Relevant bibliographies by topics / Domestic music

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Domestic music'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Domestic music"

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Budden, Julian. "Domestic Donizetti." Musical Times 126, no. 1709 (1985): 415. http://dx.doi.org/10.2307/964367.

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Bashford, Christina. "Historiography and Invisible Musics: Domestic Chamber Music in Nineteenth-Century Britain." Journal of the American Musicological Society 63, no. 2 (2010): 291–360. http://dx.doi.org/10.1525/jams.2010.63.2.291.

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Abstract A persistent idea in chamber music historiography is that nineteenth-century Britain lacked a significant, serious domestic chamber-music culture of the type so prevalent in Austro-Germany. Such activity is assumed to have dried up ca. 1800, along with indigenous chamber-music composition, to be replaced by music making at the parlor piano and attendance at public concerts. This essay challenges that view and suggests a continuing, coherent subculture of private chamber music spread across Britain, often in unexpected settings and in communities of upper- and middle-class males. Under
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Hernandez-Ruiz, Eugenia. "Empowering Women Survivors of Domestic Violence." Music Therapy Perspectives 38, no. 1 (2020): 3–6. http://dx.doi.org/10.1093/mtp/miaa005.

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Abstract Domestic violence is a pervasive public health problem with high societal costs. Domestic violence shelters provide services to women and their children to support their journey away from violence. Music therapy in shelters can be a vehicle of empowerment for these women. In this clinical portrait, I share my experience as a music therapist in a domestic violence shelter, incorporating an overview of the services and theoretical framework we used, reflecting on the function that music may have in this situation, and illustrating it with the case of one of the women that I was honored
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Neveux, C., M. Ferard, L. Dickel, V. Bouet, O. Petit, and M. Valenchon. "Classical music reduces acute stress of domestic horses." Journal of Veterinary Behavior 15 (September 2016): 81. http://dx.doi.org/10.1016/j.jveb.2016.08.019.

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Sumner Lott, Marie. "At the Intersection of Public and Private Musical Life: Brahms's Op. 51 String Quartets." Journal of the Royal Musical Association 137, no. 2 (2012): 243–305. http://dx.doi.org/10.1080/02690403.2012.717468.

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AbstractBrahms's dedication of his op. 51 string quartets (1873) to the surgeon Theodor Billroth provides a window into Brahms's musico-political views in the 1870s that has hitherto been unexplored by music scholars. Analysis of correspondence, performance traditions and the scores of these two quartets demonstrates that Brahms chose to align himself and his works with the learned connoisseurs of the domestic chamber-music-making tradition, represented by Billroth and his frequent musical soirées. Brahms's music also shows the influence of Joseph Joachim, his oldest and dearest friend and Eur
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Meuleman, Roza, Marcel Lubbers, and Maykel Verkuyten. "Parental socialization and the consumption of domestic films, books and music." Journal of Consumer Culture 18, no. 1 (2016): 103–30. http://dx.doi.org/10.1177/1469540516648372.

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By innovatively combining insights from research on cultural consumption, socialization and nationalism, this study is one of the first empirical studies to shed more light on role of parental socialization in domestic and foreign cultural consumption of films, books and music. Similar to previous studies on parental socialization of highbrow and lowbrow cultural consumption, parents’ cultural socialization when respondents were in their formative years (i.e. parental domestic cultural consumption) is relevant for respondents’ domestic and foreign cultural consumption later in life. Parents’ n
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MITSUI, TORU. "DOMESTIC EXOTICISM A recent trend in Japanese popular music." Perfect Beat 3, no. 4 (2015): 1–12. http://dx.doi.org/10.1558/prbt.v3i4.28736.

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Cassity, M. D., and K. A. K. Theobold. "Domestic Violence: Assessments and Treatments Employed by Music Therapists." Journal of Music Therapy 27, no. 4 (1990): 179–94. http://dx.doi.org/10.1093/jmt/27.4.179.

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Hampton, Amanda, Alexandra Ford, Roy E. Cox, Chin-chi Liu, and Ronald Koh. "Effects of music on behavior and physiological stress response of domestic cats in a veterinary clinic." Journal of Feline Medicine and Surgery 22, no. 2 (2019): 122–28. http://dx.doi.org/10.1177/1098612x19828131.

