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Journal articles on the topic 'Dominican Poets'
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1
Classen, Albrecht. "Ulrich Bonerius - A Swiss-German Boccaccio?" Neuphilologische Mitteilungen 122, no. 1-2 (January 4, 2022): 105–33. http://dx.doi.org/10.51814/nm.103088.
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The Dominican Priest from Bern, Ulrich Bonerius, composed his collection of fables, Der Edelstein, at exactly the same time when Boccaccio created his collection of tales, Decameron, 1350. Even though there is no direct evidence of any kind of personal contacts between these two poets, the strong similarities between both works in formal and conceptual terms prove to be striking. This article illustrates the reasons why we would be justified to call Bonerius, more than just playfully, a German-language Boccaccio, since he created the first major compilation of narratives (in verse), framed by a prologue and an epilogue, in the history of late medieval German literature. While Boccaccio has ten story-tellers entertain each other over ten days (ten stories per day = 100) reflecting on eroticism, love, adventures, or anti-clericalism, Bonerius offers one hundred didactic fables illustrating human failings, shortcomings, and vices. Both contemporaries thus aimed at criticizing and improving their society through surprisingly similar literary means. Bonerius thus emerges as one of the most important fourteenth-century poets in the German tongue who deserves to be placed close to Boccaccio.
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Carini, Sara. "Reelaborando la perspectiva sobre la identidad dominicana: la negritud en la poesía de Aída Cartagena Portalatín." Revista Letral, no. 32 (January 31, 2024): 244–61. http://dx.doi.org/10.30827/rl.v0i32.28493.
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En 1941 la poeta dominicana Aída Cartagena Portalatín tiene la oportunidad de conocer al poeta surrealista André Breton. Este, recién llegado a Santo Domingo luego de haber estado en Martinica, le hablará a ella y a los demás componentes del grupo poético de la “Poesía sorprendida” de un poeta extraordinario, Aimé Césaire, y de la poesía de la négritude. Años después, Cartagena Portalatín recordaría este encuentro como ‘inolvidable’. El presente trabajo se propone un análisis de los elementos relacionados con la negritud que Cartagena Portalatín reelabora en su poesía a partir de 1961. Los resultados de dicho análisis permitirán ofrecer una interpretación de la relación que la poeta mantuvo con la negritud en relación con el contexto cultural e ideológico dominicano del siglo XX.
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Smith, Edgar. "“Dominican Sushi In New York” and Other Poems." Review: Literature and Arts of the Americas 56, no. 1 (January 2, 2023): 70–73. http://dx.doi.org/10.1080/08905762.2023.2195296.
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MARTÍN MARTÍNEZ, MACARENA. "CORPOREAL ACTIVISM IN ELIZABETH ACEVEDO’S THE POET X: TOWARDS A SELF-APPROPRIATION OF US AFRO-LATINAS’ BODIES." Revista de Estudios Norteamericanos, no. 25 (2021): 1–23. http://dx.doi.org/10.12795/ren.2021.i25.01.
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Scholars have typically studied Chicanas/Latinas in the US and African American women separately. However, this paper explores both the cultural appropriation of Afro-Latinas’ bodies in the US and the strategies they employed to reclaim their bodies and agencies through Elizabeth Acevedo’s novel, The Poet X. The protagonist’s body is simultaneously and paradoxically hyper-sexualized by racist discourses, and called to chastity by the patriarchal Catholic doctrine presiding over her Dominican community. Nevertheless, I argue that the protagonist makes her body a site of activism as she re-appropriates the agency over her body by moving from a self-imposed invisibility and silence in order to try to avoid the hyper-sexualization of her incipient curves, to a non-objectified visible position through her sexual desire, self-representative embodied narrative, and performance of her slam poetry.
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Havlovska, Tetiana. "Dominica is Ivan Ogienko's "dearest wife-helper"." IVAN OHIIENKO AND CONTEMPORARY SCIENCE AND EDUCATION SCHOLARLY PAPERS PHILOLOGY, no. 17 (December 1, 2020): 166–71. http://dx.doi.org/10.32626/2309-7086.2020-17-2.166-171.
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There are many names of wives of writers, poets, scientists and politicians in the world’s history. They were assistants, who inspired their husbands contributed to their success. Dominica Ohiienko (1882-1937) is one of these wives. Thirty years of Ivan Ohiienko’s life she was his faithful friend, mother of his children and inspiration in his job. The paper observes the underestimated and unknown in the research literature re-lationships in the family of the famous ukrainian statesman, religious fi gure, scientist, interpreter and publisher Ivan Ohiienko. His wife Dominica Ohiienko was always on his side, but very modest, stayed in the shadow.The scientistic novelty of the paper is the fi rst attempt to study the creation of the prominent scientist through the prism of family, devoted wife and great mother. The aim of the paper is to research and to study the epistolary developments of Ivan Ohiienko, to elucidate the little-known details of the Dominica Ohiienko’s biography, to investigate her role as rewrites, critic, co-author in Ivan Ohiienko’s con-structive and research process and to investigate the peculiarities of the Ohiienko’s creation. The correspondence, literary works, little-known unexplored details of biog-raphy, which help to defi ne the unknown facts of life and developments of the couple are introduced in the literary usage for the fi rst time.Scientist signifi cance of the paper is the fact, that Dominica Ohiienko had a huge role in the developments and works of her husband Ivan Ohiienko. As soon as Suche understood that the creation of her husband are the great gift for Ukraine and the whole ukrainian nation, Dominica Ohiienko became indispensable helper of Ivan Ohiienko. Her contribution in the creative work of her husband is underestimated. There were written and published over the thirty textbooks, manuals, dictionaries, tables for stud-ying Ukrainian language for each stratum of society during their matrimony. Despite of the huge amount of obligatios as rector and minister, Ivan and Dominica Ohiienko transferred the speech of Taras Shevchenko literary works to the 200 thousands cards with comments and explanations in Kamianets-Podilskyi. Moreover they investigated the ukrainian typography, published the magazine «Ridna Mowa», scientifi c-literary magazine «Nasha Kultura» and many more.
