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Dissertations / Theses on the topic 'Don Juan'

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Published: 4 June 2021
Last updated: 15 June 2025

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1

Haslett, Moyra. "Byron's "Don Juan" and the Don Juan legend /." Oxford [GB] : Clarendon press, 1997. http://catalogue.bnf.fr/ark:/12148/cb367003812.

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2

Fagan, Joshua Mills. "Projekt - Moliere : Don Juan." Master's thesis, Akademie múzických umění v Praze. Divadelní fakulta AMU. Knihovna, 2006. http://www.nusl.cz/ntk/nusl-78663.

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3

Hempel, Leonie. "Kurze Promotoren und Translationskontrollelemente steuern die Expression von Don Juan, Don Juan-Like und Min, wobei Don Juan und Don Juan-Like vermutlich funktionell redundant in der Spermiogenese von Drosophila melanogaster sind." [S.l. : s.n.], 2004. http://archiv.ub.uni-marburg.de/diss/z2004/0152/.

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4

Tomaszewski, Mieczyslaw. "Mozarts Don Juan in Polen." Universitätsbibliothek Leipzig, 2017. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-218474.

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Die Geschichte der Mozartrezeption entwickelte sich - und ich meine nicht nur in Polen - in mehreren Phasen. Die erste war eine feen- und märchenhafte Phase, bei der vor allem Papageno Pate stand. Die nächste Phase ist die dämonische (oder bescheidener gesagt romantische), die im Zeichen von Don Juan stand. Sie hat bei uns fast ausschließlich das 19. Jahrhundert beherrscht. Gegen Ende des Jahrhunderts kommt eine neue Phase: Mozart im Rokokostil - Mozart als Autor vom Figaro und leichter Klaviersonaten.
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5

Tomaszewski, Mieczyslaw. "Mozarts Don Juan in Polen." Musikgeschichte in Mittel- und Osteuropa ; 1 (1997), S. 21-32, 1997. https://ul.qucosa.de/id/qucosa%3A15296.

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Die Geschichte der Mozartrezeption entwickelte sich - und ich meine nicht nur in Polen - in mehreren Phasen. Die erste war eine feen- und märchenhafte Phase, bei der vor allem Papageno Pate stand. Die nächste Phase ist die dämonische (oder bescheidener gesagt romantische), die im Zeichen von Don Juan stand. Sie hat bei uns fast ausschließlich das 19. Jahrhundert beherrscht. Gegen Ende des Jahrhunderts kommt eine neue Phase: Mozart im Rokokostil - Mozart als Autor vom Figaro und leichter Klaviersonaten.
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6

Morini, Liliana. "Juan Moreira - Don Segundo Sombra." Florianópolis, SC, 2008. http://repositorio.ufsc.br/xmlui/handle/123456789/90982.

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Dissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão. Programa de Pós-Graduação em Literatura.<br>Made available in DSpace on 2012-10-23T17:27:19Z (GMT). No. of bitstreams: 1 256025.pdf: 812592 bytes, checksum: 71385137842789b0a0c333eb92c38944 (MD5)<br>A presente pesquisa tem por objetivo comparar dois personagens da literatura gauchesca argentina, Juan Moreira, do romance homônimo de Eduardo Gutiérrez, e Don Segundo Sombra, do romance também homônimo de Ricardo Güiraldes, obras fundamentais do fim do século XIX a primeira, e inicio do século XX a
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7

Pasold, Bernadete. "Molière's Dom Juan and byron's Don Juan: two different approaches to the same theme." reponame:Repositório Institucional da UFSC, 2013. https://repositorio.ufsc.br/handle/123456789/106087.

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Dissertação (mestrado) - Universidade Federal de Santa Catarina, Florianópolis, 1979.<br>Made available in DSpace on 2013-12-05T19:10:29Z (GMT). No. of bitstreams: 1 321724.pdf: 4164670 bytes, checksum: 8cdc01b399ddbc49b7eaa0c04b17468c (MD5)
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8

Eberhardt, Joachim. "Der Höhepunkt: Don Juan in Detmold." Allitera Verlag, 2016. https://slub.qucosa.de/id/qucosa%3A21179.

