Relevant bibliographies by topics / Domestic fiction

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Domestic fiction'

Author: Grafiati
Published: 4 June 2021
Last updated: 31 July 2024

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Journal articles on the topic "Domestic fiction"

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Yahav-Brown, Amit. "Reasonableness and Domestic Fiction." ELH 73, no. 4 (2006): 805–30. http://dx.doi.org/10.1353/elh.2006.0035.

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Ruppel, Tim. "Gender Training: Male Ambitions, Domestic Duties, and Failure in the Magazine Fiction of T. S. Arthur." Prospects 24 (October 1999): 311–37. http://dx.doi.org/10.1017/s0361233300000405.

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Although T. S. Arthur'S extraordinary literary presence and popularity were acknowledged during the antebellum period, studies of both the American Renaissance and domestic fiction have failed to provide anything more than a passing reference to his fiction. Arthur's meager current reputation has been defined by a single work, the sensationalist temperance novel, Ten Nights in a Bar-room, And What I Saw There (1854). More generally, cultural historians have labeled Arthur as one of the “fictional eulogists of the self-made man” and a purveyor of the “rags to riches” myth. However, the magazine fiction that Arthur regularly produced for Godey's Lady's Book in the 1840s had nothing to do with either temperance or the myth of autonomous individualism. Instead, his tales focused on the relationship between behavior in the home and in the marketplace. Writing in the aftermath of the devastating Panic of 1837, Arthur sought to identify the causes of domestic disorder and economic failure. Significantly, his narratives of personal accountability asserted that failure and disorder were the inevitable results of deviations from emerging gender norms. The prospective urban merchant and domestic women who appeared prominently in his magazine fiction must learn that the management of troublesome bodies is the key to economic and domestic stability.
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Logan, Thad. "Victorian Treasure Houses: The Novel and the Parlor." Keeping Ourselves Alive 3, no. 2-3 (January 1, 1993): 283–97. http://dx.doi.org/10.1075/jnlh.3.2-3.12vic.

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Abstract The domestic interior plays a significant role in realistic fiction and in 19th-century bourgeois life. The development of conventions for describing interiors in the novel coincides with the historical appearance of elaborately decorated parlors and with the feminization of domestic space. Both middle-class interiors and realistic fiction are characterized by a proliferation of detail, and their stylistic similarity can be mapped onto the emergence of a commodity culture. The fictive rhetoric of materiality and identity reflects complex relations of gender, property, and signification in the social world. (Cultural criticism; literary criticism; gender studies)
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Rhee, Jooyeon. "Making Sense of Fiction: Social and Political Functions of Serialized Fiction in the Daily News (Maeil sinbo) in 1910s Korea." Journal of Korean Studies 22, no. 1 (March 1, 2017): 227–55. http://dx.doi.org/10.1215/21581665-4153385.

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Abstract Modern Korean newspapers played a decisive role in transforming the Korean fiction genre in the early twentieth century―a transformation that was carried out in two distinctively different cultural and political environments. In the 1900s, reform-minded Korean intellectuals translated and authored fictional works in newspapers primarily as a way to instigate Koreans to participate in the nation-building process during the Patriotic Enlightenment movement (Aeguk kyemong undong) period. When Japan annexed Korea in 1910, the Daily News (Maeil sinbo) continually used fiction as a vehicle to deliver the colonial government’s assimilation policy, that is, to raise Korea’s socioeconomic and cultural status, with the aim of civilizing the society. The rhetoric of civilization is a common feature in fictional works produced during the period. However, what characterized the works serialized in Maeil sinbo was their increasing focus on individual desire and domestic affairs, which manifested itself in the form of courtship and familial conflicts. The confrontation between private desire and family relationships in these fictional works represented the prospect of higher education and economic equity while invoking emotional responses to the contradictory social reality of colonial assimilation in the portrayal of domestic issues in fiction. Looking at Maeil sinbo and its serialization of fiction not as a fixed totality of the Japanese imperial force but as a discursive space where contradicting views on civilization were formed, this paper scrutinizes emotional renderings of individuality and domesticity reflected in Maeil sinbo’s serialized fiction in the early 1910s.
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Crenshaw, Estée. "The Domestic Chicken as Legal Fiction." Humanimalia 9, no. 1 (September 22, 2017): 1–21. http://dx.doi.org/10.52537/humanimalia.9611.