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Objectives Our objective was to determine if feline-specific music played in a veterinary clinical setting would promote lower cat stress scores (CSSs), lower mean handling scale scores (HSs) and reduced neutrophil:lymphocyte ratios (NLRs) in cats during physical examinations. Methods Cats were exposed to one of three auditory stimuli tests – silence, classical music and cat-specific music – during three physical examinations 2 weeks apart. CSSs were recorded at pre- and post-auditory tests and during the examination period. The HSs were recorded at the physical examination period. The physiol
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Dumov, E. L., M. Nöcker-Ribaupierre, N. V. Andrushchenko, and A. S. Iova. "MUSIC THERAPY OF PREMATURE NEONATES:ACHIEVEMENTS AND PROSPECTS." HERALD of North-Western State Medical University named after I.I. Mechnikov 7, no. 4 (2015): 76–83. http://dx.doi.org/10.17816/mechnikov20157476-83.

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Research of effects of music on premature infants has been performed since 1970 th. The vast majority of investigations have revealed essential positive effects of music on various physiological indices of infants. During the previous 40 years, music therapy has developed from simple acoustic stimulation of a neonate to complex types of musical and psychotherapeutical interventions directed not only at an infant, but also at caregivers (primary at a mother) in order to support bonding of the dyad, disconnected by perinatal stress and long-term hospitalization in a NICU. In spite of multiple wo
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Dissertations / Theses on the topic "Domestic music"

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Lockhart, William. "Listening to the domestic music machine." Doctoral thesis, Humboldt-Universität zu Berlin, Philosophische Fakultät III, 2012. http://dx.doi.org/10.18452/16646.

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Klavierbearbeitungen waren für die Aufführungs- sowie Hörgewohnheiten des nichtprofessionellen Musikers des neunzehnten Jahrhunderts entscheidend. Nicht nur deckten sie den dringenden Bedarf an einer kosteneffektiven musikalischen Verbreitungstechnologie sondern ihre immense Popularität verursachte eine mit großen Umfang kommerzielle musikalische Verlagsindustrie. Diese Dissertation stellt zum ersten Mal die viele Seiten des Klavierarrangements wieder her, indem es als musikalisches Schaffen, als Konsumware und als Objekt vieler kritischen Diskurse analysiert wird. Es wird gezeigt, dass Arra
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CHUA, EMILY YAP. "SOCIAL AND DOMESTIC INFLUENCES IN RUTH CRAWFORD'S MUSIC." University of Cincinnati / OhioLINK, 2002. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1021661917.

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Cooper, Amy Nicole. "Borrowing Culture: British Music Circulating Libraries and Domestic Musical Practice, 1853-1910." Thesis, University of North Texas, 2020. https://digital.library.unt.edu/ark:/67531/metadc1707295/.

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In Victorian Britain, music circulating libraries libraries operated by music publishers Novello & Co. and Augener & Co. supported upper- and upper-middle-class patrons in their pursuit of cultural capital that would help them perform their socioeconomic status. Studying these libraries in the context of domestic music-making reveals the economic and social impact of these libraries in the lives of amateur musicians and in the music publishing industry. An analysis of the account books in the Novello Business Archives demonstrates that the direct income that Novello & Co., Ltd.'s Universal Cir
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Kranias, Alison. "Verovio's keyboard intabulations and domestic music making in the late Renaissance." Thesis, McGill University, 2006. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=98544.

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At the end of the sixteenth century, Simone Verovio printed a series of canzonetta anthologies in Rome. These collections were unique, in that they contained keyboard and lute intabulations alongside their vocal parts. The keyboard intabulations seem primarily intended as accompanimental parts. As such, they inform us about the use of keyboard instruments in ensembles of mixed voices and instruments. This thesis examines how the printing format of Verovio's keyboard intabulations arose from a larger context. In particular, it asks what were the skills and training of amateur keyboard players (
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Dunnington, Graham. "Domestic piano music in Victorian England : the case of (Edward) Sydney Smith (1839-89)." Thesis, University of Hull, 2011. http://hydra.hull.ac.uk/resources/hull:15256.