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9

Lebdušková, Petra. "J.B. Moliere: DON JUAN /komplexní scénografické řešení/." Master's thesis, Akademie múzických umění v Praze. Divadelní fakulta AMU. Knihovna, 2010. http://www.nusl.cz/ntk/nusl-79461.

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My master´s thesis is devided to four parts. The first part is about the historical, literature and original meanings about the theme Don Juan. That´s althought about the legend of Don Juan in origin and in the czech background of it. The second part is about the interpretation by the main critics, inscenators and theoreticals. That´s consider by ideas, which are important for me. Third, theoretical part compares two inscenations, which were produced in Czech Republic. The fourth part of my study is the most important, because it´s about my practical solution and conception of Don Juan. It
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10

Meyer, Michèle. "Don Juan : portrait psychanalytique d'une séduction abusive." Université Louis Pasteur (Strasbourg) (1971-2008), 2007. http://www.theses.fr/2007STR1PS08.

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Don Juan, célèbre personnage littéraire éternellement entiché, dupe les femmes. Favorablement, ses séductions leurrent l’objet phallique. Davantage, son atout aguicheur est l’éclat d’une identité sexuée spécifiquement féminine : notamment, il brille les abords de l’Autre. Assurément, l’incidence maternelle trouble la rencontre. Initialement, la séduction est une question freudienne. Nettement, c’est la théorie de la séduction de Freud qui promeut la discussion. Autrement dit, la neurotica énonce la séduction hystérique. Egalement, elle énonce les débuts d’une question toujours notable : le fém
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11

Secher, Claus. "Den moralske Don Juan : om det jødiske gennembrud i amerikansk litteratur /." Valby : Borgen, 1994. http://catalogue.bnf.fr/ark:/12148/cb392789464.

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12

Davies, Ann. "Changing gender relations in six Don Juan plays." Thesis, King's College London (University of London), 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.286599.

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13

Behr, Teresa Marie. "A Study in Translation: Max's Frisch's Don Juan." Thesis, Boston College, 2006. http://hdl.handle.net/2345/409.

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Thesis advisor: Paul Doherty<br>Thesis advisor: Michael Resler<br>This thesis is a case study of translation, based upon the translation of Max Frisch's play "Don Juan: oder, die Liebe zur Geometrie". It includes a brief overview of translation theory from the Romans to the present century, an introduction to the life and works of Frisch and post WWII Swiss literature, and a translation of the full text of the play, complete with notes and observations on the translation<br>Thesis (BA) — Boston College, 2006<br>Submitted to: Boston College. College of Arts and Sciences<br>Discipline: English<b
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14

Piveteau, Olivier Suárez Sánchez Elena. "El burlador y el santo : Don Miguel Maňara frente al mito de Don Juan /." Séville : Cajasol, obra social fundació, 2007. http://catalogue.bnf.fr/ark:/12148/cb413389632.

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15

Addison, Catherine Anne. "Adventurous and contemplative : a reading of Byron's Don Juan." Thesis, University of British Columbia, 1987. http://hdl.handle.net/2429/26947.

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This dissertation on Byron's Don Juan begins with a history and analysis of the stanza form. Since ottava rima is a two-fold structure, comprising an alternately rhyming sestet followed by an independent couplet, it encourages the expression of dialectical ideas. Byron's prosodic virtuosity uses this potential to create a multivalent tissue of tones which is essentially—and almost infinitely—ironic. A view of prosody is developed here which is unique in its perception of the poem's existence in terms of a reading that unfolds in "real time." For various reasons, "reader-response" critics have
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16

Fiorentino, Marie-Pierre. "Individualisme et conventions dans le mythe de Don Juan." Aix-Marseille 1, 1996. http://www.theses.fr/1997AIX10011.

