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1

Understanding Donald Barthelme. University of South Carolina Press, 1990.

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2

Donald Barthelme: An exhibition. Duke University Press, 1991.

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Donald Barthelme, postmodernist American writer. Edwin Mellen Press, 2001.

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4

Berkemeier, Christian. "Inverted commas": Donald Barthelme als Parodist. Verlag Die Blaue Eule, 2003.

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5

Gervais, Bertrand. Donald Barthelme: Critique de la vie quotidienne. Belin, 2002.

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Hiding man: A biography of Donald Barthelme. St. Martin's Press, 2008.

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7

Donald Barthelme: The genesis of a cool sound. Texas A&M University Press, 2001.

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8

Roe, Barbara L. Donald Barthelme: A study of the short fiction. Twayne Publishers, 1992.

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9

Schwerdtfeger, Barbara. Ethics in postmodern fiction: Donald Barthelme and William Gass. Winter, 2005.

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10

Donald Barthelme als postmoderner Erzähler: Poetologie, Literatur und Gesellschaft. P. Lang, 1991.

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11

Barthelme, Donald. Not-knowing: The essays and interviews of Donald Barthelme. Random House, 1997.

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12

The shape of art in the short stories of Donald Barthelme. Louisiana State University Press, 1985.

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13

Interpreting radical metaphor in the experimental fictions of Donald Barthelme, Thomas Pynchon, and Kathy Acker. Edwin Mellen Press, 2002.

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14

Semrau, Janusz. American self-conscious fiction of the 1960s and 1970s: Donald Barthelme, Robert Coover, Ronald Sukenick. UAM, 1986.

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15

American self-conscious fiction of the 1960s and 1970s, Donald Barthelme, Robert Coover, Ronald Sukenick. Wydawn. Nauk. Uniwersytetu im. Adama Mickiewicza w Poznaniu, 1986.

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16

Barthelme, Donald. The teachings of Don B.: Satires, parodies, fables, illustrated stories, and plays of Donald Barthelme. Turtle Bay Books, 1992.

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17

Rethinking postmodern subjectivity: Emmanuel Levinas and the ethics of referentiality in the work of Donald Barthelme. Lang, 2009.

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18

Sakrajda, Mira. Postmodern discourses of love: Pynchon, Barth, Coover, Gass, and Barthelme. Peter Lang, 1997.

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19

Wirklichkeitsbezug und metaliterarische Reflexion in der Kurzprosa Donald Barthelmes. P. Lang, 1986.

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20

Bloom, Harold. Donald Barthelme. Chelsea House Pub (L), 1994.

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21

Donald Barthelme. Tapes for Readers -Audio, 1986.

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22

Couturier, Maurice, and RÉgis Durand. Donald Barthelme. Routledge, 2019. http://dx.doi.org/10.4324/9780429325267.

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23

Klinkowitz, Jerome. Donald Barthelme. Duke University Press, 1991. http://dx.doi.org/10.1215/9780822381693.

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24

Klinkowitz, Jerome. Donald Barthelme: An Exhibition. Duke University Press, 1991.

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25

Barthelme, Donald. Teachings of Donald Barthelme. Random House Value Publishing, 1995.

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26

Fiction, Review of Contemporary. Donald Barthelme/Toby Olson. Dalkey Archive Press, 1993.

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27

1947-, Patteson Richard F., ed. Critical essays on Donald Barthelme. G.K. Hall, 1992.

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28

Daugherty, Tracy. Hiding Man: A Biography of Donald Barthelme. Picador, 2010.

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29

Barthelme, Donald. Not-Knowing: The Essays and Interviews of Donald Barthelme. Vintage, 1999.

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30

Dooner, Richard Anthony. Repetition in postmodern fiction: The works of Kathy Acker, Donald Barthelme and Don DeLillo. 1993.

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31

deZwaan, Victoria Frances. Postmodern pirates: Metaphoric experiments in the novels of Donald Barthelme, Thomas Pynchon, and Kathy Acker. 1996.

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32

Barthelme, Donald. The Teachings of Don B.: Satires, Parodies, Fables, Illustrated Stories, and Plays of Donald Barthelme. Counterpoint, 2008.

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33

Ladyga, Zuzanna. The Labour of Laziness in Twentieth-Century American Literature. Edinburgh University Press, 2019. http://dx.doi.org/10.3366/edinburgh/9781474442923.001.0001.

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The Labour of Laziness in Twentieth-Century American Literature focuses on the issue of productivity, using the figure of laziness to negotiate the relation between the ethical and the aesthetic. This book argues that major twentieth-century American writers such as Gertrude Stein, Ernest Hemingway, John Barth, Donald Barthelme and David Foster Wallace provocatively challenge the ethos of productivity by filtering their ethical interventions through culturally stigmatised imagery of laziness. Ladyga argues that when the motif of laziness appears, it invariably reveals the underpinnings of an e
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34

Postmodern Discourses of Love: Pynchon, Barth, Coover, Gass, and Barthelme (Studies in Literary Criticism and Theory). Peter Lang Pub Inc, 2005.

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35

Curtis, Cathy. Portraits as Moments and Memory. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190498474.003.0008.

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While emphasizing a sympathetic view of her sitters’ individuality, Elaine often revealed personality-shaping forces of turmoil and discontent. Her subjects included Bill, Harold Rosenberg, Thomas Hess, Merce Cunningham, Edwin Denby, Donald Barthelme, Alex Katz, Frank O’Hara, Pelé, and, most famously, John F. Kennedy. She based her “gyroscope men” on a book by psychologist Rollo May about repressed men unable to change. Her “faceless” sitters included O’Hara, easily identifiable by his characteristic posture. Other portraits with missing facial features, all of men she knew well, may have been
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36

Trussler, Michael Lloyd. Multiple voices: the short fiction of Donald Bartheleme and Raymond Carver. 1993.

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