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The history of music-making in Victorian and Edwardian England has, in recent decades, been well documented. The dedication and hard work of legions of amateur singers and brass players is now appreciated and admired, and this admiration also extends to those working behind the scenes – the wives and daughters who washed uniforms, sewed on loose buttons, polished brass instruments, made teas and sandwiches for rehearsals etc. Theirs is an important story. However, there were countless other amateur musicians whose histories are much harder to unearth – the tens of thousands of amateur pianists
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Du, Preez Almarie. "A ‘foreign’ journey of negotiating music therapy on home ground." Diss., University of Pretoria, 2007. http://hdl.handle.net/2263/31322.

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This study explored the process of negotiating music therapy in a community based setting known as The Potter’s House. The Potter’s House was established fourteen years ago as the first non-racial shelter for battered and destitute women and their children in the city of Pretoria. Furthermore, the study considers Community Music Therapy as a possible frame for music therapy practice in South Africa. The study was conducted according to a qualitative research paradigm. Three data collection sources were used to gather information about the way in which music therapy was negotiated at The Potter
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Glosson, Sarah Gentry. "Domestic Music Making in Late Eighteenth-Century Elite Chesapeake Society: The "Elegant Selections" of Shirley Plantation." W&M ScholarWorks, 2009. https://scholarworks.wm.edu/etd/1539626581.

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Phillips, Nicholas Scott Everett William A. "Mendelssohn's Songs without words revisited: culture, gender, literature, and the role of domestic piano music in Victorian England /." Diss., UMK access, 2007.

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Thesis (D.M.A.)--Conservatory of Music. University of Missouri--Kansas City, 2007.<br>"A dissertation in performance." Typescript. Advisor: William A. Everett. Vita. Title from "catalog record" of the print edition Description based on contents viewed Feb. 08, 2008 Includes bibliographical references (leaves 123-136). Online version of the print edition.
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Björk, Forsberg Hanna, and McDaniel Maria Ericsson. "Att skapa PrakTeori. : En aktionsforskningsstudie om att kombinera teori och praktik i två ämnen som förväntas vara mestadels praktiska." Thesis, Högskolan i Halmstad, Akademin för lärande, humaniora och samhälle, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:hh:diva-33134.

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Studiens syfte är att utveckla vårt arbetssätt i musik och hem- och konsumentkunskap samt öka förutsättningarna för elevers förmåga att kombinera teori och praktik. Forskning om lärande i utbildningssammanhang visar stort intresse för begrepp som teori och praktik, vilket vi tar fasta på i föreliggande studie. Studien har en aktionsforskande ansats där vi för in aktioner i både musik- och hem- och konsumentkunskapsundervisning. Aktionerna har genomförts i årskurs åtta och nio. De valda aktionerna gick ut på att synliggöra hur eleverna utifrån valda aktioner arbetade med och kombinerade teori o
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Lockhart, William [Verfasser], Hermann Akademischer Betreuer] Danuser, Nikolaus [Akademischer Betreuer] Bacht, Thomas [Akademischer Betreuer] Christensen, Melanie [Akademischer Betreuer] [Wald-Fuhrmann, and Tobias [Akademischer Betreuer] Plebuch. "Listening to the domestic music machine : keyboard arrangement in the nineteenth century / William Lockhart. Gutachter: Hermann Danuser ; Nikolaus Bacht ; Thomas Christensen ; Melanie Wald-Fuhrmann ; Tobias Plebuch." Berlin : Humboldt Universität zu Berlin, Philosophische Fakultät III, 2012. http://d-nb.info/1029763852/34.

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Books on the topic "Domestic music"

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Richard, Cohen. Pronoun music: Stories. Pleasure Boat Studio, 2000.

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Wilson, Etta. Music in the night. Cobblehill, 1993.

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The gaze of the listener: English representations of domestic music-making. Rodopi, 2008.

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Mitton, Tony. Farmer Joe and the music show. Orchard Books, 2009.

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Bill, Slavin, and Clermont Marie-Andrée, eds. Chantons à la ferme. Scholastic Canada, 1991.

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Smethurst, Julia. Finclucky from Kentucky. Joey Books, 2015.

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Chuck's band. Houghton Mifflin Harcourt, 2017.

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Punk Farm. Alfred A. Knopf, 2005.