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Cuello Ramírez, Henri. "Cómo piensan los intelectuales dominicanos sobre el poder." Revista ECOS UASD 19, no. 11 (November 11, 2011): 147–57. http://dx.doi.org/10.51274/ecos.v19i11.pp147-157.
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Lo primero que hacemos en el presente trabajo es abordar el problema conceptual y metodológico en torno a los intelectuales y el poder. Para el caso nos valimos de un enfoque que sobre los mismos elaboró Michel Foucault, el cual consideramos acertado. Lo segundo, es un análisis natatorio sobre las ponencias del libro Los Intelectuales y el Poder, del escritor y poeta Guillermo Piña Contreras.
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Calderón Potes, Estefanía. "“Las nubes y todo eso” o “lo más vanguardista sigue siendo un libro” — un diálogo (a un siglo del vuelo de Altazor)." Orbis Tertius 26, no. 33 (May 3, 2021): e201. http://dx.doi.org/10.24215/18517811e201.
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Inspirados en la obra de Vicente Huidobro, y especialmente en Altazor, poema paracaidista, Estefanía Calderón y el poeta dominicano Frank Báez examinan en esta entrevista las relaciones e influencias de los movimientos vanguardistas históricos en la actualidad poética de Latinoamérica y el Caribe, y se preguntan si se refleja en ella aún un espíritu aviador. Simultáneamente, abordan temas tan urgentes como la migración y la exploración de nuevos territorios digitales en los espacios de difusión cultural y literaria.
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Kaplan, Yaşar. "Exploring Shared Poetic and Stylistic Forms between Kurdish and Syriac." Kurdish Studies Journal 1, no. 1-2 (December 15, 2023): 199–228. http://dx.doi.org/10.1163/29502292-00101009.
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Abstract Kurdish has been written in many different scripts throughout history. One of these alphabets is the Syriac alphabet. The texts written with this alphabet are called Kurdish Garshuni texts. David Barzane (Dāwíd Bareznāyā) was a 19th-century Chaldean Church clergyman and poet. The autograph manuscript containing his poems in Classical Syriac, Neo-Aramaic and Kurdish is preserved in the Collection of Syriac Manuscripts of the Dominicans of Mosul. One of the two Kurdish Garshuni poems in this manuscript has already been published with transcription and translation. In this article, another unpublished poem is transcribed and translated. However, by focusing on the literary and cultural interaction between the Christians who speak Neo-Aramaic and the Kurds, it is to be drawn attention to the close relationship between the forms of poetry and style of performance in both traditions.
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González-Barrera, Julián. "Un fénix para los años de hierro. Lope de Vega y la Orden de los Dominicos." Hispania Sacra 69, no. 139 (July 31, 2017): 233. http://dx.doi.org/10.3989/hs.2017.016.
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En 1618 Lope de Vega publicaba El triunfo de la fe en los reinos del Japón, una historia de mártires inspirada en la relación de un misionero dominico en aquellas lejanas tierras. El propio poeta confiesa que le fue enviada desde Manila, pero no aporta más detalles. Ahora, por primera vez, todo el proceso de encargo se desvela: qué frailes participaron, cómo le convencieron y por qué necesitaron de la ayuda de un poeta de vida y ejemplo no precisamente piadoso.
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Oliva, Elena. "Blas Jiménez y Quince Duncan: dilemas del escritor afrohispano." ÍSTMICA. Revista de la Facultad de Filosofía y Letras, no. 19 (November 29, 2016): 105. http://dx.doi.org/10.15359/istmica.19.7.
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El artículo presenta una reflexión sobre la categoría ‘escritor afrohispano’ y las tensiones que involucra. En la primera parte se discute sobre el surgimiento, las utilizaciones y apropiaciones que intelectuales afrodescendientes han hecho de este concepto desde fines de los años ochenta. En la segunda parte se analiza el principal dilema de estos escritores en torno a las posibilidaddes de expresar una identidad específica,la de los afrodescendientes en la América de habla hispana,desde la lengua del colonizador, a través de las reflexiones y propuestas contenidas en la producción ensayística del poeta dominicano Blas Jiménez y del narrador costarricense Quince Duncan.
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Baeza Flores, Alberto. "Notas marginales a los poetas dominicanos de la generación de 1965, ampliadas." Revista Iberoamericana 54, no. 142 (March 24, 1988): 153–70. http://dx.doi.org/10.5195/reviberoamer.1988.4442.
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Bittencourt, Rita Lenira de Freitas. "Abaixo o dedo de deus e os números redondos: performance surrealista e escritura do presente." Revista Crítica Cultural 3, no. 1 (June 1, 2008): 5. http://dx.doi.org/10.19177/rcc.v3e120085-9.
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O francês Antonin Artaud, poeta, ator, roteirista e diretor de teatro, segundo o escritor espanhol Enrique Vila-Matas, completaria 99 anos em 4 de dezembro de 1995, sendo o primeiro "resgatado", em artigo, na coluna dominical do Diário 16, de Madri. Compõe, com outros 51 textos-nomes, num pretenso avesso das homenagens, um mosaico de referências que é posteriormente transformado em livro: Para acabar con los números redondos, 1997. Na proposta jornalística inicial, de subverter datas e cânones, o que se destaca em Vila-Matas é o gesto performático e anacrônico de evocar uma potência política a partir de suporte alternativo e de cruzamentos an-estéticos com o surrealismo, permitindo ler a poética do presente em suas múltiplas relações disjuntivas.
