Academic literature on the topic 'Don Giovanni'

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Don Giovanni.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Don Giovanni"

1

Freeman-Attwood, Jonathan. "Don Giovanni." Musical Times 131, no. 1769 (July 1990): 375. http://dx.doi.org/10.2307/965767.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Vallet-Collot, Catherine. "Don Giovanni." Revue de la BNF 54, no. 1 (2017): 108. http://dx.doi.org/10.3917/rbnf.054.0108.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

McKee, David. "Don Giovanni." Opera Quarterly 7, no. 2 (1990): 188–89. http://dx.doi.org/10.1093/oq/7.2.188.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Jones, Mark. "Don Giovanni." Psychiatric Bulletin 14, no. 7 (July 1990): 417–21. http://dx.doi.org/10.1192/pb.14.7.417.

Full text
Abstract:
In the second of this occasional series, Mark Jones looks at Mozart and his 1788 masterpiece, Don Giovanni, and interviews Tom Sutcliffe, opera critic of The Guardian, about his views on this problematical work and its portrayal on the stage.
APA, Harvard, Vancouver, ISO, and other styles
5

Brouwers, Toon. "Don Playboy Giovanni." Documenta 25, no. 3-4 (March 28, 2019): 279–84. http://dx.doi.org/10.21825/doc.v25i3-4.10450.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

McLeod, Kenneth. "Don Giovanni (review)." Notes 62, no. 3 (2006): 781–82. http://dx.doi.org/10.1353/not.2006.0031.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

PERL, BENJAMIN. "Mozart in Turkey." Cambridge Opera Journal 12, no. 3 (November 2000): 219–35. http://dx.doi.org/10.1017/s0954586700002196.

Full text
Abstract:
The essay analyses the Turkish mode in Mozart's output, discovering some unexpected examples, particularly Don Giovanni's aria ‘Fin ch'han dal vino’, whose uncommon sonority, obsessive rhythm and harmonic poverty evoke this topos. Don Giovanni may present Turkish features because his character coincides with eighteenth-century Western European views of the Turks as a threat to the established order and inclined to reckless sensuality. The romantic view of Don Giovanni as an ideal figure may also be connected with eighteenth-century thinking about ‘orientals’ as the representatives of utopia.
APA, Harvard, Vancouver, ISO, and other styles
8

King, Alec Hyatt, and Jan Kristek. "Don Giovanni in Prague." Musical Times 128, no. 1738 (December 1987): 683. http://dx.doi.org/10.2307/964806.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Stoneham, Marshall. "Casanova and 'Don Giovanni'." Musical Times 129, no. 1748 (October 1988): 531. http://dx.doi.org/10.2307/966691.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Giovanni, Don, and Renate Schlesier. "Entretien avec Don Giovanni." Le Genre humain N�13, no. 2 (1985): 7. http://dx.doi.org/10.3917/lgh.013.0007.

Full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Dissertations / Theses on the topic "Don Giovanni"

1

Duchoň, Tomáš. "Konkurenční analýza hotelu Dorint Don Giovanni." Master's thesis, Vysoká škola ekonomická v Praze, 2014. http://www.nusl.cz/ntk/nusl-194151.

Full text
Abstract:
The Master's Thesis is focused to the issue of competitiveness in Prague four star hotel. The goal of this work is to make strategic competitior analysis, map the current trends affecting tourism and on the basis of the evaluation results to formulate proposals and recommendations to the hotel's management. This work uses the selected analytical methods to determine the future direction of the hotel and eliminating its shortcomings.
APA, Harvard, Vancouver, ISO, and other styles
2

Klitzing, Andrea. "W. A. Mozart: Don Giovanni. Arrangements - gedruckt im deutschsprachigen Raum bis 1850." Andrea Klitzing, 2020. https://slub.qucosa.de/id/qucosa%3A38046.