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This paper explores the legal fictions surrounding the domestic chicken and its place in animal agriculture through a comparison of law and cultural narrative. The legal fictions examined are that of chickens as already dead, chickens as things, and chickens as a collective. Through examination of these fictions, a narrative of cruelty arises that questions the current treatment of domestic chickens in animal agriculture.
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Irshad, Saira, and Madiha Naeem. "Feminine Consciousness in Imran Iqbal's Fiction Writing." Negotiations 1, no. 3 (December 22, 2021): 11–19. http://dx.doi.org/10.54064/negotiations.v1i3.25.

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عمران اقبال کی افسانہ نگاری میں تانیثی شعور Imran Iqbal's name is prominent in Urdu fiction. He is from Bahawalpur but he is residing in the United States for employment. Imran Iqbal tried his hand at travelogues, fiction, novels and memoirs. He has made women and her issues the subject of his fictions. Imran Iqbal has presented a true picture of a woman who at every step faces various forms of male repressive behavior, outdated customs, husband and father-in-law atrocities, domestic violence and sexual harassment. Her fiction depicts women's psychological problems, the sexual appetites of landlords, capitalists, bureaucrats and top officials. Imran Iqbal has awakened Tanila consciousness through his pen.
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Ablow, Rachel. "Taking Responsibility in Desire and Domestic Fiction." Modern Language Quarterly 80, no. 1 (March 1, 2019): 7–12. http://dx.doi.org/10.1215/00267929-7247217.

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O’Malley, Maria. "Taking the Domestic View in Hawthorne’s Fiction." New England Quarterly 88, no. 4 (December 2015): 657–80. http://dx.doi.org/10.1162/tneq_a_00494.

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Shifting the emphasis within feminist criticism from the act of speech to the act of hearing, this article argues that, in The Scarlet Letter, The House of the Seven Gables, and Blithedale Romance, Nathaniel Hawthorne reveals how the public sphere depends on the voices of dispossessed women even as it attempts to silence them.
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Hayati, Yenni. "DUNIA PEREMPUAN DALAM KARYA SASTRA PEREMPUAN INDONESIA (Kajian Feminisme)." Humanus 11, no. 1 (December 18, 2012): 85. http://dx.doi.org/10.24036/jh.v11i1.626.

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This article describes the world of and images of women depicted in women fiction writer, particularly in short story literature. In depicting women’s world, an Indonesian writer tends to focus on their domestic than public life. This is because domestic life is considered safer for women, and women are considered best settled in the domestic life. There are six images closely associated with women; a mother, a loyal woman, a successful woman, a second woman, an ideal woman, and a bad woman. Mother image is the most found, 14 of 15 fictions examined in this research. The description of domestic life associates with mother image, because the two are closely related with the life of Indonesian women. Key words: women’s world, women’s image, women’s literature
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Wagner, Tamara Silvia. "The Mother-Sister of Victorian Fiction: Domestic Compromises and Replaceable Heroines." Victorians Institute Journal 49 (November 1, 2022): 138–65. http://dx.doi.org/10.5325/victinstj.49.2022.0138.

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Abstract This article critically examines the figure of the “mother-sister” in Victorian popular fiction. Sisters whose main function in the household comprises mothering their siblings, combines several narrative possibilities in nineteenth-century fiction, while constructively complicating the representation of domestic work. Whereas canonical fiction depicts sisters taking care of motherless siblings more often than their general absence from critical discussion might suggest, for several Victorian women writers, the mother-sister’s experience offers an opportunity to detail everyday domestic labor, to validate homemaking without sentimentalizing it, and to express frustration without rejecting domestic ideals. After a general discussion of the significance of this hitherto neglected figure in Victorian culture, this article juxtaposes the mother-sister’s representation in novels by otherwise markedly different popular authors of the time: the religious writer Charlotte Yonge and Mrs. Henry Wood, one of the most successful sensation novelists of the time. Their contrasting portrayal of reluctant, resentful, and resented mother-sisters offers a different angle on expected depictions of capable homemaking as a sign of value in Victorian fiction.
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Dissertations / Theses on the topic "Domestic fiction"

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Howard, Rachel. "Domesticating the novel : moral-domestic fiction, 1820-1834." Thesis, Cardiff University, 2007. http://orca.cf.ac.uk/55754/.

