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Relevant bibliographies by topics / Dominant of the Mediant

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Journal articles

Academic literature on the topic 'Dominant of the Mediant'

Author: Grafiati

Published: 4 June 2021

Last updated: 11 February 2022

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Journal articles on the topic "Dominant of the Mediant"

1

West, Robert J., and Roz Fryer. "Ratings of Suitability of Probe Tones as Tonics after Random Orderings of Notes of the Diatonic Scale." Music Perception 7, no. 3 (1990): 253–58. http://dx.doi.org/10.2307/40285463.

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Playing an ascending or descending diatonic scale establishes a "tonal hierarchy" in which the major-mode tonic is judged by listeners as being in a tonal sense more stable than other notes (Krumhansl, 1983). This article describes a study in which listeners were asked to rate probe tones for suitability as tonics after presentation of a variety of "random" orderings of all seven notes of a given scale. The results indicate that even musically trained listeners do not differentiate the major-mode tonic as uniquely suitable as the tonal center. In fact the major-mode tonic, the mediant, the dominant, and the subdominant were considered equally suitable as tonics and together were given higher ratings than other notes from the scale, including what would be the tonic for the natural minor mode. Nonmusicians showed the same profile of responses as musicians. The results indicate that the time-order of notes is important to the perception of tonal hierarchy.

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2

Swinkin, Jeffrey. "About a Key." Journal of Musicology 34, no. 4 (2017): 515–58. http://dx.doi.org/10.1525/jm.2017.34.4.515.

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In the sonata practice of the mid-eighteenth century, composers frequently asserted the minor dominant prior to the major dominant in the second part of the exposition. Beethoven dramatized this technique in two senses: first, he used it after it had largely fallen out of fashion, thus affording it considerable dramatic impact (e.g., Piano Sonatas Ops. 2, no. 2, and no. 3); second, he graduated from using the “wrong” mode to the more radical technique of using the “wrong” key. For instance, for the secondary key of the Piano Sonatas Ops. 31, no. 1, and 53 (“Waldstein”), he substitutes the major mediant for the dominant. These and similar cases result in the deferred arrival of the tonic in the secondary theme of the recapitulation. Consequently, when the tonic belatedly arrives, the listener is more cognizant of it. In this way Beethoven brings the resolution of large-scale tonal dissonance to the fore. I suggest that such a tactic is metamusical—that Beethoven was in a sense writing music about music, about the relationship between a particular piece and the tonal and formal conventions it relies on and also problematizes. After presenting a number of such metamusical instances, this article traces the stages by which Beethoven “progressed” from the mid-eighteenth-century approach to sonata expositions to his more radical one; it then offers a typology of key-problematizing techniques. It concludes by briefly considering the extent to which these procedures can be squared with Schenkerian theory and its ideal of structural hearing.

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3

Man-Ching, Yu. "Transformations of diatonic materials and tonal procedures in Ligeti's 'Etude No. 15 White on White'." New Sound, no. 42 (2013): 117–38. http://dx.doi.org/10.5937/newso1341117m.

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This essay examines interrelationships of various diatonic materials that arise in Ligeti's Etude No. 15 "White on White", focusing on transformational properties between different diatonic trichords. Ligeti's distinctive treatments of diatonic materials reflect the utilization of triadic intervallic structures in transformational procedures. In particular, ic5 dominates in abundance, contributing to the consonant tonal property between various pitch-class transformations among trichords, and that some are smoothly interconnected by common tones for preserving diatonic coherent sound. Additionally, some transformations are analogous to tonal procedures - harmonies progress from tonic to dominant or subdominant and vice versa - that manifests Ligeti's pronounced reference to the context of the traditional common practice as three pitch-classes among the same types of trichords map onto each other solely by ic5. Along with the coherent diatonic sound that Ligeti forges, tonal contrasts are achieved through simultaneous tonal occurrences being established by transformed pitch-classes, forming tonal pairings in third relationship with ics 3 and 4 that illuminate the traditionalistic tonic and mediant linkage prevailing in the nineteenth century.

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4

Jagad, Karishma B., and Bhavesh H. Jagad. "Comparison of Median Motor Nerve Conduction Velocity in Dominant and Non-Dominant Hand of Normal Individual." Indian Journal of Physiotherapy and Occupational Therapy - An International Journal 7, no. 2 (2013): 21. http://dx.doi.org/10.5958/j.0973-5674.7.2.005.

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5

Anchieta, David C., and John R. Buck. "Improving the dominant mode rejection beamformer with median filtering." Journal of the Acoustical Society of America 146, no. 4 (2019): 3057. http://dx.doi.org/10.1121/1.5137606.

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6

Tsukahara, Masato, Isabel Fernandez, Yoshitsugu Sugio, and Kohei Shiota. "Median nodule of the upper lip: An autosomal dominant trait." American Journal of Medical Genetics 51, no. 1 (1994): 13–15. http://dx.doi.org/10.1002/ajmg.1320510104.

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7

Simões, Cristina, Flamine Alary, Nina Forss, and Riitta Hari. "Left-Hemisphere-Dominant SII Activation after Bilateral Median Nerve Stimulation." NeuroImage 15, no. 3 (2002): 686–90. http://dx.doi.org/10.1006/nimg.2001.1007.