Full text
Abstract:
Die große, weltweite und berechtigte Aufmerksamkeit, die Wolfgang Amadeus Mozarts Don Giovanni innerhalb der Musikhistoriographie zuteil wurde, täuschte lange Zeit darüber hinweg, dass sich die frühste Form seiner Verbreitung und Appropriation im Kleinen vollzog: Im Arrangement. Bis 1850 wurden Arrangements des Don Giovanni im deutschsprachigen Raum in stetig wachsender Auflagezahl und für verschiedenste Kammermusikbesetzungen ohne Worte ediert. Andrea Klitzing recherchierte mehr als 300 Don Giovanni-Arrangements und fasste sie in einer Tabelle zusammen, welche über zahlreiche Links den Zugang zu digitalisierten Notenausgaben und historischen Rezensionen ermöglicht. Das ergänzende Buch „Don Giovanni unter Druck“ widmet sich der systematischen Erfassung, Auswertung und Kontextualisierung dieser Druckausgaben und erscheint voraussichtlich Mai 2020 bei V&R Unipress.
The global and justified attention that Wolfgang Amadeus Mozart's Don Giovanni received in music historiography has long concealed the fact, that the earliest form of its dissemination and appropriation took place on a small scale: the Arrangement. Up until 1850, arrangements of Don Giovanni were edited in the German-speaking countries in ever-increasing numbers and for various chamber music ensembles without words. Andrea Klitzing researched more than 300 Don Giovanni-arrangements and summarized them in a table with numerous links to digitized music prints and historical reviews. The book 'Don Giovanni unter Druck' (“Don Giovanni in press”) is devoted to the systematic recording, evaluation, and contextualization of those print editions. Estimated release, V&R Unipress, May 2020.
APA, Harvard, Vancouver, ISO, and other styles
3

Marty, Laurent. "1805, la création de Don Giovanni à Paris." Paris 12, 2003. http://www.theses.fr/2003PA120007.

Full text
Abstract:
La première représentation à l’Opéra de Paris du Don Giovanni de Mozart fut l’un des événements marquants de la saison 1805, car c’était la première fois qu’une oeuvre véritablement intégrale du compositeur était jouée en France. Après l’étude du contexte musical et esthétique de l’époque, cette thèse retrace l’historique de cette création, avec de nombreux documents et extraits de correspondance montrant les nombreuses réticences de l’administration et la peur des chanteurs. L’étude détaillée du livret et de la partition de la version française, en comparaison avec l’oeuvre de Mozart et Da Ponte, révèle les très nombreuses différences entre original et adaptation et permet de mieux comprendre l’esthétique musicale française du temps. Enfin, l’étude de la réception de l’oeuvre au travers de la presse française et étrangère met en évidence les réticences du public français au style de Mozart et plus généralement à la musique allemande, vus comme une atteinte au “bon goût” classique
First performance of Mozart’s Don Giovanni at the the Opera de Paris was one of the outstanding events of 1 805 season, because it was the flrst time that a truly coniplete work by this composer was played in France. After studying musical and aesthetic context of the tirne. This thesis recalls the history of this creation, with many documents and extracts of correspondence showing administration’s reserves and singers’ fear. The detailed study of French version booklet and score, in comparison with work by Mozart and Da Ponte. Reveals the very many differences between original and adaptation and makes it possible to understand better French musical aesthetics oftime. Lastly, study ofreception ofwork through French and foreign press highlights reluctance of French audience to Mozart’s style, and more generally to German music, seen to be an attack on classical “good taste’
APA, Harvard, Vancouver, ISO, and other styles
4

Tomaszewski, Mieczyslaw. "Mozarts Don Juan in Polen." Universitätsbibliothek Leipzig, 2017. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-218474.

Full text
Abstract:
Die Geschichte der Mozartrezeption entwickelte sich - und ich meine nicht nur in Polen - in mehreren Phasen. Die erste war eine feen- und märchenhafte Phase, bei der vor allem Papageno Pate stand. Die nächste Phase ist die dämonische (oder bescheidener gesagt romantische), die im Zeichen von Don Juan stand. Sie hat bei uns fast ausschließlich das 19. Jahrhundert beherrscht. Gegen Ende des Jahrhunderts kommt eine neue Phase: Mozart im Rokokostil - Mozart als Autor vom Figaro und leichter Klaviersonaten.
APA, Harvard, Vancouver, ISO, and other styles
5

Priwratzky, Markus. "Die Pädagogik Don Boscos damals und heute : ein spiritueller Heilsweg für Kinder und Jugendliche in der Postmoderne /." Hamburg : Kovač, 2005. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=017024379&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Tomaszewski, Mieczyslaw. "Mozarts Don Juan in Polen." Musikgeschichte in Mittel- und Osteuropa ; 1 (1997), S. 21-32, 1997. https://ul.qucosa.de/id/qucosa%3A15296.