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Since the late 1960s, the marginalised status of women within literary studies has been addressed. Critics such as Kate Millett set the standard for studies of male-authored fiction that read them for signs of their oppressive, patriarchal assumptions. Somewhat differently, Elaine Showaiter's 1977 text A Literature of Their Own proved seminal for its shift in focus towards women's writing, and the aim of detecting female experiences of society. The effort to retrieve lost or neglected fiction by women mobilised many critics, such Sandra Gilbert and Susan Gubar, yet of most significance for the subject matter of this thesis is Ellen Moers. Moers's Literary Women (1976) essentially suggests an expansion of the types of female-authored fiction that should be recovered. For Moers, women's writing does not have to be about isolated, feminist rejections of male-oriented society in order to be worth retrieving. Female novelists of the eighteenth and nineteenth centuries were taking advantage of one of the few outlets available to them to make money, and their works were defined by intertextuality. Moers writes about a 'sounding board' of mutual awareness and resonance that exists between women writers across periods and genres a female tradition of writing is formed by the 'many voices, of different rhythms, pitches, and timbres' by which women writers are encircled. Collectively, existing works such as those by Showalter and Moers offer justification for retrieving a range of lesser-known, seemingly mundane female-authored works from the past, as these contain connections with surrounding works as well as a narrative on women's experiences of society. Currently, however, there is a critical hiatus in which this opportunity is not being satisfied, and many women writers remain neglected. The gap in our knowledge of the female literary tradition can be filled in part by increased familiarisation with the Moral-Domestic genre of the 1820s and 1830s. This genre relates to fictional forbears such as Jane Austen and Maria Edgeworth, as well as later Victorian authors. It also offers a female perspective on a publishing scene whose significance is arguably yet to be fully realised. In this way, the female-authored, Moral-Domestic novels that proliferated in the late-Romantic period represent one, as yet unrecognised voice in Moers's 'sounding board'.
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Modrei, Karen. "Craft Fiction." Thesis, Konstfack, Textil, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-7814.

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In this paper I introduce and explain the construct of ‘Craft Fiction’ as a setting for my own artistic work. Within a fictional framework, I am mediating between the field of craft and the contemporary environment of relocated materialities and digital worlds I find myself in. Using the vehicle of language and analyzing those dialogue that are ongoing in craft processes, I am assessing the intimate relationships between maker and its tools/machines, in order to discuss hierarchies and purpose of crafting.
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Guravich, Peter B. "Class consciousness and domestic service in Elizabeth Gaskell's shorter fiction." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ29993.pdf.

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Modiano, Marko. "Domestic disharmony and industrialisation in D. H. Lawrence's early fiction /." Stockholm : Almqvist & Wiksell, 1987. http://catalogue.bnf.fr/ark:/12148/cb35506518t.

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Frear, Sara S. ""A fine view of the delectable mountains" the religious vision of Mary Virginia Terhune and Augusta Jane Evans Wilson /." Auburn, Ala., 2007. http://repo.lib.auburn.edu/07M%20Dissertations/FREAR_SARA_35.pdf.

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Andrade, Emily Y. "Illegal immigration : 6 stories from an American family." Virtual Press, 2007. http://liblink.bsu.edu/uhtbin/catkey/1365172.

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Illegal Immigration: Six Stories from an American Family is a collection of stories derived from and inspired by the author's personal life experiences, dreams, and family history, as a Mexican American woman. The stories also hold distinct archetypal patterns, images, storylines and symbolism due to the author's connection to the collective unconscious through meditation. The stories tell character driven stories of adversity, and the search for home, and identity by linking main characters to their family members in each story. The collection as a whole reveals generational patterns, histories and connections not only present in the matriarchal bloodline of the collection, but from one human to another. The stories beckon the reader into an alternate reality created by these archetypal patterns inherent in all humans, in an attempt to transcend genres and find a place within the psyche where anything is possible.
Illegal immigration -- Marco and Margarita -- La muerte de mi padre -- Together again -- Vivi and Ricardo -- The healer.
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O'Neil, Jennifer KayLynn. "Invisible, not invincible : a fiction and memoir thesis on domestic abuse /." View online, 2010. http://repository.eiu.edu/theses/docs/32211131575225.pdf.

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Wingert, Lynn Renee. "Battered, bruised, and abused women domestic violence in nineteenth-century British fiction /." [Ames, Iowa : Iowa State University], 2007.