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8

Vaquero-Cristóbal, Raquel, Ignacio Martínez González-Moro, Fernando Alacid, and Esperanza Ros. "Efectos de la lateralidad sobre la flexibilidad, la fuerza-resistencia y el equilibrio en mujeres mayores activas (Effects of laterality on flexibility, strength-endurance and balance in active older women)." Retos, no. 27 (March 5, 2015): 127–30. http://dx.doi.org/10.47197/retos.v0i27.34362.

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Los componentes de las cualidades físicas de las personas mayores han sido evaluadas mediante numerosos test. No obstante, no se ha estudiado la influencia de la lateralidad sobre estas cualidades. El objetivo del presente trabajo fue analizar las diferencias en la extensibilidad, la fuerza-resistencia y el equilibrio asociadas a la lateralidad en un grupo de mujeres mayores activas. Sesenta y siete mujeres (media de edad: 66.61 ± 6.63 años) realizaron con ambas extremidades los test de flexión del tronco en silla, juntar las manos tras la espalda, flexión completa de brazo y flamenco. Se encontraron diferencias significativas (p<.001) en los test de flexión del tronco en silla y de juntar las manos tras la espalda, siendo mayores los valores cuando la pierna extendida era la no dominante (-2.35±.83 cm con la pierna dominante y -.15±.83 cm con la no dominante) y cuando el brazo situado arriba era el dominante (-10.49±1.26 cm con el brazo dominante frente a -16.74±1.16 cm con el no dominante), respectivamente. En los test de flexión completa de brazo (brazo dominante y no dominante: 23.25 ± .53 y 23.71 ± .51 repeticiones, respectivamente) y flamenco (pierna dominante y no dominante: 23.83 ± 2.63 y 23.10 ± 2.78 seg, respectivamente) no se encontraron diferencias significativas entre las ambas extremidades. En conclusión, en mujeres mayores activas hay una relación directa entre la lateralidad y la extensibilidad de las extremidades superiores e inferiores; pero no entre la lateralidad y la fuerza-resistencia o el equilibrio.Palabras clave. Condición física, capacidad física, dominancia, adulto mayor, gerontogimnasia.Abstract. Older people’ physical abilities have been evaluated with a lot of tests. However, it has not been studied the influence of laterality on these qualities. The aim of this study was to analyse flexibility, strength-endurance and balance differences based on laterality in a group of active women elderly. Sixty-seven women (mean age: 66.61 ± 6.63 years) did chair-sit and reach, back scratch, arm curl and flamenco tests with both extremities. It was found significant differences (p<.001) in chair-sit and reach and back scratch tests. The values were higher with the non-dominant leg (dominant and non-dominant leg: -2.35±.83 and -.15±.83 cm, respectively) and the dominant arm, (dominant arm: -10.49±1.26 cm; non-dominant arm: -16.74±1.16 cm) respectively. It was not found significant differences in the arm curl (dominant and non-dominant arm: 23.25 ± .53 and 23.71 ± .51 repetitions, respectively) and flamenco tests (dominant and non-dominant leg: 23.83 ± 2.63 and 23.10 ± 2.78 seg, respectively). In conclusion, there is a direct relation between the laterality and the upper and lower extremities extensibility in active women elderly; but there is not it between the laterality and the strength-endurance or balance.Keywords. Physical condition, physical ability, dominance, elderly, senior fitness.

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9

Özcan, Ayşe, Mehtap Malkoç Ozdirenç, and Fatma Akln. "Light Touch and Pain Sensation Differences between Dominant and Non-Dominant Hands of Healthy Subjects." British Journal of Hand Therapy 10, no. 3-4 (2005): 76–79. http://dx.doi.org/10.1177/1758998305010003-401.

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The aim of this study was to identify and document light touch and pressure pain threshold differences between the dominant and non-dominant hands of healthy subjects. Pressure pain threshold (dolorimeter) and light touch threshold (Semmes-Weinstein Monofilaments) in the median, ulnar and radial nerve distributions were tested on the dominant and non-dominant hands of 131 healthy subjects. Pressure pain testing showed significantly higher thresholds in the dominant hands than in the non-dominant hands. There were no statistically significant differences between dominant and non-dominant hands for light touch threshold.

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10

Gholampour, Vahid. "Exchange Rates and Dominant Macro Fundamental." International Journal of Financial Research 12, no. 4 (2021): 250. http://dx.doi.org/10.5430/ijfr.v12n4p250.

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Various exchange rates are driven by different macro variables. This paper uses a measure of exchange rate informativeness about future macro fundamentals to identify the dominant macroeconomic fundamental of 120 currencies. Exchange rate informativeness is defined as the share of future fundamental shocks in the variance of exchange rate changes. The distribution of exchange rate informativeness shows that the median exchange rate informativeness about the dominant macro fundamental is 0.11. Moreover, the exchange rate of most high-inflation countries is driven by expectations of the price differential. Expectations of the relative output drive the currency of countries with high export concentration.

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