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Books on the topic 'Domestic television'

Author: Grafiati

Published: 30 May 2022

Last updated: 31 July 2025

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1

Morley, David. Family television: Cultural power and domestic leisure. Comedia Pub. Group, 1986.

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2

Commission, Monopolies and Mergers. Domestic electrical goods. The Stationery Office, 1997.

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3

Commission, Monopolies and Mergers. Domestic electrical goods. The Stationery Office, 1997.

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4

Davies, Michael. Discovering Welsh houses: A guide to eighteen architectural gems, based on the BBC television series. Graffeg, 2007.

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5

Davies, Michael. Discovering Welsh houses: A guide to eighteen architectural gems, based on the BBC television series. Graffeg, 2007.

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6

Jeremy, Aynsley, Grant Charlotte, and Arts & Humanities Research Council (Great Britain). Centre for the Study of the Domestic Interior, eds. Imagined interiors: Representing the domestic interior since the Renaissance. V & A Pub., 2006.

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7

Short, Sharon Gwyn. Death of a domestic diva: A Toadfern mystery. Thorndike Press, 2004.

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8

Short, Sharon Gwyn. Death of a domestic diva: A Toadfern mystery. Avon Books, 2003.

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9

Mata, Danilo Segura. Derecho de familia y cine: Ensayos y notas sobre el uso del cine como recurso didáctico para el derecho de familia. Editorial Jurídica Continental, 2013.

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10

Rundfunk, Bayerischer, ed. Die neuen Traumhäuser: Bauherren verwirklichen ihr perfektes Haus. DVA, Deutsche Verlags-Anstalt, 2015.

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11

Todd, Gold, ed. Bark at the moon: The official Osbourne pet book. MTV books/Pocket books, 2002.

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12

Massimiliano, Tarozzi, and Dallari Marco, eds. Il governo della TV: Etnografie del consumo televisivo in contesti domestici. FrancoAngeli, 2007.

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13

Minestroni, Laura. Casa dolce casa: Storia dello spazio domestico tra pubblicità e società. FracoAngeli, 1996.

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14

Massimiliano, Tarozzi, and Dallari Marco, eds. Il governo della TV: Etnografie del consumo televisivo in contesti domestici. FrancoAngeli, 2007.

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15

Gildersleeve, Jessica, and Kate Cantrell. Screening the Gothic in Australia and New Zealand. Amsterdam University Press, 2022. http://dx.doi.org/10.5117/9789463721141.

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The persistent popularity of the detective narrative, new obsessions with psychological and supernatural disturbances, as well as the resurgence of older narratives of mystery or the Gothic all constitute a vast proportion of contemporary film and television productions. New ways of watching film and television have also seen a reinvigoration of this ‘most domestic of media’. But what does this ‘domesticity’ of genre and media look like ‘Down Under’ in the twenty.first century? This collection traces representations of the Gothic on both the small and large screens in Australia and New Zealand

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16

Armstrong, Taylor. Hiding from reality: My story of love, loss and finding the courage within. Gallery Books, 2012.

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17

Commission, Monopolies and Mergers. Domestic electrical goods 1: A report on the supply in the UK of televisions, video cassette recorders, hi-fi systems and camcorders. The Stationery Office, 1997.

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18

Cao, Elena. La casa: Progettare con la coscienza del proprio tempo e della storia : stampa, televisione, canzone, arte, moda, psicologia, religione, volontariato, ricerca ... Gangemi, 2008.

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19

Paul, Heike, Alexandra Ganser, and Katharina Gerund, eds. Pirates, Drifters, Fugitives. Universitätsverlag WINTER, 2012. http://dx.doi.org/10.33675/2012-82538586.

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Figures of mobility appear prominently in US-foundational narratives of ‘discovery,’ the ‘Puritan errand,’ and westward expansion; the protagonists of these hegemonic tales of settlement and nation-building are (mostly) European travellers, pioneers, and colonists. By contrast, figures such as pirates, drifters, and fugitives are for the most part absent from canonical narratives of new world beginnings and may be considered as expressing/representing alternative mobilities. Their stories and their representations raise questions of legitimacy and legality – often from a transnational perspect

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20

Wormer, Laura Van. Riverside Drive. Doubleday, 1988.