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L'individualisme est l'ideologie fondatrice de notre societe : l'etat doit etre au service des individus, non l'inverse ( holisme ). Pourtant, on accuse d'"individualisme" ceux qui ont un comportement apparemment susceptible de leser les autres. L'individualisme est donc une valeur fondamentale reconnue dans le droit ( liberte individuelle) et un defaut (forme d'egoisme). Cette ambiguite se comprend si on admet que l'obstacle majeur a l'epanouissement de l'individu n'est pas constitue par les lois mais par les conventions. Le "mythe" de don juan (l'appellation est contestable) offre un champ d
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17

Sommer, Daniela. "Der Mythos Don Juan in Oper und Theater des 17. bis 20. Jahrhunderts." Marburg Tectum-Verl, 2008. http://d-nb.info/990322793/04.

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18

Müller-Kampel, Beatrice. "Dämon, Schwärmer, Biedermann : Don Juan in der deutschen Literatur bis 1918 /." Berlin : E. Schmidt, 1993. http://catalogue.bnf.fr/ark:/12148/cb35577696k.

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19

Gournay, Aurélia. "Don Juan en France au XXe siècle : réécritures d'un mythe." Phd thesis, Université de la Sorbonne nouvelle - Paris III, 2013. http://tel.archives-ouvertes.fr/tel-00975274.

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Né en 1630, sous la plume du moine espagnol Tirso de Molina, le personnage de Don Juan n'a cessé d'inspirer les auteurs, au point de devenir un véritable mythe littéraire. On ne saurait, désormais, l'évoquer sans mentionner quelques œuvres majeures, telles que le Dom Juan de Molière ou le Don Giovanni de Mozart. S'il est difficile de trouver, au 20ème siècle, des réécritures du scénario mythique susceptibles de rivaliser avec ces illustres noms, il est indéniable que ce dernier demeure productif. La France offre, à elle seule, des preuves de cette vitalité. En effet, l'histoire de Don Juan con
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20

Scilletta, Catherine. "La figure du commandeur dans le mythe de Don Juan." Paris 10, 1986. http://www.theses.fr/1986PA100064.

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L'étude porte sur le personnage du commandeur : ses origines, du culte des pierres au culte de la statue, le retour du mort dans les légendes. Une analyse comparée des versions montre l'itinéraire du commandeur, de sa naissance en 1630 dans la pièce de Tirso de Molina : el burlador de Sevilla y convidado de piedra, jusqu'à nos jours ; son rôle primordial dans l'histoire, les diverses interprétations de la signification de la statue, les mutations du personnage et sa substitution dans les œuvres contemporaines où il est remplacé par d'autres formes du destin<br>The research relates to the chara
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21

Hussain, Fawaz. "Les incarnations du Don Juan romantique chez Alfred De Musset." Paris 3, 1988. http://www.theses.fr/1988PA03A005.

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L'etude de la matiere de don juan et de ses metamorphoses dans l'oeuvre d'alfred de musset ne peut en aucun cas se limiter a l'analyse du poeme namouna (1832) ou du fragment en forme dialoguee un matinee de don juan (1833). Une etude de l'ensemble des oeuvres de musset revele l'omnipresence d'un schema obsessionnel, d'une serie de metaphores obsedantes. Si la conscience de l'auteur tend a varier les themes et les situations, l'imagination, comme puissance dynamique, charge les objets pour focaliser leur insertion dans le dynamisme des sensations. Alfred de musset saisit la connection entre ero
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22

McGinniss, Cecilia Jeanette. "The Author in Don Juan Manuel: Between Assertion and Exhibition." Connect to resource, 1996. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1187291105.

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23

Zembruski, Soeli Staub. "A tradução da ironia em Don Juan de Lord Byron." reponame:Repositório Institucional da UFSC, 2013. https://repositorio.ufsc.br/xmlui/handle/123456789/123074.

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Tese (doutorado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão, Programa de Pós-Graduação em Estudos da Tradução, Florianópolis, 2013.<br>Made available in DSpace on 2014-08-06T17:45:33Z (GMT). No. of bitstreams: 1 326308.pdf: 1751176 bytes, checksum: b260d009c11087f8a428dbbe282a20ba (MD5) Previous issue date: 2013<br>Abstract : The present work investigates the possibilities and implications of the translation of irony on the published parts of Don Juan by George Gordon Byron (1818-1823) in Brazil by seven Brazilian translators of distinct historical and cultur
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24

Camilo, Ana Carolina Mendes. "Representações femininas em A mulher que venceu o Don Juan /." Assis, 2019. http://hdl.handle.net/11449/181263.