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Evensen, Rachelle. Finn's marching band: A story of counting, colors, and playing together. Ambassador Children's Books, 2009.

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Finn's marching band: A story of counting, colors, and playing together. Ambassador Children's Books, 2009.

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Book chapters on the topic "Domestic music"

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Chung, HaeKyung, and JangHyok Ko. "A Study of Persona Research on Domestic Music Applications." In Software Engineering, Artificial Intelligence, Networking and Parallel/Distributed Computing. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-26428-4_9.

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da Correa, Delia Sousa. "Music and the Woman Question: The ‘Minister of Domestic Concord’ and ‘the Most Sensuous of Accomplishments’." In George Eliot, Music and Victorian Culture. Palgrave Macmillan UK, 2003. http://dx.doi.org/10.1057/9780230598010_3.

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van Orden, Kate. "Domestic Music." In The Cambridge History of Sixteenth-Century Music. Cambridge University Press, 2019. http://dx.doi.org/10.1017/9780511675874.011.

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Vander Wel, Stephanie. "Domestic Respectability." In Hillbilly Maidens, Okies, and Cowgirls. University of Illinois Press, 2020. http://dx.doi.org/10.5622/illinois/9780252043086.003.0008.

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Chapter 7 positions the commercial success of female country artists and the narratives of honky-tonk music against the marketing strategies of 1950s country music. As the country music industry strove for commercial acceptance in the popular music market, it promoted its male (including Hank Williams and Webb Pierce) and female performers (such as Kitty Wells, Jean Shepard, and Goldie Hill) as examples of middle-class propriety. This chapter argues that the contradictions between the lyrical themes of honky-tonk music and the 1950s tropes of domesticity used in marketing individual country artists spoke of and assuaged the anxieties and tensions of social class and geographical migration for an audience of displaced white southerners.
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"Hidden Fans? Fandom and Domestic Musical Activity." In Popular Music Fandom. Routledge, 2013. http://dx.doi.org/10.4324/9780203795125-16.

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"The Domestic Gesamtkunstwerk, or Record Sleeves and Reception*." In Music, Performance, Meaning. Routledge, 2017. http://dx.doi.org/10.4324/9781315090757-8.

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"Domestic and Popular Music-making I." In Music in Welsh Culture Before 1650. Routledge, 2017. http://dx.doi.org/10.4324/9781315090825-21.

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"Domestic and Popular Music-making II." In Music in Welsh Culture Before 1650. Routledge, 2017. http://dx.doi.org/10.4324/9781315090825-22.

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HOWARD, DEBORAH. "Introduction: Music-making in Domestic Space." In The Music Room in Early Modern France and Italy. British Academy, 2012. http://dx.doi.org/10.5871/bacad/9780197265055.003.0001.

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The introduction sets the forthcoming chapters in the broader context of musical life in Early Modern France and Italy, with reference to existing scholarship on the subject. The occasions and locations in which musical performance took place are outlined, and the scope of the book is defined, stressing the close connections between France and Italy. A growing number of studies of secular music-making consider the social and ideological framework for performance, but usually without serious consideration of architectural settings. Yet these were crucial to the acoustic quality of the performance, for both players and listeners. The chapter therefore underlines the need for an interdisciplinary approach, to establish the background for the study of the emergence of the permanent theatre.
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Pessarrodona, Aurèlia. "DOMESTIC OPERA IN TONADILLAS:." In Theatre Spaces for Music in 18th-Century Europe. Hollitzer Verlag, 2020. http://dx.doi.org/10.2307/j.ctv15d7z24.9.

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Conference papers on the topic "Domestic music"

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Luan, Boqiang. "Discussion on Life Connotations of Domestic and Overseas Music Education." In 2018 3rd International Conference on Education, Sports, Arts and Management Engineering (ICESAME 2018). Atlantis Press, 2018. http://dx.doi.org/10.2991/icesame-18.2018.17.

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Sárközi, György, and Márton Tamás Horváth. "Evaluation Criteria for Demand Responsive Transport – Through the Analysis of Domestic and International Systems." In MultiScience - XXX. microCAD International Multidisciplinary Scientific Conference. University of Miskolc, 2016. http://dx.doi.org/10.26649/musci.2016.031.

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