 1986.

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4

Domenico Scarlatti--master of music. London: Weidenfeld and Nicolson, 1986.

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5

Domenico Scarlatti--master of music. New York: Schirmer Books, 1987.

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6

Biesold, Maria. Domenico Scarlatti: Die Geburtsstunde des modernen Klavierspiels. Wittmund: Edition Musica et Claves, 1990.

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7

Alessandro and Domenico Scarlatti: Two lives in one. Hillsdale, NY: Pendragon Press, 2007.

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8

1973-, Moiraghi Marco, ed. Le sonate di Domenico Scarlatti: Contesto, testo, interpretazione. Lucca: LIM Libreria Italiana Musicale, 2014.

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9

Scarlatti: Alessandro e Domenico, due vite in una. Milano: A. Mondadori, 1985.

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10

Vidali, Carole Franklin. Alessandro and Domenico Scarlatti: A guide to research. New York: Garland Pub., 1993.

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11

Boulanger, Richard. Les innovations de Domenico Scarlatti dans la technique du clavier. Béziers: Société de musicologie de Languedoc, 1988.

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12

The keyboard sonatas of Domenico Scarlatti and eighteenth-century music style. Cambridge: Cambridge University Press, 2003.

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13

Zusammenhänge zwischen Satz und Spiel in den Essercizi (1738) des Domenico Scarlatti. Sinzig: Studio, 1998.

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14

Goldberg, Laurette. Domenico Scarlatti: Thematic index of the keyboard sonatas according to the Kirkpatrick catalogue. Berkeley, CA: MusicSources Publications, 1999.

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15

Boymann, Gilbert Grosse. Zum Vierstimmigen Memento Domine David: Von Alessandro Scarlatti oder Domenico Scarlatti? Oder von wem? = [Sul Memento Domine David a quattro voci ...]. Frattamaggiore (Napoli): Istituto di studi atellani, 2003.

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16

Chambure, Alain de. Catalogue analytique de l'oeuvre pour clavier de Domenico Scarlatti: Guide de l'intégrale enregistrée par ScottRoss = Analytical catalogue of Domenico Scarlatti's keyboard works : guide to the complete recording by Scott Ross. [Paris]: Costallat, 1988.

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17

Chambure, Alain de. Catalogue analytique de l'œuvre pour clavier de Domenico Scarlatti: Guide de l'integrale enregistrée par Scott Ross = Analytical catalogue of Domenico Scarlatti's keyboard works : Guide to the complete recording by Scott Ross. [Paris]: Editions Costallat, 1988.

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18

1945-, Zuber Barbara, Schenker Heinrich 1868-1935, and Böttinger Peter, eds. Domenico Scarlatti. München: Edition Text + Kritik, 1986.

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19

Zanon, Fabio. Domenico Scarlatti: 30 Sonatas. Mel Bay Publications, Inc., 2015.

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20

Tucker, Dale. Domenico Scarlatti: Great Piano Works. Alfred Publishing Company, 1998.

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21

Domenico Scarlatti Dover Music for Piano. Dover Publications, 2012.

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22

Brown, Alan, and Michael J. West. Domenico Scarlatti : Sheet Music for Piano: Beginner to Intermediate. Flame Tree Publishing, 2020.

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23

Scarlatti, Domenico, and Hans-Gerhard Fey. Domenico Scarlatti: Sonata (L. 188) arranged for two guitars. AMA Verlag, 2002.

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24

F, Williams Peter, ed. Bach, Handel, Scarlatti, tercentenary essays. Cambridge [Cambridgeshire]: Cambridge University Press, 1985.

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25

Bach, Handel, Scarlatti 1685-1985. Cambridge University Press, 2008.

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26

Sutcliffe, W. Dean. The Keyboard Sonatas of Domenico Scarlatti and Eighteenth-Century Musical Style. Cambridge University Press, 2008.

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27

Sutcliffe, W. Dean. The Keyboard Sonatas of Domenico Scarlatti and Eighteenth-Century Musical Style. Cambridge University Press, 2003.

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28

Massimiliano, Sala, and Sutcliffe W. Dean, eds. Domenico Scarlatti adventures: Essays to commemorate the 250th anniversary of his death. Bologna, Italia: UT Orpheus, 2008.

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29

Joyce, Brian D. Riding the eagle's wings: Appropriation and the keyboard works of Domenico Scarlatti. 1997.

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30

Gray, Julian, and Ronald Pearl. Music of Domenico Scarlatti for Two Guitars 1: Edition Gray/ Pearl Duo. Mel Bay Publications, 2006.

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31

Pagano, Roberto. Allesandro And Domenico Scarlatti: Two Lives in One (Lives in Music) (Lives in Music). Pendragon Pr, 2006.

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32

Sutcliffe, W. Dean. Topics in Chamber Music. Edited by Danuta Mirka. Oxford University Press, 2014. http://dx.doi.org/10.1093/oxfordhb/9780199841578.013.005.

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It can be argued that the specific contribution of chamber genres to the topical universe of eighteenth-century music was negligible; most elements of this universe seem to derive from more widely shared, “public” genres. On the other hand, what we now define as chamber music could be lighter on its feet, using a wider spectrum of topics than other mediums, changing topics more quickly and combining them with greater versatility. This chapter first considers the contribution of Domenico Scarlatti, an early protagonist of a topically mixed style, including an analysis of his Sonata K. 181. It then explores several topical fields in which chamber music could speculate with particular freedom: the learned, the pastoral, and the evocation of more public genres such as the overture and more broadly orchestral style.
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33

Domenico Scarlatti: I grandi centenari dell'anno europeo della musica = les grands jubiles de l'annee europeenne de la musique : Esposizione, 24 agosto-30 ... Ascona, Centro culturale beato Pietro Berno. Edizioni Pedrazzini, 1985.

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34

Centro culturale beato Pietro Berno (Ascona, Switzerland), ed. Domenico Scarlatti: I grandi centenari dell'anno europeo della musica = les grands jubilés de l'année européenne de la musique : esposizione, 24 agosto-30 ottobre 1985, Ascona, Centro culturale beato Pietro Berno. Ascona: Ente turistico Ascona e Losone, 1985.

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35

Flannery, Matthew. A Chronological Order For The Keyboard Sonatas Of Domenico Scarlattti (1685-1757) (Studies in the History and Interpretation of Music). Edwin Mellen Press, 2004.

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