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Orientadora: Maira Angélica Pandolfi<br>Banca: Ester Myriam Rojas Osorio<br>Banca: Luciana Brito<br>Resumo: Esta pesquisa tem como objetivo o estudo da obra A Mulher que venceu o Don Juan (2013), da escritora portuguesa Teresa Martins Marques, com foco nas personagens femininas. Nesse romance, há uma galeria de personagens masculinas e femininas que se unem em torno de um objetivo comum, ou seja, vencer a si mesmas, seus medos, traumas e obsessões. Os obstáculos externos são motivos que levam essas personagens a vencerem os impedimentos internos, sobretudo, as mulheres, inseridas em uma socied
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25

Malone, Kathleen S. "Byron's use of narration, aristocracy, love and war in Don Juan." Instructions for remote access. Click here to access this electronic resource. Access available to Kutztown University faculty, staff, and students only, 2004. http://www.kutztown.edu/library/services/remote_access.asp.

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Thesis ( M.A. )-- Kutztown University of Pennsylvania, 2004.<br>Source: Masters Abstracts International, Volume: 45-06, page: 2845. Typescript. Abstract precedes thesis as 1 preliminary leaf (iii ). Includes bibliographical references ( leaves [ 90-93] ).
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26

Mapes, Kathryn C. "Intimate language : the correspondence between Byron's letter's,journals and Don Juan /." Diss., ON-CAMPUS Access For University of Minnesota, Twin Cities Click on "Connect to Digital Dissertations", 2000. http://www.lib.umn.edu/articles/proquest.phtml.

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27

Bezerra, Paulo Victor [UNESP]. "Apontamentos acerca das vicissitudes da subjetividade no mito de Don Juan." Universidade Estadual Paulista (UNESP), 2011. http://hdl.handle.net/11449/97595.

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Made available in DSpace on 2014-06-11T19:29:02Z (GMT). No. of bitstreams: 0 Previous issue date: 2011-05-20Bitstream added on 2014-06-13T20:38:08Z : No. of bitstreams: 1 bezerra_pv_me_assis.pdf: 380773 bytes, checksum: f49a83c05a0a976487bb13b5c873e66d (MD5)<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)<br>O mito de Don Juan surgiu em 1630 na peça O Burlador de Sevilha e o Convidado de Pedra, escrita por Tirso de Molina. Desde então o personagem ganhou espaço no imaginário coletivo através de inúmeras releituras que o levou a ser reconhecido como um mito moderno. O o
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Bezerra, Paulo Victor. "Apontamentos acerca das vicissitudes da subjetividade no mito de Don Juan /." Assis : [s.n.], 2011. http://hdl.handle.net/11449/97595.

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Orientador: José Sterza Justo<br>Banca: Luiz Carlos da Rocha<br>Banca: José Artur Molina<br>Resumo: O mito de Don Juan surgiu em 1630 na peça O Burlador de Sevilha e o Convidado de Pedra, escrita por Tirso de Molina. Desde então o personagem ganhou espaço no imaginário coletivo através de inúmeras releituras que o levou a ser reconhecido como um mito moderno. O objetivo desse trabalho é analisar o mito de Don Juan tal como ele se expressa em obras literárias e cinematográficas, identificando as expressões da subjetividade e suas transformações ao longo desses 400 anos. Para analisar tais repre
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29

Ranocchia-Brémond, Lydie. "Le Mythe de Don Juan dans la littérature du XXe siècle." Lille 3 : ANRT, 1987. http://catalogue.bnf.fr/ark:/12148/cb375951116.

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30

Faiano, Alessia. "Metamorfosis de un mito. Don Juan en las reescrituras españolas contemporáneas." Doctoral thesis, Universitat Autònoma de Barcelona, 2020. http://hdl.handle.net/10803/670495.