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Fernandes, João Moura, and Braulio Fernandes. "Os ensaios longos do poeta-crítico Mário Faustino." Remate de Males 41, no. 2 (December 30, 2021): 569–95. http://dx.doi.org/10.20396/remate.v41i2.8666249.
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O poeta-crítico Mário Faustino (1930-1962) – vitimado por um acidente de avião aos trinta e dois anos de idade, no auge da sua produção – raramente é ignorado pelos estudiosos da poesia brasileira dos anos 1950 e da sua crítica. Os poemas do autor e as discussões por ele levantadas na sua página “Poesia-Experiência” (publicada semanalmente no Suplemento Dominical do Jornal do Brasil entre 1956 e 1958) tornaram-se, de fato, tópicos incontornáveis para compreender os debates literários daquele momento. Neste artigo, o que se pretende é apresentar a trajetória crítico-criativa de Faustino para, assim, situar e abordar mais detidamente a parte da obra do autor que merece mais atenção: a dos ensaios longos, de caráter instrumental e didático, notadamente a daqueles compostos como “Diálogos de oficina”. Empreendemos a nossa investigação em seis breves etapas: na primeira, apresentamos um panorama da carreira do autor, destacando os desafios estéticos que ele buscou superar; na segunda, o modo como se organizou a sua obra, tendo em vista situar os três ensaios/diálogos de oficina eleitos para discussão nas etapas seguintes; na terceira, o modo como a última parte dessa obra se baseou em uma determinada poética de fragmentos; na quarta, o pensamento do autor sobre a relação poesia-sociedade, base do ensaio “Para que poesia?”; na quinta, as teses de Faustino sobre as relações poeta-mundo e poesia-objetos, bases dos ensaios “O poeta e seu mundo” e “Que é poesia?”, respectivamente; na sexta, enfim, tecemos uma síntese da nossa discussão acerca da posição assumida pelo poeta-crítico, nos seus ensaios, em relação ao sistema poético brasileiro.
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Sheller, Mimi. "Caribbean futures in the offshore Anthropocene: Debt, disaster, and duration." Environment and Planning D: Society and Space 36, no. 6 (September 25, 2018): 971–86. http://dx.doi.org/10.1177/0263775818800849.
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The devastating impacts of Hurricanes Irma and Maria across the Caribbean (especially in Barbuda, Dominica, Puerto Rico, St Martin/St Maarten, and parts of the British and US Virgin Islands) are haunting harbingers of a world of climate disaster, halting recovery, and impossible futures. Being at the leading edge of the global capitalist exploitation of people and other living and non-living beings in a world-spanning system of vast inequity and severe injustice, Caribbean thinkers, writers, poets, philosophers, activists, and artists have long lived with, dwelt upon, and offered answers to the problem of being human after Man, as Sylvia Wynter puts it. This reflection on island futuring and defuturing offers a critical analysis of Caribbean “disaster recovery” and “climate adaptation” based on an understanding of the disjuncture between three uneven spatio-temporal realities: (1) the decelerating “islanding effects” of debt, foreign aid, and austerity; (2) the accelerating mobilities of the “offshore” and extended operational landscapes of “planetary urbanization”; and (3) the durational im/mobilities of Amerindian survival, Maroon escape, and Black/Indigenous cultural endurance of alternative ontologies.
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Prosdocimi de Rivera, María del Carmen. "Los poetas dominicanos del 65: una generación importante y distinta de Alberto Baeza Flores." Revista Iberoamericana 54, no. 142 (March 24, 1988): 363–64. http://dx.doi.org/10.5195/reviberoamer.1988.4449.
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Zaragoza, Verònica. "Escriure poesia al convent: entre la devoció i l’obediència. Primera aproximació a un manuscrit femení del segle XVIII." SCRIPTA. Revista Internacional de Literatura i Cultura Medieval i Moderna 1, no. 1 (June 17, 2013): 333. http://dx.doi.org/10.7203/scripta.1.2590.
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Resum: El manuscrit que ens disposem a donar a conèixer és un tresor documental interessantíssim per abordar l’estudi dels usos poètics de les dones d’època moderna als territoris de parla catalana, no només pel nombre de composicions recuperades d’una mateixa autora (un total de 53 poesies espirituals, no catalogades i desconegudes fins ara) sinó perquè es tracta d’un dels pocs autògrafs femenins accessibles per a la recerca. La inexistència de treballs dedicats exclusivament a la poesia femenina d’època moderna al panorama català, ens obliga necessàriament a iniciar el treball amb una primera part introductòria dedicada a qu?estions relatives als usos poètics de les dones dels segles XVI-XVIII, tot centrant-nos en algunes autores de l’àmbit conventual, al qual pertany el manuscrit objecte d’estudi. En la segona part del treball, ens centrem particularment en l’anàlisi i estudi del manuscrit. Així doncs, en una primera aproximació, descrivim el contingut del quadern, íntegrament en castellà, que recull composicions de caire espiritual i devot, i esbossem les dades biogràfiques de l’autora, la religiosa dominica sor Eulària Teixidor. Tot partint dels interessants estudis apareguts en els darrers anys sobre la literatura conventual femenina, intentem vincular aquest manuscrit amb la variada producció monàstica escrita per nombroses religioses de l’època sota manament del confessor.Paraules clau: Estudis de gènere; Literatura femenina conventual; Poesia religiosa; Eulària Teixidor; ManuscritAbstract: The manuscript that we are presenting is a fascinating and highly valuable document to study the catalan women poetry in the Modern Age, not only because of the number of recovered pieces from the same author (53 unknown spiritual poems not yet catalogued), but also because it is one of the few feminine manuscripts accessible for research. The lack of works exclusively dedicated to the feminine poetry in the Catalan-speaking countries in the Modern Age compels us to start the work with some general considerations concerning poetical works of women in the 16th-18th centuries, focusing on the conventual literature, which the manuscript belongs to. As a first approximation, we describe the content of the manuscript, which is entirely written in Spanish, that includes spiritual and pious compositions and we provide some biographical information of the author, the dominican Sister Eulària Teixidor, so far undiscovered. Relying on the recent interesting studies published on Women’s Monastic Literature, we try to establish connections between this manuscript and the varied monastic literature, produced by numerous nuns in this period under the order of the confessor.Key words: Gender Studies; Women’s Monastic Literature; Religious Poetry; Eulària Teixidor; Manuscript
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Lourenço da Silva de Oliveira Pedro, Celeste Maria. "Jeffrey F. Hamburger, Diagramming Devotion: Berthold of Nuremberg’s Transformation of Hrabanus Maurus’s Poems in Praise of the Cross. Chicago; London, The University of Chicago Press, 2020." Revista Española de Filosofía Medieval 28, no. 2 (January 7, 2022): 154–57. http://dx.doi.org/10.21071/refime.v28i2.13459.
