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Relevant bibliographies by topics / Dominick LaCapra

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Journal articles
Dissertations / Theses
Book chapters

Academic literature on the topic 'Dominick LaCapra'

Author: Grafiati

Published: 4 June 2021

Last updated: 27 April 2022

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Journal articles on the topic "Dominick LaCapra"

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Paula Couto, Cristiano Pinheiro de. "Interview with Dominick LaCapra." Intellectual History Review 24, no. 2 (2014): 239–57. http://dx.doi.org/10.1080/17496977.2014.914645.

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Rothfield, Lawrence. "Soundings in Critical Theory. Dominick LaCapra." Modern Philology 89, no. 4 (1992): 632–35. http://dx.doi.org/10.1086/392029.

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Roth, Michael S. "Dominick LaCapra. History, Literature, Critical Theory." American Historical Review 119, no. 3 (2014): 841. http://dx.doi.org/10.1093/ahr/119.3.841.

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Paul, Herman. "Dominick LaCapra. Understanding Others: Peoples, Animals, Pasts." American Historical Review 125, no. 5 (2020): 1812–13. http://dx.doi.org/10.1093/ahr/rhz1120.

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KNIGHT, D. "Review. 'Madame Bovary' on Trial. LaCapra, Dominick." French Studies 39, no. 1 (1985): 91. http://dx.doi.org/10.1093/fs/39.1.91.

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Sanfelippo, Luis. "Versiones del Trauma: LaCapra, Caruth y Freud”/“Versions of the Trauma: LaCapra, Caruth and Freud." Historiografías, no. 5 (December 31, 2017): 51. http://dx.doi.org/10.26754/ojs_historiografias/hrht.201352459.

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This article sheds light on the concept of “trauma” present in some passages of the works of Dominick LaCapra and Cathy Caruth, and their debts with Sigmund Freud’s conceptions. It also examines the specific proposals of the Viennese intellectual, which can help avoid a purely descriptive use of that concept. Special attention has been paid to the way these authors conceive memory and time, and to potential uses of the concept of trauma for some historical cases.Key WordsTrauma, repression, literality, nachträglich, economic perspective.ResumenEl presente artículo examina el concepto de “traum

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Kramer, Loyd S. "Literatūra, kritika ir istorinė vaizduotė: Haydeno White'o ir Dominicko LaCapra'os literatūrinis iššūkis." Sociologija. Mintis ir veiksmas 1, no. 1 (1997): 153–58. http://dx.doi.org/10.15388/socmintvei.1997.1.6613.

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Vertimas: Kramer, Loyd S. 1989. Literature, Critisism, and Historical Imagination: The Literary Challenge of Hayden White and Dominick LaCapra. In: The New Cultural History, Berkeley, Los Angeles, London: University of California Press; 97-128.

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Cohen, Ralph. "Reply to Dominick LaCapra and Richard Harvey Brown." New Literary History 17, no. 2 (1986): 229. http://dx.doi.org/10.2307/468888.

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Bosworth, Richard. "Representing the Holocaust: History, Theory, Trauma. Dominick LaCapra." Journal of Modern History 68, no. 3 (1996): 673–74. http://dx.doi.org/10.1086/245353.

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LaCapra, Dominick. "O queijo e os vermes: o cosmo de um historiador do século XX." Topoi (Rio de Janeiro) 16, no. 30 (2015): 293–312. http://dx.doi.org/10.1590/2237-101x016030011.

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O queijo e os vermes: o cosmo de um historiador do século XX foi originalmente publicado em History & Criticism, de 1985, coletânea de ensaios de Dominick LaCapra. Abertamente polêmico, realiza uma leitura cerrada de um texto clássico da historiografia do século XX, O queijo e os vermes (1976), de Carlo Ginzburg, buscando, por aí, explicitar e problematizar certas tendências, então - e ainda -, predominantes na profissão histórica. O propósito de LaCapra é chamar a atenção dos historiadores para a necessidade de refletir sobre sua prática e desenvolver modos de interpretação mais críticos

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Dissertations / Theses on the topic "Dominick LaCapra"

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Kussman, Soosun K. "Aucun De Nous Ne Reviendra: The Journey of Working Through Trauma." Miami University / OhioLINK, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=miami1249779135.

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Read, Madeleine Erica. "Misrepresenting the Shoah in American Film." BYU ScholarsArchive, 2017. https://scholarsarchive.byu.edu/etd/7214.