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La tesi s'ha proposat analitzar les transformacions del mite de Don Joan en la narrativa, el teatre i el cinema espanyol entre els anys seixanta del segle XX i l'actualitat, amb la finalitat de perfilar les múltiples identitats que el personatge literari i, per tant, el relat mític ha assumit en el nostre temps. Així, doncs, beneficiant de les eines proporcionades per la crítica intertextual, els estudis intergenèrics i els de mitecrítica, s'ha reconstruït la història del mite de Don Joan respecte tant als seus orígens com a la seva evolució fins a l'actualitat. Centrant-nos en la producci
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31

Bukowski, Andreas. "Don Juan - Stoff und Figur : die Struktur der klassischen Fassungen und ihre Verarbeitung am Beispiel ausgewählter deutscher Bearbeitungen /." Neuried : Ars una, 2009. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=018751014&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA.

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Bukowski, Andreas. "Don Juan - Stoff und Figur die Struktur der klassischen Fassungen und ihre Verarbeitung am Beispiel ausgewählter deutscher Bearbeitungen." Neuried Ars Una, 2008. http://d-nb.info/999329162/04.

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33

Agustini, Lucas de Lacerda Zaparolli de. "Don Juan de Lord Byron: estudo descritivo das traduções, tradução, comentários e notas." Universidade de São Paulo, 2015. http://www.teses.usp.br/teses/disponiveis/8/8160/tde-01032016-161149/.

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Este trabalho de tradução e sobre tradução de Don Juan de lorde Byron pode ser dividido em duas partes: a primeira cuida das especificidades de autor, sua vida, obra, fortuna crítica, assim como o tratamento do mito de Don Juan na obra byroniana, além de um estudo descritivo das traduções de Don Juan de lorde Byron publicadas no Brasil. A segunda, compõe-se de comentários à guisa de introdução à tradução de Don Juan, e da tradução dos Cantos I, II, III e IV para a língua portuguesa, feita em versos, na mesma estrutura estrófica do original, abalizada por uma pletora de notas a respeito do text
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34

Shephard, Marion. "Mummy's boy : Don Juan in the modern Spanish and Spanish-American novel." Thesis, Birkbeck (University of London), 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.271032.

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The four main thesis novels are Alas's La Regenta (1884), Gald6s's Fortunata y Jacinta (1886-7), Puig's Boquitas pintadas (1969) and Cabrera Infante 's La Habana para un infante difill1to (1979). Specific criteria for the Don Juan novel are drawn up and seducers not fulfilling the prerequisites of the attractive, vain, sexually potent, deceitful and diabolically impious Don Juan rejected. Classical literature ( myths of Zeus, satyr stories, Ovid's AI'S AlI1atoria) and early Spanish ballads concerning irreverent gallants are posited as influences on the Don Juan legend. The two key plays are Ti
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35

Bersett, Jeffrey Thomas. ""El Burlado de Sevilla" : nineteenth-century theatrical appropriations of "Don Juan Tenorio /." Newark : J. de la Cuesta, 2003. http://catalogue.bnf.fr/ark:/12148/cb39276193z.

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Piveteau, Olivier. "Don Miguel Mañara à l'épreuve de Don Juan : un gentilhomme sévillan du XVIIe siècle entre histoire, légende et littérature." Paris 4, 2003. https://acces.bibliotheque-diderot.fr/login?url=https://doi.org/10.15122/isbn.978-2-8124-4416-6.

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Authentique figure historique, Miguel Mañara (1627-1679) est un gentilhomme sévillan à la jeunesse sans histoire qui s'est rendu célèbre par son œuvre caritative et sa réputation de sainteté. Parallèlement au discours hagiographique suscité par sa cause de canonisation, s'est élaboré un cycle de légendes faisant de lui l'archétype du jeune insouciant converti à la faveur de spectaculaires avertissements de la Providence. S'inspirant librement de ce modèle dans Les Âmes du Purgatoire (1834), Prosper Mérimée a fait de lui un personnage de littérature et favorisé, par la création du personnage hy
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Ghionzoli, Giulia [Verfasser]. "Diesseits des Don Juan-Mythos : Zwischen Immunisierungsdynamiken und Affirmation des Lebens / Giulia Ghionzoli." Frankfurt a.M. : Peter Lang GmbH, Internationaler Verlag der Wissenschaften, 2019. http://d-nb.info/1187620157/34.