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The case study is presented in the title: Hrabanus Maurus’s (ca. 780-856) In honorem sanctae crucis (ca. 810) and Berthold of Nuremberg’s two-part work Liber de misteriis et laudibus sancta crucis (1292) and the supplement Liber de misteriis et laudibus interemerate Virginis genitrices Dei et Domini nostril Ihesu (1294)) are confronted and dissected; and the use of the word “transformation” is key to the analytical and interpretive possibilities concerning the medieval formulas the author presents (both textual and imagetic). Close to five hundred years separate the carmina figurata of the Carolingian abbot and the text-images of the Dominican lector and both follow on antique traditions. With more than two hundred pictures of diagrams and illuminations from a multitude of codices, architectural details and religious objects, Hamburger furnishes our understanding of transformation in medieval visual cultures (largely beyond Hranabus and Berthold’s) and of the centrality of diagrams in artistic productions.
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Kleiser, R. Grant. "An Empire of Free Ports: British Commercial Imperialism in the 1766 Free Port Act." Journal of British Studies 60, no. 2 (April 2021): 334–61. http://dx.doi.org/10.1017/jbr.2020.250.
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AbstractThe Free Port Act of 1766 was an important reform in British political economy during the so-called imperial crisis between the Seven Years’ War (1756–1763) and the American Revolution (1775–1783). In an explicit break from the letter if not the spirit of the Navigation Acts, the act opened six British ports in the West Indies (two in Dominica and four in Jamaica) to foreign merchants trading in a highly regulated number of goods subject to various duties. Largely understudied, this legislation has been characterized in most previous work on the subject as a fundamental break from British mercantile policies and meant to benefit North American colonial merchants. This article proposes a different interpretation. Based on the wider context of other imperial free port models, the loss of conquests such as French Guadeloupe and Martinique and Spanish Havana in the 1763 Paris Peace Treaty, a postwar downturn in Anglo-Spanish trade, and convincing testimonies by merchants and colonial observers, policy makers in London conceived of free ports primarily as a means of extending Britain's commercial empire. The free port system was designed to ruin the rival Dutch trade economically and shackle Spanish and French colonists to Britain's mercantile, manufacturing, and slaving economies. The reform marks a key moment in the evolution of British free trade imperial designs that became prevalent in the nineteenth century and beyond.
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Gualdo, Irene. "«Galeotto fue el libro»." Historia y Grafía, no. 63 (June 28, 2024): 105–46. http://dx.doi.org/10.48102/hyg.vi63.526.
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¿Qué y cómo leían los escritores de los primeros siglos de la lengua italiana? ¿Gracias a la influencia de qué lecturas compusieron sus obras? En el caso de Boccaccio y Petrarca, la respuesta a esta pregunta se encontró en los libros que poseían y en los que en muchos casos hicieron anotaciones. De Dante, en cambio, no poseemos ni los libros ni una sola palabra escrita de su puño y letra: sólo podemos imaginar el aspecto de su letra gracias a la descripción que de ella dejó Leonardi Bruni, probablemente basada en un autógrafo dantesco, hoy perdido. Dada esta ausencia de datos, cobra gran importancia la sola mención de Dante a su propia formación, es decir, el pasaje del Convivio en el que narra que emprendió estudios filosóficos inmediatamente después de la muerte de Beatriz, impulsado por la lectura de la Consolatio Philosophiae de Boecio para ir durante treinta meses "a las escuelas de los religiosos y a las disputas de los filósofos" (Conv. II, XII, 1-7). Las escuelas frecuentadas por el Poeta se pueden identificar con los Studia conventuales de Florencia, es decir, la franciscana de Santa Croce, la dominicana de Santa Maria Novella y la agustina de Santo Spirito, únicos lugares de conservación de libros y educación, además de la enseñanza de aislados profesores privados como Brunetto Latini. Entre estas instituciones, sede de una animada actividad cultural, de disputas filosóficas y de estudio, los datos históricos atribuibles a Dante favorecen a Santa Croce, cuyos libros (hoy conservados principalmente en la Biblioteca Medicea Laurenciana y en la Biblioteca Nacional Central de Florencia) documentan la fisonomía en que los textos que leía se ofrecían a sus ojos y eran modelos de sus obras. Esta contribución traza un recorrido por el preciado patrimonio bibliográfico del Studium franciscano, con el objetivo de reconstruir y documentar la circulación de las obras de Dante en su patria y el contexto florentino en el que tuvo lugar la extraordinaria formación cultural del poeta.
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Oliveira, Bruno Leonardo Rios. "Mário Faustino e poesia - experiência." Journal of Social Sciences, Humanities and Research in Education 1, no. 2 (December 15, 2018): 76–81. http://dx.doi.org/10.46866/josshe.2018.v1.n2.42.