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How should we, Americans, confront our complicity in reproducing the Shoah? For complicit we are, if consumerism is any metric: Steven Spielberg<'>s 1993 film Schindler<'>s List had grossed $321 million as of 2012; more than 40 million people have made the pilgrimage to the sacred US Holocaust Museum; at last count, The Diary of Anne Frank had sold 30 million copies. These numbers are stale staples in the debate over the ethics of Shoah representation, of course, but they bear out the skepticism of critics who have questioned American Holocaust consumer culture. And consumerism is only the fir

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Kussman, Soosun Kim. "Aucun de nous ne reviendra the journey of working through trauma /." Oxford, Ohio : Miami University, 2009. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=miami1249779135.

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Gunter, James Christiansen. "The Rhetoric of Violence." Diss., CLICK HERE for online access, 2008. http://contentdm.lib.byu.edu/ETD/image/etd2468.pdf.

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Bruner, Brittany. ""This, too, was myself": Empathic Unsettlement and the Victim/Perpetrator Binary in Robert Louis Stevenson's Strange Case of Dr. Jekyll and Mr. Hyde." BYU ScholarsArchive, 2017. https://scholarsarchive.byu.edu/etd/6284.

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At first glance, Strange Case of Dr. Jekyll and Mr. Hyde is a tale that reinforces binaries. One of these is the self/other binary that is central to David Hume's and Adam Smith's theories of sympathy that conceive of a self imaginatively identifying and experiencing fellow-feeling for an other. However, this notion is complicated because Jekyll and Hyde are the same person. Further, many critics argue that Stevenson actually challenges binary thinking. While Hume and Smith do not challenge the self/other binary in connection with sympathy, trauma theory critics do challenge a self/other binar

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Jeo, Noella. "Perry Smith and Josef Kavalier : historical and literary victimized victimizers /." Diss., CLICK HERE for online access, 2005. http://contentdm.lib.byu.edu/ETD/image/etd938.D4.

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(11181666), Alyssa Caroline Fernandez. "Trauma in the Syntax: Trauma Writing in David Foster Wallace's Infinite Jest." Thesis, 2021.

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<p>This project presents a case study of postmodern trauma, working at the boundaries of the humanities and computer science to produce an in-depth examination of trauma writing in David Foster Wallace’s novel <i>Infinite Jest</i>. The goal of this project is to examine the intricacies of syntax and language in postmodern trauma writing through an iterative process I refer to as <i>broken reading</i>, which combines traditional humanities methodologies (close reading) and distant, computational methodologies (Natural Language Processing). Broken reading begins with close reading, then ventures

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Book chapters on the topic "Dominick LaCapra"

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Müller, Tim B. "Der linguistic turn ins Jenseits der Sprache Geschichtswissenschaft zwischen Theorie und Trauma: Eine Annäherung an Dominick LaCapra." In Sprache der Geschichte, edited by Jürgen Trabant. De Gruyter Oldenbourg, 2005. http://dx.doi.org/10.1524/9783486594638-010.

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Horigan, Kate Parker. "“They Probably Got Us All on the News”: Unsettled Filming in Trouble the Water." In Consuming Katrina. University Press of Mississippi, 2018. http://dx.doi.org/10.14325/mississippi/9781496817884.003.0005.

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This chapter examines Tia Lessin and Carl Deal’s 2008 documentary film Trouble the Water. The filmmakers use unique documentary techniques that incorporate narrators’ engagement with the processes of their story’s publication. The film includes survivor Kim Roberts’ own footage, shot during Katrina on her handheld camera. Kim’s role as documentarian is foregrounded, and in some striking scenes she expresses her awareness about the value of her story and its likelihood of circulating among particular kinds of audiences. The filmmakers successfully integrate survivors’ own critiques of the discourses that typically represent them, and through this and other methods, create what Dominick LaCapra calls “empathic unsettlement.” However, the film’s optimistic conclusion evokes a dominant narrative of racial uplift, with a neoliberal twist that undermines the powerful work the film is otherwise performing.

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Hunt, Lynn. "Literature, Criticism, and Historical Imagination: The Literary Challenge of Hayden White and Dominick LaCapra." In The New Cultural History. University of California Press, 1989. http://dx.doi.org/10.1525/california/9780520064287.003.0005.

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4

"4. Literature, Criticism, and Historical Imagination: The Literary Challenge of Hayden White and Dominick LaCapra." In The New Cultural History. University of California Press, 2019. http://dx.doi.org/10.1525/9780520908925-006.

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