Full text
Abstract:
Die Geschichte der Mozartrezeption entwickelte sich - und ich meine nicht nur in Polen - in mehreren Phasen. Die erste war eine feen- und märchenhafte Phase, bei der vor allem Papageno Pate stand. Die nächste Phase ist die dämonische (oder bescheidener gesagt romantische), die im Zeichen von Don Juan stand. Sie hat bei uns fast ausschließlich das 19. Jahrhundert beherrscht. Gegen Ende des Jahrhunderts kommt eine neue Phase: Mozart im Rokokostil - Mozart als Autor vom Figaro und leichter Klaviersonaten.
APA, Harvard, Vancouver, ISO, and other styles
7

Wates, Roye E. "«Die Oper aller Opern»: «Don Giovanni» as Text for the Romantics." Bärenreiter Verlag, 1998. https://slub.qucosa.de/id/qucosa%3A37095.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Lieberzeit, Michal. "Don Giovanni - historie díla,jeho vznik a interpretace opery ve 20.století." Master's thesis, Akademie múzických umění v Praze.Hudební a taneční fakulta. Knihovna, 2014. http://www.nusl.cz/ntk/nusl-177883.

Full text
Abstract:
The master thesis "Don Giovanni - history, its origin and interpretation in the 20th century" is dealing with an entire development of the opera and it reflects staging approaches of the 20th century. The thesis offers a brief analysis of the opera and the literary work it is based on. Furthermore it summarizes information about the origin of the work and its creators. Finally in the supplement there are cast lists of the productions of National Theatre Prague, photographs and pictures of the production in various opera houses worldwide.
APA, Harvard, Vancouver, ISO, and other styles
9

Miller, Sarah. "Reflections of the Don: Zerlina's Empowerment Narrative and the Inclusion of "Per queste tue manine" in Don Giovanni." Digital Commons @ Butler University, 2018. https://digitalcommons.butler.edu/grtheses/506.

Full text
Abstract:
After the premiere of Don Giovanni in Prague, Wolfgang Amadeus Mozart and Lorenzo Da Ponte brought their opera to Vienna on May 7, 1788. One point of interest in the Viennese version of the score is the added duet “Per queste tue manine.” In this duet, the enraged Zerlina overpowers the bewildered servant Leporello with a handkerchief, a razor, and passion. She constrains the floundering fool and punishes him for his misconduct. In most modern performances, companies look no further than the Prague version of the score. Additionally, singers often portray Zerlina as either a mischievous temptress or a virginal peasant girl. Since modern opera companies often dismiss the Viennese score of Don Giovanni as insignificant and scholars often deem the role of Zerlina as simplistic, a holistic analysis of the role of Zerlina is needed. Viewing the interpretations of her character by Kristi Brown-Montesano and Wye Jamison Allanbrook through the lens of eighteenth-century gender politics and my own musical and literary interpretations results in a more complete understanding of the peasant girl. Through an analysis of the Viennese version of Zerlina’s character, I contend that Zerlina functions as a mirror-image foil to Don Giovanni. As Zerlina gains autonomy through the control of her own body, the Don loses his power over others and eventually his own life. This multi-dimensional understanding of Zerlina’s character is only possible if “Per queste tue manine” is taken into consideration.
APA, Harvard, Vancouver, ISO, and other styles
10

Schneider, Magnus Tessing. "The charmer and the monument : Mozart's Don Giovanni in the light of its original production /." [Aarhus] : Dept. of Aesthetic Studies, University of Aarhus, 2008. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=018761392&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA.

Full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Books on the topic "Don Giovanni"

1

s, Gio rgos Koropoule. " Don Giovanni". Athe na: Agra, 1991.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
2

Koropoulēs, Giōrgos. Don Giovanni. Athēna: Ekdoseis Agra, 1991.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
3

Don Giovanni. Bratislava: Slovenský spisovateľ, 2006.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
4

Shin Kokuritsu Gekijō. Un'ei Zaidan. Don Jyovanni: Don Giovanni. Tōkyō-to Shibuya-ku: Shin Kokuritsu Gekijō Un'ei Zaidan, 2014.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
5

Brancati, Vitaliano. Don Giovanni in Sicily =: Don Giovanni in Sicilia. Leicester: Troubador Storia, 2009.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
6

Amadeus, Mozart Wolfgang. Mozart's Don Giovanni. London: A. Deutsch, 1987.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
7