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Russell, Deborah. "Domestic Gothic : narrating the nation in eighteenth-century British women's Gothic fiction." Thesis, University of York, 2011. http://etheses.whiterose.ac.uk/2074/.

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This thesis argues that eighteenth-century British narratives of the nation's past and of the history of women significantly inform and shape early women's Gothic fiction. Foregrounding the idea of the Gothic as a genre preoccupied with national identity, it looks again at the coordinates of Gothic fiction to investigate novels set in Britain. It analyzes in detail novels written between 1777 and c.1802 by Clara Reeve, Sophia Lee, Ann Radcliffe, Charlotte Smith, Eliza Fenwick, Mary Wollstonecraft, and Mary Hays. The study examines the uses of Gothic tropes in such texts in the light of British political crises and societal tensions, exploring how these intersect with specifically gendered concerns. Such an approach shifts the emphasis in discussions of national identity in the genre; it no longer has to be primarily seen as negotiated in relation to a foreign other. Instead, this refocusing throws light on the detail of the national historical narratives that the mode manipulates. My awareness of the multivalency of the Gothic in historico-political contexts also exposes the diversity of its use in women's fiction. The project thus aims to produce a more nuanced, historically-aware map of early women's Gothic writing.
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Abbott, Dorothy. "Good and faithful? : representations of domestic servants in English fiction, 1870-1920." Thesis, University of the West of England, Bristol, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.249140.

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Books on the topic "Domestic fiction"

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Hardwick, Mollie. Malice domestic. New York: St. Martin's Press, 1986.

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Hardwick, Mollie. Malice domestic. London: Century, 1986.

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Gutcheon, Beth Richardson. Domestic pleasures. New York: Perennial, 2001.

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Goudge, Eileen. Domestic affairs. New York: Vanguard Press, 2008.

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Susan, Johnston. Women and domestic experience in Victorian political fiction. Westport, Conn: Greenwood Press, 2001.

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Goudge, Eileen. Domestic affairs. Waterville, Me: Thorndike Press, 2008.

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Hardwick, Mollie. Malice domestic. New York: Fawcett Crest, 1992.

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Boland, Eavan. Domestic violence. Manchester: Carcanet Press, 2007.

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Brosh, Liora. Screening novel women: From British domestic fiction to film. Basingstoke [England]: Palgrave Macmillan, 2008.

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Domestic Womens Fiction. Not Avail, 2004.

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Book chapters on the topic "Domestic fiction"

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Di Ciolla, Nicoletta, and Anna Pasolini. "The Violent Mother in Fact and Fiction." In Domestic Noir, 137–58. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-69338-5_8.

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Chaudhuri, Supriya. "Domestic Space in Tagore's Fiction." In Tagore's Ideas of the New Woman: The Making and Unmaking of Female Subjectivity, 54–73. 1 Oliver's Yard, 55 City Road London EC1Y 1SP: SAGE Publications, Inc., 2017. http://dx.doi.org/10.4135/9789353280345.n5.

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Nesvet, Rebecca. "Rymer's Domestic Romance." In James Malcolm Rymer, Penny Fiction, and the Family, 77–97. New York: Routledge, 2024. http://dx.doi.org/10.4324/9781003365952-5.

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Álvarez, Elena Avanzas. "The Subversion of the Male Tradition in Crime Fiction: Liane Moriarty’s Little Lies." In Domestic Noir, 181–98. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-69338-5_10.

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Catoira, Patricia. "Carmen’s Final Problem: Contesting Crime Fiction and Gender Roles in Marcela Serrano’s Nuestra Señora de la Soledad." In Domestic Noir, 261–79. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-69338-5_14.

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Wisker, Gina. "Ghostings and Hauntings: Splintering the Fabric of Domestic Gothic." In Contemporary Women's Gothic Fiction, 207–34. London: Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-30349-3_9.

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Miller, Emma V. "“How Much Do You Want to Pay for This Beauty?”: Domestic Noir and the Active Turn in Feminist Crime Fiction." In Domestic Noir, 89–113. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-69338-5_6.

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Spongberg, Mary. "‘All Histories Are Against You?’: Family History, Domestic History and the Feminine Past in Northanger Abbey and Persuasion." In Reading Historical Fiction, 50–66. London: Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137291547_4.