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São pouco conhecidos os discursos e atuações da escrita militante de Mario Faustino, como jornalista entre os anos de 1956 a 1959, na página do Jornal do Brasil, conhecida como “Poesia-Experiência”. Os textos publicados nesse período revelam um Mário Faustino que estabelece diálogos vívidos com a marginalidade contestatória trazida pela Vanguarda poética, ao tempo em que criticava os poetas consagrados de seu tempo. Problematizando as repercussões da página “Poesia-Experiência” e sua originalidade dialógica na intertextualidade poética-histórica, este trabalho pretende discutir a perspectiva pedagógica de Mário Faustino tanto como jornalista quanto como crítico literário, ressaltando, por outro lado, as suas discordâncias com o conservadorismo poético, na situação do intelectual brasileiro no pós-guerra, na figura de Meireles, Bandeira e Drummond. Cada momento de sua trajetória na imprensa revela, ainda, as várias identidades intelectuais assumidas por Mário Faustino, do seu início, na imprensa do Pará, em 1948, que vai culminar, mais tarde, na sua empreitada mais original no suplemento encartado no Suplemento Dominical do Jornal do Brasil (SDJB). Este trabalho utiliza-se da revisão crítica e dialética como metodologia, usando de fontes secundárias. Assim, o objeto de estudo foi investigado por meio da análise bibliográfica, discutindo teorias que abordam campos como a historiografia e a crítica literária no segmento do jornalismo cultural brasileiro dos anos de 1950, gerando assim uma compreensão dialética do tema.
(Imagem Mario Faustino Youtube)
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Auat, Eloísa. "Patria en movimiento: los procesos de resistencia y migración en la poesía de N.James Rawlings." Contexto. Revista anual de estudios literarios 27, no. 29 (2023): 110–23. http://dx.doi.org/10.53766/contex/2023.27.29.07.
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A partir de la poesía de Norberto James Rawlings(2007),me propongo analizar las representaciones que hace de los inmigrantes desde su propia mirada –la de inmigrante en Estados Unidos–, como práctica poética de resistencia.La República Dominicana, atravesada por una historia de intervención estadounidense, violencia institucional y migración, es el topos(Barthes,1985) en el que se localiza su poesía;sin embargo, él observa y escribe desde el exilio, analogando las historias de los inmigrantes en su nación con la propia y la de los inmigrantes del mundo.En este sentido, construye la noción de “patria portátil” como espacio de redención ante la contingencia de lo histórico.Considero que estos textos pueden abrir múltiplos caminos para pensar en la estructura capitalista y los dispositivos que la sostienen(Easthope&McGowan,pp.33-72)desde el plano institucional, pero también respecto del agenciamiento de los grupos marginados (Federici,pp.45-90,209).Me interesa poner en diálogo la noción de pueblo que el poeta elabora respecto de la de Giorgio Agamben(pp.31-36)y la noción de capitalismo transnacional(Robinson y Santos,pp.5-7)para cuestionar el modelo político-económico de desarrollo de Estados Unidos y la construcción del “Sueño Americano”.El foco estará puesto en la migración “voluntaria” tanto como en el exilio,para pensar en conjunto los modos en que se imaginan proyectos de futuro desde la resistencia y desde la esperanza.
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KITLV, Redactie. "Book Reviews." New West Indian Guide / Nieuwe West-Indische Gids 68, no. 1-2 (January 1, 1994): 135–205. http://dx.doi.org/10.1163/13822373-90002664.
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-Peter Hulme, Simon Gikandi, Writing in limbo: Modernism and Caribbean literature. Ithaca: Cornell University Press, 1992. x + 260 pp.-Charles V. Carnegie, Alistair Hennessy, Intellectuals in the twentieth-century Caribbean (Volume 1 - Spectre of the new class: The Commonwealth Caribbean). London: Macmillan, 1992. xvii 204 pp.-Nigel Rigby, Anne Walmsley, The Caribbean artists movement, 1966-1972: A literary and cultural history. London: New Beacon Books, 1992. xx + 356 pp.-Carl Pedersen, Tyrone Tillery, Claude McKay: A black poet's struggle for identity. Amherst: University of Massachusetts Press, 1992. xii + 235 pp.-Simone Dreyfus, Irving Rouse, The Tainos: Rise and decline of the people who greeted Columbus. New Haven: Yale University Press, 1992. xii + 211 pp.-Louis Allaire, Antonio M. Stevens-Arroyo, Cave of the Jagua: The mythological world of the Taino. Alburquerque: University of New Mexico Press, 1988. xiii + 282 pp.-Irving Rouse, William F. Keegan, The people who discovered Columbus: The prehistory of the Bahamas. Gainesville: University of Florida Press, 1992. xx + 279 pp.-Neil L. Whitehead, Philip P. Boucher, Cannibal encounters: Europeans and Island Caribs, 1492-1763. Baltimore: John Hopkins University Press, 1992. xii + 217 pp.-Peter Kloos, Kaliña, des amérindiens à Paris: Photographies du prince Roland. Présentées par Gérard Collomb. Paris: Créaphis, 1992. 119 pp.-Maureen Warner-Lewis, Alan Gregor Cobley ,The African-Caribbean connection: Historical and cultural perspectives. Bridgetown, Barbados: Department of History, University of the West Indies, Cave Hill, 1990. viii + 171 pp., Alvin Thompson (eds)-H. Hoetink, Jean-Luc Bonniol, La couleur comme maléfice: une illustration créole de la généalogie des 'Blancs' et des 'Noirs'. Paris: Albin Michel, 1992. 304 pp.