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Books on the topic 'Don Giovanni (Mozart)'

Author: Grafiati
Published: 12 December 2022
Last updated: 27 January 2023

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1

Raja, Michele. Don Giovanni di Mozart. Sorrento, Napoli: F. Di Mauro, 2011.

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2

Raja, Michele. Don Giovanni di Mozart. Sorrento, Napoli: F. Di Mauro, 2011.

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3

Junker, Hildegard. Wolfgang Amadeus Mozart, Don Giovanni. Altenmedingen: Hildegard Junker Verlag, 1993.

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4

Mila, Massimo. Lettura del Don Giovanni di Mozart. Torino: G. Einaudi, 2000.

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5

Mila, Massimo. Lettura del Don Giovanni di Mozart. Torino: G. Einaudi, 2000.

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6

Mila, Massimo. Lettura del Don Giovanni di Mozart. Torino: G. Einaudi, 1988.

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7

Imagining Don Giovanni. New York: Atlantic Monthly Press, 2001.

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8

Oberhoff, Bernd. Wolfgang A. Mozart, Don Giovanni: Ein psychoanalytischer Opernführer. Giessen: Psychosozial-Verlag, 2004.

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9

Don Giovanni in musica: Dall'"Empio punito" a Mozart. Venezia: Marsilio, 1991.

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10

Maragliulo, Marilena. Eros in musica: Kierkegaard e il Don Giovanni di Mozart. Casciago (Varese): M&B, 2005.

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11

Hamel, Patrice. Mozart dirige le commandeur: Mise en scène de Don Giovanni. Paris: Les Impressions nouvelles, 1992.

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12

Cantatore, Liliana. Donna Nannerl: Autobiografia e musica nel Don Giovanni di Mozart. Firenze: Atheneum, 1990.

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13

(1994), Mozart in Schönbrunn. Don Giovanni: Von W.A. Mozart, Text von Lorenzo Da Ponte. Wien: Wiener Kammeroper, 1994.

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14

Shin Kokuritsu Gekijō Unʼei Zaidan. Sendenka. Don Jovanni: Mōtsaruto : Bunkachō Geijutsusai kokusai kyōdō kōen = Don Giovanni : Wolfgang Amadeus Mozart. Tōkyō: Shin Kokuritsu Gekijō Unei Zaidan, 2000.

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15

Russell, Charles C. The Don Juan legend before Mozart. Ann Arbor: University of Michigan Press, 1993.

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16

Variazioni sul Don Giovanni: Mozart, Molière, Scott, Shakespeare e il folclore. Urbino: QuattroVenti, 1990.

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17

Un viaggio da Mozart a Dioniso: Oltre il Don Giovanni essere per divenire. Roma: Gangemi, 2001.

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18

Strukturierung und Sinn: Die dramatische Funktion der musikalischen Form in Da Pontes und Mozarts Don Giovanni. Frankfurt am Main: P. Lang, 1992.

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19

Music, sexuality and the Enlightenment in Mozart's Figaro, Don Giovanni and Così fan tutte. Burlington: Ashgate, 2012.

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20

Steptoe, Andrew. The Mozart-Da Ponte operas: The cultural and musical background to LeNozze di Figaro, Don Giovanni, and Cosi fan tutte. Oxford: Clarendon Press, 1988.

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21

Steptoe, Andrew. The Mozart-Da Ponte operas: The cultural and musical background to Le nozze di Figaro, Don Giovanni, and Così fan tutte. Oxford: Clarendon Press, 1988.

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22

Steptoe, Andrew. The Mozart-Da Ponte operas: The cultural and musical background to Le nozze di Figaro, Don Giovanni, and Così fan tutte. Oxford: Clarendon, 1990.

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23

Steptoe, Andrew. The Mozart-Da Ponte operas: The cultural and musical background to Le nozze di Figaro, Don Giovanni, and Così fan tutte. Oxford: Clarendon, 1995.

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24

Wolfgang Amadeus Mozart: Don Giovanni in der Prager Fassung von 1787 : Programmbuch der Salzburger Festspiele 1995. Salzburg: Festival Press, 1995.

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25

Conde, Teresa del. Don Giovanni: Los artistas celebran a Mozart : noviembre-enero, Sala Antonieta Rivas Mercado, Museo de Arte Modrerno, México, D.F., 1991-92. México, D.F: El Museo, 1991.

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26

López, Carolina Martín. El italiano del melodrama: Estudio lingüístico-musical de la trilogía Da Ponte-Mozart : Le nozze di Figaro, Don Giovanni, Così fan tutte. Sevilla: Universidad de Sevilla, Secretariado de Publicaciones, 2000.

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27

López, Carolina Martín. El italiano del melodrama: Estudio lingüístico-musical de la trilogía Da Ponte-Mozart : Le nozze di Figaro, Don Giovanni, Così fan tutte. Sevilla: Universidad de Sevilla, Secretariado de Publicaciones, 2000.

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28

Amadeus, Mozart Wolfgang. Mozart's Don Giovanni. London: A. Deutsch, 1987.