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21

Wormer, Laura Van. Riverside Drive. Sphere, 1990.

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22

Association, Reader's Digest, ed. SelectEditions: Volume 3 2000. Reader's Digest Association, 2000.

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23

Association, Reader's Digest, ed. SelectEditions: Volume 3 2000. Reader's Digest Association, 2000.

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24

Morley, David. Family Television: Cultural Power and Domestic Leisure. Taylor & Francis Group, 2016.

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25

Morley, David. Family Television: Cultural Power and Domestic Leisure. Taylor & Francis Group, 2005.

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26

Family Television: Cultural Power and Domestic Leisure. Taylor & Francis Group, 2005.

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27

Morley, David. Family Television: Cultural Power and Domestic Leisure. Taylor & Francis Group, 2005.

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28

Morley, David. Family Television: Cultural Power and Domestic Leisure. Taylor & Francis Group, 1986.

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29

Morley, David. Family Television: Cultural Power and Domestic Leisure. Taylor & Francis Group, 2005.

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30

Morley, David. Family Television: Cultural Power and Domestic Leisure. Taylor & Francis Group, 2005.

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31

Family television: Cultural power and domestic leisure. Comedia, 1986.

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32

Society, Royal Television, ed. The evolution of the domestic television receiver. Royal Television Society, 1988.

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33

Family television: Cultural power and domestic leisure. Routledge, 1988.

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34

Morley, David. Family Television: Cultural Power and Domestic Leisure (Comedia). Routledge, 1988.

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35

House the Wounded Healer on Television. Taylor & Francis Group, 2010.

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36

TV Family Values: Gender, Domestic Labor, and 1980s Sitcoms. Rutgers University Press, 2019.

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37

Leppert, Alice. TV Family Values: Gender, Domestic Labor, and 1980s Sitcoms. Rutgers University Press, 2019.

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38

Leppert, Alice. TV Family Values: Gender, Domestic Labor, and 1980s Sitcoms. Rutgers University Press, 2019.

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39

Hockley, Luke, and Leslie Gardner. House : the Wounded Healer on Television: Jungian and Post-Jungian Reflections. Taylor & Francis Group, 2010.

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40

House : the Wounded Healer on Television: Jungian and Post-Jungian Reflections. Routledge, 2010.

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41

Hockley, Luke, and Leslie Gardner. House : the Wounded Healer on Television: Jungian and Post-Jungian Reflections. Taylor & Francis Group, 2010.

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42

Hockley, Luke, and Leslie Gardner. House : the Wounded Healer on Television: Jungian and Post-Jungian Reflections. Taylor & Francis Group, 2010.

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43

Hockley, Luke, and Leslie Gardner. House : the Wounded Healer on Television: Jungian and Post-Jungian Reflections. Taylor & Francis Group, 2010.

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44

Hockley, Luke, and Leslie Gardner. House : the Wounded Healer on Television: Jungian and Post-Jungian Reflections. Taylor & Francis Group, 2010.

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45

Hockley, Luke, and Leslie Gardner. House : the Wounded Healer on Television: Jungian and Post-Jungian Reflections. Taylor & Francis Group, 2010.

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46

Kitchens, Juliette C. At Home in the Whedonverse: Essays on Domestic Place, Space and Life. McFarland & Company, Incorporated Publishers, 2017.

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47

Kitchens, Juliette C. At Home in the Whedonverse: Essays on Domestic Place, Space and Life. McFarland & Company, Incorporated Publishers, 2017.

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48

Hughes, Kit. Television at Work. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190855789.001.0001.

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This book explores how work, television, and waged labor come to have meaning in our everyday lives. However, it is not an analysis of workplace sitcoms or quality dramas. Instead, it explores the forgotten history of how American private sector workplaces used television in the twentieth century. It traces how, at the hands of employers, television physically and psychically managed workers and attempted to make work meaningful under the sign of capitalism. It also shows how the so-called domestic medium helped businesses shape labor relations and information architectures foundational to the

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49

Bellows, Susan. The bombing of Wall Street. 2018.

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50

House The Wounded Healer On Television Jungian And Postjungian Reflections. Routledge, 2010.

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