Imagining Don Giovanni. New York: Atlantic Monthly Press, 2001.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
8

Amadeus, Mozart Wolfgang. Don Giovanni: Il dissoluto punito o sia Il Don Giovanni. Amsterdam: De Nederlandse Operastichting, 1988.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
9

Brancati, Vitaliano. Don Giovanni in Sicilia. Milano: Mondadori, 2002.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
10

Arias de Don Giovanni. Guatemala: F&G Editores, 2010.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Book chapters on the topic "Don Giovanni"

1

Smeed, J. W. "Don Giovanni." In Don Juan, 22–33. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003153726-2.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Kohlhaas, Peter. "Verga, Giovanni: Mastro-don Gesualdo." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_18294-1.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Glendinning, Simon. "The Everydayness of Don Giovanni." In Film as Philosophy, 94–113. London: Palgrave Macmillan UK, 2005. http://dx.doi.org/10.1057/9780230524262_6.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Schneider, Magnus Tessing. "Luigi Bassi as Don Giovanni." In The Original Portrayal of Mozart's Don Giovanni, 15–53. London: Routledge, 2021. http://dx.doi.org/10.4324/9780429281709-2.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Strauß, Manfred. "Brancati, Vitaliano: Don Giovanni in Sicilia." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_2871-1.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Schneider, Magnus Tessing. "Don Giovanni and the three women." In The Original Portrayal of Mozart's Don Giovanni, 68–97. London: Routledge, 2021. http://dx.doi.org/10.4324/9780429281709-4.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Rusbridger, Richard. "The Internal World of Don Giovanni." In Opera on the Couch, 11–24. London: Routledge, 2022. http://dx.doi.org/10.4324/9781032271408-2.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Zelechow, Bernard. "Kierkegaard, the Aesthetic and Mozart’s Don Giovanni." In Kierkegaard on Art and Communication, 64–77. London: Palgrave Macmillan UK, 1992. http://dx.doi.org/10.1007/978-1-349-22472-2_4.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Muñoz-Seca, Beatriz, and Josep Riverola. "The Creative Process: The Opera Don Giovanni." In The New Operational Culture, 162–72. London: Palgrave Macmillan UK, 2009. http://dx.doi.org/10.1057/9780230584600_17.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Schneider, Magnus Tessing. "The second finale." In The Original Portrayal of Mozart's Don Giovanni, 168–212. London: Routledge, 2021. http://dx.doi.org/10.4324/9780429281709-8.

Full text
APA, Harvard, Vancouver, ISO, and other styles

Conference papers on the topic "Don Giovanni"

1

Costa, Phillipe Cunha da. "Purple Haze vs Don Giovanni: a experiência de mashup no Pavillion 21 MINI Opera Space de Coop Himmelb(l)au." In XX Congreso de la Sociedad Iberoamericana de Gráfica Digital. São Paulo: Editora Blucher, 2016. http://dx.doi.org/10.5151/despro-sigradi2016-737.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Rodríguez Azogue, Araceli, Luis Miguel Carranza Peco, Ana Gómez Díaz, Manuela Puddu, Oliva Rodríguez Gutiérrez, and Álvaro Fernández Flores. "Proyecto Nuraghe: Estrategias para la creación de un entorno digital de convivencia internacional." In Congreso CIMED - II Congreso Internacional de Museos y Estrategias Digitales. Valencia: Editorial Universitat Politècnica de València, 2022. http://dx.doi.org/10.4995/cimed22.2022.15585.

Full text
Abstract:
El Proyecto Nuraghe es un proyecto internacional de investigación y formación arqueológica de uno de los yacimientos más importantes del suroeste de Cerdeña: el Nuraghe Candelargiu, en San Giovanni Suergiu (SU). Con el avance de los trabajos se puso de relieve la necesidad de crear una ventana común en la que poder seguir desarrollando el proyecto y hacer accesible el yacimiento, especialmente tras la pandemia del COVID que impidió la realización del curso de arqueología los dos últimos años, para así permitir una continua transferencia del conocimiento a partir de las actividades que lo caracterizan: la formación, la investigación, el intercambio cultural y la convivencia. De dicha necesidad nace “Candelargiu Virtual” como espacio interactivo integrado dentro de la web del Proyecto Nuraghe y con el objetivo de convertirse en un lugar de aprendizaje y convivencia donde se aúnen los valores que singularizan al proyecto, siendo su pilar fundamental la protección del patrimonio arqueológico a partir del trabajo colaborativo.
APA, Harvard, Vancouver, ISO, and other styles
3

Catros, S., M. Fenelon, A. Rui, K. Ross, D. Marcio, B. Angel, M. D. S. Luis, et al. "Création d’un site internet Européen de formation au sevrage tabagique." In 66ème Congrès de la SFCO. Les Ulis, France: EDP Sciences, 2020. http://dx.doi.org/10.1051/sfco/20206603002.