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29

Il teatro di Mozart: Il punto di vista dell'economia dell'arte : Il flauto magico, Il ratto del serraglio, Cosı̀ fan tutte, Le nozze di Figaro, Don Giovanni. Milano: UNICOPLI, 2006.

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30

Amadeus, Mozart Wolfgang. Don Giovanni in New York: Lorenzo da Pontes italienisch-englisches Libretto für die US-Erstaufführung von Mozarts Oper (1826) : mit dem Libretto der Oper "Mozart in New York" von Herbert Rosendorfer/Helmut Eder (1991). Anif/Salzburg: U. Müller-Speiser, 1991.

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31

Ponte, Lorenzo Da. Estratto dalla vita: Con la storia di diversi drammi da lui scritti e fra gli altri, Il Figaro, Il Don Giovanni e La scola degli amanti : musica di Mozart. Napoli: Edizioni scientifiche italiane, 1989.

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32

Ponte, Lorenzo Da. Estratto delle memorie: Con la storia di alcuni drammi da lui scritti tra i quali Il Figaro, il Don Giovanni e la La scola degli amanti messi in musica da Mozart. Milano: Il Polifilo, 1999.

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33

Ponte, Lorenzo Da. Estratto delle memorie: Con la storia di alcuni drammi da lui scritti tra i quali Il figaro, il Don Giovanni e la La scola degli amanti messi in musica da Mozart. Milano: Il polifilo, 1999.

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34

Imiela, Hans Jürgen. Slevogt und Mozart: Werke von Max Slevogt zu den Opern "Don Giovanni" und "Die Zauberflöte" : Max-Slevogt-Galerie, Schloss Villa Ludwigshöhe, 26. Mai bis 31. Juli 1991 : Landesmuseum Mainz, 8. September bis 31. Oktober 1991. Mainz: P. von Zabern, 1991.

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35

Tråvén, Marianne. Don Giovanni - Don Juan : om översättning av musikaliskt bunden text: En studie av Mozarts Da Ponte-opera Don Giovanni i sex svenska översättningar. Stockholm: Musikvetenskapliga Institution Stockholms Universitet, 1999.

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36

Tråvén, Marianne. Don Giovanni =: Don Juan : om översättning av musikaliskt bunden text : ein studie av Mozarts Da Ponte-opera Don Giovanni i sex svenska översättningar. Stockholm: Stockholms universitet, 1999.

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37

Fisher, Burton D. Mozart's Da Ponte operas: The Marriage of Figaro, Don Giovanni, Cosi fan tutte. Miami: Opera Journeys Publishing, 2007.

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38

Opera seria, opera buffa und Mozarts Don Giovanni: Zur Gattungskonvergenz in der italienischen Oper des 18. Jahrhunderts. Laaber: Laaber-Verlag, 1986.

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39

Höllerer, Elisabeth. Handlungsräume des Weiblichen: Die musikalische Gestaltung der Frauen in Mozarts Le nozze di Figaro und Don Giovanni. Frankfurt am Main: P. Lang, 2001.

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40

Kowalkowska, Iwona. Portret kobiety dojrzalej w operze buffa: Analiza porownawcza postaci Donny Eufemii z opery "Don Procopio" Georges'a Bizeta i Donny Elwiry z opery "Don Giovanni" Wolfganga Amadeusza Mozarta. Zielona Gora: Oficyna Wydawnicza Uniwersytetu Zielonogorskiego, 2004.

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41

Kowalkowska, Iwona. Portret kobiety dojrzałej w operze buffa: Analiza porównawcza postaci Donny Eufemii z opery Don Procopio Georges'a Bizeta i Donny Elwiry z opery "Don Giovanni" Wolfganga Amadeusza Mozarta. Zielona Góra: Oficyna Wydawnicza Uniwersytetu Zielonogórskiego, 2004.

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42

Infantino, Antonella. Quel Don Giovanni di Mozart... Lulu Press, Inc., 2008.

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43

Rushton, Julian. W. A. Mozart: Idomeneo. Cambridge University Press, 2012.

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44

Mozart - Don Giovanni (La Scala Opera). Opus Arte, 2004.

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45

Ponte, Lorenzo Da. Don Giovanni: Per la Musica Di Mozart. Independently Published, 2019.

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46

Rudel, Anthony J. Imagining Don Giovanni. Atlantic Books, Limited, 2001.

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47

Gilles, Cantagrel, Massip Catherine, and Reibel Emmanuel, eds. Mozart, Don Giovanni: Le manuscrit, un trésor de la BNF. Paris: Textuel, 2005.

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48

Rhythmic Gesture in Mozart: " Le Nozze di Figaro" and " Don Giovanni" . Univ.Chicago P., 1986.

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49

The Don Giovanni Moment Essays On The Legacy Of An Opera. Columbia University Press, 2008.

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50

Fritz, Hennenberg, ed. John Dew inszeniert Mozart: Die Hochzeit des Figaro, Così fan tutte, Don Giovanni. Berlin: Henschel, 1995.

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