-Michael Aceto, Richard Price ,Two evenings in Saramaka. Chicago and London: University of Chicago Press, 1991. xvi + 417 pp., Sally Price (eds)-Jorge Pérez Rolón, Vernon W. Boggs, Salsiology: Afro-Cuban music and the evolution of Salsa in New York City. New York: Greenwood, 1992. xvii + 387 pp.-Martin F. Murphy, Sherri Grasmuck ,Between two islands: Dominican international migration. Berkeley: University of California Press, 1991. xviii + 247 pp., Patricia R. Pessar (eds)-Rosario Espinal, Richard S. Hillman ,Distant neighbors in the Caribbean: The Dominican Republic and Jamaica in comparative perspective. New York: Praeger, 1992. xviii + 199 pp., Thomas D'Agostino (eds)-Svend E. Holsoe, Neville A.T. Hall, Slave society in the Danish West Indies: St. Thomas, St. John and St. Croix. Edited by B.W. Higman. Mona, Jamaica: University of the West Indies Press, 1992. xxiv + 287 pp.-Light Townsend Cummins, Francisco Morales Padrón, The journal of Don Francisco Saavedra de Sangronis 1780-1783. Translated by Aileen Moore Topping. Gainesville: University of Florida Press, 1989. xxxvii + 380 pp.-Francisco A. Scarano, Laird W. Bergad, Cuban rural society in the nineteenth century: The social and economic history of monoculture in Matanzas. Princeton: Princeton University Press, 1990. xxi + 425 pp.-Robert L. Paquette, Larry R. Jensen, Children of colonial despotism: Press, politics, and culture in Cuba, 1790-1840. Tampa: University of South Florida Press, 1988. xviii + 211 pp.-Robert L. Paquette, Anton L. Allahar, Class, politics, and sugar in colonial Cuba. Lewiston NY; The Edwin Mellen Press, 1990. xi + 217 pp.-Aline Helg, Josef Opatrny, U.S. Expansionism and Cuban annexationism in the 1850s. Prague: Charles University, 1990. 271 pp.-Rita Giacalone, Humberto García Muñiz ,Bibliografía militar del Caribe. Río Piedras PR: Centro de Investigaciones Históricas, Universidad de Puerto Rico, 1992. 177 pp., Betsaida Vélez Natal (eds)-Carlos E. Santiago, Irma Tirado de Alonso, Trade issues in the Caribbean. Philadelphia: Gordon & Breach, 1992. xv + 231 pp.-Drexel G. Woodson, Frantz Pratt, Haiti: Guide to the periodical literature in English, 1800-1990. Westport CT: Greenwood, 1991. xiv + 313 pp.-Gary Brana-Shute, Livio Sansone, Hangen boven de oceaan: het gewone overleven van Creoolse jongeren in Paramaribo. Amsterdam: Het Spinhuis, 1992. 58 pp.-Ronald Gill, Dolf Huijgers ,Landhuizen van Curacao en Bonaire. Amsterdam: Persimmons Management. 1991. 286 pp., Lucky Ezechiëls (eds)-Alex van Stipriaan, Waldo Heilbron, Colonial transformations and the decomposition of Dutch plantation slavery in Surinam. Amsterdam: Amsterdam centre for Caribbean studies (AWIC), University of Amsterdam, 1992. 133 pp.-Rosemarijn Hoefte, Bea Lalmahomed, Hindostaanse vrouwen: de geschiedenis van zes generaties. Utrecht: Jan van Arkel, 1992. 159 pp.-Aart G. Broek, Peter Hoefnagels ,Antilliaans spreekwoordenboek. Amsterdam: Thomas Rap, 1991. 92 pp., Shon Wé Hoogenbergen (eds)
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Hernández, José M. "Esclavos, patriotas y poetas a la sombra de la cruz: cinco ensayos sobre catolicismo e historia cubana: By Manuel P. Maza Miquel, S.J. (Santo Domingo, Dominican Republic: Centro de Estudios Sociales Pedro Juan Montalvo, S.J., 1999. Pp. 263. Bibliography. No price.)." Americas 56, no. 4 (April 2000): 601–2. http://dx.doi.org/10.1017/s000316150002993x.
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Shikha, Mala, and Ranjeeva Ranjan. "Representation of India in Travel Writings by Latin American Women in the 20th Century." Rupkatha Journal on Interdisciplinary Studies in Humanities 14, no. 3 (October 7, 2022). http://dx.doi.org/10.21659/rupkatha.v14n3.08.
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This paper examines the representation of India in the works of Latin American women writers in the 20th Century. With the advent of Modernism in Latin America in the late 19th Century as a turn-of-the-century movement, Latin American intellectuals started engaging with India such as Rubén Darío in Azul (1888). However, it was Gabriela Mistral, a Nobel laureate from Chile, who although never travelled to India, may be considered the first Latin American woman writer who engaged with India through the appreciation of Tagore in her literary repertoire. Furthermore, in the 20th Century Cecília Meireles, one of the most famous Modernist poets from Brazil visited India in 1953 upon being invited by Jawaharlal Nehru. She noted in her diary that as paradoxical as it sounds, it is much easier to understand India if one knows Brazil. She drew similarities between the fundamental issues of the two countries then. She wrote the anthology Poemas Escritos Na Índia (1961). Another important performance artist is Josefina Báez who would combine yoga and her lived experience in the three spaces of New York, La Romana in the Dominican Republic and India to produce zany dance dramas like Dominicanish (2001). She uses the classical dance form of Kuchipudi originating in the south of India to restructure her Dominican cultural identity in New York. Another contemporary Mexican writer, Margo Glantz, wrote her work Coronada de Moscas (2012), which is a travelogue based on her three sojourns in India accompanied with photographs by Alina López Cámara. The paper analyses the works by the above-mentioned Latin American intellectuals vis-à-vis representation of India in them and focuses on what it is to travel to India and write on it for Latin American women in the 20th Century. This has been done using the theoretical perspective of bell hooks (Feminist Theory: From Margin to Center, 1984) and Mary Louise Pratt (Imperial Eyes, 1992).