Full text
Abstract:
Introduction : Actuellement 208 millions de personnes consomment du tabac en Europe dont 12 millions en France. 650 000 décès sont attribuables au tabac en Europe et environ 60 000 décès par an sont imputables à cette consommation en France, ce qui en fait la première cause de décès évitable. Tous les acteurs de santé devraient être mobilisés pour lutter contre ce fléau. Le chirurgien dentiste doit se sentir concerné car il s’agit d’un enjeu général de santé publique mais aussi spécifique de santé bucco-dentaire. En effet le tabac est l’étiologie principale de certaines maladies graves de la muqueuse buccale : carcinomes épidermoïdes, leucoplasies, carcinome verruqueux (1). Le tabac est aussi un cofacteur favorisant les maladies parodontales (2). Enfin la consommation de tabac perturbe la cicatrisation après les actes de Chirurgie Orale et c’est une contre indication relative aux interventions chirurgie implantaire. Malgré ce constat, les chirurgiens dentistes restent peu impliqués dans l’accompagnement du sevrage tabagique (3). Les raisons sont probablement liées à un manque de formation et de connaissances qui limitent la mise en oeuvre du sevrage tabagique auprès de leurs patients. Pour pallier ce manque, un projet européen a été mis en place grâce à un financement du programme ERASMUS + (4). L’objectif de ce projet est de former les professionnels de santé européens au sevrage tabagique grâce à plusieurs outils. Matériels et Méthodes : Le principal outil de formation sera un site internet diffusé en langue Anglaise, Française, Italienne, Portugaise, et Espagnole. Ce site permettra de fournir un outil d’e-learning afin de promouvoir l’implication des professionnels de santé et notamment des chirurgiens dentistes dans le sevrage tabagique. Par ailleurs, un livre téléchargeable reprenant le contenu du site internet sera également diffusé. Enfin, plusieurs actions de diffusion de l’information seront menées tout au long du projet au travers de communications lors de congrès scientifiques et d’articles dans des revues professionnelles. Résultats : Le site et le livre électronique sont accessibles gratuitement à partir du lien : http://smokingcessationtraining.com/ en/home/ en langue anglaise. La version française sera publiée en ligne dans le premier semestre 2018. Le site a été réalisé sous la coordination de Rui Albuquerque (Birmingham Dental Hospital UK) avec la collaboration de Ross Keat (Birmingham Dental Hospital UK), Jean-Christophe Fricain et Sylvain Catros (Université de Bordeaux, France), Marcio Diniz Freitas (Universidade de Santiago de Compostela Espagne), Luis Monteiro (Universitaério de Ciências da Sauéde Portugal), Giovanni Lodi (Universita di Milano, Italy). Conclusions : Ce projet devrait permettre d’augmenter le niveau de compétence des utilisateurs et un certificat sera délivré à ceux qui complèteront l’évaluation en ligne. Ce projet devrait permettre d’avoir un impact éducatif en formant les chirurgiens dentistes, un impact sur la santé des patients et un impact économique en réduisant les couts sociétaux induits par le tabagisme.
APA, Harvard, Vancouver, ISO, and other styles

Reports on the topic "Don Giovanni"

1

Villanueva-Benito, I., and I. Lacasa-Mas. El uso del lenguaje audiovisual en la expansión de las artes escénicas fuera del teatro: el caso de Don Giovanni, de Mozart. Revista Latina de Comunicación Social, October 2017. http://dx.doi.org/10.4185/rlcs-2017-1217.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Villanueva-Benito, I., and I. Lacasa-Mas. The use of audiovisual language in the expansion of performing arts outside theater: Don Giovanni’s case, by Mozart. Revista Latina de Comunicación Social, October 2017. http://dx.doi.org/10.4185/rlcs-2017-1217en.

Full text
APA, Harvard, Vancouver, ISO, and other styles
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography