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1

Richard, Cohen. Pronoun music: Stories. Pleasure Boat Studio, 2000.

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2

Wilson, Etta. Music in the night. Cobblehill, 1993.

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3

The gaze of the listener: English representations of domestic music-making. Rodopi, 2008.

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4

Mitton, Tony. Farmer Joe and the music show. Orchard Books, 2009.

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5

Bill, Slavin, and Clermont Marie-Andrée, eds. Chantons à la ferme. Scholastic Canada, 1991.

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6

Smethurst, Julia. Finclucky from Kentucky. Joey Books, 2015.

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7

Chuck's band. Houghton Mifflin Harcourt, 2017.

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8

Punk Farm. Alfred A. Knopf, 2005.

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9

Evensen, Rachelle. Finn's marching band: A story of counting, colors, and playing together. Ambassador Children's Books, 2009.

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10

Finn's marching band: A story of counting, colors, and playing together. Ambassador Children's Books, 2009.

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11

Hagen, Nipp Susan, Klein Nancy, and Kress Kurt R. ill, eds. Wee sing farm animals: Sounds & songs. Price Stern Sloan, 1996.

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12

Kenna, Kara. Old MacDonald had a farm: A sing-along fun book. Silver Dolphin Books, 2013.

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13

Row, row, row your goat. Harcourt Brace, 1998.

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14

ill, Huliska-Beith Laura 1964, ed. A farmer's life for me. Barefoot Books, 2013.

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15

Dale, Penny. The boy on the bus. Walker, 2008.

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16

Asch, Frank. Barnyard lullaby. Simon & Schuster Books for Young Readers, 1998.

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17

Barnyard lullaby. Simon & Schuster Books for Young Readers, 1998.

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18

Krosoczka, Jarrett. Punk Farm on tour. Alfred A. Knopf, 2007.

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19

Dale, Penny. The boy on the bus. Candlewick Press, 2007.

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20

McCann, Anthony. Beyond the commons: The expansion of the Irish Music Rights Organisation, the elimination of uncertainty, and the politics of enclosure. Anthony T. McCann, 2002.

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21

Hurzlmeier, Rudi. Katzenmusik und Katerstimmung: Tierisch-musikalische Geschichten. 2nd ed. Edition Elke Heidenreich bei C. Bertelsmann, 2012.

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22

Ede, Lara. Old MacDonald had a farm. Make Believe Ideas, 2011.

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23

Buchanan, Heather S. George Mouse's riverboat band. Dial Books for Young Readers, 1987.

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24

Reasoner, Charles. Inside Old MacDonald's barn. Sandy Creek, 2014.

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25

Picoult, Jodi. Sing you home: A novel. Pocket Books, 2014.

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26

ill, Sim David 1953, ed. Driving my tractor. Barefoot Books, 2009.

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27

Picoult, Jodi. Sing you home. Hodder & Stoughton, 2011.

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28

Fiddle-i-fee: A farmyard song for the very young. Little, Brown, 1992.

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29

Fiddle-i-fee. Little, Brown, 2002.

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30

María, Pérez, and Huliska-Beith Laura 1964-, eds. ¡Vivamos la granja! Barefoot Books, 2013.

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31

illustrator, Huliska-Beith Laura 1964, and Pérez María translator, eds. ¡Vivamos la granja! Barefoot Books, 2013.

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32

Pavoni, Rosanna. Case museo in Italia: Nuovi percorsi di cultura : poesia, storia, arte, architettura, musica, artigianato, gusto, tradizioni. Gangemi, 2009.

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33

Fiddle-i-fee. Harcourt, 2002.

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34

Yangquan miao hui: Yang quan miao hui. Fang zhi chu ban she, 2010.

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35

Picoult, Jodi. Sing you home: A novel. Atria Books, 2011.

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36

Music in the night. Silver Burdett Ginn, 1996.

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37

Curtis, Sandra L. Music Therapy for Women Who Have Experienced Domestic Violence. Edited by Jane Edwards. Oxford University Press, 2015. http://dx.doi.org/10.1093/oxfordhb/9780199639755.013.30.

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Music therapists working in the area of domestic violence represent an emergent, but growing professional group. The termdomestic violenceis currently the most widely recognized. However, it has been criticized for the way in which it can serve to mask dimensions of gender and power involved, and can individualize the problem, ignoring its sociopolitical underpinnings. It also masks connections between this type of violence and all forms of male violence against women. As a result to ensure a better understanding, the preferred term for all types of this violence iswoman abuse, withintimate ma
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38

Trillini, Regula Hohl. Gaze of the Listener: English Representations of Domestic Music-Making. Rodopi B.V. Editions, 2008.

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39

Macleod, Beth Abelson. On Tour before Domestic Audiences. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039348.003.0006.

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This chapter focuses on Fannie Bloomfield-Zeisler's piano recitals in the United States. It begins with a discussion of the development of an almost sacred canon of composers and the elevation of classical music to a virtual religious status as articulated by critic and transcendentalist John Sullivan Dwight and others. It then considers the bifurcation of various U.S. cultural activities into separate spheres—popular and elite—as described by historian Lawrence Levine, and how recent scholars have modified Levine's position with regard to the evolution of music in nineteenth-century America.
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40

Suslova, Lilia. Review of the UK Domestic Furniture Industry: The Musical Review: 1885-1888 (Repertoire International de La Presse Musicale,). Nisc, 1998.

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41

Anderson, Peggy Perry. Chuck's Band. Houghton Mifflin Harcourt Publishing Company, 2008.

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42

Chuck's Band. HMH Books for Young Readers, 2017.

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43

Chuck's Band. Houghton Mifflin/Walter Lorraine Books, 2008.

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44

The keen of the south of Ireland as illustrative of Irish political and domestic history, manners, music, and superstitions. Scholars' Facsimiles & Reprints, 2005.

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45

Punk Farm. Random House Children's Books, 2010.

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46

L, Brooke Stephanie, ed. The use of the creative therapies with survivors of domestic violence. C.C. Thomas, 2008.

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47

Anderson, Airlie. Cows in the Kitchen (Classic Books With Holes). Not Avail, 2008.

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48

Anderson, Airlie. Cows in the Kitchen (Classic Books With Holes). Not Avail, 2008.

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49

Asch, Frank. Barnyard Lullaby. Turtleback Books Distributed by Demco Media, 2001.

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50

Old Macdonald. Backpack Books, 2005.

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