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Lombardo, Luca. "Le riflessioni di Albertino Mussato sulla poesia nelle Epistole scientifico-erudite." 8 | 1 | 2019, no. 1 (April 21, 2021). http://dx.doi.org/10.30687/qv/1724-188x/2019/01/001.
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Among the twenty metric Epistles ascribable to Albertino Mussato, a line of scientific texts can be recognised, arising from the occasion of curious natural events that had caught the erudite interest of the Paduan poet or some of his contemporary interlocutors. These five epistles, although drawing inspiration from unusual physical-natural or astronomical phenomena and starting from an occasional pretext, very often open to topics other than the main one: these simple curiosities, as a matter of fact, are the starting point for digressions around the themes that were most traditionally dear to humanistic disputes on poetry, triggering metaliterary considerations by the poet, who exposes and defends his own conception of poetic art on the basis of the model of the ancient poets, of whom he aims to retrace the footsteps with humanistic fidelity. Thus, it may happen to find arguments traditionally developed in the epistles in defence of the veracity of poetry even among the unsuspected zoological ruminations to which the epistle on the birth of a lioness, intended for the Venetian grammar master Giovanni Cassio, is dedicated, or to find programmatic declarations of poetics within an epistle on astronomical questions solicited by a curious Dominican friar from the convent of Sant’Agostino in Padua.
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Palenzuela, Nilo. "Europe: Passages or reflections." Cultural Dynamics, January 8, 2024. http://dx.doi.org/10.1177/09213740231223833.
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This text reflects on identities from an African archipelago in the Atlantic that is part of the Spanish state. The Canary Islands were the first place colonized by Europeans in their expansion toward America. The text focuses on identity formation throughout the twentieth century. Reference is made to Canarian artists and poets such as Tomás Morales and Alonso Quesada, and more recent artists of international stature such as Manolo Millares, Martín Chirino, and César Manrique. The international context and the destruction of the idea of Europe are reflected from various perspectives. Reference is made to travelers who drew analogies between Canary Islanders and Native Americans, and the notion of “displacement” at every level is addressed. The article also discusses “foreigners” traveling back and forth in the era of advanced technology, globalization, and mass tourism. As Stefan Zweig and Franz Rosenzweig have observed since the 1920s, in the age of border control, anyone can become a “foreigner.” “Europe: Passage and Reflections” was born within the context of the exhibition “Europe, that Exotic Place” (2019–2020) and expands upon the reflection on insularities undertaken in the exhibition “Island Horizons” (2009–2010), which featured artists and writers from Cuba, the Dominican Republic, Puerto Rico, Martinique, Guadeloupe, French Guiana, the Canary Islands, the Azores, Madeira, Cape Verde, and Réunion. The article also arose from the “Islands, Images, Imaginaries” discussion series held at Duke University in 2011.
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Jakubėnas, Regina. "About Seraph’s arrow and St. Michael’s shield. A poem by priest Dominik Zabłocki OP for Countess Teresa Barbara Radziwill Pac on the occasion of her name day." Vilnius University Open Series, February 22, 2021, 52–64. http://dx.doi.org/10.15388/pzop.2020.4.
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In the second half of the eighteenth century a lot of occasional poems were published in Vilnius. Their authors were often representatives of various orders: the Piarists, the Jesuits, the Basilians, the Dominicans. Name day poems enjoyed great popularity, which was influenced by the intensive development of various forms of social life. Name day poems were part of “home muse” or family poetry. The authors often addressed their works to representatives of the political and official elite of the Grand Duchy of Lithuania, who played an important role in the public and political life of the Grand Duchy of Lithuania and the Polish-Lithuanian Commonwealth. The poems were more often devoted to the representatives of the male lineage due to their social status and functions, although it happened that women, especially representatives of influential families in the Grand Duchy of Lithuania, were also the recipients of these poems. The article discusses an occasional work by a priest Dominik Zabłocki, Dominican friar, devoted to Countess Teresa Barbara Pacowa of the Dukes of Radziwills – a lady of the Austrian Order of the Starry Cross. The poem describes her personal merits, the merits of her husband and family, referring to the rich symbolism of the coat of arms of the Pac, the Radziwill and the Zawisza families from which Teresa Pacowa’s mother was descended. This piece of work undoubtedly belongs to the group of texts that were addressed to a wider audience and performed a political and propaganda function.
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Faustinelli, Tiziano. "Mujeres, amor y libertad en la poesía dominicana contemporánea: los versos de Rosa Silverio y Lourdes Batista-Jakab." Cartaphilus. Revista de investigación y crítica estética 17 (January 11, 2020). http://dx.doi.org/10.6018/cartaphilus.407451.
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Este escrito pretende enseñar cómo la palabra poética puede convertirse en una herramienta eficaz para alcanzar una vehemente defensa del papel de las mujeres y conseguir la creación de nuevas posibilidades que les permitan ser libres de enseñar su valor. Las autoras dominicanas Rosa Silverio y Lourdes Batista-Jakab representan un ejemplo del deseo de que las mujeres salgan de la penumbra; amor, libertad y poesía son sinónimos de denuncia, defensa y salvación. Concretamente, se tomarán en examen las dos obras más representativas con respecto al núcleo central del asunto: Mujer de lámpara encendida (Rosa Silverio) y La mujer desnuda (Lourdes Batista-Jakab), cuyos versos serán objeto de selección, investigación y análisis comparativo. Los sujetos líricos que protagonizan los versos de las dos autoras desempeñan el papel de enfatizar una voz universal para aquellas que quedan en silencio. This article aims to show how poetry can become a useful tool to get a powerful defense of women’s role and to obtain the establishment of new possibilities that let them free to demonstrate their value. The Dominican authors Rosa Silverio and Lourdes Batista-Jakab represent an exemplar model of the wish of women to leave the darkness; love, freedom and poetry are accusation, defense and salvation at the same time. Concretely, this essay focuses on two literary works that can be considered the most representative of the central theme: Mujer de lámpara encendida (Rosa Silverio) and La mujer desnuda (Lourdes Batista-Jakab), whose poems will be the subject of a selection, research and comparative analysis work. The lyrics of the mentioned authors want to generate a universal voice for those who remain silent.