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38

Ribeiro, Lilian dos Santos Silva. "Don Juan e a construção de um mito em \'El burlador de Sevilla\'." Universidade de São Paulo, 2007. http://www.teses.usp.br/teses/disponiveis/8/8145/tde-31012008-103723/.

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O presente trabalho visa delimitar quais os fatores os fatores constitutivos da peça El burlador de Sevilla, tanto do ponto de vista histórico -- isto é, os fatores sociais, políticos e religiosos --, quanto do ponto de vista da estrutura literária -- relacionados à forma artística em que os primeiros ganham forma --, e o modo como esses fatores se relacionam na composição do mito que sustenta o enredo da obra.<br>The present work intents to delimitate what are the containing factors from the play El burldor de Sevilla, by the historic view -- social, politics and religious facts -- as well as
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39

Robova, Antoaneta. "Figures mythiques dans le roman contemporain francophone." Thesis, Clermont-Ferrand 2, 2012. http://www.theses.fr/2012CLF20024.

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La thèse a pour objectif l’étude comparative des avatars de trois figures mythiques – Don Juan, Ulysse et Jason – dans le roman contemporain francophone. La première partie « Art donjuanesque et art romanesque. Le libertinage kundérien » aborde la genèse du paradigme donjuanesque kundérien réactualisant les gestes du burlador baroque ainsi que les métamorphoses et expériences romantiques, modernes et postmodernes du patron mythique évoluant vers une posture distanciée et critique. Dans la deuxième partie « Variations romanesques sur héritage mythique. Avatars et aventures de Don Juan et d’Ulys
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40

González, González Enrique. "El arcediano de México don Juan Negrete (siglo xvi): entre el oficio y la disipación." Pontificia Universidad Católica del Perú, 2013. http://repositorio.pucp.edu.pe/index/handle/123456789/121815.

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In 1541 Doctor Juan Negrete arrived in Mexico, the first lay professor of theology, and who was also named the archdeacon of the new cathedral. Twelve years later he participated as the first rector in the inauguration of the Royal University of Mexico, and a few months before he died in 1555 he also taught theology there. Several documents relating to Negrete, many of them unpublished, reveal the internal difficulties which the first bishop and the cathedral chapter experienced as they attempted to lay the basis for the secular aspects of the church. Negrete, instead of being a factor of cohe
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Goloubinova-Cennet, Ekaterina. "Le mythe de Don Juan dans la littérature russe des XIXe et XXe siècles." Clermont-Ferrand 2, 2007. http://www.theses.fr/2007CLF20010.

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La recherche porte sur les modalités de l'introduction du mythe donjuanesque et de son fonctionnement dans le domaine russe. L'arrivée tardive de l'histoire du héros sévillan dans le domaine littéraire russe avec l'"Invité de Pierre" de Puskin, ainsi que le caractère dominant de l'influence que celui-ci produit sur les textes donjuanesques russes postérieurs, conditionnent le caractère original et authentique de son parcours qui privilégie une évolution homogène et structurée, déterminée par l'existence du noyau central : de l'hypotexte pouchkinien. La comparaison des différents éléments qui m
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Avkhimovich, Irina S. "Lord Byron's critique of despotism and militarism in the Russian Cantos of Don Juan." Diss., Columbia, Mo. : University of Missouri-Columbia, 2008. http://hdl.handle.net/10355/6680.

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Thesis (M.A.)--University of Missouri-Columbia, 2008.<br>The entire dissertation/thesis text is included in the research.pdf file; the official abstract appears in the short.pdf file (which also appears in the research.pdf); a non-technical general description, or public abstract, appears in the public.pdf file. Title from title screen of research.pdf file (viewed on August 22, 2008) Includes bibliographical references.
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Santucci, Isabella Cristina Stangherlin 1988. "O donjuanismo de Stendhal : a figura de Don Juan na construção do "romantismo" stendhaliano." [s.n.], 2013. http://repositorio.unicamp.br/jspui/handle/REPOSIP/270069.