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Armstrong, Nancy, and Leonard Tennenhouse. "The Network Novel and How It Unsettled Domestic Fiction." In A Companion to the English Novel, 306–20. Chichester, UK: John Wiley & Sons, Ltd, 2015. http://dx.doi.org/10.1002/9781118607251.ch20.

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Bannet, Eve Tavor. "Adulterous Sentiments in Transatlantic Domestic Fiction, c. 1770–1805." In Atlantic Worlds in the Long Eighteenth Century, 17–31. New York: Palgrave Macmillan US, 2012. http://dx.doi.org/10.1057/9781137014610_2.

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Conference papers on the topic "Domestic fiction"

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Canizares, Galo. "Stranger than Fiction: Artificial Intelligence, Media, and the Domestic Realm." In 105th ACSA Annual Meeting Paper Proceedings. ACSA Press, 2017. http://dx.doi.org/10.35483/acsa.am.105.76.

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Alan Kay’s famous soundbite from a 1971 Xerox PARC (Palo Alto Research Center) meeting presents a bizarre chicken and egg paradox. It goes like this: which came first, the science fiction representation of the objector the desire for specific objects themselves? In other words, is the plethora of technological advancements a direct result of anthropomorphic inevitabilities or are we simply trying to realize objects, vehicles, and environments we saw in science fiction representations in the mid-twentieth century? In this paper, I will argue that media and literature are equally as responsible as engineering for our current architectural reality. With the rise of Web 2.0, advances in graphics visualization, and their attendant cultural shifts, aspects of contemporary urban life increasingly resemble a science fiction. The pervasiveness of app culture and recent factual and fictional examples of artificial intelligence augmenting the built environment suggest that engineering advancements exist as part of a tight feedback loop between consumer expectations—largely influenced by Hollywood—and scientific discoveries. Therefore, in order to fully understand, historicise, or speculate on the future of interactions between humans and machines, we must first unpack the cycle of fiction-to-fact that typically occurs. Taking the domestic realm as an example, we can identify a series of uncanny, artificially intelligent, technologies which reflect human desires for subservience, assistance, and interconnectedness. Here, AI will serve as a case study through which to analyze the effect of fiction on scientific advancements and their subsequent dissemination into the consumer world, ultimately constituting a history based less on fact and more on media, image, and variable levels of reality.
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Kovtun, Elena. "Scientific Works of S.V. Nikolsky and Modern Domestic Science Fiction Studies." In Russian Bohemian Studies Yesterday and Today. Institute of Slavic Studies, Russian Academy of Sciences, 2022. http://dx.doi.org/10.31168/7576-0479-4.9.

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Sioli, Angeliki. "The Detective Stories Studio: The Function of Fiction in Shaping Architectural Education." In 108th Annual Meeting Proceedings. ACSA Press, 2020. http://dx.doi.org/10.35483/acsa.am.108.89.

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Presenting the example of the “Detective-Stories Design Studio” as a case study for a master-level course, this paper explores the role of literature and fiction in architectural education. Through selected Edgar Allan Poe short stories, the paper unpacks three distinct approaches that the studio employed in incorporating literature for the exploration of contemporary design issues. Touching on the ongoing conversation on atmosphere and space the first approach introduces literature as an exploration of a place’s lived experience. It examines fiction’s potential to communication spatial qualities and moods, allowing us to understand how these intangible elements influence our perception and appropriation of a given environment. Based on these characteristics the design work focuses on the creation of a device that attunes students with the specific atmosphere that Poe’s short story “The Masque of Red Death” uniquely captures. The second approach touches on literature’s imaginative power to suggest unexpected and many times overlooked uses of space. Based on “The Purloined Letter,” the design-work heavily draws from the spatial investigative techniques analyzed in the short story to proceed with an unconventional site analysis. The third methodology emerges from literature’s capacity to point towards paramount sociological conditions of space, in a way that allows us to reconsider and re-evaluate our own everyday reality. Poe’s “Black Cat” tangibly confronts the issue of domestic violence in American society and the design assignment addresses this issue. The paper concludes with a contextualization of the suggested methodological approach in relation to the renewed architectural interest in literature, as manifested the last ten years through interdisciplinary conferences and publications both in North America and Europe. The paper places “The Detective-Stories Studio” in this contemporary pedagogical and research context and evaluates its significance and uniqueness in the ongoing conversation.
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