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Da Silva, Marco Antonio Guimarães. "De Paris a Spinoza." Fisioterapia Brasil 13, no. 2 (November 27, 2016). http://dx.doi.org/10.33233/fb.v13i2.468.
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Nunca fiz segredo da admiração que sinto pela cidade de Paris, seja pela sua arquitetura, seja pela sua cultura ou seja pelas diferentes matizes de luzes que a iluminam. Deixei isso claro nos dois primeiros romances que escrevi e o faço também no livro que escrevo a quatro mãos com Manuel Rui, escritor e poeta angolano, e que deverá ser lançado no final deste ano. Em parte, foram essas características que me levaram a deixar o Rio de Janeiro para, pelo menos, passar todos os anos, de quatro a cinco meses naquela cidade. Digo em parte porque há motivos de outra natureza, também relacionados com as características, ou melhor, com as des-características de um Rio de Janeiro que outrora tive orgulho de chamar de meu.A última temporada em Paris foi especial e se destacou das demais, porque conheci um grupo de músicos e cantores que, com sol ou com chuva, animam as manhãs de domingo da Rue Mouffetard no coração do Quartier Latin. Ali, moradores cujas idades variam dos 8 aos 80 e eventuais turistas dançam ao som do acordeom de Christian Bassou, um francês apaixonado pelo Brasil e de quem me tornei amigo. Ele, France Dupuye e outros que gerenciam o grupo dominical parecem ser personagens vivos de um livro de conto de fadas, com uma única função: nos trazer alegria e nos fazer esquecer um pouco desse louco mundo em que vivemos. A cidade parece querer retribuir a querência que tenho por ela porque a sua principal universidade, a Sorbonne, me convidou para dar uma conferência e debater o meu último livro, com os alunos da cátedra de literatura portuguesa daquela universidade.Mas, se a cidade acolhe as pessoas que, com verdadeira paixão cantam em suas ruas, acolhe, lamentavelmente, grupos que celebram paixões muito diferentes. Apesar de ter vivido a maior parte de minha vida aqui no Brasil, ainda não me acostumei a encarar com naturalidade o modo como os nossos governantes e seus súditos diretos vivem algumas de suas paixões.Uma releitura da obra Ética demonstrada segundo a ordem geométrica de Spinoza (1632-1677) pode nos ajudar a entender, à luz da filosofia, um pouco dessa historia. A citada obra, considerada como ápice e síntese do pensamento do autor, apresenta axiomas, proposições e demonstrações, seguindo o modelo euclidiano. Spinoza não pretendeu com este método deduzir matematicamente a totalidade do real e nem se propôs fazer uma exposição Galeliana (quantitativa) do mundo físico. A ética propriamente dita tem inicio na parte III do livro e trata sobre a condição e a natureza humana, as quais são arquitetadas de forma determinista.Ele nos diz: “Não desejamos algo porque o julgamos bom; mas, ao contrário, julgamos que algo é bom porque o desejamos”. A parte IV do livro trata da impotência da razão ante as paixões, dos critérios gerais sobre o bem e o mal, do valor das distintas paixões e do modelo do homem livre. Logo no começo, Spinoza nos diz que o homem forma parte da natureza e, portanto, está submetido ao efeito das coisas externas. Dessa forma, as paixões incidem sobre a conduta humana na medida em que sua força pode superar àquela com que o homem preserva a sua existência. E continua: “ainda que as paixões sejam também ideias, a razão não pode anulá-las nem reprimi-las, porque a ideia de uma condição e a condição em si mesma não são da mesma natureza.” E uma condição só pode ser vencida pela presença de uma outra de sinal contrário e mais forte que ela. Dada a correspondência entre condição e ideias, o homem é consciente da sua dependência das coisas externas. Na medida em que elas resultem agradáveis ou desagradáveis, surgirá a ideia do bem e do mal. Obviamente o homem, com raríssimas exceções, deseja o que considera bom, mas a razão, sendo diversa daquilo que os homens desejam, só pode considerar bom e virtuoso aquilo que é útil para conservar o seu ser. Desse modo, é bom o que aumenta a sensibilidade do corpo humano ante os corpos exteriores e o que conduz os homens a viverem em sociedade presidida pela concórdia; e é mal tudo aquilo que impede essas coisas.O que parece estar acontecendo é que os sinais estão trocados. Os grupos de políticos que se locupletam em Paris, sabe Deus com o que, e em atitudes de fragrante deboche tripudiam sobre os pobres coitados que os elegeram, deveriam deixar que suas paixões e submissões ao efeito das coisas externas fossem regidas por um padrão de decência. Dessa forma, resistiriam a breguice de serem fotografados expondo os seus sapatos de U$10.000,00, ou posando em estado etílico com guardanapos amarrados à cabeça.Uma sugestão. Que tal se começassem a desejar as coisas porque o povo as julga boas, tais como: acabar com o maior índice do país de prevalência e mortes causadas pela dengue (102.000 casos com 22 mortes), melhorar o sistema educacional do estado do Rio de Janeiro, considerado pelas pesquisas como o pior do Brasil, melhorar o caótico atendimento nos hospitais e por aí vai. Como não farão nada disso, faço outra sugestão. Renunciem e resgatem a dignidade que talvez um dia tenham tido.