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Orientador: Marcos Antônio Siscar<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem<br>Made available in DSpace on 2018-08-23T15:09:48Z (GMT). No. of bitstreams: 1 Santucci_IsabellaCristinaStangherlin_M.pdf: 1947248 bytes, checksum: a55952ad63ed1c55a1055229aa8d2f54 (MD5) Previous issue date: 2013<br>Resumo: Em 1789 um novo século se impôs ao mundo. Das Luzes à Escuridão, o homem francês tornou-se apenas homem. O medo, o silêncio e o tédio invadiam o coração de uma sociedade. O sublime, ou o grotesco, como diria Victor Hugo, inevitavelmente levar
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Bouzalmate, Alhoucine. "L'engagement technique, social et personnel de Juan Goytisolo dans "Reivindicacion del conde Don Julian"." Bordeaux 3, 1985. http://www.theses.fr/1985BOR30045.

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Bouzalmate, Alhoucine. "L'Engagement technique, social et personnel de Juan Goytisolo dans "Reivindicacion del Conde Don Julian"." Lille 3 : ANRT, 1986. http://catalogue.bnf.fr/ark:/12148/cb375945201.

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Leinenbach, Trenton Robert. "Manfred, Don Juan, and the Romantic Tragedy of the Subject." BYU ScholarsArchive, 2016. https://scholarsarchive.byu.edu/etd/6226.

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While the Romantic lyric has long been understood as an exploration of human subjectivity, the era's dramatic works have been viewed as more oriented toward objective or mimetic representation. As such, scholarship on Romantic subjectivity from Harold Bloom to Andrea Henderson has bypassed dramatic and quasi-dramatic explorations of subjectivity. These explorations, however, add to the conversation about subjectivity in powerful ways by addressing the paradoxes of mimetically representing subjectivity. These difficulties spring from a question that surrounds mimetically represented subjectivit
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Westerlund, Anna. "Le personnage de Don Juan : Étude de la comédie de Molière et de l'opéra de Mozart." Thesis, Karlstad University, Faculty of Arts and Education, 2007. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-902.

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Bagabas, Omar Abdullah. "Byron's representation of the Orient in 'Childe Harold's Pilgrimage', 'Don Juan', and 'The Oriental Tales'." Thesis, University of Essex, 1993. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.334543.

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NASCIMENTO, ANGELI ROSE DO. "RÉFLEXIONS À PROPOS DES EXPÉRIENCES DE LECTURE ET QUELQUES CONTRIBUTIONS DU MYTHE DE DON JUAN." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2007. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=10338@1.

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PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO<br>Cette thèse présente les résultats partiels de l`analyse en cours qui permet la continuité des recherches à propos d’expériences de lecture, déjà développées en études précédentes. D`après des études spécifiques du mythe littéraire de Don Juan et la version italienne du personnage Don Gioavanni, présenté en versions contemporaines de la langue portugaise, dans le roman brésilien O Burlador de Sevilha, de João Gabriel de Lima en texte dramatique Don Giovanni, Le dissolu acquitté, de José Saramago et pris en compte l`étude du philosoph
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Fraga, Yoli Mariano Nicolás. "La escritura como exploración de la consciencia: las enseñanzas de don Juan, de Carlos Castaneda." Tesis, Universidad de Chile, 2007. http://repositorio.uchile.cl/handle/2250/135875.

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Memoria para optar al título de Periodista<br>El ser humano olvidó que puede evocar lo esencial. En los rostros de la ciudad, la ansiedad de quienes van de un lado a otro buscando soluciones, evidencia que ya no logran detenerse donde estén para dar espacio a la tregua que surge de su propio interior. La atracción por la gravedad es fatal, cejas caídas como hojas de otoño y miradas ancladas en charcos que reflejan el cielo gris. Lo inexplicable ya no invade las calles con aura misteriosa, ahora es un mendigo desilusionado que duerme siestas cubierto por diarios. Nos abrigamos cada vez más, y
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